#octlings

[euraru]

skeb/commission art. Squiffer!

[laughterlust]

Tier List for how well my OCs can drive. There's a good portion of them that have no access to vehicles and frankly should NEVER have access to them

❌🔞MINORS AND NO AGE IN PROFILE DNI. This is a NSFW blog, you will be blocked on sight. (More DNIs in Pinned post.)🔞❌

[crackheadcola]

Splatoon x SMG4 (My AU vers)

SMG4 - Octling

[smolsammichowo]

.... realizing Splatoon & QSMP have a lot in common

- both have eggs that need protecting

- Foolish said in the purgatory event they looked "squidy" with the gasmasks

- BOTH HAVE BEARS WHO ARE ASSHOLES

- Both have idols people freak out about (Wilbur & Miku in qsmp , Squid sisters, Deep cut, Off The hook in splatoon )

Both qsmp and splatoon have goofy weird goo / ink people ( im looking right at you charlie. )

[afrophunk]

[artichao]

sudden urge to ~splatoonify~ my sonas

i did this with saiyo recently, but im gonna redo her (in favour of this much better style!!!). for now though, here's a sneakpeek at splatoon-arti!!!

i have much pride in being a hydra main. but my god. why is it such a beast to draw.

[warywind]

Commisions: Creek'mask and ourarous

It seems I never put these up here. These are some commissions I recently took on Flight Rising for a warrior cats oc and a ridgeback dragon with his familiar, respectively.

Creek'mask belongs to Nyxxhere on FR

ourarous and stressed belong to Koutarou on FR

Artwork © myself

[piparkaq]

Going to revive this and test out if this is a viable alternative to use.

[lightningstorm64]

Couldnt help myself but share these! The octoling girl's name is Kat.

[adozee]

What we could have vers the recolored octlings/inklings salmonlings we'll get. THINK people, why would they have tentacles? THEY GOT FINS

[messydoodlesyt]

*inhales*

B R O

I’m trying to draw this fricken octling as the last one for my second redesign series thing for SMG4 right

But for the love of god I cannot figure out anything for her!

Like outfit wise it’s gonna be no issue, but it’s her tentacle hair that’s killing me. Like my brain is not computing her with it! So I thought ‘okay let’s just draw the tentacle how it is with the canon ref and see where that takes us’ BUT NOOOOOOOOO no matter how I draw it the hair looks terrible!

Idk how people make fanart for her like y’all got some special skills or something, I swear her ref will be the death of me.

[roaring-rivers]

Slowly but surely learning how to draw inklings and octlings

[olliehackula]

HACKULA IF HE WAS IN SPLATOON! He’s a octling ofc-

[redacted-coiner]

Arissoinkling & Arissooctoling

[PT: Arissoinkling & Arissooctoling]

Arissoinkling & Arissooctoling, an arissospecies(link) subterm connected to thinking one is an Inkling/Octoling from Splatoon and makes the person, whether it be because of delusional or IRL attachments, being an alter that species differs from the body, psychosis, etc., feel disconnected from their external species. This is not for "fun" or voluntary "I wanna be this ✨️", this also doesn't override the external species the person has. This term is not for "transitioning" if one's transition tries to mean they can harm animals and is not radqueer or transid friendly and not comparable to transgender.

[Inkling ID: none yet]

[Octling ID: none yet]

[Tag] @arissodic-archive

DNI is listed within my pinned post. Please go read it before interacting with any part of my content. Ask to tag.

[warywind]

Sometimes you get the itch to draw something very specific. This time it was practicing human faces by drawing a bunch of my human(oid) ocs. I haven't drawn humans often, so most of these characters have either scarcely been drawn before or haven't been drawn in may years.

Moth, short for Behemoth, is a character I started developing for a would-have-been DnD campaign that never came to fruition. She was to be a centuries-old tree (specifically a Douglas Fir) that got permanently polymorphed into a wood elf and was still getting used to the whole being a sapient, mobile being thing. The residual energy from the spell gave her a knack for transmutation magic, and simply being an ancient tree made her a natural druid. I planned for wildshapes to reflect her tree-ish nature, with thicks coats of trees needles replacing fur and feather and bark replacing scales. I was still working out what her motivations and the motivations of whoever polymorphed her should be. Did they leave her like this because they couldn’t undo it or because they didn’t care? Giving her goals like ‘I want to be a tree again’ or ‘I want to explore the world’ seemed too obvious and unsatisfying for a primary goal.

Ami and Bygul are two of my shape-shifting spirits. Ami has already appeared in this tumblr, while Bygul’s older ref sheet is on my deviantart. I’ve never officially decided whether a human form is possible for Bygul—he’s a second-generation spirit and their forms are limited to specific groups of animals, in his case cats. That doesn’t stop me from imagining what a human form would be like, though. I picture him as a mischievous child that totally looks like trouble but is also surprisingly nice.

Zennith is the protagonist of OCTL, I’m not saying much about her in case I decide to stick pages up here. She’s also the only one that counts as a vanilla human, at least as far as the story arc I have written goes.

Faiyth and the last, currently unnamed character are from the same world as Meteor (I called it Tearings for years, but that’s neither a real word nor a great name). They were originally set up as major protagonists but got displaced a bit as the world grew and I ended up focusing mostly on the anars. In reworking them I still want them to be important, but not in the chosen one kind of way I made up as a kid. Rather, the world is full of weird and powerful things and they happen to be in the right places at the right times to get dragged into the major events other beings have started.

All of these characters belong to me. Please do not copy the character or design, trace the artwork, post the artwork elsewhere, or use the artwork as a reference image for roleplaying.

[natalie-waite]

"Otec Hajn po dobu jejího vzdálení jistě jen přemýšlel, jak doplnit její hospodyňskou výbavu. Všechno se jen lesklo, všechno bylo na svém místě. Soňa chodila od předmětu k předmětu s očima přeplněnýma vláhou. "Ale kde je jen Katy?" Divila se, že dívku nikde nenalézá. Nedostalo se jí odpovědi.

Ukázalo se, že s Katy - rozumí se, že proti její vůli - provedli nechutnou komedii. Když Soňa otevřela salónek, stála Katy, uprostřed zapýřená, v bílé, nažehlené zastěrce a s bílým čepečkem na hlavě, s oprašovadlem v ruce.

Rozpačitě jsem odkašlal, abych polkl příliv hněvu, který mi stoupal do hrdla. Rázem ze mne spadlo všechno dobromyslné a shovívavé, čeho jsem pln. Měšťáci! V duchu jsem odprošoval dívku, která byla takto dána darem jako kus nábytku a oblečena v stejnokroj služky k přivítání své velitelky. Nadarmo ji Soňa radostně vinula do svého náručí. Nepříjemný dojem nebylo lze ničím smazati. Také já jsem konečně pocítil, že jsem se octl zase doma.

Jako by ze mne někdo studenými, omrzlými prsty svlékal slavnostní roucho, jímž byl přioděn. To tam bylo kouzlo důvěry, kouzlo zamilovanosti. Stál jsem tu jako nahý a styděl jsem se."

Neviditelný (Kapitola 8.) - Jaroslav Havlíček (1937)