#sickert

[politikwatch]

#Merz #CDU #CSU #verhindern #NiemalsCDUCSUFDPAFD ❗️🧠

[viridislepus]

Sketches by Walter Richard Sickert depicting Aubrey Beardsley, owned by the Walker Art Gallery [1] [2]

[aldanaconarte]

Richard Sickert - Impresionismo sórdido.

Walter Richard Sickert fue un artista de fines de siglo XIX e inicios del XX. De personalidad excéntrica y mente inquieta inició una particular transición del Impresionismo hacia una estética de largo impacto en Inglaterra. Sin su obra no entenderíamos las producciones de Lucian Freud o Francis Bacon. Sickert supo combinar tema y técnica para lograr una visual que no deja a nadie indiferente. Recurrió a la fotografía, a los periódicos y a un mundo sórdido que reflejó a partir de la propia experiencia.

[enzomartinelli]

Walter Sickert 🖌🖼🏴󠁧󠁢󠁥󠁮󠁧󠁿

[nicethingsthose]

The rue Notre-Dame des Champs, Paris: The Entrance to Sargent's Studio (1907) - Walter Sickert

[thunderstruck9]

Walter Sickert (British, 1860-1942), The Pit at the Old Bedford, 1889. Oil on canvas, 34.5 x 30 cm. Fondation Bemberg, Toulouse

[thepaintedroom]

Walter Richard Sickert (German/British, 1860–1942) • The Acting Manager or Rehearsal: The End of the Act • c. 1885-86

[classicdavinci]

Walter Sickert

[weary-hearted-art]

Walter Richard Sickert, Ennui, c.1914. Oil on canvas

[lubentina]

Walter Richard Sickert (German/British 1860–1942)

The Acting Manager or Rehearsal: The End of the Act or Helen Carte, 1885 - 1886. Private Collection

oil on canvas

[galleryofart]

Gallery of the Old Bedford

Artist: Walter Richard Sickert (German, 1894-1895)

Date: 1894-1895

Medium: Oil paint on canvas

Collection: Walker Art Gallery, Liverpool, United Kingdom

Description

Following the example of Édouard Manet (1832 – 1883) and Edgar Degas (1834 – 1917) and their paintings of Parisian cafes and theatres, Sickert painted the more raucous nightlife of London’s music halls throughout his career. He was a regular visitor at the Bedford Music Hall in Camden Town, the subject of this painting. Sickert may have intended it as a sequel to his earlier picture of the child performer Little Dot Hetherington on the stage of the Bedford, in which she is shown pointing to this spot while singing the popular song, “The Boy I Love is up in the Gallery”. As well as recording vividly the atmosphere and setting of a late 19th century performance, this is a brilliant exercise in lighting and composition. Sickert exploits the contrast between the shadowy auditorium and the reflected glare of the stage, and creates tricks of space and perspective by means of the giant mirror on the left.

[portraituresque]

Walter Richard Sickert (1860–1942) - Self portrait

[huariqueje]

Lansdown Crescent, Bath   -   Walter Richard Sickert , 191718.

British, 1860 - 1942  

Oil on canvas mounted on hardboard , 59.4 x 64.5 cm.

[oldsardens]

Walter Richard Sickert - The New Bedford

[unjouruntableau]

Walter Sickert, La Fosse à l'Ancien Bedford, 1889.

[thunderstruck9]

Walter Sickert (British, 1860-1942), Still Life on a Table. Oil on canvas, 41 x 33.5 cm. Pallant House Gallery, Chichester