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nocontextspiderman · 2 months ago
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Spidey Super Stories #41 (1979)
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jazzplusplus · 1 year ago
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singeratlarge · 1 year ago
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SUNDAY MATINEE MUSIC VIDEO: “The Standard” https://www.youtube.com/watch?v=qNcfBR_Rm0k —Think Caribbean—Time is relaxed. Sun is friendly. Imagine singing this song on a colorful beach, birds swirling around, and waves lapping the sand. I’ve done several music gigs around the Caribbean, and I never dreamed I’d enjoy it there so much. This song takes my head into that zone. It’s from the Word2Soul Project, a gospel/neo-soul/pop assembly envisioned by lyricist Amy Mintzer. She hired me to produce demos with the goal of shopping a publishing deal. The demos turned out so well that DJs started airing them. People got excited! W2S became a series based on the templates of albums by Quincy Jones and the Alan Parsons Project—where producers created songs then used a panel of singers to interpret the songs. “The Standard” describe an immovable bottom line “standard”: A lifeline of God’s love and strength being there for me no matter how crazy I get or how life tests me. It has an upbeat island/Afro-pop vibe, and I was pleased with my keyboard work (mixed by Tim Breon).
https://www.youtube.com/watch?v=qNcfBR_Rm0k        
#standard #love #god #jesus #gospel #gospelpop #caribbean #islandmusic #soca #afropop #neosoul #quincyjones #alanparsonsproject #upbeat #beach #CCM #contemporarychristianmusic #keyboards #williamsport #williamsportpa #pennsylvaniamusic #word2soul #johnnyjblair #singeratlarge #amymintzer
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sheltiechicago · 1 year ago
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Amore | Mixed Media | 24×40
Pearl Mintzer
Life Is A Party CELEBRATE LIFE, LOVE, LAUGHTER AND JOY
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World Time | Mixed Media | 30×40
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Forgotten Toys | Mixed Media | 38×36
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Bring In The Clowns | Mixed Media | 30×40
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renatofilomena · 1 year ago
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Dave Stryker Trio w/ Bob Mintzer - Groove Street
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draculasguidetoromania · 2 years ago
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Jazz Syndicate Festival - 9-12 November, Bucharest
Jazz Syndicate Festival - 9-12 November, Bucharest
View this post on Instagram A post shared by One Club Bucharest (@oneclubbucharest) Lineup: Kenny Garrett, Avishai Cohen, Yellowjackets, James Carter Organic Trio, Michael Mayo, Luiza Zan, Sorin Zlat Trio Schedule by day James Carter – 9 November Kenny Garett – 10 November Avishai Cohen – 11 November YellowJackets – 12 November 
and more! Access their facebook for more –

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a-suspicious-lack-of-bagel · 1 year ago
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"List 5 things that make you happy, then put this in the askbox for the last 10 people who reblogged something from you! get to know your mutuals and followers (à„‚â€ąâ€§ïżœïżœâ€ąà„‚â‘…)♡" Thanks to @daydream-dryad-13, @dorianbrightmusic, and @0rchidrose for sending me this! I'll also be tagging rather than leaving in askboxes so I can better keep track of who I've sent it to.
When someone lets me know about something they think is interesting - this can be something as small as "hey look at this cool rock I found", or it can be someone explaining a topic they're interested in in considerable depth. i LOVE it when all you amazing people share interesting things with me!
People responding to stuff i've put out in the world - whether that's a "you ok?" after a vent, or a "ooh that reminds me of this!" after a blurble, or a "but hear me out, what if this" after an idea - you're telling me that a REAL PERSON not only LISTENED but JOINED IN??!? amazing.
I have recently discovered that there's a gluten-free French bakery about 15min walk from my house, and i am DELIGHTED. you're telling me there's this dude who heard we can't eat croissants, and not only did he go "damn that sucks" he went and STARTED AN ENTIRE BAKERY ABOUT IT??!? and there's sourdough?! which i haven't got to try yet cos it's only baked a few times a week and it sells fast and i'm busy but there are also ham and cheese croissants. which are ABSOLUTELY DELICIOUS??!? granted, i am still suspiciously lacking in bagels specifically but I GET TO EAT CROISSANTS AGAIN AND THEY ARE DELICIOUS. this is a VERY good thing and i am VERY happy about it!
Bob Mintzer's piece Computer. The computer-y sections pop and bounce just like the inside of my brain and it's SO fun; and the opening chords never fail to bring a smile to my face. (It's now stuck in my head, which i'm looking forward to enjoying for the rest of the day!)
Silly bad jokes/puns. When someone gets me with the 'hi X, i'm name' or similar - like, fuck you (on principle) but I love it. and when i get someone in a similar way - it's just so good! another one that always amuses me is "where's my fucking [item]?" "over there next to your regular [item]" - you understand the style? yeah.
there are many other things that make me happy (singing, in general; for one) but those are 5 specific examples that came to mind! now, for the 10 people who've reblogged me most recently that haven't sent me this yet: @atimewillcomeforsinging @musicalyikes @chilly-moss @mac-attac @verycisdragon @amastelaire @astronomical-bagel @most-definitively-a-human @thefairfeline and 1 other who I can't seem to tag, so I'll leave it in their askbox instead! And anyone else that would like to join - what makes you happy, you amazing people?!
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projazznet · 8 months ago
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Peter Erskine – Transition
Acoustic Bass – Marc Johnson Drums, Synthesizer – Peter Erskine French Horn – Peter Gordon Guitar, Guitar Synthesizer – John Abercrombie Piano, Synthesizer – Kenny Werner Synthesizer – Don Grolnick Tenor Saxophone – Bob Mintzer Tenor Saxophone, Soprano Saxophone – Joe Lovano
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jpbjazz · 7 months ago
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LÉGENDES DU JAZZ
PETER ERSKINE, UN BATTEUR POLYVALENT
NĂ© le 5 juin 1954 à Somers Point, au New Jersey, Peter Erskine a commencĂ© Ă  jouer de la batterie Ă  l’ñge de quatre ans. AprĂšs avoir frĂ©quentĂ© l’Interlochen Arts Academy au Michigan, Erskine avait Ă©tudié les percussions Ă  l’UniversitĂ© d’Indiana sous la direction de George Gaber.
DÉBUTS DE CARRIÈRE
Erskine a amorcĂ© sa carriĂšre professionnelle en 1972 comme membre de l’orchestre de Stan Kenton. Quatre ans plus tard, Erskine s’était joint au groupe de Maynard Ferguson. AprĂšs ĂȘtre entrĂ© dans le groupe Weather Report en 1978, il s’était installĂ© Ă  Los Angeles. Erskine avait enregistrĂ© cinq albums avec le groupe, dont 8.30, qui lui avait mĂ©ritĂ© son premier prix Grammy. Le partenariat d’Erskine avec la rĂ©vĂ©lation de la basse Ă©lectrique Jaco Pastorius avait d’ailleurs Ă©tĂ© un Ă©lĂ©ment essentiel du succĂšs du groupe. Erskine avait aussi travaillé plus tard avec le groupe Word of Mouth de Pastorius. 
Durant son sĂ©jour Ă  Los Angeles, Erskine avait Ă©galement collaborĂ© avec Freddie Hubbard, Joe Henderson, Chick Corea, Bobby Hutcherson, Joe Farrell et George Cables. Erskine s’était installĂ© par la suite Ă  New York oĂč il avait travaillĂ© durant cinq ans avec le groupe Steps Ahead composĂ© de Michael Brecker, Mike Mainieri, Eddie Gomez et Eliane Elias. Il avait aussi collaborĂ© avec John Scofield, Bill Frisell et Marc Johnson dans le cadre du groupe Bass Desires, le  John Abercrombie Trio et le Bob Mintzer’s Big Band.
MĂȘme s’il vivait Ă  Los Angeles depuis 1987, Erskine avait Ă©normĂ©ment voyagĂ© autour du monde, et avait travaillĂ© avec de nombreux artistes dont Diana Krall, Joni Mitchell, Vince Mendoza, Steely Dan, Jan Garbarek, Kenny Wheeler, Palle Danielsson, John Taylor, Alan Pasqua, Bob Sheppard, Bob Mintzer, Kate Bush, Nguyen LĂȘ, Rita Marcotulli, le Norrbotten Big Band en SuĂšde et Sadao Watanabe au Japon.
ÉVOLUTION RÉCENTE
En 1992, Erskine avait fait une tournĂ©e aux États-Unis avec le pianiste Chick Corea.
Erskine avait remportĂ© son second prix Grammy en 2003 comme batteur du WDR big band de Cologne dans le cadre de l’album “Some Skunk Funk qui mettait aussi en vedette les frĂšres Michael Brecker et Randy Brecker, Vince Mendoza et plusieurs autres . ParallĂšlement, Erskine avait travaillĂ© avec de nombreux autres musiciens dont Seth MacFarlane, Patrick Williams, ainsi qu’avec John Beasley, Bob Sheppard et Benjamin Shepherd du Dr. Um Band, tant en tournĂ©e que comme musicien de studio. En 2005, Erskine avait collaborĂ© avec Kate Bush sans le cadre de l’album Aerial, qui mettait Ă©galement en vedette le bassiste Eberhard Weber. Il avait également travaillĂ© comme musicien invitĂ© avec Diana Krall, Eliane Elias, Queen Latifah et Linda Ronstadt ainsi qu’avec divers orchestres symphoniques.
Également compositeur, Erksine avait aussi travaillĂ© sur plusieurs musiques de film dont “Memoirs of a Geisha” (2005), les trois films de la sĂ©rie Austin Powers, les nouveaux films de la sĂ©rie ‘’The Pink Panther’’, ainsi que sur “The Adventures of Tintin’’ (2011) de Steven Spielberg. Erskine avait également jouĂ© sur la bande sonore des films “La La Land” (2016), “Let Them All Talk” (2019) de Steven Soderberg, “Mank” (2020) de David Fincher et “Babylon” (2022) de Damien Chazelle. Il avait aussi travaillĂ© sur la bande sonore de la sĂ©rie tĂ©lĂ©visĂ©e “The Orville” diffusĂ©e sur le rĂ©seau Fox de 2017 Ă  2019. Erskine avait également composĂ© de la musique pour le théùtre, notamment sur les piĂšces Richard II  et A Midsummer Night’s Dream (Le songe d’une nuit d’étĂ©) de Shakespeare, qui avait remportĂ© le prix de la meilleure bande sonore originale dĂ©cernĂ© par le Los Angeles Drama Critics Circle. La bande sonore qu’Erskine avait composĂ©e pour la piĂšce Twelfth Night de l’American Conservatory Theatre aussi remporté le prix de la Bay Area Drama Critics’ Circle dans la catĂ©gorie de la meilleure bande sonore dramatique. Erskine avait Ă©galement Ă©crit la bande sonore de la piĂšce Romeo & Juliet de Hamlet, du ballet “History of the Drum”  (qu’il avait Ă©crit pour la Kokuma Dance Company de Birmingham, en Angleterre), ainsi que pour les piĂšces Side Man” et de Defiance Pasadena Playhouse. Erskine avait également Ă©crit des trames sonores pour des films dïżœïżœïżœanimation comme Gun Smith Cats et des livres audio de la sĂ©rie “Alien Voices” mettant en vedette Leonard Nimoy et John deLancie de la tĂ©lĂ©sĂ©rie Star Trek.
Erskine avait aussi agi comme producteur sur les albums de jazz de sa propre compagnie de disques Fuzzy Music, pour lesquels il avait obtenu quatre nominations au gala des prix Grammy. Erskine est Ă©galement l’auteur de plusieurs manuels didactiques dont “Drumset Essentials, Vols. 1, 2 & 3 ” (un manuel d’instruction pour batterie), “Erskine Method” (qui comprend aussi un DVD), “Essential Drum Fills”, “Time Awareness for All Musicians”, “Drum Concepts & Techniques” et “The Drum Perspective”. Erskine est aussi l’auteur de “No Beethoven’’ (une autobiographie et une chronique de la carriĂšre du groupe Weather Report). Son plus rĂ©cent livre intitulĂ© “The Musician’s Lifeline’’ a Ă©tĂ© co-Ă©crit avec Dave Black.
Aussi enseignant, Erskine est professeur de pratique et directeur des Ă©tudes de batterie Ă  la Thornton School of Music de l’University of Southern California. Il anime Ă©galement des cliniques et des sĂ©minaires Ă  travers le monde. Erskine est aussi consultant en batterie Ă  la Royal Academy of Music de Londres.
Loin de se limiter au jazz, Erskine avait fait de nombreuses apparitions comme soliste avec plusieurs orchestres symphoniques dont ceux de Londres, Los Angeles et Chicago, ainsi qu’avec l’orchestre de la radio de Francfort, la Scottish Chamber, l’Ensemble Intercontemporain, la Royal Opera House, la BBC Symphony et les orchestres philharmoniques d’Oslo et de Berlin. Aux cĂŽtĂ©s de la compositrice et percusionniste Evelyn Glennie, Erskine avait Ă©galement participĂ© en juillet 2000 à la premiĂšre du concerto de double percussion ‘’Fractured Lines’’ composĂ© par Mark-Anthony Turnage. C’est Sir Andrew Davis qui dirigeait la BBC Symphony Orchestra.  L’oeuvre avait étĂ© enregitrĂ©e plus tard par les disques Chandos. Erskine collabore aussi rĂ©guliĂšrement avec le chef d’orchestre Simon Rattle. Erskine a Ă©galement participĂ© Ă  la premiĂšre de l’opĂ©ra Anna Nicole de Turnage, qui avait Ă©tĂ© prĂ©sentĂ© Ă  la Royal Opera House de Londres en 2011. Turnage a d’ailleurs composĂ© un concerto solo en l’honneur du batteur simplement intitulĂ© Erskine, qui avait Ă©tĂ© prĂ©sentĂ© en premiĂšre mondiale Ă  Bonn, en Allemagne, en 2013. La premiĂšre amĂ©ricaine de l’oeuvre a eu lieu en septembre 2014 au Hollywood Bowl sous la direction du L.A. Philharmonic.
NommĂ© compositeur en rĂ©sidence pour le cĂ©lĂšbre ensemble choral Hilliard Ensemble en Allemagne en 2000, Erskine a Ă©galement reçu une commande de la BBC pour Ă©crire une suite intitulĂ©e “Music for Brass and Percussion.” Parmi les autres commandes qu’on avait confiĂ©es Ă  Erskine, on remarquait une oeuvre Ă  l’intention du Los Angeles Guitar Quartet et du joueur de marimba Colin Currie, ainsi qu’une oeuvre de percussion Ă©crite Ă  la mĂ©moire de co-fondateur de Nexus, John Wyre, intitulĂ©e “A Bird Sings”.
Reconnu pour sa polyvalence et son habiletĂ© Ă  se produire dans diffĂ©rents contextes, Erskine avait participĂ© Ă  plus de sept cents albums et musiques de film, dont cinquante sous son propre nom ou comme co-leader. Parmi les groupes qu’il avait dirigĂ©s, on remarquait son trio avec John Taylor, Palle Danielsson et Rita Marcotulli. Erskine dirige actuellement un trio avec le guitariste Nguyen Le et le bassiste Michel Benita, le Trio E_L_B. Il a aussi jouĂ© en trio avec le pianiste Alan Pasqua. Parmi les albums d’Erskine comme leader, on remarque notamment ‘’Peter Erskine”, “Transition”, “Motion Poet”, “Sweet Soul”, “Big Theatre”,  “You Never Know,” “Time Being”, “As It Is”, “Juni”, ‘’History of the DRUM”, “Behind Closed Doors” et “Side Man Blue”. Comme co-leader, Erskine a publiĂ© “Prism” (avec Bill Dobbins et le WDR Big Band), “Cologne” (avec Bill Dobbins et John Goldsby) et “Dream Flight” (avec Nguyen Le et Michel Benita). Le plus rĂ©cent album d’Erskine sur Ă©tiquette Fuzzy Music met en vedette un trio composĂ© du contrebassiste Chuck Berghofer et du pianiste Terry Trotter. Les autres collaborations d’Erskine incluent son travail avec The Lounge Art Ensemble (avec Bob Sheppard au saxophone). Le plus rĂ©cent CD du groupe est intitulĂ© “Music for Moderns.’’ Le double CD “Peter Erskine & Alan Pasqua with David Carpenter – Live at Rocco” avait Ă©tĂ© particuliĂšrement saluĂ© par la critique. Le CD d’Erskine intitulĂ© “Worth The Wait” mettant en vedette le trompettiste Tim Hagans et le Norrbotten Big Band, avait Ă©galement obtenu des commentaires Ă©logieux des crutiques. Le CD suivant d’Erskine intitulĂ© The Avatar Sessions, Ă©galement Ă©tĂ© enregistrĂ© avec Hagans et le Norrbotten Big Band, comprenait comme solistes invitĂ©s Randy Brecker, Dave Liebman, George Garzone et Rufus Reid.
Erskine a remportĂ© deux prix Grammy. La Berklee School of Music lui a dĂ©cernĂ© un doctorat honorifique en 1992. Erskine a Ă©tĂ© intronisĂ© au sein du temple de la renommĂ©e de la Percussive Arts Society en novembre 2022. Erskine a Ă©galement Ă©tĂ© Ă©lu batteur de jazz de l’annĂ©e par les lecteurs du magazine Modern Drummer Ă  dix reprises.
Au cours de sa carriÚre, Erskine avait travaillé avec les plus grands noms du jazz et de la musique populaire, dont les big bands de Stan Kenton et Maynard Ferguson, les groupes Weather Report, Steps Ahead, le The Yellowjackets et Steely Dan, Joni Mitchell, Vince Mendoza, Diana Krall, Queen Latifah, Kenny Wheeler, Mary Chapin Carpenter, Linda Ronstadt, The Brecker Brothers, Kurt Elling, Sadao Watanabe, Eliane Elias, Alan Pasqua, Bob Sheppard, Bob Mintzer, Mike Stern, Kate Bush, Miroslav Vitous, Jan Garbarek, Chick Corea, Joe Henderson, Freddie Hubbard, Pat Metheny, Gary Burton, Bob Mintzer, John Abercrombie et John Scofield.
Peter Erskine a Ă©pousé Mutsuko Erskine. Le couple a eu deux enfants, l’actrice et autrice Maya Erskine et le rĂ©alisateur et producteur de films Taichi Erskine.
©-2024, tous droits rĂ©servĂ©s, Les Productions de l’Imaginaire historique
SOURCES:
‘’Biography of Peter Erskine.’’ Percussive Arts Society, 2023.
‘’Peter Erskine.’’ Wikipedia, 2023.
‘’Peter Erskine.’’ Petererskine.com, 2023.
‘’Peter Erskine.’’ All About Jazz, 2023.
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steelbluehome · 1 year ago
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The Hollywood Reporter
A Different Man’ Review: Sebastian Stan Drops the Mask in a Provocative Dark Comedy With a Heart0
Renate Reinsve ('The Worst Person in the World') and Adam Pearson ('Under the Skin') co-star in writer-director Aaron Schimberg’s twisted New York-set fable.
BY JORDAN MINTZER
JANUARY 21, 2024
Looks can be deceiving in A Different Man, writer-director Aaron Schimberg’s endearingly twisted take on actors, playwrights, egos and the plight of the profoundly disfigured.
Like the famous “Eye of the Beholder” episode of The Twilight Zone, in which humans turn out to be society’s freakish outcasts, this dark comedy suggests what happens when an aspiring thespian afflicted with neurofibromatosis manages to find a miracle cure, only to long for the life he had when he was still deformed.
The thesp in question — a nebbishy New York actor named Edward, or Ed — is played with tongue-in-cheek gravitas by Sebastian Stan, who dons several layers of prosthetics (courtesy of ace makeup designer Mike Marino) until peeling them away to reveal his true face. But that hardly gives Ed the life he bargained for, in a film that piquantly questions how others look at us and, more importantly, how we look at ourselves.
The fact that Pearson is stricken with neurofibromatosis, and that Stan wore tons of makeup to mimic that condition, may raise a few eyebrows. And yet A Different Man is very much about art imitating life and vice-versa, contemplating the different masks — whether real or artificial — we put on when going out into the world.
At first, the story plays out like your typical NYC indie dramedy, with Ed living in a grubby one-bedroom apartment in Brooklyn while trying to make it as an actor. He has a nosy super, at least one neighbor who hates him, and there’s a leak in his ceiling that grows so big it risks swallowing him up. The catch is that Ed’s disfigured state makes him completely stand out, at least to the viewer. For those who already know him, he comes across as just another shy and curmudgeonly New Yawka.
Things start looking up when a new neighbor, the radiant Ingrid (Renate Reinsve, The Worst Person in the World), moves in next door. Like Ed, she’s an aspiring artist — a playwright, in fact — and the two soon hit it off, even if Ed is very much inhibited by his looks. Ingrid is more open-minded and curious, and one novel aspect of Schimberg’s script is how, unlike in David Lynch’s The Elephant Man, nearly everyone Ed meets treats him with respect and compassion.
Schimberg explored a similar theme, albeit in a more artsy fashion, in his 2018 behind-the-scenes drama Chained for Life. That film co-starred Adam Pearson, who many may remember from his haunting sequence opposite Scarlett Johansson in Jonathan Glazer’s Under the Skin, and who winds up stealing the show here as a totally charming and nonchalant threat to Ed’s newfound existence.
The failing actor’s humdrum life takes a major turn when he agrees to participate in an experimental drug program that could cure his condition. After several scenes of Cronenberg-esque body horror, he starts peeling away his tumors like a snake shedding its skin, transforming into a brand new person with Stan’s well-defined face.
You would think this would all be for the better, but as A Different Man goes on to reveal, things actually get worse. Ed soon comes to miss the man he once was, especially when Pearson’s character steps into the picture and very casually hijacks his life, including Ed’s burgeoning love affair with Ingrid.
That and other plot mechanics in Schimberg’s screenplay can seem a bit over-the-top, particularly when Ed begins to lose his mind in the third act as everything unravels. Still, the story’s twists and turns maintain our interest throughout, with the narrative taking on a cleverly deconstructed play-within-a-film format reminiscent, at times, of Charlie Kaufman’s Synecdoche, New York.
The antics are captured in grainy naturalistic visuals by Wyatt Garfield (The Kitchen) and backed by a score from Umberto Smerilli that shifts between indie vibes and the classic melodies of Hollywood B-flicks. A Different Man shifts between several genres as well, but Schimberg manages to tie things neatly together by asking the same question, in various ways, until the very last scene: What’s in a face?
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angelloverde · 1 year ago
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"Mo Soul" Player Playlist 23 June
Nucleus - Torrid Zone
I Marc 4 - Ray Ban
Carol Kaye - Better Days
Third Stream - In a Galaxy Far Away
Mike Longo - Pass It
Gavinco - Silver
Nick Ingman - Heartbeat
Billy Cobham Feat. Bob Mintzer & Novecento - Dreamer
Dennis Chambers Feat. Gregg Kofi Brown- Fall Out
Down to the Bone - Uptown Hustle
Incognito - Goodbye To Yesterday
Directions In Groove - Green T
Spice - Gimme What You Got
Stoned Soul Picnic - Hip Joint
George Duke - Love
If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!
(Angel Lo Verde / Mo Soul)
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jazzplusplus · 1 year ago
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1993 - David Sanborn, The Brecker Brothers, The Yellowjackets, Mike Mainieri Steps Ahead - NorthSea Jazz Festival
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singeratlarge · 5 months ago
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SUNDAY MATINEE MUSIC VIDEO: “Drive a Nail (TVC15 Word2Soul Mix)” featuring singer Dana Marshall. https://www.youtube.com/watch?v=og55vJwYGGA  This track came out of a prolific time. I was working with lyricist Amy Mintzer on The Word2Soul Project that sprawled into at least 20 recorded songs. Along came Dana Marshall. She hired me to produce a contemporary Christian music project with a pop-country-rock flavor, and songs from Word2Soul segued into her project. We were one session away from finishing her record, but she abruptly left town due to a mysterious crisis and we never heard from her again. No good track should go to waste, so I finished it anyway. The lyrics draw from Bible references to Jesus’s “day job” as a carpenter. The message is “don’t be afraid to get your hands dirty—roll up your sleeves and do the work.” The music bed borrows from David Bowie’s “TVC15” and guitar parts in George Harrison’s “It Don’t Come Easy.” Final mix by Tim Breon.
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#drive #nail #carpenter #Jesus #Christ #Bible #TVC15 #DavidBowie #DanaMarshall #lyricist #vocalist #contemporaryChristianmusic #CCM #popmusic #countrymusic #rockmusic #georgeharrison #ringostarr #amymintzer #johnnyjblair #word2soul #singeratlarge #timbreon #williamsportPA
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rich4a1 · 1 year ago
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The Dave Stryker Trio w/Bob Mintzer Groove Street
The Dave Stryker Trio w/ Bob Mintzer Groove Street Strikezone At this point you surely know what you’re getting with the soul-jazz of Dave Stryker’s Trio with the leader on guitar, the redoubtable Jared Gold on organ and groove maestro McClenty Hunter on drums. Yet, this session, Groove Street, adds the legendary tenor saxophonist of Yellowjackets fame and current director of the WDR Big Band,

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sheetmusiclibrarypdf · 1 month ago
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227 new scores added in May 2025
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227 new scores added in May 2025Best Sheet Music download from our Library.Please, subscribe to our Library.Browse in the Library:Nikki Iles: Jazz in Springtime (complete) for piano
227 new scores added in May 2025
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Nikki Iles: Jazz in Springtime (complete) for piano
https://www.youtube.com/watch?v=Md4X46zqlyE Titles and timings: 1. Honeysuckle Rose (Waller) 0:00 2. May Song (trad. English, arr. Iles) 2:21 3. I've got the world on a string (Koehler/Arlen) 3:45 4. Mwanzo (Iles) 6:19 5. It might as well be spring (Hammerstein/Rodgers) 8:55 6. April in Paris (Duke) 11:50 7. Up on the Hill (Iles) 14:46 8. Spring can really hang you up the most (Landesman/Wolf) 16:26 9. Flores (Iles) 20:27 Artist or Composer / Score nameAstor Piazzolla Tango Nuevo For Piano Solo 1Astor Piazzolla Tango Nuevo For Piano Solo 2Bob Brookmeyer First Love Song Score And PartsCandlelight Jazz Jazz Piano Solos Series Volume 43Classic Jazz Jazz Piano Solos Series Volume 22Duke Ellington Jazz Piano Solos Series Volume 09Bob Mitnzer Elvin S MamboEnnio Morricone For Band Partitura arr. 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skiplo-wave · 3 months ago
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bsky.app/profile/yukumovillage.bsky.social/post/3llg6mtj5lk2p
Can we start treating OpenAI like the way we have been treating Telsa cars lately?
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Huh.
I'm sorry was Elemental not based off Korean immgrants via the fire girl. What the hell is Mintzer yapping about. Doesn't help Disney doesn't want Pixar movies to be based off the creators exprience which makes it relatable to bigger audience >:/
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