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hillbillyhippiemusicreview · 4 years ago

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ALAN "CORDUROY" BROWN "LET ME KNOW" ALL ABOUT HIS MIRACULOUS 2021 AND THE ALBUM IT INSPIRED

The COVID-19 pandemic put undue stress on the music industry that we are just now starting to recover from. It's been a long, dark, and uncertain road for many--but unfortunately for some like musician Alan "Corduroy" Brown, lead singer and guitar player for the Huntington, West Virginia-based band Corduroy Brown, it was a true matter of life or death. In fact, Alan did succumb to the nightmare of COVID-19, just to be reborn with a new spark and outlook on life. Below is a transcribed interview between Hillbilly Hippie Music Review and Alan concerning his band’s upcoming album releasing on August 14th, "Let Me Know," and the personal experiences that influenced its conception.

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L: Hi, Alan! We’re so glad to have you join us at HHMR today for a chat to get to know ya a little better. How are you doing?

C: Honestly....pretty great! Live music is BACK and it’s so cool to see all my friends creating and showing off their talents again.

L: That’s great to hear—and I think we can all agree with you on that notion! So, a little birdie told me that there is new music on the horizon—but, before we discuss that, I want to touch on the life-altering experience you underwent in 2021 and how that altered your overall outlook on life after your literal rebirth.

C: Someone asked if I was now afraid of dying, but I’m afraid of not living. There are a lot of things you learn in a hospital bed. In February, I thought that I’d be in and out of an urgent care, but ended up on a ventilator, in a helicopter, then put on ECMO life support. Apparently I died some time in that period, so when I got to Morganton, I was actually dead. You know the whole “white light” thing people talk about? It’s completely real. I could write a novel on all of that, but really, I learned that we’ve got a lot to figure out still. Regret hits you heavily. I thought about all the time that I wasted being upset about something/someone , or anytime I’ve been mad about anything. Like, there is a time and a place to be upset, but we have ONE time on this earth to violently pursue our passions and to love each other, while experiencing everything we can.

L: Wow. I can't even fathom what you felt as you rode on that proverbial rollercoaster, but I am SO very happy that you are still with us and sharing your gifts with the world. Speaking of those passions, with your band’s eclectic brand of folk-pop infused indie rock tunes, you’re one of our favorites here at HHMR. We’ve dug the little teaser of your upcoming single with your longtime friend Arlo McKinley and it’s got us stoked for the record release in August! Can you tell us how “Secret War” came about and what that experience was like?

C: This album has a beginning, middle, and end. It fits right in the middle of the whole book. Secret War started as a song of just appreciating everything I have. The first verse says: “I’ve been chillin’ with my head held high, nothing wrong but these untied shoes.” Later on, it turns a bit saying “ lost the battle, war still going.” Arlo comes in on the second verse and layers in the ideas of the battle we are fighting with ourselves all the time. I think we both ended up singing about people who we’ve met in our life that couldn’t handle us at our worst times. It’s a dream to work with Arlo. He’s a genuine human and a loyal friend who was super stoked to be part of this whole thing.

L: Awesome!! As far as the record as a whole, the debut album for Corduroy Brown, is it a concept piece like a story from start to finish, or is it just a collection of some of your favorite songs written from your journey in life? Describe it for us.

C: It’s a story front to back. I included a lot of interludes in between the songs that contain voicemails that people have left me. There’s an interlude where you hear me walking while going to therapy, and the familiar sound of the elevator at the St. James building in Huntington. This album is my life captured from 2017 to now. I finally feel like I got it all off my chest. I honestly feel like I haven’t written my best stuff yet, but this album was necessary to let out everything I’ve let build up for a long time.

L: I love how you've incorporated those moments to create the interludes. Writing is quite cathartic and I imagine releasing your story out into the world like this can be a form of music therapy itself, not only for yourself but for others! In addition to the single with Arlo, are there any other collaborations on the record we can expect to hear?

C: Oh gosh. So many people made this happen. It’s as much mine as it is everyone else's. The album is called Let Me Know because so many people have always said “let me know” if you need anything, or “let me know” what I can do for it. -- Massing, The Dead Frets, from Huntington. A lot of my closest friends like my life mentor and his son are on the album. Jacob from Jewel City Barbershop. The list goes on for awhile, haha.

L: As I always say, "teamwork makes the dreamwork!" That is such a cool concept that you've seamlessly woven into the title and throughout the record, since at times "Let Me Know" seems to just be a cliché that people say. But you and the band have demonstrated how actions *can* match the words! Now, tell me. I've got to know—how did you come up with the name, “Corduroy Brown?” What does it mean to you?

C: Gosh, I can never answer this question. I need someone to figure out a cool story for this. I have no idea.

L: Haha—that's fair! It's a rad name, cool story or not! So for something you can describe, tell me about the music. Since your music is so eclectic and defies the bounds of any one genre, how would YOU describe it?

C: I think technically it’s Rock/Pop/Indie? I don’t know. I grew up listening to Michael Jackson, I love Paramore, and I listen to Miranda Lambert everyday. The sound is all over the place because some of these songs are as old as 2017. You grow up and you change. I think the music captured different parts of my life when these songs were born.

L: "You grow up and you change" is such a true statement. In terms of growing up, I want to backtrack for a moment for readers unfamiliar with you, Alan. Can you tell us a bit about your history and background in music, from childhood to the evolution of your band? Has your heart always been set on being a musician?

C: No one in my family is musical, haha. But in 2008, my mom bought me a Fender CD60 guitar. I wanted to be like the kids who played at school. I stepped into the music scene with a band called The Dividends. Kind of like a RnB/Rock group. We had a really good run, but hung it up in 2019. I think I’ve always wanted this, but now I KNOW that this is what I’m supposed to be doing. Corduroy is composed of some of the A Team of Huntington musicians. We’re good friends first, musicians second. That’s a great combination to make good tunes.

L: I certainly think you are where you're meant to be! Throughout your life, who were your biggest musical influences? Favorite band? Best show you’ve ever seen? Most influential music experience that stands out in your mind? How did all of these sounds and experiences shape you as an artist?

C: I’ve been a complete Paramore fan from their first album. Their “After Laughter” album in 2017 is on constant repeat in my car. I actually listen to a LOT of female artists. Paramore, Lights, Chrvches, Kasey Musgraves. The best show I’ve ever seen was Cage the Elephant. Some of the rowdier songs lean in that direction. The album is kind of all over the place sonically.....it’s not uncommon for a road trip playlist to go from Migos, [to] Chelsea Nolan, to Slipknot.

L: You know, an album always stands out in my mind if it is sonically diverse, giving listeners a true lyrical and musical portraiture of who the artist is. Being a songwriter myself and songwriting nerd, I’m always intrigued by the writer’s process. How did your songs for this project evolve—from conception of the idea to the finished product?

C: I think when I brought these songs to Jeffrey McClelland, I only had a couple finished ideas. They morphed a lot from the start to finish. It’s crazy listening to the original compositions now. Some songs just happen before you even know they’re happening. Some of them take a lot of love. It takes me forever to write songs because I want to make sure I mean every single word and every single note. I’m envious of people like Taylor Swift who can write so many songs from so many different perspectives. It just seems effortless for her.

L: Oh my goodness—same here! Taylor Swift is actually the reason I started writing over a decade ago, because at the time in country music it was so refreshing to have a young female coming into a male-dominated industry breaking down barriers, all the while writing her own stuff and controlling her musicality. Speaking of breaking down barriers, in your community, you’re a well-known activist for topics still clouded with societal stigmas today, such as mental health and LBGTQUIA rights. Why is it so important to you to incorporate these topics into your music and performances?

C: Therapy and medicine saved my life. Everyone should go to therapy whether they think so or not. Logic is so hard to come by when your headspace is burying you. Chemicals affect our thoughts, thoughts affect our actions, actions become habits. We have to get control of that chain of command [and] it’s 2021. It’s hard to imagine that there are still people opposed to LBGTQUIA anything. Life is so short. Love who you love. I can’t imagine being so upset with the way that someone else is happy [and] I will forever be an ally to everyone I can. Huntington’s Pride Fest is in October of this year and you best believe I will be there. Loud and proud.

L: You are such a good human, Alan, and the world is beyond blessed to exist at a time that you do! Love is power, no matter how you look at it. When you think about Let Me Know and the impact it can have on listeners and the music community as a whole, especially in reference to your journey earlier this year, what is the biggest takeaway you hope fans have after digesting the album? What legacy do you want to leave on the world?

C: We get in our own way so many times. Take every chance on yourself. The first person I could call when I got off of life support was my friend Chris (who plays bass in Corduroy) [and] I literally said “WE GET TO RELEASE THIS ALBUM.” I remember when I was doubting even playing music again after the Dividends.

Seriously, do everything. Hold back nothing. Pursue life with a violent passion. Don’t let your final days be filled with regret. Do it all. There’s a lot of fun in this album. Kind of like dancing, but maybe crying at the same time.

L: YES! I've got chills--that is so true, and what I try to make people realize. Our days are limited, so don't be afraid to live your truth out loud. Now for some more lighthearted questions—if you weren’t writing and playing music, what would you be doing with your life?

C: Shewwww. I have no idea! I would love to be a public speaker or a high school teacher maybe? I’ve really considered being a PTA. I love the chance to directly help people, face to face. Extroverted jobs suit me perfectly.

L: You definitely have a genuine smile and charismatic personality that draw folks to you like a moth to a flame, but HHMR is so glad you decided to pursue your passions in music. Are there hidden talents you have? If so what are the most useful, useless, or weird?

C: I’m literally not cool at all really. lol.

L: LIES! You're cooler than the flip side of our pillow, yo. Unfortunately, it's time to draw this lovely chat to a close with the final question. Last but not least, what is your spirit animal?

C: I took an online test real quick before answering this. I got a wolf. I can kind of see some of that with the leadership qualities I have, but I feel like a bear or elephant? Laid back, but also powerful.

L: Hmm....I can vibe with the the bear idea. Easy to love, gives great bear hugs, but will fight for what he cares about....perfect for you, Alan! Thank you so much for joining us today and letting us know all about you.

“Secret War,” the first single with Arlo McKinley will be available July 15th. The full debut album from Corduroy Brown is set to release August 14th. Pre-save the single at the link below:

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*This is an independent article. The Hillbilly Hippie Music Review was not compensated for this interview.

*The opinions expressed are solely that of the author(s).

*These images are not ours, nor do we claim them in any way. They are copyrighted by the artist and photographers.

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paramoreros · 8 years ago

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Vuelve paramore por 3ra vez a nuestro pais.

11 De Noviembre 2017, Hayley, Taylor y la primera vez de Zac en argentina se estaran presentando en el personal fest 2017.

Club Ciudad de Buenos Aires

#Club ciudad de buenos aires #personal fest 2017 #paramore en el personal fest 17 #paramore personal fest 2017 #paramore en el personal fest 2017 #personal fest 17 #Hayley Williams #Taylor York #Zac Farro #Paramore En Argentina #Paramore Argentina

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paramoring-blog1 · 8 years ago

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Paramore in Buenos Aires, Argentina Personal Fest

11 November 2017

#paramore #pmore #hayley williams #taylor york #zac farro

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brendasfilm · 8 years ago

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some pictures of paramore last night on buenos aires, on the personal fest 2017.

copyrighted by brenda cáceres.

more photos here: https://t.co/WdpMwNyrFW

#paramore #hayley williams #paramore edit #taylor york #zac farro #photography blog #music

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katiebruce · 8 years ago

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Year of the Silver Star

It’s taken me a while to sit down and right my annual end-of-the-year post. Normally, I’ve got this post done in the weeks leading up to New Year’s Eve, or, at the very least, the night before. Yet, here we are.

I think part of it is my fear of letting go of what was such an incredible year for me. I know I’m basically alone in having had a great 2017—that’s okay, I’m usually an outcast anyways—but also a sense that I’ve peaked and will now plateau, if not avalanche, downwards into both my Saturn Return and my thirties. Whatever it may be, I owe it to both one of the best years of my life and one of the strangest starts to a new year I’ve ever had to document it.

So, here it is.

I started 2017 doing one of my favorite things: being out of the country. Sure, I was working, and sure, I wasn’t with my most favorite people, or in one of my favorite cities (not to shade Toronto, by any means)—but I had a good time. I had this overall feeling of excitement and change and that air of “anything is possible” that often accompanies the completion of a year--but somehow more than ever before. Something just felt right.

I knew that starting the year off out of the country would provide ample travel opportunities and I made no hesitation in starting that right away. My best friend and I flew to Philly for a weekend—to see one of our favorite emo bands, mind you—and explored the frigid city in all its historic glory. About a week later, I flew to Vegas for my roommate’s bachelorette party, which, in and of itself, was easily one of the most eventful things that happened last year…

February came and I turned 28 and celebrated with my girl gang at a library themed, Oscar Wilde bar. We got LIT-erary. I still find that fucking hilarious. We ended the night at our favorite watering hole, The good old Owl and ended up getting called The Spice Girls which was actually such a revelation for us (and even though Nicole wasn’t there, she somehow was the fifth we needed and the universe fucking knew it.)

About a week or so later, me, Bethany and Lo flew across the fucking pond. We traveled London, Liverpool and Edinburgh for a week and froze our bloody arse’s off. In London, Lauren and I had a most memorable night where we were both kissed by a rose and wound up and a Beyonce bash, complete with face masks of Bey and all. I was catcalled in the most British way possible: “Oi, that’s a big bottom!” and I ended up meeting a guy we referred to as Mr. Grey for the better part of the year. He and I would, uh, well, fuck it. We’d have facetime sex at like, the most awkward hours and tbh it was sexy and made me feel great and I walked a little lighter and enjoyed how silly it was for a while. Of course, it ended a few months in, as these things often do, but I can’t deny the fun I had and I feel like I shouldn’t. Everyone should have sex with a sex monster (yes, that’s what I’m going to refer to him as now) at least once in their life. It was a wild ride.

Beebs and I got inked in Liverpool on an absolute whim, and I had a sixty-year-old man tell me about the time he saw Bowie on the Ziggy Stardust tour as we listened to Lorde and he forever immortalized my love of The Thin White Duke on my forearm. This is when I really started letting go last year; I’m not very good at being impulsive. I may appear to be, but deep down I have grave anxiety about pretty much anything I do. I’ve just been lucky enough to have people who are willing to tolerate it and help me work past it in my adult life. But something changed in me in Liverpool, that drunken night where I not only decided I would get inked but thought up the concept mere hours before having it forever, and I can say I completely allowed this new girl to inhabit me and take over for the remainder of the year.

I fell in love with Edinburgh and decided that, should I pursue a Master’s degree in the next few years, I’ll be going to school there. I’ve never felt quite as home as I did there. (I realize I’ve always said that about London, but trust me, if something was ever going to top Lahndo, it must be true love.)

Me and the girls (all sexed up from chatting with all the foreign boys we did) had a most memorable night when we got home getting drunk at a sex store together and spending a collective $800 or so dollars on toys and lingerie. Self-care, bitches.

In March, I watched as my roommates committed to a beautiful forever together. It was also my first time as a bridesmaid, and holy cow are weddings a lot of work. I’ve always said I’ll have a tiny wedding, if not just elope, but holy hell the experience from the inside only solidified that in my mind.

Spring came and went and I grew my hair longer and cut it short again, yearned for warmth and visited my sister in Florida & flew to visit Kris in his newly adopted city of Denver. This is also around the time where I went on a few Tinder dates (Lord, help me) and fell, soul-crushingly head over heels for a guy I met one fleeting day at work…

I took Acid on a third date which resulted in it also being The Last Date, but it made me see text messages as bubbles and I battled a dragon trying to get money from and ATM and watched a Star Wars for the first time (and last time) and had an evening of bad, trippy sex. Nothing like hallucinogenics to make you realize you are not in sync with another person, lol.

So it goes.

I traveled Europe for two weeks with Ellie which was lovely and exhausting. I returned to my beloved Italy, which was huge for me, as I always wanted to go before it had been ten years since the last time I stepped foot in the first foreign country I ever visited. We got drunk in San Marco Square and listened to battling string quartets and fell in love with foreign men we were too afraid to talk to and I was old enough this time around to know not to order a Long Island iced tea from a bartender who barely understood English in the first place…

We eventually, by some form of absolute witchcraft, caught a flight to the tiny Greek island of Santorini and legit lived in a cave house for five days. We walked all over that tiny island and I let the sea breeze cleanse my skin and my hair and my heart and my mind. We watched the sunset every evening as if it were a spectacle to behold (it was—it always is) and just really let ourselves tell time by nature, and how it made our bodies feel. It was really a humbling experience to be in a place that’s so, so small. Going to Athens (via a ten hour ferry ride, mind you) was a bit of culture shock after being so confined for so long. Being in one of the most Eastern cities in Europe, however, really just made my itching to go to the middle east even more dire.

I had a rough summer in terms of mental health; I hate summer flying (& the debilitating crush I mentioned above seemingly saved me—for like a week—and then left just as fleetingly as it arrived and left me in a pretty low place. I still dream about the guy regularly; I had two separate one’s last night.)

I started taking Xanax again. Because, well, life is hard and my roommate has a prescription.

I got to explore the beautiful, beautiful part of Wyoming that is Yellowstone National Park and got to see the beautiful, beautiful human being my best friend is becoming in the process. For a few days we camped, explored, and just really took in nature—even a death storm that threatened to turn our tent into a boat—it was a beautiful experience and I’m glad Nicole has found a place to call her home surrounding her with such beautiful, expressive people.

August came and with the promise of September on its heels, I started to feel like myself again. Virgo season always does it to me; it’s my polar opposite and therefore, my most compatible sign. Ellie and I got another round of impulsive tattoos; strawberries—a quote stolen from Shakespeare that really just became a euphemism for our friendship throughout the year. We went to riot fest and I saw New Order and cried and Paramore (for the first time since I was, like, nineteen… and while we’re in a side note, let me just mention how much After Laughter was very much the soundtrack to my year and I’m not ashamed to admit it) and Ellie cried and we just had a very fun few days in the hot Chicago heat.

I chose to recover from this by getting yet another tattoo; my largest & most intricate to date, so that made for an interesting, but wonderful day. It’s also worth noting that I got it in the south side of Chicago so, like, if I ever go to prison at least I’ve got that going for me.

I returned to Milwaukee and had a riotous night with my girls where I got hit on by two famous band members and it was like, the stuff dreams are made of. I know it’s silly to assign worth to someone’s fame, but you have someone hit on you who has, like, a million Instagram followers & songs in like fifty different movies and see how it makes you feel & then judge me. This also started my love affair with the lesser famous band member who I’ve now entered into some weird “see you around Chicago” love affair thing for the past few months where we both flirt and ignore each other simultaneously. It’s wild.

I saw so many bands and cried to so many songs and discovered so many artists and felt all the things.

Friendsgiving came, and Nicole came, & along with her came The Con X tour. Without getting too into it, that was a huge shifting point for me & 2017 in general. The Con was an album that saved my life both metaphorically & also, like, physically, and to be able to stand outside of the depression that nearly took my life ten years prior and say, loudly, “I am still here and I like my life and sort of like the person I am but I am also trying to become better each and every day and it’s all very much worth it” is beautiful and powerful thing.

My mom and I spent a wonderful weekend in Vancouver, exploring the cold north and even got to go whale watching, which was, honestly, one of the most breathtaking, awe inspiring experiences I’ve ever taken part in. Nothing will make you feel as small as floating in a yellow zodiac in the middle of the ocean surrounded by six Orcas and a baby (but fucking huge!) humpback whale will. Nature does a good job of reminding us of just how insignificant we are.

The holidays just passed and I forgot about two ex-lover’s birthdays until days after each had past. I’m a big fan of dates; so this, too, was a huge thing for me. My Saturn Return stressed me out for months, yet finally arrived, subtlety, yet very directly. I assigned all my turmoil the Mercury Retrograde and the moon’s rotation yet also tried to use that bad air as a way to propel myself further into becoming better in some odd way.

I spent a week at home in Tampa and the past week here in Chicago and I’ve been reflective and passive towards the new year, which is new for me. I celebrated the end of one of my favorite years, Year of the Silver Star, seeing Twin Peaks at one of my favorite venues in the world. I’ve lately adopted such a deep, profound love for Chicago that I can’t say was always there. I’ve always loved it here; don’t get me wrong. But lately I’ve just got this overwhelming sense of pride about living here and the person it’s shaped me to be. I truly live in the greatest city in America; it’s such a quiet, best kept-secret and it’s all fucking mine.

So, in saying goodbye, I realize I am also going to be mourning the death of a good friend to me—2017—in the process. There’s a certain amount of fear that comes after having such a good year. Can anything else compare? Where will I go from here? What does the future hold for my small, insignificant experience on this planet?

At least David Bowie can’t die again.

2018 has had a slow, humble start. I think that’s going to be the theme, though—slow and steady. I’m cautious because I’m aging (twenty-nine in a few weeks. twenty-fucking-nine!) but also because of my fear and understanding of Saturn Return. I was just becoming comfortable with impulsive kb, and am now being faced with a wise, considerate version of myself. I’m really trying to act thoughtfully & with reason.

I will not invite toxic relationships, old or new, into my life. I will not settle for less than what I what, just because I am afraid to voice what I do want. I will not let anything stop my travel plans—and boy, do I have a lot of them for this year.

I will move out of my apartment, my home for the last seven years, in four short months. I will turn a new leaf. I will (finally) graduate college. I will likely have bad sex. But, I will also have good sex. Really, really good sex. I can feel it; it’s vaginal intuition. I will visit India and bask in the beauty of the Taj Mahal and dream of a love so wild that someone might dream of building me something so grand in order to express their feelings for me some day. I will visit Australia and New Zealand, Iceland, China and who knows where else. I will continue to learn about myself, slowly, humbly, and try to embrace the woman I am and the one I want to become.

So, 2018, Year of the Stardust, I salute you and your intrinsic ability to control what’s next for me. I know it’s going to be a transitional year; that’s inevitable. But I will do my best to accept your place in my life with open arms and love. I will try every day to better understand my place in this world, and what’s next for me. I will continue to grow up. I will end my twenties with you!

I eagerly await your lessons and turmoil, & burn sage in beginning you, officially, tonight. (After all, it’s a full moon and that feels more like a fresh start than some mortal-made calendar, anyways.)

Cheers to you, Stardust. May the crumbling of my Silver Star bring only beauty within you.

#personal

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bianevaristo · 8 years ago

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Paramore, Personal Fest. Argentina 2017

#paramore #personal fest #argentina #concert

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chaunceyandchumleysdad · 8 years ago

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Riot Fest Day 3 (Sunday September 17, 2017) After another long hot day on Saturday, I couldn’t quite do the early arrival on Sunday. Although I had a few bands on my early schedule, none were “have to see” bands, so my goal was to get to the grounds in time for That Dog. Temps today were a bit cooler although more humid, but the mostly cloudy skies helped alleviate the intense sunlight from the first two days.

That Dog (that dog.) (Riot Stage) For the third day in a row, I had impeccable timing, arriving at the Riot Stage for the beginning of That Dog’s set. They played their entire album Retreat From The Sun (20th anniversary), an appropriately titled album for the hottest weather Riot Fest I’ve ever attended. Retreat From The Sun is a great album and was so cool to be able to hear it all live. Playing the album at the request of Riot Fest, Anna Waronker noted that they never envisioned themselves playing the entire album in sequence and that it was a good challenge preparing for this opportunity. And she is just a marvelous front woman. She was very personable with the audience and very chatty. She talked between every song, stressed about getting the full album in the allotted time, and as a way to encourage her band mates to start the next song, she frequently turned to them and said, “I can keep going!” It was a real pleasure seeing this band and there were a lot of hard core fans there that were just having a great time dancing and singing the lyrics. (Top photo.)

The Voluptuous Horror Of Karen Black (The Heather Own Stage) I really do enjoy the theatrical bands at Riot Fest, and that was part of what attracted me to this band. I was not familiar with them so I had downloaded their album The Anti-Naturalists. I was a bit skeptical, but it’s actually a decent Punk album, mostly Hard Core with a bit of Garage Punk. Kembra Pfahler is the front woman of the band and she is also a filmmaker and performance artist, hence the stage theatrics. She was covered in red body paint and another band member, a quasi back up singer, was covered in green body paint and wearing the biggest wig you can imagine. The female bass player was dressed head to toe in leather. The band is rounded out with a drummer and guitar player who got in some nice riffs. I believe he is also Kembra’s ex-husband and he paused a couple of the times during the show to take selfies with Kembra with the audience as the backdrop. Kembra is also the sister of Adam Pfahler, drummer for Jawbreaker, who was headlining later that evening. The show was entertaining. Kembra got everyone dancing and pleased the crowd by throwing out numerous band t-shirts throughout the show. (Second two photos.)

The Orwells (Rise Stage) I did not have this band on my schedule because I have seen them twice before, but they were still playing as I walked by their stage and paused to catch the last few minutes. I like this band and being from my hometown, I’m always proud to see them on stage. (Photo next to the truck.)

The Mighty Mighty Bosstones (Roots Stage) This was the band I came to see on Sunday. A nine piece Ska Punk band in matching suits that played an amazing show. The horns are the hook and the pace of the music gets you dancing. Singer Dicky Barrett (who is also the announcer on Jimmy Kimmel Live) is an entertaining front man and a powerful singer. There is a big crowd for this show and it was easy to see and hear why. (Photo below The Orwells.)

Built To Spill (Rise Stage) Played all of their 1999 album Keep It Like A Secret. Excellent rockin’ set! Some very nice guitar solos using the wah-wah pedal and sounding a bit like Frank Zappa.

Pennywise (Roots Stage) I had intended to see Minus The Bear at this time, but needed a little food and rest so I headed to my favorite spot to chill, which is the small hill across from the Rise Stage. There was a 30 minute gap on the rise stage so I was able to hear the first half of the Pennywise set from the Roots Stage. It was enjoyable. Good Melodic/Skate Punk.

TV On The Radio (Rise Stage) This band had flown under my radar but my niece Megan suggested I see them and I was glad I did. They are a six piece Indie band with a diverse sound spanning several musical genres. They sounded great and lead singer Tunde Adebimpe is excellent as a front man and very personable with the audience. I watched about 30 minutes of their set and then decided to move around and sample some other bands. (Photo below The Mighty Mighty Bosstones.)

Dinosaur Jr. (Riot Stage) I went to the first 30 minutes of their set. They played their entire album You’re Living All Over Me (1987, 30th anniversary). I generally like the band and that album but I’m not a big DJ fan as their music all kind of sounds to same to me. What I do like about their sound is the heavy and distorted guitar that is pervasive throughout their music. They had a huge crowd for their set. (Photo below TV On The Radio.)

Best Coast (Radicals Stage) Continuing on with my sampling, I stopped for a few minutes to hear this Indie band. They have a very nice sound, leaving me with the desire to explore their music further.

GWAR (The Heather Owen Stage) I had to get me a little GWAR. They are a theatrical Metal band and they wear outrageous sci-fi costumes, have battles on stage and spray the audience with fake blood. They also have a great sense of humor. They play at Riot Fest every year and I’ve never seen an entire set, but they are fun to watch in small doses. This remote area around the small stage was as packed as I had ever seen it.

M.I.A. (Rise Stage) My original plan was to catch part of M.I.A. and then head over to see Paramore. However, the rapping, the dancing and the light show all got me hooked and I ended up staying for the entire set. I can’t say that M.I.A. is something I would listen to outside of Riot Fest, but it was sure a fun show. Maya is captivating, and the interaction with her co-vocalist, the dancers and the DJ made the show flow with compelling spontaneity. In retrospect, it wasn’t great music, but I couldn’t help but get sucked into the party atmosphere. It was a little strange when everyone left the stage with 20 minutes of set time remaining. However, they all returned and fulfilled the remaining time. I’m not sure why Maya chose to do that. Perhaps it was her idea of an encore. However, encores are not something that are done at Riot Fest or probably any other music festival, so it seemed rather odd. At the end, she brought up several people on stage which I presumed were friends and family members of the musical group. It was cool too see these people all joining that party and dancing on stage. The early autumn sunset along with the summer weather added to the ambience of the show. Overall, a different but exciting experience for me at Riot Fest. (Photo below Dinosaur Jr.)

Jawbreaker (Riot Stage) Riot Fest is well known for coaxing splintered bands into reuniting, (Misfits and The Replacements, e.g.) Jawbreaker was their coup for this year. Jawbreaker broke up in 1996 and Riot Fest was able to bring them out of retirement after a 21 year lay off. They are a band that had flown under my radar as Emo is not my favorite Punk genre. (I’m more of a Garage and Hard Core listener.) However, as I started listening to their music prior to the festival, I came to like them. As a power trio, I think their sound had a bit more of a rocking, edgier sound than other Emo or Pop Punk bands I have listened to. Also, with a lot of Emo and Pop Punk, to me it often sounds like the vocal melody and the guitar chords are going in different directions. With Jawbreaker, the vocal melody and power chords are very well synchronized giving their music a more familiar and traditional Rock and Pop music sound. Being the closing band for the festival, they had an enormous crowd. Prior to their set, given the long weekend, I gave myself the option to bail out early if I was tired or not really getting into their music. (As was the case the last two years for closing acts Misfits and Modest Mouse.) However, I really enjoyed Jawbreaker and temperatures had finally moderated to the upper 60’s, so I stayed for the entire set, soaking in the very last drops of this year’s wonderful Riot Fest. (Photo below M.I.A.)

#riot fest #douglas park #chicago #that dog #the voluptuous horror of karen black #the orwells #the mighy mighty bosstones #built to spill #pennywise #tv on the radio #dinosaur jr #best coast #gwar #m.i.a.#jawbreaker

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