#release date: 08/01/2012

[black-arcana]

IN THIS MOMENT Announces Summer 2025 U.S. Tour With WARGASM, KAT VON D And THE PRETTY WILD

IN THIS MOMENT has announced the 2025 "Hell Hath No Fury" tour. The 22-city trek, featuring special guests WARGASM, Kat Von D and THE PRETTY WILD, will kick off on July 16 at Epic Events Center in Green Bay, making stops across the U.S. in Nashville, Memphis, Detroit and more before wrapping up in Atlantic City at Tropicana Showroom at Tropicana Atlantic City on August 16.

A special BLABBERMOUTH.NET presale will begin on Wednesday, May 7 at 2:00 p.m. EDT and end on Thursday, May 8 at 10:00 p.m. local time. When prompted, type in the presale code "ITMBBM25" to access tickets before the general public. Check back here on Wednesday for ticketing links to individual shows. General on-sale will be Friday, May 9 at 10 a.m. local time.

"Hell Hath No Fury" tour dates:

Jul. 16 - Green Bay, WI - Epic Events Center Jul. 18 - Cadott, WI - Rock Fest + Jul. 19 - Peoria, IL - Prairie Home Alliance Theater Jul. 20 - Mansfield, OH - Inkcarceration Festival + Jul. 22 - Nashville, TN - Marathon Music Works Jul. 23 - Chattanooga, TN - The Signal Jul. 24 - Chesterfield, MO - The Factory Jul. 26 - Council Bluffs, IA - Harrah's Stir Cove Jul. 27 - Denver, CO - Unhinged Fest + Jul. 29 - Springfield, MO - Gillioz Theatre Jul. 30 - Memphis, TN - Graceland Sound Stage Aug. 01 - Dubuque, IA - Q Casino - Back Waters Stage Aug. 02 - Grand Rapids, MI - GLC Live at 20 Monroe Aug. 03 - Wheeling, WV - Capitol Theatre Aug. 05 - Rochester, NY - Kodak Center Theater Aug. 06 - Schenectady, NY - Proctors Theatre Aug. 08 - Detroit, MI - Masonic Temple Theatre Aug. 09 - Hammond, IN - The Venue at Horseshoe Aug. 10 - Indianapolis, IN - Egyptian Room at Old National Centre Aug. 12 - Richmond, VA - The National Thu Aug 14 - Worcester, MA - Palladium Aug. 15 - Hanover, MD - The Hall at Live! Aug. 16 - Atlantic City, NJ - Tropicana Showroom at Tropicana Atlantic City

+ Festival date

Since coming to life in 2005, the Grammy Award-nominated act IN THIS MOMENT has presided over a diehard fan base under the watch of "mother" figure and frontwoman Maria Brink — joined by co-founder and lead guitarist Chris Howorth, bassist Travis Johnson, guitarist Randy Weitzel and drummer Kent Diimmel. As millions convened upon the group's otherworldly and unforgettable concerts, they quietly emerged as one of the most influential and impactful bands of the 21st century.

To date, in addition to the gold-selling album "Blood" (2012),the quintet has garnered six gold and platinum singles, followed by a trifecta of Top 25 entries on the Billboard 200 with "Black Widow" (2014) and "Ritual" (2017). With a total stream tally well past 200 million as of 2020, "Ritual" elevated them to new creative and critical peaks as well. Between selling out headline tours coast to coast, the group performed in arenas everywhere alongside DISTURBED and appeared at countless festivals from Lollapalooza to Sonic Temple. Along the way, they assembled their seventh full-length, the aptly titled "Mother" (Roadrunner Records) with longtime trusted collaborator Kevin Churko (OZZY OSBOURNE, FIVE FINGER DEATH PUNCH). Whereas "Ritual" hinted at a bluesy sonic sorcery, "Mother" breathes the activating mantra of an unbreakable spell, commenced on first single "The In-Between".

In 2022, the band released "Blood 1983" (BMG),a reimagined EP commemorating the tenth anniversary of "Blood". Then in 2023, the longtime staples of heavy music released their eighth studio album "Godmode" (BMG),a 10-song record featuring the powerful lead single "The Purge", the band's stunning cover of Björk's "Army Of Me", the collaborative track "Damaged" which features Spencer Charnas of ICE NINE KILLS, and "I Would Die For You", which appears on the soundtrack for "John Wick: Chapter 4".

IN THIS MOMENT recently joined forces with a new label, Better Noise Music, and is working on new music.

Photo credit: Joe Cotela

[frog707]

Unmaintained dependencies

A recent online discussion made me think about all the open-source software (OSS) I use regularly and in particular how much of it might be no longer maintained.

My curiosity was piqued. I decided to list my software dependencies with the dates their last-known releases. Here are the ones that are more than a year old:

2010-05-20 jmf v2.1.1e 2012-01-11 imgscalr-lib v4.2 2013-01-25 org.apache.commons.io v2.4 2021-02-13 junit4 v4.13.2 2022-01-11 jcommander v1.82 2022-04-05 lemur v1.16.0 2022-04-05 lemur-props v1.2.0 2022-04-05 lemur-proto v1.13.0 2022-04-24 Bullet v3.2.5 2023-01-26 sim-math v1.6.0 2023-11-02 jmh v0.7.2 2024-01-01 commons-exec v1.4.0 2024-01-28 jinput v2.0.10 2024-02-29 de.undercouch.download v5.6.0 2024-04-08 actions-gh-pages v4.0.0

While there are many reasons a project might not publish a release for 12 months, it seems to me a valid cause for concern.

[jules-has-notes]

A Crimpella — VoicePlay music video

This is one of the more odd and creative things VoicePlay concocted early on. They turned a collection of phonations, sound effects, nonsense words, and foreign language lyrics from two dozen songs into a delightfully goofy performance art piece. You will almost certainly recognize some of the samples. The set-up is a little drawn-out for my taste, but once the beat kicks in, it's off to the races.

Details:

title: A Crimpella

original songs / performers: [2:20] "Walk the Dinosaur" by Was (Not Was); [2:28] "Witch Doctor" by Alvin & the Chipmunks; [2:35] "Chitty Chitty Bang Bang" from Chitty Chitty Bang Bang; [2:40] "We Go Together" from Grease!; [2:47] “Motownphilly” by Boyz II Men; [2:55] "Imma Be" by the Black Eyed Peas; [3:03] "Tutti Frutti" by Little Richard; [3:05] "Shoop" by Salt N Pepa; [3:12] "Jock-A-Mo" (aka "Iko Iko") by James "Sugar Boy" Crawford; [3:20] "Mahna Mahna" from The Muppet Show; [3:30] "Lovin, Touchin, Squeezin" by Journey; [3:54] "Goofy Goober Rock" from The SpongeBob SquarePants Movie; [3:57] "MMMBop" by Hanson; [4:10] "Hooked on a Feeling" by Blue Swede; [4:14] "Bawitdaba" by Kid Rock; [4:19] "Breaking Up Is Hard to Do" by Neil Sedaka; [4:29] "Can't Get You Outta My Head" by Kylie Minogue; [4:32] "Bohemian Rhapsody" by Queen; [4:45] "Bad Romance" by Lady Gaga; [4:51] "Limbo La La" by James Lloyd; [5:01] "All Night Long" by Lionel Richie; [5:18] "Wanna Be Starting Something" by Michael Jackson; [5:24] "Na Na Hey Hey Kiss Him Goodbye" by Steam

arranged by: VoicePlay

release date: 1 September 2012

My favorite bits:

the thump at 2:30 propelling Eli into the air

everyone "watching" the UFO fly by

their most concerted effort at choreography being to "Shoop"

all the tentative poking and grimacing as they try to figure out how to "fix" their necks

Tony rocking out solo while the other guys consider whether to join in

the string of silly noises starting at 4:08

Layne's lowkey Little Monster claws during the Lady Gaga section

Trivia:

○ The boys gnaw on five CD cases at the beginning, but only Earl's album contains a song included in the ensuing medley:

Earl — Cooleyhighharmony by Boyz II Men (1991)

Tony — The Doors' greatest hits (1996 re-release)

Eli — Pump by Aerosmith (1989)

Geoff — Toxic Audio's eponymous debut album (1999)

Layne — Contra by Vampire Weekend (2010)

○ Several of the songs referenced here have appeared in VoicePlay's later medleys or short videos:

The bell tone section from Motownphilly was also included in their Boy Bands in 5 Minutes medley.

Different sections of Bohemian Rhapsody were part of their Queen in 5 Minutes medley.

Hooked on a Feeling and Mahna Mahna have both been featured in recent short-form videos.

○ This piece was included in their setlist for the 2014 Sing-Off tour.

○ This medley was inspired by British comedy troupe The Mighty Boosh. TMB had a series of sketches containing absurdist songs / performance art pieces they called "crimping". (Fair warning, most of their "crimps" feature adult language and gestures.)

[starrgirll444]

𝓐LBUM ✶ 𝓢TARGAZE

　　　　　　　　ᴺᴼᵂ ᴾᴸᴬᵞᴵᴺᴳ : selene's second solo album intro ✶⋆.˚

STARGAZE, selene's second solo album and second installment of the STAR TRILOGY was released on April 1st 2012. The title track "life of the party" was released ahead of the album on Jan 1st 2012, along with its music video on Feb 15th 2012. The album mixed rock with alternative r&b, dance, and dream pop. STARGAZE explores selene's experiences navigating her love life, dating in the industry and obsession.

　　　　　　　　 concept images

ᯓ★ TRACKLIST──9 SONGS── 40 MINUTES .✦

　↳ tracks with ✶ symbol have music videos

01 life of the party [ the weeknd ] ✶

02 friends [ chase atlantic ] ✶

03 church [ chase atlantic ]

04 mind games [ sickick ]

05 meddle about [ chase atlantic ]

06 rockstar 101 [ rhianna ] ✶

07 U&I [ the neighborhood ]

08 heartbeat [ childish gambino ] ✶

09 candy [ doja cat ] ✶

　　　　　　　　 album cover

[motioncapturelucian]

Creative Practice:

Art, Design and Communication

Unit 6 Project Proposal

Candidate Name lucian

Candidate Number

Pathway computer Games Design and Development Year 2

Project Title King Midas and the Thief

Section 1: Rationale

(approx. 150 words)

For this project I have decided to explore the process of animations made specifically with motion capture software.The aim of this project is to gain understanding and skills in this area, such as how to use motion capture software with rigged skeletons and implementing this into unreal engine to be used in a game. I will also be looking into different motion capture software to see how they work differently and what would be better to use. This also means i'll be looking at what software produces the best skeleton that is most compatible with other skeletal rigs 

Section 2: Project Concept

(approx. 250 words)

My concept is a game that uses motion capture from a kinect using the product to be animations for a non built game even though i have not made a game for this the animations are going to revolve around that idea - For the project i plan to develop motion capture, To produce a technical showroom that uses the unreal engines render program, My theme - The animation showroom will focus on human movement and interaction, the animations will incorporate movements inspired by The film Indiana jones, this also takes inspiration from military and combat situations like reloading, shooting even just the looks, i plan to create a minimum of 10 fully animated and rigged assets - the based game that will influence this is going to be zombie themed from the using of items or the interactions

Extended Diploma

In Art and Design

Unit 3 Project Proposal

Section 3: Evaluation

(approx. 100 words)

I am going to be posting this onto my blog talking to my examiners and getting feedback from my peers

Proposed Research Sources and

Bibliography

(Harvard Format)

The Mummy. (1999). Universal Pictures.

The Da Vinci Code. (2006). Sony Pictures, Columbia Pictures, Gaumont, Sony Pictures Home Entertainment.

National Treasure. (2004). Walt Disney Pictures, Walt Disney Studios Motion Pictures, Touchstone Pictures.

Jumanji. (1995). TriStar Pictures, Sony Pictures Releasing. https://www.imdb.com/title/tt0113497/.

Journey 2 - The Mysterious island. (2012). Warner Bros., New Line Cinema, Warner Bros. Pictures.

Indiana Jones Raiders of the Lost Ark. (1981). Paramount Pictures, Paramount Home Entertainment.

Atlantis: The Lost Empire. (2001). Walt Disney Pictures, Walt Disney Studios Motion Pictures.

Project action plan and timetable

Week

Date Week Beginning

Activity / What  you are intending to do - including independent study

Resources / What you will need to do it - including access to workshops

1

05/02/24

Research

Google, Tumblr,

2

12/02/24

Research

Google, Tumblr,

3

19/02/24

Research

Google, Tumblr,

4

26/02/24

Research,Recording/Mocap

Google, Tumblr, Kinect desktop

5

04/03/24

Research,Recording/Mocap

Google, Tumblr, Kinect desktop

6

11/03/24

Recording/Mocap

Kinect desktop, Blender

7

18/03/24

Modelling, 

Blender

8

25/03/24

Modelling, 

Blender

9

01/04/24

Modelling, Recording/Mocap

Blender, Kinect desktop, 

10

08/04/24

Modelling, Recording/Mocap

Blender, Kinect desktop, Unreal

11

15/04/24

Modelling, Recording/Mocap

Blender, Kinect desktop, Unreal

12

22/04/24

Final details

Blender, unreal

[droptoeholdyourhorses]

My Nine Platinum Trophies

On PlayStation. Not literal platinum trophies.

It's rare that I actively go after a platinum trophy in a video game but last night, in the early hours of the morning, I got my ninth so I figured it would be nice to go back and look at the ones I do have.

1. WWE SmackDown vs. Raw 2010 (PS3)

First Trophy: 22/08/2011

Platinum: 20/11/2011

Time: 2 months, 29 days

Rarity: 1.9%

Given WWE SvR 2010 came out in October 2009, you might be wondering why I was late to the party on this one. Until 2011, pretty much the only games I played at all were the WWE ones and I stayed loyal to my PlayStation 2 until the bitter end. When WWE '12 was announced to be exclusive for the seventh generation, I caved and got myself a PS3. For whatever reason, I actually skipped SvR 2010 when it came out on PS2 so I picked up a cheap copy for the PS3 instead and managed to get my first platinum a few days before WWE '12's release.

2. Family Game Night 3 (PS3)

First Trophy: 17/07/2012

Platinum: 26/09/2012

Time: 2 months, 9 days

Rarity: 2.7%

Ah yes, arguably the most prestigious platinum of all. Accomplished by achieving such feats as winning The Game of Life 10 times, having a perfect game of Twister, locking another player in any room in Clue, building all five trap variants in Mouse Trap, and gaining six combo cards in Yahtzee.

3. Rocket League (PS4)

First Trophy: 16/08/2015

Platinum: 05/01/2017

Time: 1 year, 4 months, 20 days

Rarity: 2.7%

Another case of being behind the times. Rocket League was free on PlayStation Plus upon its initial release in July 2015 but I don't remember actually having a copy until Christmas 2016. However, when looking through the trophies, I have two dating back to August 2015. I can only assume I did download Rocket League briefly, lost interest the first time around, uninstalled it and eventually got back round to wanting to play it again. Mysterious circumstances whatever happened meaning the platinum took close to 17 months as opposed to just 11 days. In between FGN3 and Rocket League, I also 100% completed Monopoly Plus, Firewatch, and Hitman but none of those offer a platinum.

4. Killing Floor 2 (PS4)

First Trophy: 08/06/2017

Platinum: 29/06/2017

Time: 21 days

Rarity: 1.7%

This one I did get when it was free on PlayStation Plus. However, I picked it up at the insistence of my friend Chris. He currently has 92 platinum trophies for comparison sake. A fun little game that helped pass the time during a period of unemployment for myself until I found a job that September. A couple of months prior to the KF2 platinum, I also 100% completed Disc Jam, meaning my overall platinum count should really have been 8 at this stage.

5. L.A. Noire (PS4)

First Trophy: 25/12/2017

Platinum: 23/03/2018

Time: 2 months, 26 days

Rarity: 1.8%

I never played L.A. Noire on the PS3, instead getting the enhanced edition for Christmas 2017. I soon realised what I had been missing. A lovely game with a fantastic story that never outstayed its welcome. Probably the first time I actively wanted to achieve a platinum as opposed to having a majority of trophies and then just picking up the ones I didn't have. On the topic of Rockstar games, I got Red Dead Redemption 2 as a gift for Christmas the following year. I have 81% of the trophies for that game, missing out one single player trophy and a few of the online ones. I do however have 100% in-game completion which is good enough for me.

6. Golf With Your Friends (PS4)

First Trophy: 23/05/2020

Platinum: 11/06/2020

Time: 19 days

Rarity: 0.5%

The fastest platinum I've achieved to date. Golf With Your Friends was a quite handy game for a group of us to play during a time where none of us could see each other in person for reasons I forget. I've not played any of the GWYF expansions though.

7. Grand Theft Auto V (PS4)

First Trophy: 11/12/2014

Platinum: 24/01/2021

Time: 6 years, 1 month, 13 days

Rarity: 0.1%

Now, to be fair, while I did play GTA V throughout those six years, I didn't spend all that time trying to get the GTA V platinum. Between May 2016 and December 2020, I didn't earn a single trophy for it. So why did I suddenly make it a goal when for so long it hadn't concerned me? There was some reason I couldn't go into work for a few weeks around the end of 2020/early 2021 - who knows what it could have been? - and I needed something to pass the time. I decided to replay the story of GTA V and then realised the platinum actually seemed doable after all. One month later, I got my rarest platinum of all. Much better than the 55% I completed on the PS3 version of the game. I don't have any desire to do it again once I own a PS5.

8. Zombie Army Trilogy (PS4)

First Trophy: 25/01/2023

Platinum: 30/05/2023

Time: 4 months, 5 days

Rarity: 1.4%

The second zombie related game on the list, also at the instance of my friend Chris oddly enough. Did end up preferring it to Killing Floor 2 after some initial reluctance on my part to play it. Chris is now trying to convince me to buy Zombie Army 4 and get the platinum on that as well. He does play other genres of games, I promise.

9. WWE 2K23 (PS4)

First Trophy: 29/04/2023

Platinum: 28/06/2023

Time: 1 month, 30 days

Rarity: 0.1%

A historic platinum for me, for a couple of reasons. It marks the first time in my gaming history I've got two platinum trophies in a row. It's also the first WWE game since SmackDown vs. Raw 2010 that I've achieved the platinum for. It's going to feel odd playing it now and not having to worry about trophy hunting.

[redfreesias03]

Kibou ni Tsuite (“About Hope”)

“Even if you reach out your hand, you can’t reach it yet. Our dreams are farther, farther away than that. Even the stars in the night sky are things that shine billions of light years away, beyond the dark.”

OR: Hope is the strength that keeps dreams going when human weakness feels like it’s about to win out.

sono te nobashite mo ima wa (ima wa) todokanai yo bokutachi no yume wa motto (motto) tooku ni arunda

Even if you reach out your hand You can’t reach it at the moment (at the moment) Our dreams lie Farther (farther) away than that

yozora no hoshi datte nan okukounen no kanata kurayami no saki ni kagayaku mono

Even the stars in the night sky Are things that shine Billions of light years away Beyond the dark

kibou ni tsuite boku wa katarou na mo naki shijin no you ni (you ni) atsuku (atsuku) kimi ga namida ni kureteiru nara nagusame yori mo yagate (yagate) shiramu (shiramu) sora wo katarou ka?

I’ll speak About hope Passionately (passionately) Just like (just like) a no-name poet. If you’re drowning In your tears, Instead of comforting you, Shall I tell you about the dawn sky that Will grow bright (grow bright) before long (before long)?

ai wo sagashite mo sugu ni (sugi ni) mitsukaranai yo jibun no hou kara dareka (dareka) aishite mirunda

Even if you search for love You won’t find it right away (right away) Try and give Someone (someone)    love instead

konna hiroi sekai unmei ni michibikarete tatta hitotsu dake no hikari wo mita

Guided by destiny, I saw A single light In a world so wide

kibou ni tsuite boku wa katarou toshioita suifu no you ni (you ni) fukaku (fukaku) kimi ga nanika ni kizutsuita nara teate suru yori noboru (noboru) asahi (asahi) boku wa yubisasou

I’ll speak About hope Deeply (deeply) Like an (like an) old, aged sailor. If you’ve been hurt By something, Rather than nursing your wounds, I’ll point to The rising (rising) morning sun

hito wa dare mo minna akiramete raku ni naru yo dakedo yume wa itsumo se wo mukenai

People—each and every last one of us— Find it easier just to give up But dreams never Turn their backs¹

kibou ni tsuite boku wa katarou namonaki shijin no you ni (you ni) atsuku (atsuku) kimi ga kotae ni mayotteru nara tachidomarazu ni aruki (aruki) nagara (nagara) kibou ni tsuite boku wa katarou ma mo naku senshi no you ni (you ni) itsuka (itsuka) yume wo kate ni shite…

I’ll speak About hope Passionately (passionately) Just like (just like) a no-name poet. If you’re feeling lost About your answer, While walking (walking) Without stop, I’ll talk About hope Like a (like a) soldier with no name Subsist on your dreams Someday (someday)…

---

¹ Maybe this is confusing, but essentially: if it were up to just us, we’d give up nearly everything. It’s because we have dreams—silly, unrealistic dreams that don’t know when to quit and that break but never really go away—that we take on the impossible.

[black-arcana]

IN THIS MOMENT Announces Fall 2025 'Black Mass Tour' With DAYSEEKER, THE FUNERAL PORTRAIT And DED

American rock band IN THIS MOMENT has announced the 2025 "Black Mass Tour" featuring special guests DAYSEEKER on select dates, THE FUNERAL PORTRAIT and DED. The 23-city trek kicks off on Thursday, September 18 at 1st Summit Arena in Johnstown, Pennsylvania, making stops across the U.S. before wrapping up in Bethlehem, Pennsylvania at Wind Creek Events Center on Friday, October 24. IN THIS MOMENT is also gearing up to release new music via Better Noise Music this summer.

A special BLABBERMOUTH.NET presale will begin on Wednesday, June 25 at 2:00 p.m. ET and end on Thursday, June 26 at 10:00 p.m. local time. When prompted, type in the presale code "ITMBBM25" to access tickets before the general public. Check back here on Wednesday for ticketing links to individual shows. General on-sale will be Friday, June 27 at 10 a.m. local time.

IN THIS MOMENT's "Black Mass Tour" dates:

Sep. 18 - Johnstown, PA - 1st Summit Arena Sep. 20 - Johnson City, TN - Freedom Hall Civic Center# Sep. 21 - Louisville, KY - Louder Than Life Festival Sep. 23 - Dallas, TX - South Side Ballroom^ Sep. 24 - Houston, TX - Bayou Music Center Sep. 25 - San Antonio, TX - Boeing Center at Tech Port Sep. 27 - El Paso, TX - Speaking Rock Entertainment Center Sep. 28 - Albuquerque, NM - Revel^ Oct. 01 - Los Angeles, CA - Hollywood Palladium Oct. 02 - Las Vegas, NV - Pearl Concert Theater at Palms Casino Resort Oct. 03 - Paso Robles, CA - Vina Robles Amphitheatre Oct. 04 - Sacramento, CA - Aftershock Festival Oct. 07 - Garden City, ID - Revolution Concert House & Event Center^ Oct. 08 - Spokane, WA - The Podium Oct. 10 - Idaho Falls, ID - Mountain America Center Oct. 11 - Casper, WY - Casper Events Center Oct. 12 - Colorado Springs, CO - Ford Amphitheater Oct. 14 - Kansas City, MO - The Midland Theatre Oct. 16 - Waukee, IA - Vibrant Music Hall^ Oct. 18 - Milwaukee, WI - Eagles Ballroom Oct. 21 - Atlanta, GA - Coca Cola Roxy Oct. 23 - Greensboro, NC - Greensboro Special Events Center Oct. 24 - Bethlehem, PA - Wind Creek Events Center

^ Without DAYSEEKER # Without THE FUNERAL PORTRAIT

Since coming to life in 2005, the Grammy Award-nominated act IN THIS MOMENT has presided over a diehard fan base under the watch of "mother" figure and frontwoman Maria Brink — joined by co-founder and lead guitarist Chris Howorth, bassist Travis Johnson, guitarist Randy Weitzel and drummer Kent Diimmel. As millions convened upon the group's otherworldly and unforgettable concerts, they quietly emerged as one of the most influential and impactful bands of the 21st century.

To date, in addition to the gold-selling album "Blood" (2012),the quintet has garnered six gold and platinum singles, followed by a trifecta of Top 25 entries on the Billboard 200 with "Black Widow" (2014) and "Ritual" (2017). With a total stream tally well past 200 million as of 2020, "Ritual" elevated them to new creative and critical peaks as well. Between selling out headline tours coast to coast, the group performed in arenas everywhere alongside DISTURBED and appeared at countless festivals from Lollapalooza to Sonic Temple. Along the way, they assembled their seventh full-length, the aptly titled "Mother" (Roadrunner Records) with longtime trusted collaborator Kevin Churko (OZZY OSBOURNE, FIVE FINGER DEATH PUNCH). Whereas "Ritual" hinted at a bluesy sonic sorcery, "Mother" breathes the activating mantra of an unbreakable spell, commenced on first single "The In-Between".

In 2022, the band released "Blood 1983" (BMG),a reimagined EP commemorating the tenth anniversary of "Blood". Then in 2023, the longtime staples of heavy music released their eighth studio album "Godmode" (BMG),a 10-song record featuring the powerful lead single "The Purge", the band's stunning cover of Björk's "Army Of Me", the collaborative track "Damaged" which features Spencer Charnas of ICE NINE KILLS, and "I Would Die For You", which appears on the soundtrack for "John Wick: Chapter 4".

Photo credit: Joe Cotela

[detroit-become-human-analyze]

Detroit: Become Human - Chronology and timeline of events... (CANON)

The chronology and timeline of events ( https://detroit-become-human.fandom.com/wiki/Chronology ) in the world of Detroit: Become Human.

pre-1960

1915: Birth of Arnold Brook.

1917: Zlatko Andronikov's family flees the revolution in Russia.

1960s

1963: Birth of Carl Manfred (July 13).

1970s

1978: Birth of Michael Brinkley (January 24), Amanda Stern (May 14).

1980s

1980: Birth of Gordon Penwick (June 10).

1982: Birth of Dennis Ward (June 11), Jeffrey Fowler (August 8).

1983: Birth of Christopher Gray (June 18).

1985: Birth of Hank Anderson (September 6), Cristina Warren (September 15).

1987: Birth of Jonah Graham (December 9).

1988: Birth of Joseph Sheldon (August 14), Gary Kayes (December 3).

1989: Birth of Derek Myers (May 7), Ben Collins (September 12).

1990s

1991: Birth of Zlatko Andronikov (September 21).

1992: Birth of Douglas Mitchell (August 10).

1993: Birth of Rose Chapman (March 31).

1994: Birth of Captain Allen (December 2).

1995: Birth of Edward Dempsey (February 8), Richard Perkins (July 13), Todd Williams (September 21).

1998:

1999: Birth of  Isaac Falone (March 10), Elizabeth Wilson (March 25), John Phillips (October 11).

Death of Arnold Brook.[1]

Birth of Chris Roberts (May 16).

2000s

2000: Birth of Michael Webb (September 9).

2001: Birth of Jimmy Peterson (February 1), Caroline Phillips (May 23).

2002: Birth of Elijah Kamski (July 17), Gavin Reed (October 7).

2005: Birth of Pedro Aabdar (January 25), Rosanna Cartland (December 12).

2008: Birth of Carlos Ortiz (October 27).

2009: Birth of Nathan Clark (August 18), Chris Miller (September 30).

2010s

2010: Birth of Leo Manfred (March 21), Joss Douglas (October 24).

2012: Birth of Samuel McCray (April 10).

2013: Birth of Adam Chapman (August 5).

2018: Elijah Kamski founds CyberLife, creates first androids.

2020s

2021: Release of RT600 "Chloe".

2022: RT600 Chloe first android to pass the Turing test.

2024:

2027: CyberLife sells 1 millionth android.

2028:

2028or 2029: United States pass the Android Act.

2029: Hank Anderson promoted to the rank of lieutenant (reported on August 22).

Release of ST200 "Chloe", first industrially produced android.

CyberLife leased a disused warehouse. (Extras Gallery)

CyberLife starts the commercial production of androids.

KNC's interview with Chloe (April 25).

Release of JB100 OR Andy (12-2027).

Death of Amanda Stern (February 23).

Elijah Kamski named Century magazine's "Man of the Century". Later, Kamski resigns as CEO and leaves CyberLife.

Red Ice Task Force dismantles a Red Ice network (reported on February 3).

Birth of Emma Phillips (September 2).

Release of EM400 (2028), Jerry (06-2028).

Birth of Cole Anderson (September 23).

Release of PC200 and PM700.

2030s

2030:

2031:

2032: Release of AX400, Kara (04-2032).

2033:

2034:

2035:

2036:

2037: Rose Chapman starts helping deviants.

2038: the year Detroit: Become Human takes place.

CyberLife reaches market valuation of $850bn.

Release of TR400 OR Luther (01-2030), HK400 OR Carlos' Android (05-2031), URS12 Android Bear (10-2030).

Androids introduced into the United States military and Michigan law enforcement. Red Ice Task Force seizes boat with nearly 1t Red Ice (reported on November 23).

Release of Ralph (/WR600?) and PJ500 (2031), Josh (11-2031).

Birth of Sumo (April 2031).

Release of JB300 336 445 581 (/JB300?) (05-2033), YK500, Alice (07-2033).

Carlos Ortiz spent several stays in a psychiatric hospital in 2033.

Release of PL600 (2034), Simon (02-2034).

April 2034 Season Finals Detroit's Champions Take An Early Lead (Basketball Magazine poster around Hank's Desk)

Release of "Traci"s WR400 and HR400 (2035), North (10-2035).

Death of Cole Anderson (October 11)[8].

Detroit Gears basketball Playoffs (Seen at Hank's desk)

Cristina Warren elected President of the United States.

Carlos Ortiz spent several stays in a psychiatric hospital in 2036.

Release of KL900 OR Lucy, Rupert (possibly plus WB200?).

Reported missing: Simon (February 16), Rupert (October 11).

Death of Rose Chapman's husband (estimated, "died 2 years ago" in 2038[9]).

2038

The year 2038 is the temporal setting of Detroit: Become Human.

global population 10 billion.[10]

January-July

Edit

January

February

The first DPD case file about deviants ("dates back nine months")[11]

March

April

May

June

July

August

RK800 "Connor" released (08-2038).

Birth of Damian Miller ("three months ago" in November).

Aug 15th: Chapter "The Hostage".

around 7:30 PM: Daniel takes Emma Phillips hostage.

Death of John Phillips (estimated 07:29 PM), Officer Antony Deckart (estimated 08:03 PM), and another officer (found dead in the pool). Officer M. Wilson is wounded by Daniel, death optional.

CyberLife sends RK800 Connor as a hostage negotiator. ITM televises the hostage situation.

08:29 PM: Chapter "The Hostage" begins. Connor arrives at the Phillips apartment.

08:30 PM: DPD reports that a deviant android is involved. (ITM report)

September

09/14: An android waiter (AV500 #234 777 821) in Fast Coney Dogs attacks Charles Bell and escapes.

October

10/04: Gordon Lopez's AL series android disappears. North deviates at a customer's home and escapes.

10/05: Eden Club manager Floyd Mills reports to the police that North is missing.

10/06: North arrives in Jericho (North has been in Jericho "4 weeks, 3 days, 11 hours" on Nov 6 after 5 PM).

around 10/17: Carlos Ortiz killed by Carlos' Android. (Based on his body being dead for 19 days on Nov 5th)

10/22: An android (AP700 #480 913 802) attacks her owner Sarah Cornwal, the house, and escapes.

November

Friday Nov 5th: Chapters: Shades of Color, The Opening, A New Home, The Painter, Partners, Stormy Night, Broken, Fugitives

CyberLife zoo opens in Detroit.

Several Russian warships have taken position in the Barents Sea since Saturday October 30th. (CTN news)

09:38 AM: Chapter "Shades of Color" begins. Markus arrives in Greektown to pick up Carl's paint from Bellini Paints.

09:58 AM: Chapter "The Painter" begins. Markus arrives back at Carl Manfred's House.

03:24 PM: Chapter "The Opening" begins. Todd Williams picks up Kara at Android Zone.

04:53 PM: Chapter "A New Home" begins. Todd and Kara arrive at Todd Williams' house.

"around 8" (PM or AM): Landlord calls police because he found Carlos Ortiz's corpse.

09:14 PM: Chapter "Stormy Night" begins. Dinner in the Williams house.

09:42 PM: Chapter "Broken" begins. Markus and Carl arrive home from the opening of Carl Manfred's retrospective at the Museum of Modern Art.

10:58 PM: Chapter "Fugitives" begins. Kara and Alice to get off the bus in Camden.

11:21 PM: Chapter "Partners" begins. Connor arrives at Jimmy's Bar to pick up Hank Anderson.

Saturday Nov 6th: Chapters:

The Interrogation, From the Dead, Waiting for Hank..., On the Run, Jericho, The Nest, Time to Decide, Zlatko, Russian Roulette, Spare Parts, The Eden Club

During the night: Russian carrier and American patrol boat reported to have exchanged warning shots in Arctic, no casualties. (~CTN news[11])

KNC reports on the first artificial intelligence to write a book.

CTN reports that a CyberLife prototype detective android is assisting the DPD. (~CTN news[11][15])

President Cristina Warren makes speech to Congress, demanding that Russian troops withdraw from the Arctic region. (~CTN news[8])

N/A: Severe hurricanes blight Mid-West, dozens killed. (seen under the scrolling header during Waiting for Hank.)   (~CTN news[8])

12:41 AM: Chapter "The Interrogation" begins. Hank interrogates Carlos' Android.

03:34 AM: Chapter "From the Dead" begins. Markus reboots in Solid Waste Landfill.

08:42 AM: Todd Williams' dead body is found by a friend and reported to the police. (If killed by Alice or Kara)

09:56 AM: Chapter "Waiting for Hank..." begins. Connor talks to Amanda. Then arrives at DPD Central Station.

10:25 AM: Chapter "On the Run" begins. Kara wakes in Camden.

03:02 PM: Chapter "The Nest" begins. Hank eats at Chicken Feed.

04:30 PM: Chapter "Jericho" begins. Markus travels to Ferndale Station.

06:24 PM (estimated[16]): Death of Michael Graham at Eden Club.

05:13 PM: Chapter "Time to Decide" begins. Markus meets Jericho androids.

07:45 PM: Chapter "Zlatko" begins. Kara and Alice arrive at Zlatko Andronikov's House.

07:51 PM: Chapter "Russian Roulette" begins. Connor talks to Amanda. Then visits Hank Anderson's home.

08:01 PM: Chapter "Spare Parts" begins. Jericho androids raid CyberLife Warehouse and Docks.

08:17 PM: Chapter "The Eden Club" begins. Connor and Hank arrive at the Eden Club.

Sunday Nov 7th:

Chapters: The Pirates' Cove, The Bridge, The Stratford Tower

01:02 AM: Chapter "The Pirates' Cove" begins. Kara's group travels by car.

01:19 AM: Chapter "The Bridge" begins. Connor and Hank in Riverside Park.

09:24 AM: Chapter "The Stratford Tower" begins. Markus sits on a street bench and gets an idea.

Monday Nov 8th:

Chapters: The Stratford Tower cont., Public Enemy, Midnight Train

01:30 PM: Chapter "The Stratford Tower" cont. Markus infiltrates the Stratford Tower.

01:59 PM: Markus is recording the message in Stratford Tower (Connor' "Pupil Reflection" scan is timestamped "13:59:54").

04:06 PM: Chapter "Public Enemy" begins. Connor talks to Amanda. Then Connor and Hank arrive at Stratford Tower Floor 79.

05:10 PM: Chapter "Midnight Train" begins. Kara's group arrives at Rose's Farm.

Tuesday Nov 9th:

Chapters: Capitol Park, Meet Kamski, Freedom March, Last Chance, Connor, Crossroads

01:51 AM: Chapter "Capitol Park" begins. Jericho androids discuss Stratford broadcast.

02:00 AM: Jericho android teams attack the five CyberLife stores in Detroit simultaneously. Markus and North arrive at Capitol Park 10 minutes previous.

11:17 AM: Chapter "Meet Kamski" begins. Hank (+/- Connor) arrives at Elijah Kamski's house.

12:04 PM: Chapter "Freedom March" begins. Markus on roof, reflecting.

04:13 PM: Chapter "Last Chance, Connor" begins. Connor talks to Amanda. At DPD, Connor has to find Jericho.

N/A: Military androids removed from service(~CTN news), resulting in armed forces losing 2/3 of effective personnel. Androids are ordered to be turned over to the authorities, to be delivered to the nearest police station or army barracks, to be put in camps. The lack of androids shuts down services and utilities such as hospitals, schools, water, electricity, networks. (~KNC news[19]) Detroit is under curfew.

09:34 PM: Chapter "Crossroads" begins. Kara's group is driving to find Jericho.

10:45 PM: FBI and military raid on Jericho (~Warren press announcement)

Wednesday Nov 10th:

Chapters: Night of the Soul

06:00 AM: national curfew declared (~Warren press announcement)

Chapter "Night of the Soul" begins.

04:17 PM: Markus visits Carl's grave. (Pay Respects)

07:31 PM: Markus visits Carl's house. (Welcome Home) Then Markus in church (Markus on Sacred Ground). OR Jericho androids in church without Markus. (Connor/North on Sacred Ground)

07:31 PM or N/A: Connor speaks to Amanda (Thin Ice), visits Hank (Hank's House).

N/A: Android leader gives speech in undiscovered Jericho. (Markus/North Among the People)

09:24 PM: President Cristina Warren press announcement on Jericho raid, curfew etc. (Battle for Detroit)

Thursday Nov 11th:

Chapters: Battle for Detroit (events from multiple paths)

N/A: The U.S. Army has set up temporary camps in most major cities (Los Angeles, Chicago, Houston, Boston, San Francisco) to gather and destroy androids. (KNC News report, which is heard in Kamski's house if everyone died)

"at/since dawn": Androids take to the streets, either in peaceful demonstration (Markus Demonstration) OR fighting to liberate camps (Markus Revolution).

10:48 PM: Connor arrives at CyberLife Tower. (Connor at the CyberLife Tower)

10:51 PM: Kara's group in West Side Industrial on the way to Bus Terminal. (Kara Leaving Detroit)

10:56 PM: Androids march down Woodward Avenue onto Hart Plaza (Markus Demonstration/Revolution/North)

11:01 PM:

11:02 PM: Kara's group reaches Bus Terminal. (Kara Leaving Detroit, Risky Checkpoint)

11:06 PM: Kara's group enters Enclosure. (Kara Captured)

11:07 PM:

11:08 PM:

11:15 PM: Kara's group reaches Bus Terminal. (Kara Leaving Detroit, Safer Detour)

11:15-30 PM: Last bus from Detroit Bus Terminal departs to Canada Border. Cross-border bus service is suspended afterwards.

11:16 PM: Hart Plaza barricade is attacked. (Markus Demonstration)

11:26 PM:

11:30 PM: Kara's group arrives at US-Canada Border. (Kara Leaving Detroit)

11:36 PM: Kara's group enters Canada. (Kara Leaving Detroit)

11:57 PM: Kara's group arrives at banks of Detroit River, Canada. (Kara Leaving Detroit)

presumably before midnight: President Cristina Warren gives speech (Battle for Detroit).

Connor arrives at Floor -49. (Connor at the CyberLife Tower) OR Connor on Hart Plaza rooftop. (Connor's Last Mission)

Androids at Hart Plaza launch attack. (Revolution)

Connor vs Connor-60. (Connor at the CyberLife Tower)

Hart Plaza final assault, Markus vs Connor, vs tank. (Revolution)

Androids in Hart Plaza barricade. Perkins offers deal. (Markus Demonstration)

Kara's group facing destruction in Hart Plaza camp. (Kara Captured)

Hart Plaza androids arrested, Markus killed (Markus Demonstration, surrender)

Kara's group arrives at banks of Detroit River, Delray. (Kara Leaving Detroit)

Friday Nov 12th:

Chapters: Battle for Detroit cont.

12:01 AM: Hart Plaza and CyberLife Tower android groups meet. Android leader gives speech. OR Machine Connor checks on Markus's corpse, after the latter's surrender to Perkins.

07:37 AM: Kara's group wakes in Solid Waste Landfill. (Kara Captured)

[kimkimberhelen]

Last year, Chromatics released their new album Closer to Grey. The album was dubbed the band’s “seventh” album. Their 2012 album Kill for Love was their fifth, and, with a new announcement today, it looks like Johnny Jewel just might finally release the album he’s been teasing for over five years: Dear Tommy.

Tonight, a new tracklist for Dear Tommy has been revealed. The album features unheard versions of the three songs that have been previously released (“Just Like You,” “Dear Tommy,” and “Time Rider”). Every other song is thus far unreleased. Find the tracklist below. Dear Tommy still doesn’t have an official release date.

A Johnny Jewel–directed video for a new song called “Teacher” has also been shared.

The Dear Tommy timeline stretches back for over half a decade. The album was first announced in December 2014 with the promise that it would arrive in the coming months. Several songs from the album’s first tracklist were promised in the years following the initial announcement.

Then, in 2017, it was announced that the album had been scrapped entirely. Jewel’s manager at the time claimed that Jewel had destroyed every physical copy of Dear Tommy after going through a near-death experience. It was also claimed that Jewel completely re-recorded the project. At one point, Dear Tommy was given a fall 2018 release date.

In addition to Closer to Grey and the individual singles from Dear Tommy, Johnny Jewel has been busy working on the upcoming Desire album. He also helped soundtrack David Lynch’s most recent season of Twin Peaks. Recently, Johnny Jewel shared an Angel Olsen remix.

Revisit Pitchfork’s 2015 feature “Into the Black: Johnny Jewel’s Dark Disco Empire.”

Dear Tommy:

01 Fresh Blood 02 Glitter 03 Never Tell 04 Just Like You 05 She Says 06 The Moment 07 Time Rider 08 White Fences 09 Teacher 10 Between the Lines 11 Too Late 12 Dear Tommy 13 Melodrama 14 Ultra Vivid 15 Colorblind 16 Sometimes 17 Dream Sequence 18 Endless Sleep

[yk4differentfilessite-blog]

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[nuclearblastuk]

BEAST IN BLACK // Nominated For ‘Music Moves Europe Talent Awards 2020′ + EU Headline Dates Start To Sell Out Again!

International heavy metal group BEAST IN BLACK will kick off the second leg of their European headline tour in support of their chart topping sophomore record ‘From Hell With Love’ (released on February 8, 2019 through Nuclear Blast Records) at the end of the month. With Hanover (D), Tilburg (NL), Prague (CZ), and Budapest (H), four dates are already completely sold out, so better act quick and secure your tickets now! Additionally, BEAST IN BLACK are pleased to announce that they've be nominated for the Music Moves Europe Talent Awards 2020. Help the band win by voting now, here: https://musicmoveseuropetalentawards.eu/mmeta/artist/beast-in-black. 

By participating in the poll, fans can optionally also win a trip to visit ESNS (Eurosonic Festival) and the ‘Music Moves Europe Talent Awards’ in Groningen (NL) in January 2020!

Intergalactic Terrortour - United Kingdom & Ireland w/ GLORYHAMMER, WIND ROSE 18.10. UK London - Heaven *SOLD OUT* 19.10. UK Machester - Club Academy *SOLD OUT* 20.10. UK Bristol - SWX 22.10. UK Birmingham - The Mill Digbeth 23.10. UK Nottingham - Rescue Rooms *SOLD OUT* 24.10. IRL Dublin - The Academy 25.10. UK Glasgow - Slay *SOLD OUT* 26.10. UK Dundee - Church *SOLD OUT* Tickets for all dates are on sale now from: https://www.livenation.co.uk/artist/gloryhammer-tickets More BEAST IN BLACK dates: From Hell With Love European Tour 2019 - Part II Presented by Metal Hammer (D), Rock It! (D), piranha (D), musix (D), metal.de (D) w/ MYRATH 29.10. N Oslo - Vulkan Arena 30.10. S Gothenburg - Trädgår'n 31.10. DK Copenhagen - Pumpehuset 01.11. D Hanover - MusikZentrum *SOLD OUT* 02.11. D Cologne - Live Music Hall 03.11. NL Tilburg - 013 *SOLD OUT* 04.11. F Paris - Élysée Montmartre 06.11. F Strasbourg - La Laiterie 07.11. D Stuttgart - Im Wizemann (Halle) 08.11. D Schweinfurt - Stattbahnhof 09.11. D Dresden - Tante JU 11.11. PL Wroclaw - Pralnia 12.11. CZ Prague - MeetFactory *SOLD OUT* 13.11. H Budapest - Barba Negra *SOLD OUT* 15.11. A Graz - p.p.c. 16.11. SK Bratislava - Atelier Babylon 17.11. A Vienna - Szene 18.11. D Munich - Backstage (Werk) 13.12. FIN Helsinki - Helsingin Jäähalli* (w/ LORDI) *no MYRATH Watch the tour trailer over on YouTube: https://www.youtube.com/watch?v=Lqkm9L1H63U 2020: 17./18.07. NL Eindhoven - Dynamo Metalfest 30.07. - 01.08. D Wacken - Wacken Open Air *SOLD OUT* 12.09. USA Atlanta, GA - ProgPower USA If you haven't purchased the band's latest album yet, you can do so here: http://www.beastinblack.com/fhwl.html

'From Hell With Love' OFFICIAL MUSIC VIDEO: https://www.youtube.com/watch?v=f8qWbowzwZU

'Sweet True Lies' OFFICIAL VIDEO: https://www.youtube.com/watch?v=4waVZXKE0GU

'Die By The Blade' OFFICIAL LYRIC VIDEO: https://www.youtube.com/watch?v=w3bWR_aLlas

'Cry Out For A Hero' DRUM PLAY-THROUGH: https://www.youtube.com/watch?v=Ewgw_n3WzD8 ‘From Hell With Love’ - Track Listing: 01. Cry Out For A Hero 02. From Hell With Love 03. Sweet True Lies 04. Repentless 05. Die By The Blade 06. Oceandeep 07. Unlimited Sin 08. True Believer 09. This Is War 10. Heart Of Steel 11. No Surrender

Bonus Tracks (DIGI and 2LP only!) 12. Killed By Death (MOTÖRHEAD Cover) 13. No Easy Way Out (ROBERT TEPPER Cover) The album was once again recorded in Anton's own Sound Quest Studio, and true to the motto "Never change a winning team", the cover artwork was created by Roman Ismailov who worked on ‘Berserker’ as well as the first record Kabanen wrote under the banner of BATTLE BEAST, ‘Steel’ (2012). ‘From Hell With Love’ delivers everything that made fans love Anton's work in the first place. A slew of fast-paced tracks like the opener 'Cry Out For A Hero' and 'Repentless', hymnic songs 'Unlimited Sin' and 'This Is War' and one of the band's specialities, mid-tempo smashers that only BEAST IN BLACK can deliver are back and represented on the new disc by the lead single 'Sweet True Lies' and the album's title track. There's one thing that all of these tracks have in common - each and every song catches the listener with irresistible melodies, taking residence in the listener's mind from the moment they hear it. ‘From Hell With Love’ - Worldwide Chart Entries Finland: #1 Physical | 1# Digital Germany: #6 Switzerland: #8 Japan: #13 International Austria: #17 Hungary: #17 Sweden: #55 | #4 Physical | #1 Hard Rock Belgium (Vlanders): #60 Spain: #73 UK: #123 International | #6 Indie | #2 Rock France: #143 Belgium (Wallonia): #179 Holland: #199 USA: Top New Artist Albums #3 Current Hard Music Albums #7 Current Rock Albums #24 Top Current Albums #85 Canada: Hard Music Albums #11 Top Current Albums #52

BEAST IN BLACK is: Yannis Papadopoulos | vocals Mate Molnar | bass Atte Palokangas | drums Kasperi Heikkinen | guitars Anton Kabanen | guitars, vocals More info: http://www.beastinblack.com/ https://www.facebook.com/beastinblackofficial/ http://twitter.com/bib_band http://instagram.com/bib_band https://www.youtube.com/beastinblack http://www.nuclearblast.de/beastinblack

[chrisgoesrock]

Doctor Cyclops - Local Dogs (Retro-70′s Hardrock, Italy 2017)

Recorded in the UK and produced by James Atkinson, with the fair featuring of the Lord of Riffs Mr Bill Steer (Carcass, Firebird, Gentlemans Pistols), Local Dogs is an explosive mixture of seventies heavy rock, New Wave of British Heavy Metal and obscure doomy sabbath-style stuff ready to take you back to the spirit of a different era.

Groovy riffs and gloomy paths coming straight from the woods give you the impression that the epic saga of the Seventies ended up in something different than a fleeting reflection of the past. If you like the early Deep Purple groove, try to imagine it mixed with the bluesy Graveyard mood played by Cathedral jamming on Budgie's tunes in Witchfinder General's practice room: then you should be close to realize the spirit and the power of this record. In this contest the featuring of Bill Steer (Carcass, Firebird, Gentlemans Pistols) on lead guitar just tastes like the cherry on top of a tempting cake.

Doctor Cyclops is a seventies-styled power trio playing heavy rock music inspired by a vintage sound, eldest son of glorious Balck Sabbath and of other more underground heroes from the 70ies and early 80ies such as Sir Lord Baltimore, Captain Beyond or Witchfinder General. Even more modern references are warm-vintage styled ones: Witchcraft, Cathedral, Spiritual Beggars just to say some.

Any number of bands make boogie rock records every day. You want to commit? Get frickin’ Bill Steer to play on the thing. Yeah, I know he’s been grinding out the last few years in the reunited Carcass, and that’s awesome, but when he was in Firebird, that band was absolutely incredible, and one imagines it’s that kind of I’m-just-gonna-softshoe-while-I-play-this-awesome-’70s-lead vibe that he brings to Doctor Cyclops‘ upcoming third album, Local Dogs.

Local Dogs follows 2014’s Oscuropasso and will be the Italian outfit’s first full-length on Heavy Psych Sounds. The label posted copious details on the record — and of course it will have more to offer than the Steer guest appearance; though he gets a showing per side — as well as the striking cover art, ahead of the preorders for the CD and LP, which start next month.

Northern Italy’s cold woods are set to unleash their fieriest beast, with ’70s power trio DOCTOR CYCLOPS returning with their blistering third album “Local Dogs” this March on Heavy Psych Sounds.

DOCTOR CYCLOPS haven’t stood idle since their latest album “Oscuropasso” (World In Sound 2014), slowly but surely rustling up their heaviest and most accomplished project to date. This new full-length entitled “Local Dogs” is an explosive mixture of ’70s heavy rock, NWOBHM and doomier Sabbath-style riffage, ready to take you back to a different era. Groovy riffs and gloomy paths coming straight from the woods feel like the epic saga of the ’70s is truly likely to continue its course. In this context, the appearance of Bill Steer (Carcass, Firebird, Gentlemans Pistols) on lead guitar tastes like the icing on top of a tempting cake.

DOCTOR CYCLOPS is a power trio delivering a blistering heavy rock rejuvenating the legacy of the ’70s and early ’80s. The band formed in 2007 in a small village in the middle of Appennino mountains, Northern Italy. Their common passion for brilliant outfits such as Truth and Janey, Sir Lord Baltimore, Captain Beyond or Witchfinder General lead them to record and self-produce their first EP “The Doctor Cyclops” (2010), which is quickly followed by two full-lengths: “Borgofondo” (2012) and “Oscuropasso” (2014), both released on German heavy psychedelic label World in Sound.

Since 2008, the trio has had the chance to tour Europe several times, sharing the stages with Firebird, Blood Ceremony, Siena Root, Colour Haze, Stoned Jesus, The Grand Astoria and many other bands. DOCTOR CYCLOPS also took part to important festivals such as Freak Valley in Germany (2012) and Red Smoke Festival in Spain (2016).

The Band: ♦ Christian Draghi - guitars and vocals ♦ Francesco Filippini - bass ♦ Alessandro Dallera - drums

01. Lonely Devil 03:48 02. D.I.A. 04:14 03. Stardust (feat. Bill Steer) 04:40 04. Epicurus 05:13 05. Wall Of Misery 05:39 06. King Midas 06:23 07. Stanley The Owl 01:32 08. Druid Samhain (feat. Bill Steer) 05:20 09. Witch's Tale 06:44 10. Witchfinder General (cover) 04:06

[mabgamerz-blog1]

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SHOWBOX 5.06              2018-08-29TH

SHOWBOX 5.11             2018-09-08TH

SHOWBOX 5.23             2018-12-07TH

SHOWBOX 5.24              2018-12-10TH

SHOWBOX 5.28             2019-02-27TH

SHOWBOX 5.34              2019-08-22TH

[aletdownsquid]

We Want the Wilderness Intro: Works Cited

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Baudrillard, Jean. For a Critique of the Political Economy of the Sign. Telos P, 1981.

Betancourt, David. “Let’s Talk about the Shocking Ending of ‘Avengers: Infinity War.’” WashingtonPost.com, 30 Apr. 2018, www.washingtonpost.com/news/comic-riffs/wp/2018/04/30/lets-talk-about-the-shocking-ending-of-avengers-infinity-war-do-the-deaths-mean-anything/?utm_term=.f8f5347387d2.

Bolland, Brian. “On Batman: Brian Bolland Recalls The Killing Joke.” DC Universe: The Stories of Alan Moore, by Alan Moore. DC Comics, 2006. p. 247.

Bourdieu, Pierre. The Field of Cultural Production, edited by Randall Johnson, Columbia UP, 1993.

---. The Rules of Art: Genesis and Structure of the Literary Field, translated by Susan Emanuel, Stanford UP, 1995.

Breznican, Anthony. “Rogue One: Alternate Ending Revealed: A Lifesaving Escape.” Entertainment Weekly, 20 Mar. 2017, ew.com/movies/2017/03/20/rogue-one-alternate-ending-revealed/.

Brooks, Dan. “SWCE 2016: 15 Things We Learned from the Rogue One: A Star Wars Story Panel.” Star Wars, 15 Jul. 2016, www.starwars.com/news/swce-2016-15-things-we-learned-from-the-rogue-one-a-star-wars-story-panel.

Buckley, Cara. “When ‘Captain Marvel’ Became a Target, the Rules Changed.” The New York Times.com, 13 Mar. 2019, www.nytimes.com/2019/03/13/movies/captain-marvel-brie-larson-rotten-tomatoes.html?login=email&auth=login-email.

Cattani, Gino, Simon Ferriani, and Paul D. Allison. “Insiders, Outsiders, and the Struggle for Consecration in Cultural Fields: A Core-Periphery Perspective.” American Sociological Review, Vol. 79, no. 2, 2014, pp. 258-81.

Certeau, Michel de. The Practice of Everyday Life. U of California P, 1984.

Coppa, Francesca. “An Archive of Our Own: Fanfiction Writers Unite!” Fic: Why Fanfiction is Taking Over the World, edited by Anne Jamison, Smart Pop, 2013, pp. 302-308.

Couch, Aaron. “Marvel Movies: The Complete Timeline of Upcoming MCU Films and Disney+ Shows.” The Hollywood Reporter, 20 Sept. 2016, www.hollywoodreporter.com/lists/marvel-movies-upcoming-timeline-release-dates-phase-3-929626.

Cranswick, Amie. “Kevin Feige Names Black Panther As the Best Movie that Marvel Has Made.” The Flickering Myth, 11  Jun. 2018, www.flickeringmyth.com/2018/06/kevin-feige-names-black-panther-as-the-best-movie-that-marvel-has-made/.

Dockterman, Eliana. “Here’s a Complete List of All the Upcoming Marvel Movies.” Time.com, 17 Apr. 2018, time.com/5167535/upcoming-marvel-movies/.

Dunn, Robert. "Television, Consumption and the Commodity Form." Theory Culture & Society, Vol. 3, no. 1, 49-64.  

Ebiri, Bilge. “Ten Years Later, ‘The Dark Knight’ and It Vision of Guilt Still Resonate.” The Village Voice.com, 18 July 2018, www.villagevoice.com/2018/07/18/10-years-later-the-dark-knight-and-its-vision-of-guilt-still-resonate/.

Fiske, John. “The Cultural Economy of Fandom,” The Adoring Audience: Fan Culture and Popular Media, edited by Lisa A. Lewis. Routledge, 1992, pp. 30-49.

Foundas, Scott. “Cinematic Faith.” Film Comment.com. The Film Society of Lincoln Center, 28 Nov. 2012, www.filmcomment.com/article/cinematic-faith-christopher-nolan-scott-foundas/.

Ford, Rebecca. “Director Gareth Edwards Reveals ‘Star Wars: Rogue One’ Centers on Death Star Heist.” The Hollywood Reporter, 19 Apr. 2015, www.hollywoodreporter.com/heat-vision/director-gareth-edwards-reveals-star-789951.

Gray, Jonathan, Cornel Sandvoss, and C. Lee Harrington. Introduction: Why Study Fans? Fandom: Identities and Communities in a Mediated World, edited by Johnathan Gray, Cornel Sandvoss, and C. Lee Harrington, New York UP, 2007. pp.1-16.

Hills, Matt. “Absent Epic, Implied Story Arcs, and Variation on a Narrative: Doctor Who (2005-8) as Cult/Mainstream Television.” Third Person: Authoring and Exploring Vast Narratives, edited by Pat Harrington and Noah Wardrip-Fruin. MIT Press, 2009, pp. 333-42.

Hood, Cooper. “Kevin Feige Says Black Panther is the MCU’s Best Movie to Date.” Screenrant, 17 Feb. 2018, https://screenrant.com/black-panther-best-mcu-movie-kevin-feige/.

Jenkins, Henry. Textual Poachers: Televisions Fans and Participatory Culture. Routledge, 2003.

Jones, Craig Owen. “Life in the Hiatus: New Doctor Who Fans, 1989-2005. Fan Phenomena: Doctor Who, edited by Paul Booth, University of Chicago Press, 2013, pp. 36-43.

Karim, Anhar. “How the Spider-Man Trailer May Hurt ‘Avengers: Endgame.’” Forbes.com, 20 Jan. 2019, www.forbes.com/sites/anharkarim/2019/01/20/how-the-spider-man-trailer-may-hurt-avengers-endgame/#25a0d5ad5056.

McMillan, Graeme. “‘Captain Marvel’ Targeted by Negative Online Reviews Prerelease,” 19 Feb. 2019, www.hollywoodreporter.com/heat-vision/captain-marvel-targeted-by-negative-online-reviews-pre-release-1188109?fbclid=IwAR1xyzXBkHMA53aM-BpvEh8xR8WzmTnnYFt8RuebMR6htoZdn9VpCXuBKnw.

---. “What Happens When ‘Star Wars’ Is Just a War Film?” The Hollywood Reporter, 20 Apr. 2015,  www.hollywoodreporter.com/heat-vision/what-happens-star-wars-is-790216.

McVey, Ciara. “Ryan Coogler Explains Why ‘Black Panther’ Is a Political Film.” The Hollywood Reporter, 18 Dec. 2018, www.hollywoodreporter.com/news/ryan-coogler-explains-why-black-panther-is-a-political-film-watch-1170585.

Perryman, Neil. “Doctor Who and the Convergence of Media: A Case Study in ‘Transmedia Storytelling.’” Convergence: The International Journal of Research into New Media Technologies, Vol. 14, no. 1, pp. 21–39.

Polo, Susana. “The Batman Comics That Inspired The Dark Knight’s Hyper-realism.” Polygon, 17 Jul. 2018, www.polygon.com/comics/2018/7/17/17564454/batman-comics-that-inspired-christopher-nolan-dark-knight.

Rahmanan, Anna Ben Yehuda. “Rotten Tomatoes Looking to Change Audience Reviews Process to Fight Trolls.” Forbes.com, 15 Mar. 2019, www.forbes.com/sites/annabenyehudarahmanan/2019/03/15/rotten-tomatoes-looking-to-change-audience-reviews-process-to-fight-trolls/#6fada91668de.

Raftery, Brian. “Trolls Are Tanking Captain Marvel’s Rotten Tomatoes Reviews. But They Can’t Stop Its Box Office Haul.” Fortune.com, 9 Mar. 2019, fortune.com/2019/03/08/captain-marvel-rotten-tomatoes-review/fortune.com/2019/03/08/captain-marvel-rotten-tomatoes-review/.

Romano, Aja. “The Archive of Our Own is Now a Hugo Nominee. That’s Huge for Fanfiction.” Vox, 11 April 2019, www.vox.com/2019/4/11/18292419/archive-of-our-own-hugo-award-nomination-related-work.

Sandvoss, Cornel. Fans: The Mirror of Consumption. Polity Press, 2005.  

---, Johnathan Gray, and C. Lee Harrington. Introduction: Why Still Study Fans? Fandom: Identities and Communities in a Mediated World, edited by Johnathan Gray, Cornel Sandvoss, and C. Lee Harrington, 2nd ed. New York UP, 2017. pp.1-26.

Schick, Michal. “Archive of Our Own’s Hugo Nomination is a Win for Marginalized Fandom.” Hypeable, 4 April 2019, www.hypable.com/archive-of-our-own-hugo-awards-fandom/.

Serwer, Adam. " The Tragedy of Erik Killmonger." The Atlantic.com, 28 Feb. 2018, www.theatlantic.com/entertainment/archive/2018/02/black-panther-erik-killmonger/553805/.

Sims, David. “A Change for Rotten Tomatoes Ahead of Captain Marvel.” The Atlantic.com, 4 Mar. 2019, www.theatlantic.com/entertainment/archive/2019/03/rotten-tomatoes-captain-marvel-review-ratings-system-online-trolls/584032/.

---. “The Complicated Legacy of Batman Begins.” The Atlantic.com, 10 Jun 2015, www.theatlantic.com/entertainment/archive/2015/06/the-complicated-legacy-of-batman-begins/395477/.

Torgersen, Brad R. “Sad Puppies 3: The Unraveling of an Unreliable Field.” Brad R. Torgersen: Blue Collar Speculative Fiction, 4 Feb. 2015, bradrtorgersen.wordpress.com/2015/02/04/sad-puppies-3-the-unraveling-of-an-unreliable-field/.  

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VanDerWerff, Todd. “Avengers: Infinity War’s ending is incredibly bold. And maybe a little cheap.” Vox, 27 Apr. 2018, www.vox.com/summer-movies/2018/4/27/17281060/avengers-infinity-war-spoilers-ending-who-dies.

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[thatguyequity]

« WARNING WARNING WARNING » The security of this file has been compromised. Information contained below may not be accurate.

Due to a pending investigation by the Foundation Information Security Division, this file has been [LOCKED]. All attempts to access this file will be monitored, and attempting to edit this file is strictly prohibited. ————————————– For more information, see Special Addendum 2996.A below. ___________________________________ Item #: SCP-2996

Object Class: Euclid Safe Neutralized

Special Containment Procedures: SCP-2996 is to be contained within a standard Incorporeal Entity Vacuum Chamber at Site 81. This chamber is to be fitted with 4 Non-Physical Displacement Neutralizers (nPDN). SCP-2996 may be allowed to request certain items for entertainment.

Once weekly, SCP-2996 must undergo a routine psychological evaluation with an on-site psychologist in order to properly evaluate SCP-2996’s mental state. Due to current concerns about the state of SCP-2996’s mental health, the appropriate use of Class-H Electrostatic Amnestic Treatment has been approved, if necessary.

Updated Containment Procedures: Due to the effective use of the nPDNs, it is possible to now perform physical examinations of SCP-2996. These exams must be performed once weekly as part of an ongoing effort to collect information regarding the physical nature of incorporeal entities.

Updated Containment Procedures: As of 08/19/2012, SCP-2996 has been declared neutralized. All aforementioned containment procedures are no longer required.

Description: SCP-2996 is a Class II Incorporeal Humanoid Entity, initially discovered in an abandoned home in Nashville, Indiana. SCP-2996 appears to be a young human female of European descent with black hair and blue eyes, and a number of visible wounds across the entire body, including a major gunshot wound to the right eye. Although SCP-2996 is by default an incorporeal entity, the use of nPDN devices has allowed Foundation personnel to “anchor” SCP-2996 into a physical state during examinations. It is currently hypothesized that the use of these devices, along with other aspects of containment, is the source of SCP-2996’s deteriorating mental/emotional state.

SCP-2996 claims to be eight year old Emily Nash, the subject of a murder in Nashville, Indiana, in 1929. Data recovered from various sources have supported the claim that an Emily Nash was found dead in her home, however, the listed cause of death was suicide. During interviews, SCP-2996 has rejected any evidence that supports suicide, and has vehemently remarked on several occasions that its killer was a close friend and neighbor, one thirteen year old James Franklin. The existence of this individual in Nashville in 1929 has not been verified, however, efforts to collect additional information are ongoing.

Psychiatric Evaluation Results: There is concern, to me, about the state of SCP-2996’s emotional health. The object clearly is at odds with evidence presented to it, as well as its current state of containment. Throughout interviews, it has become clear that SCP-2996 believed that it lingers in this world in order to enact revenge upon its killer, and that it was a powerful, unbound spirit. This, of course, is in direct conflict with both information that we have provided to SCP-2996 in regards to its death, as well as its containment within Site 81. SCP-2996, then, is no longer certain about a number of things, which has led to increased anxiety in the subject, as well as depression and suicidal thoughts. Given the nature of its being, the latter is of utmost concern.

-Dr. David Rudolph

Addendum 2996.1: Initial Psychiatric Evaluation Interview 06/05/2012

+ Show Interview

Date: June 5th, 2012 Interviewer: Dr. David Rudolph Interviewee: SCP-2996

[BEGIN LOG]

Dr. Rudolph: Good afternoon, SCP-2996, and welcome to S-

Dr. Rudolph is abruptly cut off by the sound of SCP-2996 thrashing against its containment cell.

Dr. Rudolph: I see. Well, my name is Dr. Rudolph, and I’m going to be handling your entry evaluat-

SCP-2996: …you are the slime of this wretched earth just like him and just like him I will find your heart through your throat and pull the life out of you…

Dr. Rudolph: (Motions to mute speakers) Right, SCP-2996, this will be much easier for both of us if you’re willing to comply with these examinations. Unfortunately, I’m not sure how much we’re going to be able to accomplish today, so let’s just postpone this until you’re feeling a little better.

[END LOG]

Addendum 2996.2: Psychiatric Evaluation Interview 07/01/2012

+ Show Interview

Date: July 1st, 2012 Interviewer: Dr. David Rudolph Interviewee: SCP-2996

[BEGIN LOG]

Dr. Rudolph: Good morning, SCP-2996. Are you feeling up to talking today?

SCP-2996: (SCP-2996 is huddled in the corner of its containment cell) You speak with vermin tongues that lick your vermin lips and you think I would want to speak to you? (SCP-2996 spits towards the observation deck)

Dr. Rudolph: I understand your frustration, SCP-2996, but you really must learn to cooperate with us here. Nobody wants to harm you, we just want to talk.

SCP-2996: (Laughs) I am an unbound spirit of torment, you mortal wraith. I will not have words with you. I will not stop until I can squeeze the life out of his writhing throat.

Dr. Rudolph: SCP-2996, we’ve been over this before. The evidence we’ve gathered makes it clear that-

SCP-2996: He murdered me in cold blood! He swore on my damnation! Do not speak to me of your foul eviden- (SCP-2996 lunges towards the observation deck, colliding with the glass. SCP-2996 appears shaken.)

Dr. Rudolph: SCP-2996, I am willing to turn off our Neutralizers and allow you to return to your incorporeal form, but only if you will calm yourself and speak to me.

SCP-2996 becomes violent, thrashing throughout its containment cell and beating the walls with various parts of its body. Security personnel enter the cell and sedate SCP-2996. Dr. Rudolph calls an end to the interview.

[END LOG]

Site Assistant Director’s Note: Pending approval, Dr. Rudolph has been transferred to Site 18. Dr. Angela Kidwell will assume acting lead on all of Dr. Rudolph’s active Site 81 projects.

Addendum 2996.3: Psychiatric Evaluation Interview 07/28/2012

+ Show Interview

Date: July 28th, 2012 Interviewer: Dr. Angela Kidwell Interviewee: SCP-2996

[BEGIN LOG]

Dr. Kidwell: Good afternoon, SCP-2996. You wanted to speak to me?

SCP-2996 walks slowly around its containment cell.

SCP-2996: I do not understand. How am I kept here?

Dr. Kidwell: Well, we’re currently utilizing a couple of different devices, prima-

SCP-2996: I am an unbound spirit! I do not understand, I am a being of revenge, and… (SCP-2996 trails off)

Dr. Kidwell: Yes, well… we have machines that can hold entities like yourself in containment. We want to learn more about you, where you came from, how you function.

SCP-2996: But… I am a spirit of hate, and-

Dr. Kidwell: …and we contained you, SCP-2996. I am willing to make some allowances for you, but I really do need your help first.

SCP-2996 is silent and no longer responds to questioning. Dr. Kidwell ends interview.

[END LOG]

Psychiatrist’s Note: I really do believe we’re making progress with SCP-2996. The subject no longer tends towards violence in its interactions, and might be willing to further communicate during additional interviews. I suggest we try to not stress the issue, but rather allow it to happen naturally.

Addendum 2996.4: Psychiatric Evaluation Interview 08/04/2012

+ Show Interview

Date: August 4th, 2012 Interviewer: Dr. Angela Kidwell Interviewee: SCP-2996

[BEGIN LOG]

Dr. Kidwell: When we talked last, SCP-2996, you were telling me how you felt about your containment, yes?

SCP-2996: I just… I feel like I got so much hate in me. I got a thing inside that wants me to squeeze the life out of Jimmy, but… I seen the evidence, doc. I read the reports you gave me.

Dr. Kidwell: I understand how difficult this might be for you, SCP-2996. That’s the purpose of our research, though. So we can try to offer you, and other entities like you, some sense of normalcy.

SCP-2996: (SCP-2996 is silent for a moment) Maybe you’re right. Maybe I was just so angry and so confused, dying didn’t settle anything. Maybe I did this, all of this, to myself.

Dr. Kidwell: I know this is hard for you. But this is a big step, and it’s one I think you need to take. You’ve been given a rare opportunity, to see past the anger and to start over.

SCP-2996: Do… do you think that’s true?

Dr. Kidwell: I do.

SCP-2996: (Smiles) Ok. I believe you.

[END LOG]

Addendum 2996.5: Final Notes 08/28/2012

+ Show Notes

After a number of therapy sessions with Dr. Kidwell and additional counselors on the Site-81 staff, SCP-2996 became significantly less prone to violent outbursts. Through her treatment she was able to come to terms with the events surrounding and resulting in her death, and was able to move past them.

On August 15th, 2012, SCP-2996 was given a final physiological examination, where it was determined that her anomalous qualities no longer existed. SCP-2996 was, by all accounts, a normal human girl.

As a result of this, on August 18th, 2012, SCP-2996 was determined to be “neutralized”. A final round of amnestic treatment was prepared while Site-81 staff sent a request to Overwatch Command that the child, previously SCP-2996, be released to a family desiring to adopt a child. The request was written by Dr. Kidwell, notarized by Dr. Bishop (Site-81 Head of Research), and signed by Director Aktus.

On August 28th, 2012, the request was approved. The child, renamed Samantha Pendleton, was released to a Foundation front adoption agency after a round of amnestic treatment.

SPECIAL ADDENDUM 2996.A: CLASSIFIED INFORMATION / LEVEL 4 EYES ONLY

+ Enter Level 4 Credentials

. . .

Access Granted

AUTOMATED MESSAGEFROM: SITE-81 ADMINISTRATIVE STAFF via SITE-19 ADMINISTRATIVE STAFFTO: LEVEL 4 PERSONNEL

On 01/19/2016, automated Foundation systems reported several errors originating within a Site-17 data sector containing this file. Upon further investigation, it was discovered that certain parts of this file have been lost, changed, or outright fabricated. The source of the edit is unknown, as information pertaining to the change has been corrupted or otherwise lost.

Notable discrepancies include:

The existence of SCP-2996 at Site-81 (though Site-19 records conflict with this),Dr. Kidwell’s assignment to any projects at Site-81,Director Aktus’ knowledge of any such entity existing within Site-81,The existence of a “Samantha Pendleton”.

Other discrepancies may exist, but are impossible to ascertain due to the significance of the breach in security that has occurred. It is currently believed that individuals involved may have also been amnesticized, as personnel memory has conflicted with recovered data.

Information recovery teams are attempting to access earlier versions of this file in an attempt to gather more accurate information pertaining to SCP-2996. Video observation logs and audio files have been removed from primary Foundation data archives and are considered lost.

Personnel are to report any information pertaining to this file or the security breach to Site-81 administrative staff.

THIS IS AN AUTOMATED MESSAGE FROM FOUNDATION SITE-81 via SITE-19. DO NOT ATTEMPT TO CHANGE THE CONTENTS OF THIS MESSAGE.