#providing both history/trauma and the tools of transformation is also seen with Delta Slim
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seaglassdinosaur · 23 days ago
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The guitar! The guitar belonging to the Twins’ abusive father and passing it onto Sammie! The one that to Smoke represents a generational curse and something they should shun and bury. He and Stack couldn’t cut the pain out of themselves, nor the struggles they’ve experienced as Black men in America, but Smoke thinks he can prevent it from being spread, if only Sammie will give up the Blues, become a respectable musician, and bury that fucking guitar.
Passing on the guitar is indicative of the older generation passing down trauma and history, but it’s also providing tools of transformation. Smoke and Stack couldn’t make anything of the guitar, nor spin their pain into art, but Sammie could.
In Sammie’s hands, that curse, the pain they carry becomes music and connection. Sammie has a way to process their suffering and struggle, and sings about love, sings about his own strained relationship with his father, and sings about the pull he feels between propriety and passion. He sings about culture. The guitar is more than just their family history, it’s their people’s history, and while Sammy cannot erase history, neither can he ignore it; he refuses to bury the guitar.
The idea Smoke pushes Sammie toward is that if it’s possible, it’s a blessing to cast off our painful, ugly history. To escape that history is to find freedom in the world.
But Sammie disagrees. He inherits the same history as them, the same connection to the evil of his uncle, the same ancestry and the guitar. Instead of running from it, trying to assimilate and be a ‘proper’ Black man as Smoke insists, he leans into his heritage, leans into all that impropriety, that history, and rebuilds that fucking guitar. The haunting instrument that’s brought them so much trauma and trouble, that Sammie set aside for so long—it’s been tucked away in a case as he aged, but was never let go of. It’s always ready to be played, always within arms reach. His pain, his past, his people, Sammie carries them with for the rest of his life.
#providing both history/trauma and the tools of transformation is also seen with Delta Slim#he recalls Rice’s murder and goes from this pained mourning into an impromptu song#I’m never going to get over that moment. it was so indicative of the themes of the film#and just. the guitar as a connection to your heritage and history.#yes. Black Americans have a lot of painful and traumatic history#but that’s not all there is. cultural identity is to be found even in resilience and in the pieces that formed out of suffering#and all the joy and power of creation that there is#ther has been creation and innovation after enslavement—marked by Old Sammie taking up electric guitar and all the other performers#but that was created with an awareness of the continuum. rock from jazz and blues and folk and spirituals.#to deny the painful part of history as Smoke wants Sammie to do—even in the name of a better life—is to assimilate and deny innovation#the thing is. I don’t think they’re doomed. Smoke just has a bit of a pessimistic mind.#Smoke thinks they’re trapped by his father’s evil. trapped by evil history. Sammie shows they’re not.#Sammie proves the coexistence of pain and joy. joy and innovation through suffering#it’s mad brilliant#also the guitar? Sammie keeps it under his bed. a safe spot to keep it but also like a monster#the history we hide away even for safe keeping. that which we only let out when we need to use it#sinners#sinners 2025#sinners (2025)#sinners spoilers#sinners meta#sinners analysis#my post#sinners 2025 analysis
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