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Batman 1966: Dynamic Duo Monolith Statue

https://amzn.to/4kb6Wqr
Limited Edition
#monolith statue#batman 1966#batman#bruce wayne#batman and robin#commissionsearned#affiliate#home decor#gift ideas#batman comics#batman merch#batman gifts#unique gifts#unique art#statue
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No but fr having an indigenous family broken up for its own good by the state and one of them leave her homeland to go get a Real Education is not just counter to the original story's characterization, it's not just erasing the colonialism commentary for the sake of failed feminism presumably based on the girlboss objection to portraying women as caretakers and the classist objection to blue collar jobs, it is an act of colonialism.
It is in fact so ridiculously an act of colonialism that it should come off as such to anybody able to think about media critically for a few moments, but to anybody familiar with what the US did to many indigenous peoples via the faux benevolence of boarding schools, including to native hawaiians, it's fucking revolting.
Like, shoutout to removing Pleakley's gender exploration, to removing the cop villain in lieu of just having the mad scientist remain one, to removing some of Cobra Bubbles's nuance, to removing commentary on race and colonialism, etc etc, but mainly: this did a colonialism.
#lilo and stitch#in case anyone's got that tag filtered#man i do not like making any kind of personal allusions to things on tumblr#because sometimes i feel like tumblr demands personal information in order to validate opinions#in ways that are beyond just making sure affected peoples of oppression are heard on their topics#and i have no interest in being sorted into an easy box when that does not describe my whole experience#for the sake of being imbued with Speaker for the Monolith status#but like this fr made me sick#i am not native hawaiian but i am descended from another indigenous group subjected to the us's boarding schools#there are still living relatives who were affected by this#âbut why did nani have to take care of her sister instead of going and getting a degree-- the certificate of true worth as a personâ#go fuck yourself disney
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TODAY IN HISTORY

5 April 1722
Dutch navigator Jacob Roggeveen (1659â1729) discovered Easter Island.
Leading an expedition funded by the West India Company with three ships, Roggeveen was the first European to encounter the island, which was named for the day of its discovery.
The crew was struck by the sight of the island's moai statues that are an iconic aspect of the island to this day.
#today in history#Easter Island#Jacob Roggeveen#West India Company#moai statues#island#Rapa Nui#unesco#world heritage site#monolithic human figures#chile#pacific ocean#polynesian triangle#oceania
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#funny#humor#moai#easter island#rapa nui#monolith#statues#figures#decorations#homes#front yard#hoa#home owners association
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thought of this bc of the last post but I hate when people say a certain historical figure was ahead of their time just bc they had progressive views or whatnot. And I'm looking at many things written about Roger Williams here just as an example, because yes, his ideas were hugely progressive, but they were also firmly rooted in 17thC nonconformism (and those things don't have to be contradictory!). To act as though he was just.. ahead of his time ignores the reality and nuance of his beliefs.
And, to say his progressive beliefs automatically make him ahead of his time, a product of the distant future rather than his present, is also to say that people in the 1600s weren't progressive; that progressivism simply didn't exist. Which clearly it did, and it always has. Roger's progressive ideas are inescapably a product of his time, just as much as the ideas of the Massachusetts Bay leaders who banished him are a product of the same time. The past is just as capable of producing opposing ideas as the present is.
There have always been people pushing and fighting for progressive ideals, and to act like everybody pre-2000 or pre-1950s or whatever all held totally regressive beliefs is to the deny the history and the existence of the people who were fighting for our rights and for the same things we're still fighting for now, and that's a disservice to them and to us.
#the past is not a monolith#there have Always been people fighting against the status quo#though conservatives perhaps would not like for you to know that.#history#history fandom#idk how to tag this
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The Great Sphinx of Giza, one of the oldest and largest monolithic statues in the world!
đ
#history#great sphinx of giza#ancient egypt#old kingdom#art history#thutmosis iv#monolithic statues#royalty#pyramids of giza#world wonder#ancient egyptian history#landmarks#new kingdom#historical figures#giza#ancient#egyptology#architecture history#travel girl#ancient egyptian#art#statues#monument#ancient history#nickys facts
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theres this one BITCH who i had a sci class/w lab w and ngl on the fact of group dynamics i forced myself to talk/like them bc they were annoying and NEVER does their own work and hangs around my group just for the answers. and its like i FORCED myself to like you and when you see me on campus you dont even wave you LITERALLY look in the other direction?????

#and you would THINK at this pwi the handful of blk ppl we have would stick together but#like omg that one goth blk nb w red hair#not only ignored my dm asking if they want to hang out (asked ME for my ig btw)#but when seeing me on campus walked AROUND the field and splitting the statue to avoid me#blk ppl really are a monolith bc we would get along better on paper bc if we dont mix we dont mix#maybe the person in the post got vibes i didnt like them but damn to stick around for answers just to pretend like you dk them is GNARLY!!!!#like even my middle school bullies didnt even do that đđđđ#have fun pursuing that cs major bud đđ¤đžđ¤đžđ¤đžđ¤đž
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Last Wishes
#Monolithic Art#Monolith#Monolithic#Ancient Monolithic Statue#Half Buried#Signs of the past#What once was#Pen and Ink#Chris Mighton
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If your vision for the deradicalization of right-wing men begins and ends with "other men telling them that that's gross and to stop it" then I'm sorry, you do not understand how masculinity works.
"Men who hold patriarchal status" and "men who are feminists" are two groups who overlap less than you want them to. I'm sorry. That's not solely because men are so happy with patriarchal status that they don't want to risk it by policing misogyny/queerphobia/racism, It's because being misogynistic, queerphobic, and racist, end expressing other forms of toxic masculinity(and often abusively so) are part of how people establish and maintain patriarchal status. The men who have the ability to stop this via nothing but peer pressure are the very people who are doing it. That's by design. And engaging in feminist intervention is, in and of itself, usually the abrupt end of that status and its associated power to persuade misogynistic men.
Like, I have worked in blue collar jobs as a notably queer person. It was pretty much a constant deluge of verbal abuse. In my experience, most blue collar work environments are exploitative, abusive, and bigoted, and very gleefully so. On the occasions I have spoken up about someone saying something that was super fucking out of line (asking me which of the girls walking by was hottest. We were installing a portable classroom at a middle school), believe it or not, they completely failed to be shamed! Because nobody else on the crew gave a fuck. *I* was the weird one. They ghosted me. A full blown company ghosted me. I suddenly didn't have a job anymore because they just straightforwardly stopped telling me where the next job site was.
Like, this doesn't mean that it's your job to do it, but this vision you have of these big groups of men where everyone is on the fence and there is precisely one shit stirrer who can be shut down by a brave feminist man who can single handedly set the example for all these other guys...you are high. You are describing an "everybody clapped" level absurd scenario. Most of these truly virulent misogynistic guys either have zero friends, because, you know, our society is atomized to fuck, or they are in a group where the feminist guy is actually the weirdo who can be shut down and ostracized much, much easier than the misogynists, because there is no such thing as a man misogynists respect who stands up for women.
You might be saying "well, we're talking about longstanding personal relationships, actually. Like, they need to have to want to spend time with you and then, as a side effect, you can mind control them out of being a threat to us."
Problem with that being:
1: Many feminist men also have no friends, see the atomized society above.
2: Feminist men already stopped hanging out with men who make rape jokes because why the fuck would we want to spend time with them.
3: That isn't just because we respect women so hard. We are in many cases talking about men who are also deeply queerphobic, heirarchical, violent and abusive to other men. What initially drew me to feminism and women was a lack of heirarchical squabbling and constant bullying, and the ability to be openly queer. A lot of men who came to feminism did so because they knew that the patriarchy was not a place they would find success or acceptance. These are not the men who are gonna be able to change right wing minds.
4. Men do not view themselves as a monolith. There is no universal brotherhood of men. The actual meaning of the term "Fragile masculinity" is that men are constantly expected to prove that they are deserving of the status of being a member of their own gender. There are large swathes of men--including most of the men who you'd look to as examples of good, feminist men who you want to undertake this project--who are considered failed men, sissies, f****ts, soyboys, ect. They are. Not. Going. To. Convince. These. Men. Of. Jack. Shit. Much less successfully *shame* them. Jesus.
I know all of this sucks. I know it would be cool to be able to just point at a group and have them be responsible for the work. But nah. It's gonna have to be a societal project, one that will probably outlast all of us. Sorry. The thing you want these men to do is, absolutely, the morally correct thing to do. But presuming that it would be effective is, and once again I am so sorry about this, just ignorance of how these social groups function.
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red velvet hair | criminal minds



summary: in which the bau is never fully prepared for the disturbing stories of one of their assistant agents who never fails to leave them absolutely speechless.
pairing: criminal minds x catvalentine!reader
word count: 1.5k
warning: this is so stupid. mentions of blood and mental illness because cat valentine. âĽď¸ this is truly the stupidest thing i have ever written and willingly posted. im sorry in advance to whoever has the misfortune of coming across this.
masterlist
author's note: this is honestly for doodoos and giggles. i just like the idea of having a ditzy reader like cat valentines absolutely traumatize the already traumatize. also, i know i should be posting about my hot!diva!reader but a girl can get distracted :( also i just love victorious and i might do her helping out spencer with his addiction because cat was addicted to bibble.
The BAU wasn't really sure how you got hired as a apart of the behavioral analysis unit since they were not sure how you passed the psychological evaluation or written tests. You were what the FBI considered a special exception, just like Spencer Reid since you were extrodinary in passing the phsyical tests and using unique ways to solve problems. You also were very charming towards your instructors and Strauss. It weren't even the little things that led them to question how your mind worked, it was the things you'd say and do outright that you considered to be normal; today was one of those days that Hotch made another mental note to get you drug tested later on.
You and Penelope gathered around Spencer's desk to see the photo that Penelope had printed out. You leaned on Spencer's chair while Penelope leaned on top of the desk as you all stared in shock.
"It's remarkable. Something like this makes you questioned everything you thought you knew." Spencer stated, shaking his head at Emily's photo as you nodded in agreement.
"Yeah, it's like the monolith in 2001." The computer tech commented, a teasing tone in her voice as she eyed Emily who sat not too far away.
"So there was actually a time when something like this was socially acceptable?"
Penelope sighed at Spencer's inquiry, "You and [Name] are young. 80s left a lot of people confused. This is erm... especially sad."
"Alright. Very funny guys. Very funny." Emily finally spoke out in a dry tone, snatching the paper out of Penelope's hand. "What'd you do to it?"
"Do?" Garcia hid a laugh.
"You obviously altered it in photoshop or something â that hair." Emily scoffed, as she showed the photo towards them, not believing it was ever her.
"Ohâ no pussycat, that isâ that's all you. Garfield High, class of '89."
Emily peered down back at the photo, a new frown appearing in her face, "You really didn't change anything?"
"I hacked it as is. You're really trying to tell me you don't remember rocking that look."
"Perhaps your lack of recognition stems from a dissociative fugue suffered from an adolescence. Say it a Siouxsie and the Banshees concert." Spencer joked which caused penelope to giggle but you were very confused.
"Who?"
"You don't know Sioxsie and the â nevermind" Emily cut herself off, sighing. It was already terrible that she graduated in the 80s and she did not need to be reminded of her age yet again.
"Well whoever they are, they must be pretty cool. I think you looked really cool in your yearbook photo, Emily." you said with such sincere and genuiness that the receiver of the compliment's heart warm.
"You think I looked cool?"
"Yeah! We could've maybe had been friends had we gone to school together. But, what happened to the coolness now?" you tilted your head. You asked the question without any hint of malicious intent, and full of genuine curiosity. You like when people dressed goth or alternative. You never were one for status quos and your entire high school was filled with people of that nature.
Spencer and Penelope stifled a laugh as Emily stared out into space, questioning where her life went wrong to have such a backhanded compliment by a girl who used to skip the number three when counting. They learned that habit was fixed during your FBI academy days.
"What are we talking about?" Morgan had joined the group, a cup of coffee in his hand. "Woah! Prentiss, that's you? Oh my that is, something!"
"What is going on?" Rossi followed behind Morgan, the same suprise is evident on his face. "Oh! That is a... lovely photo."
"You know what, what did you guys look like in high school because I am positive we all went through a phase." Emily asked, defensiveness clear in her tone.
"Well fear not because I had time this morning for another hacking of a fellow agent, Miss [Surname], and let's just say that I have never felt more jealous of a life lived than yours my dear."
"Oooo I haven't seen this picture in a while!" you squealed, excited to see how you were at one of the happiest times in your life. Penelope brought out the photo and everybody gathered around, curious as to what era of you they would see.
They always knew that you were a sort of special type of person but they had only met you in this era of your life. The you they know and love is somebody who is undeniably herself and a sweetheart who gives everybody her love unconditionally.
They never would've expected for Penelope to pull up a photo of an alternative fairy-like girl. You looked into the camera with the smile of a model in the perfect position that caught you from all the good angles. Your head perfectly tilted just a teensy bit down, your smile not quite reaching your eyes but offering a sense of lightheartedness and mischief, and your eyes captured this sort of fun youthfulness. You also wore a hot pink off the shoulder shirt with cybersigilism prints and many metal necklaces. But what caught the other agent's eyes the most was your red hair.
"Did you get your photo professionally taken?" Spencer inquired, his mouth still slightly agape.
"You barely aged! What year did you graduate?" Rossi asked, although he wasn't quite sure he wanted to hear the answer at his old age.
"Hollywood Arts, class of 2002." It had been six years since then but still at 24 years old, you barely changed in terms of style from your high school self.
"You went to an arts school?" Emily asked and you enthusiastically nodded.
"Who would've guessed I would've joined the FBI?" you laughed, reflecting on how much life had changed since then, "One time, I performed in a play as this spy who used bananas as a gun and now I get to use a real one. How crazy is that?"
"More concerning than crazy." Spencer muttered under his breath.
"What's with the red hair?" Morgan was still fixated on your dyed hair which sort of did make sense from how much you already express yourself through your clothing and personality like Penelope had.
"I had red hair for I think six years, but my hair wasn't exactly the healthiest so now it's natural, but i loved it so much." you shared with them.
"Why did you choose red?" Penelope questioned and you laughed because to you, the background behind the decision was one you could look back and find humor in.
At that moment, Hotch and JJ quickly made their way towards the bullpen area to inform the rest of the new case that had landed onto them that needed their utmost attention.
"That's actually a really fun story. In my freshmen yearâ" Hotch and JJ knew better than to interupt your while you are sharing a story because it could either truly be a fun story, or a disturbing one that they would later bookmark to discuss with you later. "I snuck out of my house to hang with my friends and when I tried sneaking back insideâ my brother thought i was an intruderâ"
The entire group could imagine where this story was going because any mention of your older brother never involved anything good nor legal, but none of them could have expected the full story. Except Doctor Reid, who quickly tied together the red hair connection to the scared brother.
"And so he took a vase and smashed it over my head. I was like knocked down for a few seconds but when I pulled myself up, I looked in the mirror and the blood had stained my hair since I had blonde highlights and I thoughtâ wow, I look amazing with it! So later that week, I dyed it red. I also just really love red velvet cupcakes."
You innocently looked at the reactions of your fellow agents and none of them could speak. Emily opened then closed her mouth. Spencer couldn't even muster up any words for the first time in forever as you left his mouth slightly agape once again. He had predicted the story's route but even as he did, he is never prepared for you to actually say it. Sometimes he sort of hopes he is wrong, but on the off chance that he is, the story is always weirder or more disturbing than he imagined.
JJ and Penelope just locked eyes and couldn't move. Hotch blinked at you with the same stare of, 'We will call the counselor again'. Rossi learned to stop getting suprise and just offered you an encouraging smile and thankfully, he broke the silence.
"Red velvet cupcakes do look scrumptious. The red hair suited you."
You had an innocent laugh, "Right? When me and my friends performed a food song to little kids, I even dressed as a red velvet cupcakes. I had this whipped cream hat and everything."
"Um, I think Hotch and JJ have a case." Spencer stated and everybody did their best to snap out of their daze and direct their attention towards what should be more important.
"[Surname], can you please get the preparations ready for the trip." Hotch stated. You were the assistant of the group and part of your job involved getting traveling arrangements ready and helping JJ communicate with people.
"On it, sir!" You walked away without a care in the world as the rest of the agents made their way to the briefing room.
"Hotch." Morgan stated his superior's name with loud concern.
"I know Morgan."
#criminal minds#spencer reid#criminal minds x reader#criminal minds fluff#criminal minds fanfic#spencer reid x reader#criminal minds x reader fluff#criminal minds crackfic#emily prentiss x reader#spencer reid fluff#spencer reid x catvalentine!reader
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oh, fine. let's talk about sin.
This is a note about religion and KCD2âparticularly how it applies to Hans & Henryâs relationship development.
It isnât my intention to write the definitive post on this subject, and this is certainly not an academic summary, a Tumblr History Lesson, or a thesis statement on why you canât write whatever the hell you please. But as much as I detest fandom discourse, I also dislike seeing my words misused as a bludgeon against fan writers, and so I am stepping in to provide what I hope will be some useful CliffsNotes to everyone.
Take them or leave them, they are here with the intention to help fic writers make (briefly) informed decisions about how to embark on their creative research. KCD2 spoilers under the cut. PSA: If I see you using this nastily to harass fanfic writers you don't like, I will be very upset with you.
The medieval Catholic Church's doctrines were not representative of a homogeneous, mythical One Medieval Worldview on everyday lifeânor was the MCC a monolith of its own. It is important to differentiate the Catholic institution from âthe average medieval personâs ideas about daily life.â A quick foray into documents and moral treatises written by church officials at the time will reveal that the clergy was also not a monolith, but a hierarchy of individuals with vastly different ideas and recommendations on how humans should live. We simply cannot stamp a single religious document, decree, or interpretation (that was successfully published and preserved for hundreds of years; the vast majority were not) as a one-size-fits-all primer on what your average village blacksmith thought about things. I would certainly bristle were a historian from 2800 to suggest my countryâs government & preeminent religious institutions painted an accurate picture of my (or my neighborsâ) moral opinions on every subject under the sun. I bet you would, too. Critically, this does not mean all the common people embraced same-sex romance and all the religious officials reviled it. Indeed, it means people are people and their opinions will differ based on their personal experience, environment, personality, and priorities. Christianity profoundly affected the medieval world and mentality in ways both conscious and unconscious, much as any major global religion does, but it does not and did not make Europe into a dystopian Christian hivemind that thoughtlessly parroted a single unified view of every topic under the sun.
Religious opposition vs. religious guilt. Remembering that âpeople are people,â it is likewise important to differentiate religious opposition from religious guilt. Male lovers, particularly those in a position of high status (who were expected to produce heirs), would certainly face opposition to their desire to fuck off into the woods and kiss their boyfriend forever. It would certainly not be prudent or safe for a minor lord like Hans Capon to openly flaunt his romantic love for his squire; religiosity-fueled accusations of sodomy were useful as political bludgeons to threaten enemies and de-legitimize rivals. Caution is required. However, I find it is also important to note that Hans and Henry seem to express no personal guilt over their love for each other, religious or otherwise. It is telling that they do not step back from their relationship after consummating it under duress; on the contrary, both of them immediately seem to take it for granted that they will continue sharing their lives without any further negotiation required, and admitting their romantic feelings for each other has changed little of this, save for bringing them closer and providing relief. It is also telling that if Henry chooses to confess to his dream-parents that his devotion to Hans is romantic in nature, they react with surprise, but do not lecture him about sin. (In fact, his mother immediately leaps to Henryâs defense after his father reacts with shock.) Henry himself expresses no grief to them beyond a vague acknowledgement that hearing this must be a surprise. This is importantâHenryâs parents appear in his dreams as representations of Henryâs inner doubts, guilt, grief, and misgivings. They do not throw up any real opposition or disgust to his intention to âsettle downâ with Hans. (Which is frankly a bonkers thing for Henry to say in any sense.) Despite the opposition they face from their environment and the expectations of status placed upon themâand despite Hansâs anxiety about being forced into a betrothal and how this may frustrate his intention to spend every waking moment with HenryâHenry and Hans both seem to feel completely positive about consummating their romantic relationship. For all intents and purposes, they canonically provide each other with comfort, love, and certainty. Not a shred of guilt or self-hate bubbles up into the canon text where each other is concerned. (This isnât to say you canât add this element in your fanworks if you choose. Iâm not your dream-Martin!) NOTE: There is one moment during The Kiss scene in which Henry shows clear inner conflict. After Hans initiates a kiss (that Henry visibly rushes to accept), Henry turns his face away from him briefly, which causes Hans to perceive rejection and scurry away. Henry's expression is visibly troubled before he turns to the door. I see a valid argument for interpreting this brief expression of distress as gut-reaction frustration or revulsion, either at himself or even to the physical kiss, but we donât really have enough canon input to say for certain what causes this flash of doubt. In any case, when itâs gone, itâs gone. At least for the purposes of KCD2 where it left us. You canât âbreak upâ with Hans after this or back out of the romance; Henry has decided for himself that the only way to go is forward.
Everythingâs the same��but different. Homophobia in the 1400s was a different beast from homophobia in the 2000s. I will not dive into this here because I've written about it elsewhere to share background research on my own monastery fic, and because the topic is far too large to summarize in a bullet-pointed list. Simply, the medieval world did not codify sex acts or romantic feelings as identity markers in the way we do; while sodomy was certainly a taboo, this was a classification of non-reproductive sex acts, not slang for ���gay man.â We cannot, in essence, âbackportâ our contemporary homophobia into the Middle Ages; it doesnât make sense. Similarly, we cannot backport our bizarre late-1900s+ anxiety about pregnancy termination into 1403, but if you think I'm going to dive into that here except by way of brief comparison, you are cuh-razy. Worth noting that taboo also does not mean alien... or secret. More on that below.
Normalcy, Secrecy, and Taboo. One thing KCD2 (and KCD1, to a lesser extent) does very well is dismiss the Victorianized pseudo-history that same-sex romance, sex, and affection were some sort of widely-kept secret from society that did not dawn upon people until the second half of the thousands. In KCD, no one is surprised or bewildered by stories, both fictional and local, of same-sex lovers. Yes, medieval people knew about gay sex and no, âdiscoveringâ that it exists would not have shocked themâbecause a taboo is not necessarily an unknown. While NPCs react with different shades of opinion to conversations about same-sex romance, the world does not treat this as alien; it wasnât. It is discussed casually, albeit with some discretion depending on context and company. KCD2 even enables you to play a Henry who has had prior sexual experience with men (see the Black Bartosch interactions) and has already embraced his own same-sex attraction to the extent he can confidently, casually sexually advance on men.
The Elephant in the Room: Class. Remember that the class divide at hand provides as muchâif not moreâopposition than the religiosity. Feudalism itself was built into medieval Catholicism. I sometimes think KCD downplays the importance of class, especially in KCD1, as it allows Henry to openly speak to Hans in ways that are unthinkably inappropriate given the feudal consciousness of the time, with almost no punishment or reaction from those around them. Not just because these interactions might indeed arouse suspicions of same-sex romance, but because a commoner risks severe punishment (or death!) for putting his hands on a lord, interrupting him, and insulting him in public. (Yes, including a nobleâs bastard, a designation which is more harmful than not in many ways.) That's not to say Hans himself would not allow Henry to speak to him in this way; it's clear he desperately enjoys the novelty of someone who speaks to him freely, even in the earliest hours of KCD1, before they are tightly bonded. But it is strange there is so little blowback or external punishment for Henry when he baps His Lordship upside the head and calls him a buffoon in front of a gaggle of His Lordship's soldiers, on the precipice of dangerous military action, with Captain Bernard no doubt on the verge of apoplexy nearby. For this reason more than any other, I would argue, Henry and Hansâs relationship spits in the face of feudal orderâand it does so even without the romantic consummation.
That's enough of that now, Jesus. I hope someone finds this to be a helpful bullet-point summary and it facilitates a more confident venture into historical fiction research! So TLDR; regarding the fandom's current anxiety of, "Am I making the Sin of it all too big of a deal?" my ultimate answer is yes, but also no, for it deeply depends on the context and the creator's intention. Love you lady, buhbye.
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Silver but he goes back to the future and the Chaotix HQ has been turned into a Taco Bell
DO YOU EVER THINK ABOUT SILVER AND ESPIO BEING IN A RELATIONSHIP AND THEN SILVER HAS TO GO BACK TO THE FUTURE AND WHAT IT WOULD BE LIKE TO HAVE TO SEE THE CHAOTIX AGENCY IN RUINS AND THINK ABOUT WHAT HAPPENED TO THE PEOPLE THAT LIVED THERE OR MAYBE ITS A WHOLE DIFFERENT BUILDING AND WHAT HAPPENED TO THE PEOPLE THAT LIVED THERE AND AUGH
#jokes aside i think itd b cool if the agency still stands but is super run down. after the chaotix are gone no one wants to buy it#so it turns into a kind of historical site. in really good futures sometimes there are statues made in the front lawn of the chaotix#standing together. they deserve it but its hard to look at. plus they always get vectors nose wrong. silver decides not to tell him#i live in a 'historic town' which is new england code for We Got Old Ass Houses and thats what i mean for the chaotix agency when i say it#becomes a historical site btw. idk if thats confusing. it isnt a museum or even a monument really. just an old ass house!#imagining it in the middle of a huge futuristic utopia is strangely melancholy. everything around it has changed but its legally untouchable#so its still the same old tiny wooden building. stuck between bustling tech and monolithic skyscrapers... its kinda poetic i think#SORRY im getting uhh. so. Poetic abt things. its what happens when i think too hard about The Characters at 2 am
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as far as i can tell that claim about [usamerican] women not being allowed to hold bank accounts prior to the 60s is just incorrect and based on a misunderstanding of what antidiscrimination laws in the 70s were meant to accomplish. which is something i think is actually worth splitting hairs over because 1) wealthy socially powerful white women did hold property, get loans, get credit, collect rents, &c in the colonial period as well as the 200 years following the revolution, & obfuscating that means failing to understand how class, race, & gender actually related to & informed one another, and 2) the narrative forming around de jure rights and an extremely binary black and white notion of discrimination also obscures the ways discrimination against women in the financial sphere actually happened (often piecemeal, locally, varying by institution, with things like subjective biased evaluations of their financial prospects from banks, as well as the role of massive social norms and pressures that cumulatively steered them away from independent possession of capital in the first place) -- which matters because so many of these things still do happen, even to white women but very specifically and heavily to black americans in particular, and this is also lost when we act like ECOA or whatever ended credit discrimination in one fell swoop. also people who make this claim tend to have a very poor understanding of what effect marriage had on a woman's financial status, because again they have an extremely basic understanding of how the category "women" was handled by financial institutions and seem to see it as one monolith when in reality marriage was more of like, another factor that informed (lessened) the degree to which financial institutions considered a woman to be an independent legal person
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WHY to talk to MAGA: Because the war is not red va blue, it's oligarchs vs the people. Some of these folks could be allies.
Via https://xcancel.com/GoofballWithIQ/status/1889348239410819512#m
How to Talk to MAGA: Understanding the Different Mindsets
MAGA isnât a monolith. To communicate effectively, we need to understand the different types of supporters and tailor our approach. Some can be reached. Others are lost causes. Hereâs a breakdown:
---
1ď¸âŁ The Disillusioned Conservative (Reachable)
These are lifelong Republicans who wanted lower taxes, strong borders, or a better economyâbut they never signed up for authoritarianism.
Theyâre starting to realize Trumpâs actions arenât normal, but theyâre defensive because they donât want to admit they were wrong.
How to Reach Them:
Donât attack them personally. Instead, ask: âIs this really what you wanted?â
Show them how Trumpâs policies hurt them personallyâhigher tariffs, job losses, cuts to Social Security, etc.
Use Republican sources (Reagan, Eisenhower, even Bush) to contrast todayâs extremism.
---
2ď¸âŁ The Single-Issue Voter (Possibly Reachable)
They donât care about Trump as a person. They just voted for him because of guns, abortion, immigration, or âowning the libs.â
Some realize Trump isnât delivering on their issue, but theyâre afraid to switch sides.
How to Reach Them:
Stay focused on their issue and show how Trump is failing them (Ex: âHe promised a total abortion banâwhere is it?â).
Appeal to their values, not their identityâthey wonât listen if they feel personally attacked.
---
3ď¸âŁ The Hardcore Cultist (Lost Cause)
They worship Trump and believe any negative news is âfake.â
They follow conspiracy theories, think heâs the victim, and will never be convinced heâs doing anything wrong.
How to Deal With Them:
Do not waste your time. They thrive on arguing.
If theyâre spreading lies, debunk them for others to see, but donât try to âconvertâ them.
If necessary, mock their contradictions to make others question their logic.
---
4ď¸âŁ The White Nationalist (Dangerous)
They donât just support Trumpâthey see him as a tool to build a more authoritarian, white Christian nation.
They want the government to punish their enemies (immigrants, LGBTQ+ people, etc.).
How to Handle Them:
Expose their real motivesâmake it clear to others that their support isnât about âfreedomâ or âpatriotism.â
Push back HARD when they spread hate speech or target marginalized groups.
---
5ď¸âŁ The âJust Trollingâ Edgelord (Annoying but Harmless)
They donât care about politics. They just like making people mad online.
How to Handle Them:
Ignore them or make them look stupid. Theyâre only in it for the reaction.
If they cross into spreading real harm (racism, threats, disinformation), report and expose them.
---
đš Final Thought: Know When to Engage and When to Walk Away
Some MAGA supporters can be pulled back. Some canât.
The goal isnât always to win the argumentâitâs to plant seeds of doubt that might grow later.
For those beyond reason, focus on exposing them to prevent them from spreading more harm.
đ SHARE THIS. We need to get smarter about how we fight back
#ref#good advice#resist#we are all in this together folks#even those who voted for the leopards eating faces#it's all of us vs the oligarchs#and they LAUGH at our own squabbles
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đđđđđĽđ đđđđŤđŹ
đđđŤđ đ â đđđ§đ
[ đđ˛đĽđŽđŹ đą đđđ˛đ§đ ]
đ/đ§ : To the anon who infected me with this brainrot â thank you. You gave me the excuse I didnât know I needed to spiral into unhinged Sylus/Zayne territory and honestly? I regret nothing.
I know this wonât be everyoneâs cup of venom, and guess what? I donât care. I had the most fucking fun writing this. The tension? The filth? The power-play in a hospital of all places? I blacked out and woke up with a smirk and open wounds.
This is indulgent, messy, and exactly how I wanted it to be.
To the rest of you who get it â welcome to the descent. đ¤
đŹđŽđŚđŚđđŤđ˛ : When Sylus stumbles into the hospital, bloodied and half-feral, the last person he expects to find waiting is Zayneâcalm, cold, and far too composed. But beneath the antiseptic lights and tension-laced stitching, something unspoken begins to crack. A rivalry forged in fire gives way to something darker, deeper⌠needier. And when the night finally stills, their restraint does not.
Enemies donât always stay enemiesâespecially when desire tastes like blood and victory comes in moans.
đđ°/đđ° : blood and injury, a brief hospital setting, explicit sexual content between two male characters (Sylus x Zayne, SnowCrow), rough sex, biting, mild dominance dynamics, and themes of emotional repression. NSFW
đŚđŽđŹđ˘đ : angel - slowed // velours
đđŤđđĄđ˘đŻđ đ¨đ đđŽđŤ đđ°đ§ : [ Press Here! ]

đđđ đđđđđđđđ đđđđđ.
It breathes in pain, exhales panic. The walls tremble with the weight of sufferingâhallways pulsate with noise, machines bleating like dying animals, voices clashing like metal on metal. Somewhere, someone is sobbing. The sound slices through sterile air with the precision of shattered glass.
Sylus moves through it untouched.
Blood paints himâslick, warm, insistent. It clings to his leather like it belongs there, seeping through to the muscle beneath, fusing with him. His boots strike the polished floor in steady, wet percussion, leaving behind a trail he doesnât bother concealing.
He doesnât slow.
He doesnât speak.
A nurse sees him firstâher eyes widen, mouth parting around a gasp or a warning or a question, none of which matter. She steps into his path, clipboard clutched like a shield against the storm she senses too late.
He crashes through her like wind through brittle glass.
Another makes the mistake of reaching for him near the triage desk. He shoulders her aside without pause, a statue in motion, merciless and monolithic.
Their voices follow, desperate and distant.
âSir, waitââ
âYouâre bleedingâ!â
âSecurityâ!â
He keeps going.
Pain gnaws at his ribsâsharp, insistentâbut itâs a whisper compared to the mission that devours him from the inside out.
Ahead, the elevator blinks. Its numbers crawl down at a glacial pace.
Too slow.
Too fucking slow.
He doesnât thinkâhe veers, pivoting toward the stairwell like a creature redirected by instinct alone. His blood-slick hand slams against the doorâs push bar, and it groans open under his weight.
Then he runs.
Boots drum down the concrete steps like war, each impact sending fire lancing through his side. He doesnât falter. He canât. Not now.
Adrenaline screams beneath his skin. Rageâhotter, purerâfollows in its wake.
The landings blur. Floors melt into one anotherâwhite lights, grey walls, the stench of disinfectant and dread. None of it registers. None of it matters.
Administrative wing. End of the hall. Last door on the right.
The thought pulls him forward like gravityâdark, absolute, inescapable. Something waits for him at the end of this path. Something inevitable.
He bursts through the stairwell door, shoulder first. The executive floor yawns openâpristine, glistening, wrong. Too quiet. Too clean. An illusion of order wrapped over rot.
His blood hits the tiles like scripture.
A secretary half-rises from her desk. Her face distortsâhorror, confusion, fear. She opens her mouth.
Sylus looks at her.
She sits back down.
Good.
His wound screams now, louder with every breath, but he silences it. He has to.
He doesnât stop until heâs at the end of the corridor, until the carved wood of the office door stands before him like a final trial.
Until heâs close enough to feel itâthat heartbeat pulsing steady and slow on the other side, like a metronome, like a dare.
Zayne.
Sylus presses a blood-wet palm flat against the door.
He doesnât knock.
He never does.
The door gives under his palm, swinging open with a low, reluctant groan.
The air inside is different. Cleaner. Colder.
Sylus crosses the threshold without hesitation, dragging streaks of crimson across the sterile floor. Behind him, the heavy door thuds shut, sealing the world out like the lid of a tomb.
Zayne is already standing. No coat. No gloves. Sleeves rolled back, throat bare, the razor line of his jaw catching the light like a blade.
For a stretched, brutal moment, neither man speaks.
Sylus feels itâthe weight of that gaze, glacial and unblinking, raking over every torn, blood-slick edge of him. He meets it head-on, jaw locked, a silent refusal to flinch.
Zayneâs expression doesnât waver. No frown. No widening of the eyes. Only calculation. Only that familiar, lethal patience that strips a man down to the bone.
The silence between them crackles, louder than the chaos Sylus left bleeding behind him.
He takes another step forward, deliberate, blood dripping from his fingertips to splatter on the immaculate tile. The room presses against himâtoo bright, too cleanâas if the walls themselves are trying to scrub the violence from his skin.
He lets them try. He does not yield.
Zayne leans back against the edge of his desk, arms folding loosely across his chest, posture crafted with casual disinterest.
A lie.
Sylus sees itâthe slight clench of his jaw, the betraying flicker of a pulse at his throat.
It would be easier if one of them spoke. If they named the thing that strangled the air between them, heavy and hungry and vicious.
Neither does.
Sylus tilts his head in a lazy, almost mocking angle. Blood slides down his wrist, tracing over his knuckles before kissing the floor.
Zayneâs eyes follow the movement, clinical, sharp.
Still, he says nothing.
Still, he doesn't move.
They stay thereâlocked in the kind of quiet only men like them can surviveâmade of defiance, of pride, of something darker and uglier festering beneath the surface. Both unwilling to yield. Both already bleeding from it.
The metallic tang of blood thickens at the back of Sylusâs throat. He smiles anywayâa slow, jagged thing, all teeth and no mercy.
Zayneâs lips part slightly, the ghost of a word forming, then dying.
Instead, he straightens to his full height, uncrossing his arms with a patience that could kill a man.
He turns to the tray of surgical tools laid out with clinical precision. His movements are steady, practiced, cold.
Another lie.
Sylus watches every motionâthe way Zayneâs fingers curl, precise and impersonalâthough Sylus knows there is nothing impersonal about this.
Not tonight.
Zayne lifts a pair of sterile scissors from the tray, the metal flashing wickedly under the overhead lights.
When his voice finally cuts through the thick silence, it slices clean to the bone.
âTake the jacket off.â
No question. No hesitation. No kindness.
Just commandâsharp and undeniable.
Sylusâs grin widens, slow and feral, sharp enough to bleed.
This was going to be fun.
He shrugs the jacket off one shoulder.
Not quickly. Not efficiently.
Deliberately. With precision masquerading as compliance. Each motion a provocation sheathed in silk.
The leather clings for a momentâblood acting as glueâthen peels away with a soft, viscous sound. The lining is stained deep red, like meat flayed from bone. Beneath, the muscle gleams where blood has smeared and dried, slick over the sharp terrain of his bicep, the curve of his ribs.
He keeps his eyes locked on Zayne.
Doesnât blink. Doesnât wince.
Lets the silence stretch between them like barbed wire, taut and trembling.
The other sleeve slips free with slow defiance, dragging across tense forearms until the ruined jacket hangs from his fingersâdripping, warm, still humming with violence.
He drops it.
It lands at his feet with a wet slap, blood blooming beneath it like something obscene and living.
Zayne doesnât look down.
Heâs too busy watching Sylus.
Not merely watchingâstudying, the way a marksman watches for the exact breath before a body breaks. His arms hang loose now, no longer folded. His fingers twitch once, subtly, betraying restraint. As though they ache to move. As though theyâre waiting for permission neither of them will give.
Sylus draws in a slow breath through his nose.
Lets the moment breathe with him.
The silence of the hospital folds inâclinical, cold, pretending not to notice the electricity crawling up its walls.
Then Sylus reaches for the hem of his shirt. Torn. Soaked. Clinging like a lover that doesnât know when to let go.
He grips the fabric with both hands and pulls. Inch by inch, it peels upward, exposing flesh mapped with bruises, scrapes, half-healed chaos. The cut along his side snags the cloth, forces a sharp hiss through his teeth.
Still, he keeps going. Still, he doesnât look away.
The shirt comes off in one final ripâdiscarded without ceremony, a blood-soaked flag of war flung at Zayneâs feet.
Now bare to the waist, Sylus stands still.
Wounded. Unbothered. Unapologetic.
Thereâs blood dried in the hollow of his throat. Sweat slicks the small of his back. Scars catch the light like secrets.
He is beautiful in his ruin. Defiant in his vulnerability.
Zayne says nothing.
But the tension in his jaw speaks volumes.
He steps forward. Slowly. Deliberately. Scissors in one gloved handâcontrolled, precise, surgical. Not trembling. Not urgent. But not untouched, either.
Sylus sees it.
In the flicker of his gaze. In the mouth drawn too tight. In the way Zayneâs eyes pause just a second too long over the curve of a rib, the ghost of a scar.
Zayne lifts the blade.
Holds it near Sylusâs skin.
Doesnât touch. Not yet.
When he speaks, the word lands low, rough-edged, soaked in command.
âSit.â
Just one word. One drop of control dropped into a room full of gasoline.
Sylus doesnât obey. Not immediately.
He smiles firstâwider now. All teeth, all understanding. The kind of smile that threatens and invites in the same breath.
Then, slowly, like he's offering charity to a starving man, he lowers himself into the chair.
Not obedient. Not submissive. Just choosing, for now, to allow.
Zayne moves without speaking.
He sets the scissors aside with methodical care, the faint clink of metal barely audible over the hum of fluorescent lights, too bright, too sterile. The tray beside him is a battlefield of precision: gauze, antiseptic, needle, threadâall clean, all sharp, all lies.
Nothing about this feels clean.
He tears open a swab, soaks it in antiseptic. The smell strikes firstâchemical, brutal, a memory of every failure written into the bloodstream.
Sylus doesnât flinch. Doesnât brace. Just spreads his knees a fraction wider and leans back, silent, waiting.
Zayne steps between his legs.
No permission asked. None needed.
The first press of soaked cotton lands just beneath Sylusâs collarbone.
It burns.
Not from the wound.
From the hand that holds itâsteady, clinical, too careful by half.
Zayne doesnât look at him. His gaze stays fixed, surgical. Or pretends to be. As if Sylus is nothing but meat and blood and damage to be stitched back together. As if this isn't a different kind of dissection.
The swab moves in slow, precise circles, tracing bruises like they mean something. Like heâs reading a map only he understands.
The room thickens with it.
Not pain. Not blood. Something worse.
The lack of itâno slips, no gasps, no mistakes.
Zayne is too careful. Zayne, who isn't supposed to care.
And yetâ âthe fingers in the gloves tremble, just once, just enough, the smallest rebellion against the mask he wears.
Sylus notices. Of course he notices.
Zayne switches to a fresh swab, the next drag of alcohol biting down Sylusâs ribs. The motion forces proximityâhis face close enough that Sylus can feel the ghost of breath over his skin, accidental or not.
Sylus tilts his head, lazy, predatory. Watches from beneath half-lidded eyes.
Zayne doesnât react.
Or tries not to.
Another swab. Another pass. Each one slower than the last.
Thereâs a gash along Sylusâs sideâshallow, ugly, insistent. Zayne presses gauze to it, firm, unkind. His other hand braces Sylusâs hip, gloved fingers pressing down too tightly, gripping too long.
Sylus breathes through his nose. Endures it.
No wince. No break.
When Zayne pulls away, Sylus shifts.
Barely.
But itâs enoughâenough that the inside of his thigh drags against Zayneâs leg.
Contact. Friction. Intention.
Zayne freezes.
Just for a breath.
Then he movesâcareful, controlledâreaching for the needle already threaded, already waiting.
His voice, when it finally cracks the silence, is quieter now. Not softer.
âHold still.â
No please. No kindness. Just another command, brittle at the edges.
Sylusâs lips part. His tongue flicks against the inside of his cheekâ ânot a smile. Not this time.
Only the ghost of something darker, meaner, hungrier.
He doesn't move.
But the stillness is a lie.
Because they both knowâ
âhands always start shaking eventually.
The needle bites into flesh.
Sharp. Clean. Unapologetic.
Sylus doesnât flinch.
No hiss, no gruntâonly the steady, deliberate rise and fall of his chest, breath anchored low like a weight dropped into deep water.
Zayneâs hand moves with mechanical precisionâpush, pull, knot, cutâthe rhythm of a man carving distance into something already too close.
Each stitch is perfect. Small. Precise. Surgically cruel.
But perfection never holds.
By the fourth puncture, the tremor starts.
Subtle at firstâa tightening around Zayneâs fingers, a twitch at the wrist.
The needle hovers a fraction too long against torn skin, hesitation bleeding into the room.
Sylus feels it.
Feels everything.
His gaze dropsânot to the wound, not to the bloodâbut to Zayneâs mouth. The clenched line of his jaw. The muscles in his throat working against the weight of restraint.
The next stitch sinks deeper than necessary.
Not an accident.
A message.
Sylus exhales, slow and deep, the breath ghosting against Zayneâs forearm where it cages him close. The contact is incidental. Harmless.
Weaponized.
Zayneâs fingers tighten on the needle, the thread drawn taut enough to hum with tension.
Sylus shifts, deliberateâmuscle flexing beneath gloved hands, a sinuous reminder of everything Zayne is touching, everything heâs trying so hard to treat like just another body broken open by violence.
The next stitch drags.
Not smooth. Not clean.
Zayne makes a soundâsmall, unguarded, almost a breathâbut Sylus catches it. Tastes it. Tucks it away like a trophy.
He tilts his head, lets his voice spill out low and poisoned, a blade wrapped in silk.
"You're losing your touch."
The words slip into the room like smoke through cracks, seeping into marrow.
Zayne doesn't answer.
He doesn't have to.
The thread pulls harder. The needle punctures deeper. His hand presses firmer against Sylusâs side, pinning him under the thin excuse of stability.
But they both know better.
It isnât the wound Zayneâs trying to steady.
Itâs himself.
Sylusâs mouth curvesânot into a grin, not this timeâbut into something colder.
Hungrier.
Challenge, sharpened to a lethal edge.
When Zayne leans in to set the next stitch, Sylus movesâbarelyâa calculated tilt of the head that brushes their faces together.
Skin against skin. A whisper of violence. A prayer of desecration.
Zayne freezes.
The needle hangs suspended, half-threaded.
For a single, suspended heartbeat, the room holds its breath with them.
Sylus inhales the sharp, chemical tang of antiseptic, but underneath it, something richer coilsâsalt, blood, heat, the feral stench of fury barely contained.
Zayne pulls back.
Sharp. Controlled.
Barely.
The suture snaps tight under a brutal final tug, knotting the last line of blood shut with a surgeonâs precision and a fighterâs violence.
Finished.
At least on the surface.
The needle drops into the tray with a clatter, metallic and final, too loud for the suffocating quiet.
Zayne peels one of off his gloves next, slow, methodical, his fingers flexing like a man reminding himself of every inch of skin he hasn't yet surrendered.
Yet.
Sylus leans back in the chair, shirtless, bloodied, smiling the way only men who have already won do.
And maybe he has.
Because Zayneâs hands are no longer steady.
And Sylusâ
âSylus isnât done pushing.
Sylus watches everything.
The way Zayne breathes through his nose. The way his spine locks rigid. The way restraint leaks out of him molecule by molecule, a slow, irreversible hemorrhage no amount of professionalism can suture shut.
Good.
Sylus shiftsâbarelyâbut the sound of his boot scraping the floor splits the quiet like a crack in porcelain.
A warning. A dare.
Then, with blood-slicked fingers, he lifts a hand and wraps it around Zayneâs wrist.
Not tight. Not rough.
Just enough to feel the hammering pulse beneath fragile skin.
For one suspended second, Zayne doesnât move. Doesnât pull away. Doesnât even breathe.
Sylus tilts his head, the movement lazy, almost cruel, and lets his voice slip free in a low murmur.
âYouâre shaking.â
Not a question. An accusation. An invitation.
Zayneâs jaw ticks hard enough to crack bone.
Still, he says nothing.
Coward.
Sylus tightens his grip, just slightly, thumb brushing the frantic beat fluttering against tendons and bone. The betrayal Zayne canât hide. The confession he canât choke down.
Sylus leans inânot touching, not bridging the chasm fullyâbut close enough that his words could bleed straight into Zayneâs bloodstream.
âItâs not the blood thatâs getting to you, is it Doctor?â
He watches the swallow hitch Zayneâs throat. Watches the sharp flare of his nostrils. Watches him break, molecule by molecule.
Zayneâs free hand curls into a tighter fist, knuckles whitening under the strain.
Sylus smiles, slow and deliberate.
Predator wearing the skin of patience.
âYou want to ruin something, donât you?â
A whisper. A blade drawn slow across a throat. A mockery crafted over years of bruised silences and things left unsaid.
âMe.â âYourself.â
Both truths rot between them, sweet and sickening.
Zayne wrenches his wrist free.
Not violently. Not with rage.
With the kind of restraint that bleedsâmeasured, agonizing, a choice that costs something vital and irreplaceable.
He takes a step back.
Breathing harder now, like the air itself is razors.
Sylus stays seated.
Legs spread, blood drying in ugly constellations across his ribs, wearing destruction like a throne.
Looking, in that moment, like the only goddamn thing in the whole clinical, fluorescent world worth burning for.
And Zayneâ Zayne looks at him like he knows it.
They hang there, suspended on the wire of everything they cannot say. Everything that would kill them if spoken.
Sylus tilts his chin up, delivering the final blow in a voice carved from iron and temptation.
"Tell me no."
A beat.
A breath.
"Go on."
Daring him.
Daring him to pretend thereâs still a world where either of them can walk away untouched.
Zayne doesnât answer.
Because thereâs no point lying anymore.
Zayne moves.
Fast. Final.
His hand clamps around Sylusâs throat, fingers biting into battered skin, palm pinning him to the chair like a verdict handed down without trial.
The force is controlledâbarely. Enough to catch Sylusâs breath, not enough to leave bruises.
Not yet.
Sylus doesnât fight it. Doesnât lift a hand. Doesnât so much as flinch.
He only looks up.
Eyes molten, merciless. Mouth curved in a ghost of a smirkâsomething too ancient, too ruthless, to be called human.
A dare. A promise. A loaded gun cocked and waiting.
Zayneâs grip tightens, knuckles flashing white under the strain.
His body crowds into Sylusâs space, pressing him back against the hard frame of the chair, pinning him there like a specimen under glass. Every muscle in him vibrates with the effort it takes not to crush, not to consume, not to end this the way every instinct is screaming for.
Sylus tilts his chin higher into the hold, offering up his throat like a king surrendering a crown he never intended to relinquish.
The world beyond the office dies. No footsteps. No voices. No alarms.
Only breathingâstrained, brutalâand the cold, relentless tremor crawling up Zayneâs arms.
He leans closer.
Until their foreheads almost touch. Until he can taste defiance thick on Sylusâs skin, salt and heat and inevitability.
Still, Sylus does not blink. Does not speak. Does not yield.
His pulse thrums steady against Zayneâs palmâa taunt, a siren's call, a noose tightening in reverse.
The bastard is enjoying this.
And Zayneâ
Zayne is coming undone one heartbeat at a time.
His other hand fists in the back of Sylusâs hair, yanking his head back farther, exposing the ruin of his throat to brutal scrutiny.
A sound rips out of Zayneâlow, raw, almost a snarlâthe ghost of something feral clawing its way up from the place where he keeps his control buried.
His chest drags rough and ragged against Sylusâs bare skin, a friction that feels more like a confession than any words could ever be.
Sylus lets him.
Lets him see it allâthe open wounds, the bruises, the smudged fingerprints of other wars.
None of it mattered.
None of it touched him like this. Only Zayne. Only now.
The chair groans under the strain, Sylusâs shoulders digging into the plastic, his legs spread wide, shameless, relaxed in a way that weaponizes the posture into something obscene.
The look he gives Zayneâhalf-lidded, mocking, starvingâsays everything he refuses to utter aloud.
Is this it? Is this all youâve got?
Zayneâs fingers tighten, riding the bleeding edge between domination and destruction.
And Sylusâ
Sylus just smiles.
Wider. Crueler. Knowing.
Because he knows. Heâs always known.
Zayne will fall first.
And Sylus will make sure it hurts when he does.
Zayne snaps.
Not with fists. Not with shattered glass.
Something colder. Sharper. Surgical.
His hand tightens onceâbruising, warningâbefore he drives Sylus back against the chair with a jerk hard enough to rattle the frame.
The impact slams through Sylusâs spineâa brutal reminder of leverage, of how easily control could shift hands if he let it.
He doesnât.
He only laughs.
Low. Dangerous. A sound scraped from the bottom of a broken chest.
Zayneâs palm stays locked at his throat, the other hand twisting tighter into his hair, dragging his head back, leaving his mouth half-parted, his body arched under the pressure.
"Say it," Zayne grits out, voice worn down to something ragged and feral.
His breath scorches across Sylusâs skin, hot and seething, pulled from a mouth stretched too tight to be anything but furious.
Sylusâs lips partâ Not in surrender.
In provocation.
"Say what, doc?"
Mockery, pure and venomous, poured straight into the wound.
Zayneâs fingers twitch, his control fraying at the seams.
Sylus feels itâthe tremor of rage trembling through every corded muscle straining not to break him apart.
But he doesnât flinch.
Doesnât yield.
He leans into itâspine grinding harder against the chair, the violence fed into his bones like communion.
Zayne yanks his head back another inch, brutal, stretching the cords of his neck taut, making breath itself a conscious, costly thing.
"Say what you came here for," Zayne snarls. "Say why you dragged your half-dead ass through my hospital."
Sylusâs heart beats slow and steady against the hand tryingâand failingâto master it.
He could lie. Could pretend it was proximity, necessity, survival.
But they are too deep now. Too ruined for anything less than the truth.
Sylus drags his tongue across the inside of his cheek, tasting the iron of blood and something meaner lodged between his teeth.
His gaze never leaves Zayneâs.
Not once.
"Came to see if you'd finally break."
A heartbeat. A breath.
Then a whisper, soft and devastatingâ
"Guess I didnât have to try that hard."
The words crack the air between them.
Zayneâs snarl is silent, carved into the brutal line of his jaw, the burning fury in his eyes, the death grip bruising Sylusâs throat.
The chair groans under the strain, the screws biting into the frame like they, too, are barely holding together.
Sylus lets it happen.
Lets the pressure bleed through him.
Lets the bruises form.
Lets the moment devour the last scraps of reason between them.
Zayneâs face is so close Sylus can see the fine tremors tracing his mouth.
Can feel every brutal inhale clawing past the wreckage of self-control.
One push from ruin. One word from collapse.
Zayne leans in, mouth brushing dangerously close to Sylusâs ear.
The breath that strikes Sylusâs skin is a furnace blastâhot, wrecked, soaked in promises that should never leave the mind, let alone the mouth.
âOne more word,â Zayne rasps, voice broken beyond repair, âand Iâll make you beg.â
Not a threat. A vow.
Sylusâs pulse kicks hard, hammering against the fingers bruising his collarbone.
He could break it here. Now.
One word, one push, and Zayne would shatter.
Instead, he chooses cruelty dressed in silk.
Sylus tilts his headâjust enoughâuntil his lips ghost the shell of Zayneâs ear, the barest scrape of contact, the kind that makes breathing a forgotten concept.
His whisper threads velvet and venom into a single, devastating breath.
"Good boy."
Two words.
Soft enough to wound. Sharp enough to destroy.
The reaction is instant.
Zayne jerks back, fury slashing across his features, hands locking down like vicesâ
âand Sylus moves faster.
His own hand lashes up, seizing the back of Zayneâs neck, fingers threading into the sweat-damp short hair, yanking him down with brutal, merciless force.
No warning. No hesitation. No mercy.
Their mouths crash together in a collision of teeth and violence.
The impact shudders through both of themâ violent, graceless, inevitable.
Not a kiss. Not anything so civilized.
An assault. A confession. A dragging out of need from the wreckage theyâve both been pretending didnât exist.
Zayne fists the meat of Sylusâs side, dragging him higher into the brutal contact, answering violence with violence, hunger with hunger, breathing into the hollow of Sylusâs mouth like he could drown them both before heâd ever let go.
Neither gives ground. Neither yields.
This isnât surrender.
This is war.
And theyâve both already lost.
Zayne deepens the kiss with a brutal drag of teeth, biting Sylusâs lower lip hard enough to draw blood.
Sylus answers with a vicious sound ripped from the depths of his chestâhalf-laughter, half-snarl, pure violence dressed in heat.
Their hands grapple for dominanceâZayne shoving, Sylus pullingâuntil thereâs no clear boundary left between them. Only heat, only violence, only the shared ruin of blood and sweat slicking every frantic clash of mouths.
Sylus arches under the onslaught, body snapping taut against Zayneâs weight, every nerve lit up like a battlefield.
This isnât gentle.
It isnât careful.
It never could be.
Zayne seizes a fistful of Sylusâs hair, wrenching his head to the side, dragging his mouth along the sharp line of his jaw, teeth scraping a brutal path toward the vulnerable skin just beneath his ear.
He bites thereâ savage. Claiming. Final.
Sylus gasps against himâa broken, guttural soundâhips canting up in a sharp, desperate grind that leaves no room for pretense.
Zayne answers by slamming him harder against the chair, one hand locking around Sylusâs hip, fingers digging into bruised flesh like he means to leave fingerprints stitched into bone.
The chair groans under their fury, its frame shrieking with every shove, every desperate collision of bodies driven by something far older and darker than want.
Sylus retaliatesânails raking down Zayneâs back through the thin barrier of his shirtânot enough to tear, but enough to mark. Enough to brand.
Zayne's mouth crushes back to Sylusâsâdevouring, punishingâ a raw collision of teeth and tongue that tastes of blood, rage, and something black and bottomless neither of them dare name.
Their breathing shatters, breaking apart in harsh, ragged gasps, filling the room with the sound of collapse.
Zayne braces one knee between Sylusâs legs, forcing him open wider, grounding him in place, crushing any last delusion of escape between bruised thighs and battered pride.
Sylus takes it.
Takes all of it.
And smiles against Zayneâs mouth like he planned this ruin from the very start.
The kiss twists crueler, angrierâevery drag of Zayneâs mouth a curse, every clash of teeth a confession they cannot bury deep enough to silence.
When Zayne finally tears away, ripping the kiss apart with a savage snap of teeth, a thin string of blood smears between themâSylusâs lip torn open, the red glistening like a war-banner across his mouth.
They freeze there.
Locked. Breathing hard. Hands still fisted in ruined clothes and broken skin.
Thereâs nothing left to pretend.
Not anymore.
Zayneâs hand remains clamped around Sylusâs throat, thumb dragging a slow, possessive stroke across the bruised column of his neckâhalf reverence, half claim.
Sylus swallows against the pressureâslow, deliberateâhis gaze gleaming with something filthy and victorious.
Sylus lifts a hand.
Slow enough to taunt.
Not to shove Zayne away. Not to fight.
To command.
His fingers brush along the sharp edge of Zayneâs jawâfeatherlight, a mockery of tenderness.
He feels itâthe tension thrumming beneath skin, the tremor buried deep in muscle and bone.
Good.
Without a word, Sylus presses down.
Down. Guiding. Demanding.
Zayne resistsâfor half a breath. One strained heartbeat of pride.
Then he sinks to his knees like gravity itself answers to Sylus alone.
The sight is obscene.
Zayne kneeling thereâ shoulders rigid, fists curled against the cold floor like he could anchor himself against inevitability.
Sylus tilts his head, studying him like something expensive heâs deciding whether to ruin.
Then he spreads his legs wider.
The chair creaks under the slow, deliberate shift of weight, leather whining against blood-slicked skin.
Sylusâs fingers tangle in Zayneâs hair, dragging short strands through his grip with deliberate cruelty.
"Open me up," Sylus says, voice low, wrecked, soaked in sin.
Not a plea.
A command. A sentence.
Zayne looks up through his lashesâeyes blackened with rage, wreckage, worshipâand Sylus watches the war rage behind them.
Pride. Fury. Reverence.
All bleeding into something far too raw to name.
Slowly, Zayneâs hands rise.
Unsteady.
Unbuttoning. Unzipping. Dragging down the ruined waistband just enough to bare sharp hipbones and the thick, hard line of Sylus straining against bruised, bloodied skin.
Sylus hums low in his throatâa dark vibration rippling across the fresh bruises blooming along his neck.
His thumb brushes Zayneâs cheekboneâalmost tender, almost cruel.
"That's it," he murmurs, a threadbare mercy stitched into the violence.
"Be a good boy for me."
Zayneâs breath stutters against his thighâhot, broken, wrecked.
Sylus tightens his grip in his hair, tilting his face up, forcing him to hold his gaze.
"You're going to open that pretty mouth," Sylus breathes, thumb stroking the corner of Zayneâs lips, "and take everything I give you."
Zayne doesnât move.
Doesnât flinch.
He just breathesâshallow, franticâcaught between defiance and the desperate inevitability of submission.
Sylus smiles then.
Slow. Poisonous.
The kind of smile that promises two things: Ruin. And mercy.
Both.
"You want it," he whispers, voice scraping the last vestiges of restraint from the air, "same way you wanted to break me."
He spreads his legs widerâan invitation, a command, a final noose.
Another silent dare.
Another sentence written into skin.
Zayneâs hands clench against Sylusâs thighsâwhite-knuckled, tremblingâbut he doesnât pull away.
Not anymore.
Heâs already kneeling. Already gone.
Already home.
And Sylusâ
Sylus plans to make sure he never forgets it.
Sylus shifts in the chair, spreading wider, dragging Zayne closer with nothing but the lazy pull of fingers curled deeper into his hair.
Zayneâs breath stutters against Sylusâs exposed skinâhot, uneven, wrecked.
Sylus watches.
Watches the way pride collapses under the gravity of need. Watches the flicker in Zayneâs lashes, the tremble in his fists clenched against Sylusâs thighs like lifelines.
"Go on,"Â Sylus murmursâ a velvet-draped blade. "Be good for me."
The command slices the thick silence clean open.
Zayne obeys.
He leans in.
His mouth brushes the sensitive crease of Sylusâs hip with a reverence that borders on the sacrilegious. His tongue followsâtracing bruised flesh, tasting blood, sweat, salt.
Ruin.
Sylusâs head falls back, a low, broken exhale ripped straight from his chest. His grip tightens in Zayneâs hairâenough to remind him of the leash wound invisible around his throat.
"Fuckâlook at you,"Â Sylus hisses, glancing down, gaze locking on Zayneâs wrecked, dark eyes. "On your knees for me."
Zayne answers with nothing but a needy, fractured sound vibrating into Sylusâs skin, his mouth trailing lower, lips drawing a path with aching deliberation.
When his lips close around the head of Sylusâs cock, Sylusâs whole body shuddersânot from pain. From the effort it takes not to come apart.
Heat envelopes himâwet, tight, devastating.
His knuckles whiten in Zayneâs hair, anchoring him to the moment, the sensation, the worship.
Zayne moves slow at firstâlanguid, deliberateâmouth dragging inch by inch, pupils blown wide with something filthy and fragile.
Sylus canât look away.
The sight of himâbeautiful, broken, hungryâchokes the air from the room.
He rolls his hips forward, shallow but commanding, deeper into the slick heat of Zayneâs mouth.
Zayne takes it.
Stretches. Chokes. Endures.
His hands bruise into Sylusâs thighs, clutching tight enough to leave marks, enough to say I wonât let go until you make me.
Every gag, every wet, obscene sound fans the fire into something relentless.
Sylus brushes a thumb over the hollow of Zayneâs cheekâ feeling the stretch. The effort. The surrender.
"Thatâs it,"Â he breathes, voice dragging like velvet through gravel, hips rolling harder. "Good fucking boy."
Zayne moans around him, the sound reverberating up Sylusâs spine like a prayer that ends in collapse.
Sylus thrusts deeperâpunishing, reverentâhis other hand cupping Zayneâs jaw, forcing it wider, forcing him to take it all.
Zayneâs eyes glass over, tears beading in the corners as his throat struggles around each brutal thrust.
Sylus knows heâs cruel.
Knows he should stop.
But he wonât.
He canât.
Not when Zayne kneels like this.
Not when he offers himself up like something sacred. Something holy and ruined and his.
Sylus fucks harder, the chair rattling beneath them, the frame groaning like it, too, is near collapse.
His climax hits like a blade.
Sudden. Inevitable. Merciless.
He grips Zayneâs jaw, forces his gaze upward.
Look. Look at whoâs breaking you.
Their eyes lock.
And Sylus snaps.
He comes down Zayneâs throat with a hoarse, wrecked sound, hips stuttering, fingers gripping so tight Zayneâs scalp screams in protest.
Zayne takes all of it.
Swallows itâmessy, greedy, grateful.
Only when Sylus pulls back, breath ragged, does he release the hold on Zayneâs hair.
Zayne stays there. Kneeling. Mouth wrecked. Throat working around the aftertaste of surrender.
Sylus watches himâstill sprawled in the chair, still bleeding, still owning every inch of the man knelt before him.
"Good fucking boy,"Â he mutters again, thumb dragging across Zayneâs ruined mouth.
Zayne leans into the touch like he was made for it.
And maybeâ
Maybe he was.
Zayne lifts his hand, wiping the corner of his mouth with the back of his wrist.
The smear of red left behind looks deliberate. Almost elegant. Like art rendered in aftermath.
He doesnât look at Sylus when he speaks, voice husky but controlled.
âYouâve made your point.â
Then he rises.
Pushes off the floor with a composure too careful to be real.
His knees crack as he straightensâthe sound loud in the thick, ruined silence.
He smooths the wrinkles from his slacks like a man trying to stitch himself back into dignity.
Sylus says nothing.
Doesnât move. Just watches.
Zayneâs hands brush dustâblood, sweat, the last fragments of prideâfrom his thighs with surgical precision. Like he can erase what just happened if heâs careful enough. Like it didnât touch something vital.
He turns without waiting for a response. Walks to his desk.
Measured. Unhurried.
His spine is too straight. Every step bleeding tension he pretends isnât there.
He reaches for somethingâpaperwork, a folder, maybe just the illusion of barrier.
But behind himâ
The chair creaks.
Soft. Subtle. Predatory.
Sylus rises.
Fluid as breath. Quiet as regret.
Zayne doesnât notice.
Not until Sylus is there. Close. Too close.
Heat bleeds between them as Sylus presses inâchest to back, hips aligned, breath ghosting over the curve of Zayneâs neck.
Not touching with force. Touching with intention.
Zayne goes rigid. Hands hovering above the desk. Spine pulled taut like a bowstring ready to break.
Sylus leans in.
His mouth brushes the shell of Zayneâs ear, his voice a whisper made of ash and ruin.
âWeâre not done.â
The words burn into skin like a brand.
A pause. A beat.
Then Sylusâs hand slides forward.
Slow. Precise.
Fingers settling at Zayneâs hip. Thumb stroking the waistband of his slacks. Grip flexing just enough to promiseâ
Not mercy. Not escape. More.
Zayne doesnât move.
Doesnât speak.
But his breathing stuttersâthe only betrayal in a silence stitched from control.
Sylus smiles against his neck.
âNot even close.â
Sylus lets the silence stretch. Tight. Taut. Intentional.
Then he dips lower.
His lips graze the shell of Zayneâs ear, tongue flicking out onceâjust enough to taste the salt pooled there.
âYou want me to stop,â he murmurs, voice spun from silk and shadow. âSay the word.â
He already knows Zayne wonât.
His hand moves with that same cruel patience heâs always carriedâsliding down the flat plane of Zayneâs abdomen, past the crisp edge of his shirt, to the belt that holds everything together.
One tug.
The buckle gives with a sharp, metallic clickâa sound that slices through the sterile hush of the office like a verdict.
Zayneâs head tips back. Slow. Deliberate.
It lands heavy against Sylusâs shoulder.
His eyes close. His breath stuttersâtoo shallow, too fast for a man who prides himself on composure.
Sylus presses a single kiss to the hinge of his jaw. Just once. Like punctuation. Like a signature.
Then his hands are moving againâ palming the heat beneath Zayneâs slacks. Hard. Hot. Barely restrained.
âFuck,â Sylus breathes, voice rough with approval. âYou're already aching for it, arenât you?â
His thumb drags along the shape of Zayneâs cock through the fabricâslow strokes, precise pressure. Just enough. Never more.
Zayne grips the edge of the desk in both handsâknuckles bone-white, head still tipped back, mouth open like heâs halfway between a moan and a prayer.
Sylus unzips himâknuckles grazing skin, dragging the fabric down just enough to free him.
Zayneâs cock springs freeâflushed, straining, glistening under the fluorescent lights like something profane made sacred.
Sylus wraps a hand around the baseâtight, possessiveâand begins to stroke.
Slow. Intentional. Designed to ruin.
Zayne makes a soundâguttural, wordlessâhips twitching helplessly against the rhythm.
Sylus chuckles. Low. Wicked. Quiet as a curse.
The sound vibrates into Zayneâs spine.
âThatâs it,â he murmurs at his ear. âLet me feel how close you are.â
Zayne gasps when Sylusâs thumb rolls over the headâslick and merciless. His fingers dig into the desk now, carving truth into woodgrain.
Sylus works himâlong, firm pulls from base to tip, each stroke calibrated just shy of too much.
His other arm winds around Zayneâs waist, anchoring them togetherâno space, no escape.
Every twitch. Every curse. Every stuttering breathâ
Sylus feels it all.
Zayneâs body jolts with each pass of his hand, the sound of slick skin obscene in the quiet, building toward something furious and unstoppable.
âSay it,â Sylus breathes, lips dragging down the curve of Zayneâs throat. âSay whose hands make you fall apart like this.â
Zayne triesâ tries to swallow it, to grit his teeth against the truth clawing up his throat.
Fails.
His voice breaks open.
âSylusââ
One word. Not a plea. Not a command.
A confession.
Sylus strokes faster nowâunforgiving, punishing. His grip slick, tight, brutal in its focus. Zayneâs thighs tremble, hips chasing every drag of that hand, breath disintegrating into short, frantic gasps.
But just when the edge risesâ just when the heat crests and tips toward the fallâ
Sylus stops.
Freezes.
Fingers locked around the base, tight, merciless.
Zayne chokes on a groan, his forehead crashing to the desk, breath ragged, arms trembling under the weight of restraint and denial.
Sylus kisses his ear. Soft. Final. A sentence more than a touch.
âNot yet.â
Sylus steps backâjust enough.
Just enough to make Zayne groanâlow, wrecked, frustration breaking through his composure like wildfire through brittle bones.
Zayneâs hips twitch where heâs bent over the desk, cock flushed and dripping, thighs trembling from the brutal ache of denial.
Sylus palms the curve of his assâboth hands nowâ
squeezing hard enough to bruise before dragging him back, tilting his hips, arranging him not for convenienceâ
but for claim.
How he wants. How heâs earned.
Zayne doesnât resist.
He just presses his cheek to the wood, breath fogging the surface, hands splayed wideâsurrender made flesh.
Sylus drags his cock along the cleft of Zayneâs assâ slow, heavyâ smearing the mess of earlier teasing along sweat-slicked skin.
âLook at you,â he murmurs, voice rough with smoke and steel. âReady to be fucked open and begging for it.â
Zayne huffs a broken breath, a whimper curling into something that might be a laugh.
âSo fucking full of yourself.â
Sylus grinsâsharp, unrepentantâcoating himself in the slick still leaking from Zayneâs last unfinished fall.
âAnd you're still bent over this desk with your cock dripping,â he growls, lining up behind him. âSo whoâs winning, doc?â
Zayne opens his mouthâ but whatever he meant to say dies the second Sylus pushes in.
Not a thrust. A claim.
Slow. Relentless.
Zayneâs mouth parts in a silent gasp, one hand clawing the desk, the other bracing his weight as Sylus sinks in deeperâ
inch by inch, control by control, breath by breath.
âShitâfuck,â Zayne groans, hips jerking back, a collision of plea and instinct. âGodâjust move.â
Sylus does.
Not fast. Not hard.
Just deep.
A single, devastating pull outâthen back in.
A rhythm of purpose. Of punishment. Of possession.
Zayne shudders with it, spine arching, every stroke dragging over the spot that makes him see stars behind his clenched eyes.
Sylus leans in, chest to back, mouth right at his ear.
âYou feel that?â âThat stretch? That ache?â
His teeth scrape along the edge of Zayneâs jaw.
âThatâs mine.â
Zayneâs fingers claw at the desk, knuckles pale, the sound of skin on skin rising around themâwet, sharp, relentless.
âSay it,â Sylus growls, hips snapping forward. âSay who ruins you like this.â
Zayne shudders.
His voice breaks.
âYouâfuck, Sylusâyou do.â
Sylus licks a slow line up the back of his throat, then bitesânot to draw blood.
To mark.
âGood boy.â
And the praiseâ
hits harder than any thrust.
Zayne moans, louder now, legs trembling beneath him, his whole body stretched thin by the weight of every second heâs not allowed to fall apart.
Sylus keeps him thereâ on the edge, at the altar, in the fire.
Drawing it out.
Making him feel every inch heâs not yet allowed to have.
âYouâll take what I give you,â Sylus whispers into sweat-drenched skin, âAnd youâll thank me for every second I keep you wanting.â
Zayneâs head drops.
Another choked noise tears freeâraw, pleadingâas Sylus grinds deep again, every movement slow, devastating, possessive.
Zayneâs voice is gone.
Wrecked.
âPleaseâfuck, Sylusâlet meâlet me comeââ
Sylus doesnât stop.
Doesnât yield.
Not yet.
He buries himself to the hilt, heat flooding between them, breath spilling against Zayneâs neck.
And thenâ
âNot until I say.â
Zayne groansâlow, wreckedâ as Sylus grinds in deep and holds there, the stillness sharp, brutal, a pressure that makes sweat bead at the back of his neck.
He shiftsâhips twitching, seeking friction, any rhythm at allâ desperate.
Sylus gives him nothing.
Just leans in. Breath curling over the back of Zayneâs neck like smoke.
âSo greedy,â he murmurs, voice slow, sharp. âWhereâd that control of yours go?â
Zayne hisses, knuckles white where they clutch the edge of the desk. His cockâflushed, leaking, untouchedâthrobs helplessly.
Sylus watches it.
Watches the way hunger pulses through himâblinding, base, intoxicating.
Still buried to the hilt, he pulls back just enough to make Zayne whineâthen slams back in. One brutal thrust. One full-body shiver.
âSay you want it.â
Zayne gasps, the words tumbling from his mouth in pieces.
âI want itâfuck, Sylus, pleaseââ
Sylus grins.
Feral. Cruel. Victorious.
And thenâfinallyâhe gives in.
His hand wraps around Zayneâs cockâhot, slick, punishingâstroking him in perfect, merciless rhythm to the roll of his hips.
Zayne arches off the desk with a strangled moan, caught in the no manâs land between retreat and collapse.
Sylus fucks into him deeper, harderâevery thrust timed with the savage drag of his fist, wringing Zayne toward the edge in tidal waves.
âYou feel that?â Sylus growls against his neck. âThatâs me. No one else. Only me.â
Zayne nods blindlyâeyes shut, lips parted, the truth already wrung from his bones.
âGodâSylusâIâm closeâI canâtââ
Sylus curls around himâone arm banding across his chest, the other still strokingâ and pulls him upright in a single, brutal motion.
Off the desk. Into his arms. Never breaking pace. Never letting go.
Zayneâs head falls back against Sylusâs shoulder, mouth open, gasping like he canât draw breath without him.
Sylus bites down at his throatâhardâthen kisses the mark like an apology.
His hand works faster now. Slick. Brutal. Beautiful. Every pass a promise, every thrust a possession.
Zayne jerks in his armsâhips chasing the rhythm, legs barely holdingâruined.
"Let go," Sylus breathes, voice raw. "Come for me."
Zayneâs body goes tautâbowstring tightâand then he breaks.
âSylusâfuckâ!â
He comes hard, spilling across Sylusâs hand, trembling, breath caught in a chest that no longer knows how to steady itself.
Sylus doesnât stop.
Keeps driving into him, faster now, chasing his own end with violent, desperate thrusts.
The room fills with the sound of slick skin, shattered breath, and the heat of something far too big to name.
Zayne slumps in his armsâboneless, trembling, wrecked. Head buried in the curve of Sylusâs neck. Lips brushing skin with every gasping inhale.
And thatâ thatâ is what undoes him.
Sylus drives in one final time, groaning into Zayneâs hair as he comes, hips stuttering, hands clenching Zayneâs waist like he could carve permanence into bone.
It tears through himâraw, blinding.
And all he can feel is this:
Zayne. Broken. Breathing. His.
They stay like that. Locked. Burning. Every nerve thrumming with what they didnât say.
Sweat. Come. Silence.
Zayneâs lips partâjust enough to let one word fall out.
âFuck.â
Sylus kisses the side of his throat.
Low. Final. Irrevocable.
âYouâre mine.â
â Š đđđđ đđ˛ đđ˛đĽđŽđŹ đđ˘đđđĽđ đđŤđ¨đ°

#love and deepspace#love and deepspace sylus#l&ds sylus#sylus qin#lnds sylus#lads sylus#sylus#sylus love and deepspace#sylus smut#sylus lads#zayne smut#zayne love and deepspace#l&ds zayne#lnds zayne#lads zayne#smut without plot#smut#smut writing#smut fanfiction#snowcrow#snow x crow#zayne x sylus#sylus x zayne#love and freakspace
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One of my favorite things about the reveal of the dissenter statues in The Final Shape is how it casts all the statues we've seen up to this point in a new light. The Lunar Pyramid, The Black Garden, Clarity Control, all once stood as imposing monoliths that heralded the arrival of The Witness, with their ominous whispering we naively assumed to be dark temptations by our enemy on the horizon. We now know them to be tragic figures cast out into a horrifying fate, forced to lead other towards an end goal that they spoke out against and were punished for. Their ominous whisperings actually being distressing warning and abject cries for help to save them from this cursed existence
Idk I just think Destiny is really good at long term story telling and set up/payoff
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