#mike chapman
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limoncheg · 3 months ago
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disneytva · 3 months ago
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NICE TO PEAT YOU! Pliny dislodges a naturalist from a bog and joins him on a journey of discovery.
The episode marks the return of The Brothers Chaps to Disney TVA in the creative side since their short series "Two More Eggs" for Disney XD. They where also where writters in "Gravity Falls" & "Wander Over Yonder". Additionaly have done voice acting gigs for "Star Vs. The Forces Of Evil", "Pickle And Peanut" and "The Owl House" Also created something called "Homestar Runner"... huh wonder what that is?
Kayvan Novak (FX "What We Do in the Shadows") guest stars as Thurst. "Unquenchable Thurst" NOW available on Disney Channel and streaming Spring on Disney+.
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dailyhomestarfacts · 9 months ago
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Fact 43:
The dream Strong Bad had about "The United States in tight, White Brand underdrawers" in sbemail weird dream was actually a real dream that Mike Chapman had
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musicmags · 1 year ago
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radwolf76 · 2 months ago
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Homestar Runner at 25
As anyone who followed my FLASHBack series of essays years ago could tell you, I never really followed Homestar Runner, but was aware enough of their megahits that broke containment. And that was back when they were big.
So for this announcement that dropped yesterday about the homestarrunner.com website, I can't actually tell you if the website was gone and they brought it back, or if they just gave it a fresh update for the 25th anniversary, but either way, we get a new Homestar and Strong Bad duet out of it.
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And all the old Flashes on the website have been converted to the Ruffle emulator, preserving all those old clickable Flash Easter Eggs that the YouTube conversions can't properly recreate.
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heavypedia · 5 months ago
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Lançado em 2 de fevereiro de 1988, Lita é o terceiro álbum de estúdio de Lita Ford. Com composições em parceria com Nikki Sixx e Lemmy Kilmister, o disco traz faixas como "Broken Dreams", "Kiss Me Deadly" e a balada "Close My Eyes Forever", um dueto com Ozzy Osbourne. O álbum alcançou a 29ª posição na Billboard 200.
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st4-bby · 2 years ago
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everybody!
finally got around to drawing him after like several months, and whaddya know, it’s way better than my previous attempts from a while back!
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rolandrockover · 7 months ago
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Blitzdream
I had actually devised a sweet hit and run strategy for Cadillac Dreams, just because it seemed most convenient to me to say as few words as possible about this song I never cared about too much from Hot in the Shade (1989), the Kiss album that I never really counted among my very favorites.
Actually.
But actually actually, my least favorite songs have always turned out to be the best templates for the more interesting spontaneous trains of thought, and here we are once again.
Despite the stylistic diversity on Hot in the Shade, but also the mediocrity spread over long stretches, Cadillac Dreams always formed a foreign body in my eyes, not only on this album, but within the entire Kiss katalog. In much the same way that Rock This Town (1980) by the Stray Cats would be totally out of place on a Kiss klassik like Love Gun (1977), or any other Kiss album. It's that Rockabilly thing that turns it off, right from the first note.
And I don't even necessarily think it's a bad song, just some kind of anomaly, even more than a song like Odyssey (1981) could ever be regarded to be, because Kiss have certainly been no strangers to pompous musicals since Destroyer (1976) (1).
Yet, just imagine if the original line-up had never split up in the early 80s, but had still taken off the make-up, and probably due to the fact that Peter Criss was still in the band as the drummer, would never have switched to contemporary Metal, but would in all probability have simply continued to move around in other areas of rock like a couple of gypsies, one of which, rockabilly rock, could have turned out to be quite conceivable. If an entire album, or an album with several songs in this subgenre, had been created from this idea, then, under this circumstance, and only under this circumstance, yes, then Cadillac Dreams would have been an even a more than acceptable Kiss song.
So much for that.
And well, what more could someone like me do with this song, except perhaps briefly point out a small mannerism that it shares with the quantum leaps better known and almost bursting with energy piece of glam rock by The Sweet that goes by the name of Ballroom Blitz (1973).
So, if you were to simply run both of those choruses through your head, what would be the first thing you might notice? Exactly, that small but crucial repetition at the end of the last lines. While this is the tremendously memorable refrain standard for The Sweet, it only occurs once for Kiss. But hey, once is better than never, and after all, I take all that I can get.
Rhythmically, however, Cadillac Dreams doesn't quite move in the same realms as the light-footed urge of Ballroom Blitz (of which one could assume the drummer was on an exclusive coffee diet), but still keeps you on your toes enough to not lose touch and at least stay close to it; somewhere very close to the battle cry and intro of Do You Remember Rock and Roll Radio (1980) (2) by everyone's good old friends the Ramones.
Even if these are all aspects that should not be considered irrevocably repulsive, I would nonetheless like to leave my usual snippy final phrase more or less to Bruce Kulick.
Didn't even he categorically reject his guitar services at the time and suggest that Gene should take them into his own hands?
Side Note:
(1) And we will also be getting to the bottom of this issue in the near future.
(2) Yes, Kiss covered that one later, even much later, for a Ramones tribute sampler. Kover it Up will cover it, just a little later.
Of course, one could also argue that Cadillac Dream's horn section could suggest the production of a Phil Spector.
The links are highlighted and not highlighted. Just klick on them and get happy:
Cadillac Dreams (1989)
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Ballroom Blitz (1973)
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Do You Remember Rock 'n' Roll Radio? (1980)
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lesserknownhusbands · 2 years ago
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mymelodic-chapel · 1 year ago
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Suzi Quatro- Suzi Quatro (Glam Rock, Hard Rock) Released: October 1973 [Rak Records] Producer(s): Mike Chapman, Nicky Chinn
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odk-2 · 2 years ago
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Suzi Quatro - Lipstick (1980) Mike Chapman / Nicky Chinn from: "Rock Hard" (LP) "Lipstick" / "Woman Cry" (Single)
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"Borrows" Liberally from Van Morrison's "Gloria" and The Angels' "My Boyfriend's Back"
JukeHostUK (left click = play) (320kbps)
Album Personnel: Suzi Quatro: Lead Vocals / Bass Guitar / Organ Len Tuckey: Lead Guitar / Backing Vocals Jamie Crompton: Guitar Dave Neal: Drums
Backing Vocals: Andrea Robinson Linda Lawley Michael Des Barres Paul Delph Sue Richman
Produced by Mike Chapman
Album Recorded: @ United Western Studios in Hollywood: California USA June 18, 1980 - July 3, 1980
Album Released: October, 1980 Dreamland Records
US Single Released: January, 1981 UK Single Released: on May 1, 1981 Dreamland Records
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aboutpluckingtimes · 4 months ago
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APT. - ROSÉ, Bruno Mars
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citizenhullabaloo · 11 months ago
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Smash, Pass, Trash: Parallel Lines by Blondie
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Disclaimer: Completely subjective opinion! Remember that before you bully me 😦
Pros?
The iconic album cover. The fierceness and calmness of Debbie Harry’s vocals. Chris Stein’s guitar riffs!!! “Heart of Glass” and “One Way Or Another” are pivotal songs for us to dissect and appreciate in this timeline. The band became pop legends because of this record (and because of their producer, Mike Chapman).
Cons?
The only thing that surprised me was that two of the singles were the only ones that carried any sense of enjoyment for me. It’s too… happy-go-lucky for me.
Afterthoughts?
One word to describe my expectations: Disappointed. This was the record that made them huge. This was the record I’ve seen around when Blondie was mentioned amongst people online. This was the record that had the only songs of Blondie that I knew and CARED about… and yet, I was just sad that I didn’t get into the other songs as much. I love “11:59” as a deep cut, and it’s one of my favorite songs off that record, but the other singles off the record are just… not it for me.
The fact that one of my other favorite songs, “Hanging On The Telephone”, is a COVER? (I never knew until doing the deep dive) I felt so betrayed. I thought these guys were writing their OWN shit. 😦
Rating Scale: Smash, Pass, or Trash
Rating: Sad Pass
I can remember some key riffs and melodies off this record, but it genuinely isn’t my vibe. I did some math and the members were around 31-33 or so when they made this record. The one thing that makes me happy about this record is that I’m writing better music at a younger age compared to them at that time LOL.
3.5 / 5 (Based off my The Music Checklist)
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musicmags · 4 months ago
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sunset-supergirl · 1 year ago
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Happy birthday Mike Chapma
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inevitablemoment · 6 months ago
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What Your Favorite Michael J. Fox Character Says About You
(No hate intended, I love all of these characters. I'm just having a little fun based off of this video that I found.)
Marty McFly - You're choosing the safest option. Maybe a little bit overrated, but it's still a good one.
Jamie Conway - Is this one your favorite because it's good, or are you just really horny?
Alex P. Keaton - ALRIGHT! WE GET IT! YOU LIKE THIS ONE!
Milo Thatch - This may not be everyone's favorite, but it's yours, and you're totally chill with that.
Mike Flaherty - You're into the Classics.
Seamus McFly - You're old.
Danny McTeague - You're really old. Your social security number is 2.
Brantley Foster - You are one pretentious hipster.
Stuart Little - Officer, it's this one! Right here!
Joe Rasnick - Oh, you're cool. I like you.
Maxwell Eriksson - No way! You actually know that one? Can we be friends?
Scott Howard - This one's just a phase; you'll grow out of it when you grow up.
Marty McFly Jr. - You will never grow up.
Mikey Chapman - Oh, you picked this one to be different. How clever.
Mike Henry - If you chose this one, you are a liar. This is no one's favorite.
Frank Bannister - If you chose this one, you are correct. This is the best one.
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