#patching some lore

[alternativewinxcontinuity]

April has begun, a new month, a new start.

To celebrate the First of April, I've decided to embark on a new project. Some might say it's a little Foolish when I have so much else to do, but it must be done:

Fate: the Re-Winxed Saga!

We'll be starting off with a fixing of the reason Bloom ran away from home. I don't know about anyone else, but I always found it jarring how Bloom essentially had two sets of parents played by the same actors.

One pair were abusive a$$hats, on of whom thought their daughter was a freak, the other was basically a doormat with no opinions of their own, meanwhile the other couple were loving and “always knew she was meant for bigger things”.

So I've changed the reason behind Bloom's house burned down, and restored her artistic talents to her. There's nothing wrong with liking repairing old lamps, but we saw it once to point out how much of a “weirdo” she was, and then it was gone.

I've also added in a bit to explain how Farah found her, while maintaining Stella's OG presence in the scene.

I know there's a prequel book out (soon?) now that's supposed to fill in that blank, but I've just gone ahead with it.

Warnings for minor implications of sexual assault that never actually happened.

Here we go:

Fire\Starter

Bloom's sleep was fitful. 

She felt hot in her dreams, flushed with embarrassment and rage as Mitzy's obnoxious laugh played on infinite repeat. The condemning looks from her peers, from strangers on the street, plagued her like a thousand daggers.

In the waking world Bloom's body kicked back her sheets and writhed like she was fighting off an attacker.

In her dreams Bloom saw the sweetly deceitful face of Mitzy's cousin.

Bloom was an artist, she'd been drawing since she'd been young. Her art had won some competitions, small and local, but so important to her.

Important enough that her parents had bought her a graphics tablet for her birthday when all the other kids her age were getting bikes. It was the most expensive gift they'd ever gotten her.

She'd used it frequently, making digital art now alongside the more traditional paintings and sketches. She'd gotten good enough to be asked and paid for commissions.

And that's how Mitzy had managed to sneak her cousin in, to set a trap.

Moira had commissioned Bloom to make a 'tasteful nude' in 'that old European style, you know the one?' and Bloom hadn't thought anything of it. She'd let Moira into her home, into the converted solar-turned-art studio she'd been using for almost a full year now and...

Bloom had spent every day since cursing herself for not noticing the similarities. Moira and Mitzy looked so alike when you saw them together, Bloom didn't know how she'd missed it.

Maybe it was because Moira had smiled kindly, hidden her smirk and contempt better than Mitzy ever had.

Bloom had only touched Moira once, a gentle arm on the elbow to steady her while Moira was in her under garments, but the way she'd spun that into lies of assault...

Bloom could see it perfectly in her head, Moira laying casually on the couch of Bloom's studio, skin mostly bare and a sweet smile on her face.

In her dreams it warped into a smirk, lips cracking apart until Mitzy's laugh rolled out of the gaping maw. In her dreams, Bloom set Moira on fire.

Her rage, pure and true becomes an unstoppable flame, so hot it melts the walls, melts her tormentors skin. In the dream Bloom screams her rage and the world is consumed and-

-Bloom wakes, choking. She rolls to the side and tumbles from the sweat soaked mattress to the warm wooden floors of her room. Her gasping breaths drag the scent of smoke and paint into her lungs, but she ignores the remnants of her dream and tries to calm herself.

The scent doesn't fade.

It gets stronger.

Somewhere below her on the ground floor, glasses shatter and Bloom hears a familiar whoof. She'd heard it in her father’s educational videos on fire.

Her studio is on fire.

Her house is on fire!

“MUM! DAD!” Bloom screams as loud as she can, trying to remember what she's supposed to do. She tears her pillow case off her pillow, scrambles to put her laptop, graphics tablets and her three recharge cords into it before pulling her sheet free and wrapping it around herself.

She grabs her phone on the way out.

“MUM! DAD!”

Bloom makes her way to their room down the hall, the smoke in the air thickening.

“FIRE!!”

Her parents meet her at the door, their own sheet wrapped around them both to help filter the smoke, they have a few things as well.

Together they crouch down low and make their way down stairs, Bloom's father, Mike, already on his cell phone calling for the Fire Brigade.

They're almost free and clear when her mother, Vanessa, tries to head for the family office.

Bloom calls “mum, no!” at the same time her dad says “'Nessa stop!”  

But Vanessa darts away, just past the office door to grab a single box and out again, away from the spread of the fire.

Bloom feels a flicker of relief for half a second before something in the house explodes, letting out a torrent of flame in her mother's direction.

Bloom screams and flings out her hand as if she could do anything to stop what's about to happen.

For a heartbeat Bloom feels something well up inside her, something dark and powerful, and the wave of fire splits around her mother.

The trio stand, stunned, until Mike comes to his senses, “'Nessa, move!”

And they bolt to the door together, out onto the small lawn in time to see the lights of the fire trucks round the corner.  

-

In the days to come, they will recover the items which remain, few as they are. Bloom's childhood book of fairy stories was somehow untouched by the flames.

Mitzy will spread a new rumour about Bloom as part of her campaign to ruin Bloom's life, saying Bloom started the fire.

The investigation will rule it an accident, suspected faulty wiring in the art studio.

But Bloom knows, with an awful certainty: Mitzy was right for once, Bloom had started the fire somehow. She knows her parents suspect it too, but they won't say anything, not even about how Bloom had made the wave of fire part.

There's an elephant in the room now, it hovers awkwardly about their family, makes every conversation feel like trying to walk through broken glass in the dark without stepping on any.

Bloom tries not to go to sleep. She only makes it a few days before she finds herself constantly drifting off. Her parents watch her with fear, telling her to sleep.

But she can't, don't they understand that? What if she starts another fire?

She leaves their motel room, takes her phone and uses some of the money she earned from her art to by a sleeping bag and some snacks. Searches the internet for a place to stay with no people and as little flammable material as possible.

She finds an old warehouse that will do the trick. She buys a small fire extinguisher on her way there.

-

Her phone tells her she's slept for two days when she wakes up with a horrific dehydration headache.

She feels a little better for the sleep, she hasn't burned down the world while unconscious. There's a public showering area in a pool several blocks away, she manages to sneak in and get clean.

Begins to feel almost human again.

-

Bloom falls into a routine, sleeping in the warehouse, showering in the public washrooms, reading everything she can find on what the internet calls 'pyrokinesis'. The scientific side, or the fringe-science side of things feels wrong somehow.

She can't explain it, but something in her knows that's not the path she's looking for.

She tries folklore and myths instead. Feels pulled towards the stories of fae and dragons.

There's an abandoned quarry not far from town, and Bloom manages to make her way there with some candles, matches and her thankfully unused fire extinguisher.

She can't conjure fire, can't put it out, can't even provoke it. She's missing something, she knows, she can feel it.

Bloom comes across some 'majick' on one of the websites she finds looking for answers. A way to call a fae and force them to answer any questions you have. Bloom scoffs but takes a screenshot before backing out to another page.

Several days later she makes the mistake of looking at social media.

She's officially a runaway at this point, and Mitzy has used her absence to establish Bloom's guilt.

“Bloom burned her house down to fake her death to avoid facing charges of assault,” is the going theory.

It makes Bloom mad enough to set her sleeping bag on fire.

The following morning she buys a new one, and some things from the list of 'spell' ingredients. She's making no progress on her own, she's desperate.

Bloom returns to the quarry, she doesn't want the smell of incense in the warehouse, just in case. She fills a small bowl with water and a piece of quartz, waits for the moon to rise over head and does her best to match the google-translate’s reading of the 'some magical European language' the spell requires.

For a moment she sits, feeling like a fool, her eyes closed. Then she feels like she's falling.

Or flying?

There's a wind but it's intangible, a forest but it's colours are vibrant in a way Bloom's never seen, like they're leaking energy.

And then there's a tug, like someone has pulled her up short, and a woman with soft, pale brown hair and kind but curious eyes.

The woman opens her mouth but Bloom jerks back in shock, and startles so hard her leg flies out to knock over the bowl, spilling the water everywhere.

Bloom stays there for several long minutes, panting like she'd run a marathon, but then a real wind blows and her damp jeans go cold against her skin. She packs everything up and runs back to the almost safety of her warehouse.

-

Bloom is awoken by the sound of the warehouse door opening and closing. She's confused for a moment before the sound of two sets of footsteps has her scrambling upright, and out of her sleeping bag.

It's the woman from Bloom's... spell? Vision?

She smiles at Bloom, and Bloom feels herself relax.

“Hello, I'm Farah Dowling,” she gestures to herself. Behind Farah, a young woman, blonde and roughly to same age and nervousness level as Bloom, clears her throat slightly, so Farah Dowling adds: “And this is Stella,” Stella waves, “we're here to help you, if you'll let us?”

Bloom knows better than to trust strangers, but this woman had been in her vision.

“You can help me?” Bloom asks, her voice sounding far smaller and unused than she was expecting.

“I'd certainly like to try,” Farah says kindly, her hand reaching out to Bloom, letting Bloom make the choice.

Bloom gathers her things and takes Farah Dowling's hand, Farah squeezes it gently, it's comforting. Bloom sobs as she realises this is the first real human contact she's had in... weeks now.

“Come on,” Farah and Stella return to the warehouse door, “Stella, if you could?”

“Yes Miss Dowling,” Stella gives Bloom a quick eyebrow wiggle, like she's about to show off, and places her hand on the door.

'She has nice hands,' Bloom thinks distantly as the large sunburst ring on Stella's finger glows golden, the light spreading out to coat the door and it's frame.

When Stella opens it, the door no longer leads outside the warehouse, but out into a verdant forest. Bloom can smell the leaf litter, there's the smell of moisture, like there's rain about to fall.

Stella steps through into the forest, holding the door open for Farah and Bloom to follow.

“Welcome to Avalon,” Stella says as she sweeps out an arm to indicate the trees around her, “home of Alfea school for Heroics and Fairies.”

“Fairies?” Bloom can feel herself smiling, excitement building. Her parents had always affectionately despaired at her life long obsession with the mythological creatures.

...her parents...

Bloom wavered.

“Can, can I just have a moment to text my parents?” Bloom looks between the two... women? Fairies? She's afraid that any second this will turn out to be a dream, or worse, real and she'll somehow throw away her chance.

“Of course,” Farah says, her voice full of understanding, “take all the time you need.”

“As long as you only need ten minutes,” Stella cuts in, “because that's how much longer I can hold this doorway open.”

Farah gives Stella a fond but exasperated look.

Bloom shakes her head, “I only need two minutes, tops.” She pulls out her phone, spends thirty seconds undoing the call blocker and sends her text before reinstalling the blocker, too scared to hear her parents reply.

What if it was “stay gone”?

“I'm ready,” Bloom says, and Farah ushers her through into Avalon.

-

[I'm OK. Sorting some things out. I Love You Both.]

Mike and Vanessa almost collapse in relief, their baby girl is alright. They tell the police to stop actively looking for Bloom, but to keep an eye out, and to tell her they miss her if she's seen.

The pray she'll come home on her own.