#site-specific
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A Sprawling Nest of Vintage Wooden Chairs Perches on Liaigre’s Facade in Paris
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"Wrapped Coast, One Million Square Feet, Little Bay, Sydney, Australia" (1969) by Christo and Jeanne-Claude ⌇ A coastline reimagined, where fabric meets rock meets sea
#blue#installation#land art#white#jeanne-claude#christo#fabric installation#environmental art#1969#site-specific#1960s#little bay#sydney#australia#christo and jeanne-claude
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This Ellsworth Kelly floor panel, Black Curves, was commissioned for the Haus der Kunst in Münich in 2011, and was destroyed when the exhibition, Ellsworth Kelly: Schwarz und Weiss, traveled to Wiesbaden.
At least one of the six floor paintings Kelly made was able to be refabricated in a space other than the one for which it was created; another was made anew for a purpose-built, identically sized space. The status of this one, and the other three, is idek.
#ellsworth kelly#site-specific#floor painting#what if a billionaire offered to make a gallery alcove with an 11-meter hypotenuse; could they buy this one?#could Haus der Kunst remake it whenever?#destroyed
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vimeo
Bangs and Whimpers:
Site-specific installation at Poriginal Gallery in Pori 2023.
Paper, projection, UV-light, carpet, cyanotype and natural dye on cotton. 4k video, 32 min.
#art#artists on tumblr#installation#site-specific#animation#magnus#strandberg#photography#visualart#uv-light#Vimeo
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SciTech Chronicles. . . . . . . . .April 11th, 2025
#Volcano#eruption#2018#“carbon cycle”#waste#RNA#Infections#site-specific#“Lava Creek Tuff”#sanidine#“argon geochronology”#biotite#“monsoon precipitation”#water#energy#availability#“digital twin”#“16 terabytes of data”
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Immersive installation - Avalanches from Afar | Casino Display Luxembourg This is a site-specific work featuring the sound acoustics of the building with 8-channel spatialised sound composition and installation.
Location: Casino Display, 1, rue de la Loge, L-1945 Luxembourg Opening time: 31.01.2025 21:00 — 01.02.2025 9:00
info: Casino Luxembourg event page (link)
Avalanches from Afar
In Avalanches from Afar, visual artist Serene Hui and composer Lam Lai present a hybrid work on the borderline between immersive installation and soundscape. Described as a ‘non-performance’, the piece is a 12-hour meditation on the subtle tension between speech and silence. Avalanches from Afar has its roots in a reflection on the limits of language and the disruption of direct communication. Drawing on literary references such as Jean-Dominique Bauby's Le Scaphandre et le Papillon, personal stories and Jean-René Toussaint's ‘Stemwerk - Primitive Voice’ method, the two artists explore how words, sounds and silences weave together to create a unique space for sensory experience. The long duration encourages a total letting go, allowing the audience to connect deeply with the fragments of language, sounds and silences that make up the surrounding atmosphere.
Concept: Serene Hui and Lam Lai Text and Libretto: Serene Hui Sound composition and spatialisation: Lam Lai Artwork: Serene Hui Voices by: Jean-René Toussaint (Primitive Voice - Stemwerk, Rotterdam), Xenia Klein, Chloe Sobczyk, Bryan Hui, Serene Hui Videography: Serene Hui, Sean Wong, STOREROOM9 (With thanks to Contemporary Musiking Hong Kong) Video Editing and Color Grading: Lichun Tseng
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365 Days of Art 2024 Week 53 Because 2024 is a LEAP YEAR, bonus artwork! Please consider supporting WyldeWood Studios with a hot chocolate: https://ko-fi.com/wyldewoodstudios
#wyldewood studios#natural#branches#mixed media#bark#installations#site-specific#sigils#magic#leap year
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PSA: Tumblr/Wordpress is preparing to start selling our user data to Midjourney and OpenAI.
you have to MANUALLY opt out of it as well.



to opt out on desktop, click your blog ➡️ blog settings ➡️ scroll til you see visibility options and it’ll be the last option to toggle.
to opt out on mobile, click your blog ➡️ scroll then click visibility ➡️ toggle opt out option.
if you’ve already opted out of showing up in google searches, it’s preselected for you. if you don’t have the option available, update your app or close your browser/refresh a few times. important to note you also have to opt out for each blog you own separately, so if you’d like to prevent AI scraping your blog i’d really recommend taking the time to opt out. (source)
#ai#tumblr ai#midjourney#openai#protect your creative efforts and don’t let them profit off your work!!#fuck tumblr they specifically said months ago they’d NEVER sell user data yet here we are#AND after the ceo has been harassing trans users like wtf is this fucking site becoming#tumblr news#tumblr#tumblr update#anti ai#support human artists
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Lips. Rock. Mouth. (2022) Paper, nylon rope, ink, found objects
Exploring the area around Vysoká. Curious about people's activity, their environment and the material culture that surrounds them leaves an imprint
I'm intrigued by Leoš Janáček's theory speech melody (nápěvky mluvy). He often collected the melody of people's speech in private and in public. He considered that these melodies were not only expressive of the meaning and emotion of the person speaking but also captured the time, place and the people surrounding the speaker. So they are like a seed that can expand under the right light to reveal a whole context. In these melodies, it's also plausible that histories are contained as traces from past places and times.
Since speech melodies are like seeds, the old farmyard fitted this analogy.
Tim Ingold proposed the idea of the taskscape to describe a process of leaving traces. Here place and landscape is made by the activities of people over a period of time and these structures can shape how new activities/technologies come into being. Worksongs can also emerge from those activities, creating a trace that outlasts their origins. Through exploring the farm, the fields, the village and the reserve nearby and connecting with the wildlife, I collected impressions as well as finding objects to form a framework for an installation.
Working independently, I documented the soundscape and taskscape of the area around Farmstudio before creating a piece within the week from paper and local found objects and a site-specific performance with the materials I found.
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something you really learn from this site is that 'sounding reasonable' is a writing style you can just adopt while saying bizarre things, and if you just sound sure enough you are in fact the most reasonable person online about 80% of all users will just assume you are in fact so very reasonable, that your sources check out and you are drawing reasonable conclusions from them. You don't actually need to make sense.
If you use the right tone you can also, essentially without effort, convince people anyone who disagrees has evil motivations or convictions in some way. Convincingly performed indignation makes people very apologetic/makes them side with you because this is a very scary emotion to them (the userbase is terrified of being guilty or siding with the guilty). Doesn't matter what you're actually saying this applies in basically any situation. But you cannot use dated memespeak or writing styles popular on this site 2+ years ago because those annoy everyone and make you look stupid and easy to make fun of.
again it doesn't matter what you're actually saying. This site is all about tone. It's basically like talking to a baby or perhaps a small dog. it's about sounding cool.
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Moss, Pine Bark, and Roots Camouflage Tiny Refuges Among the Wild Swedish Forests and Farmland
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It's Golden Week, so please enjoy Golden Ray!
[Full version on Bluesky]
#Ray seems like a really tall and lanky beanpole sort to me#Her big badonkers must be part of her shirt#Tumblr is prejudiced against a specific type of girl so the uncovered version is on Bluesky :P#Attempting to move over to bsky due to this site's management. So if you don't already follow me there please do!#digital art#arknights#art#Ray#golden week#gold bikini
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Queste esperienze non generarono per la maggior parte opere d’arte tradizionalmente intese, ma nemmeno neo-avanguardistiche
Dopo le contestazioni del Sessantotto, e ancor più con gli avvenimenti del 1969, riprese vigore in Italia l’esigenza di mutamento emersa negli anni precedenti. La denuncia dell’inadeguatezza delle istituzioni culturali e educative si accompagnò alla volontà di ripensare le divisioni disciplinari e all’interrogarsi sul ruolo del lavoro creativo all’interno dei cambiamenti sociali. Tra le diverse…

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#Alessandra Pioselli#ambiente#anni#architettura#arte#arti visive#democratiche#design#disincanto#esperienze#Italia#land art#neo-avanguardistiche#Opere#partecipazione#Sara Catenacci#sessanta#site-specific#sociale#sperimentazione
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Queste esperienze non generarono per la maggior parte opere d’arte tradizionalmente intese, ma nemmeno neo-avanguardistiche
Dopo le contestazioni del Sessantotto, e ancor più con gli avvenimenti del 1969, riprese vigore in Italia l’esigenza di mutamento emersa negli anni precedenti. La denuncia dell’inadeguatezza delle istituzioni culturali e educative si accompagnò alla volontà di ripensare le divisioni disciplinari e all’interrogarsi sul ruolo del lavoro creativo all’interno dei cambiamenti sociali. Tra le diverse…

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#Alessandra Pioselli#ambiente#anni#architettura#arte#arti visive#democratiche#design#disincanto#esperienze#Italia#land art#neo-avanguardistiche#Opere#partecipazione#Sara Catenacci#sessanta#site-specific#sociale#sperimentazione
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Kauniit ja rohkeat:
Group exhibition with Arto Korhonen and Reima Hirvonen at Porvoo Art Hall, Porvoo, 2022
Image 1-3: "Landskap med rymlingar, främlingar och inkomlingar". Cotton and natural dyes. Watercolour sculpture by Arto Korhonen.
Image 3-4: "Spegelöga". Projection on handmade aluminium surface. HD video, 8 min. Watercolour by Arto Korhonen. Sculpture and drawings by Reima Hirvonen.
Image 5-6: "Två oskyldiga". HD video, 8 min. Watercolour by Arto Korhonen. Sculptures by Reima Hirvonen.
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