#source: kroq

[tayfabe75]

"The thing is, there's that old thing like, true wisdom is knowing… is understanding you know nothing but also, you do know everything when you're younger. It's a misconception that you don't."

April 13, 2019: Matty corrects a misconception about youth. (source)

[sophaeros]

julian getting flashed @ kroq weenie roast, california, usa, 2004 (x)

[maryflowerw]

what is your take on the latest interaction of G promoting D's podcast? What do your sources say? Any new updates? It's an OK podcast. I listened to it before her video.

It seems to me to be a different type of interaction from before when she would simply post about his book or movie. I could be wrong. She posted a video of herself almost as if she is reaching out and seemed a bit sad (maybe not the right word) for an enthusiastic support. It's almost as if the tone did not match the words. At least that was my first impression. Nevertheless, in 1 day after her post, his Instagram account seems to have gone up about 10k followers. Do you think this was just to help him in promotion? Or, was this a sincere attempt to connect with an "old friend" that she misses? His response to her seemed a bit canned.

Anyways, I am always interested to hear your insight since you have been studying this "shitshow" for years.

Oh, another question- back in the 2013(?) Paley interview, why does D act like he doesn't know who Rodney is and about Scully's one night stand on the show? In a Kroq interview he clearly stated knowing Rodney after one of the awards shows. It seemed like a weird interaction between them. She even looked at him and said something like an exaggerated "come on?" and mentioned 8 pack. She then stopped the conversations about one night stands(possibly exes in real life) by telling the moderator to move on. Why does Rodney seem to be a sore subject?

I did notice in the same Paley interview a D behavior that supports one of the sources that you have provided. It's when the moderator makes a squeaky voice to imitate G's voice in the pilot. D seems to get protective, raises his finger at the guy, and says something "hey, come on" to which it seems G turns around and tells him that it's true almost like calming him down.

I agree with your first impression. I also believe it was a boost to his podcast. She's always trying to garner attention but have you noticed her behavior towards him is completely different to any other of her coworkers? I know, some people are going to say they worked together for many years and yadda yadda yadda. Many people work together for years and, as long as there's no romantic interest between them, they haven't got that kind of relationship.

As for Rodney, the jury is still out as to what Gs relationship with him was. Granted, D was jealous, that much is obvious. And yes, he's possessive. Do you remember that bts video of XF where a light or something falls and G gets startled and D is the one who rushes her off the scene? Weren't there other people standing close to her then?

[ostensiblynone]

Band Statement RE: Press Reports from Los Angeles

30 January 1998

RealAudio clips of KROQ Interview:

Noel not to go solo, Liam best singer of his generation

BHN album sales, press pressure on young bands

Oasis dismiss as ludicrous rubbish the wildly inaccurate stories that have appeared in some of the UK press today.

On the contrary, they have just completed two stunning sold out shows to 13,000 people at the Universal Amphitheater in Los Angeles. The second show was added due to extremely strong demand for tickets. A representative of the venue claimed the crowd reaction was the best they have seen for a long time.

Reactions to these shows have been extremely positive from fans and press alike.

Yesterday's (29th January) LA Times wrote of the Universal Amphitheater shows:

"The group went through a dazzling series of its own hits including "Wonderwall" and "Champagne Supernova" that served as a convincing demonstration that this is still a great band."

Craig Marine of the San Francisco Examiner wrote of Monday's (26th January) show:

"You want senseless butt-shaking guitar solos? This ain't the band. If you want inspired multi-instrumental sincere rock with a refreshingly bad attitude Oasis is a whole lot of fun. This is one band who are going to survive and thrive."

Representatives of the radio station KROQ -- viewed by industry experts as one of the United States' most important radio stations -- expressed themselves delighted with Noel's interview and solo set which went ahead as scheduled at 1.15 pm in front of a specially invited audience of competition winners. Following today's British Press and Radio stories, KROQ DJs Kevin and Bean reacted live on air this morning (LA time) with disbelief and astonishments at the British Press' willingness to reprint lies about the group.

Contrary to hysterical reporting, Noel never even intimated the band would break up but instead spoke positively about recording a new album next year. There had never been any plans for Liam or the rest of the band to appear with him. Oasis representatives have reacted furiously to this smear campaign and are considering legal action against a number of newspapers. They are also in contact with KROQ over taking action against the American news agency and "journalist" responsibly for spreading the story.

Marcus Russell, the group's manager, who was at both the LA shows and the KROQ broadcast said "I am growing tired of the British Press and Radio's willingness to regurgitate any old hack's efforts on the wire to undermine and discredit the band's great achievements in both the US and the UK in the last four years. If you can't print the truth don't print anything at all."

The band, meanwhile, continue their US tour in Dallas, Texas this Saturday 31st January, as their new single "All Around The World" looks set to top American radio and MTV charts.

| Press Releases | Main Page | 

source: [oasisinet press release]

[exeggcute]

do you have any "lesser-known" synthpop recommendations?

honestly I think my tastes are pretty normie (one of my biggest sources of music discovery over the years has been richard blade's new wave station on siriusxm, and he's usually spinning up the same tracks he played on KROQ back in the 80s. very "shit my dad listened to on the radio"-core lol) but I guess it also depends on perspective...

like if you're already a synthpop fan then idk how much I can surprise you but otoh people who aren't already synthpopheads are always like "wtf is this" when I put yazoo or scritti politti on the aux. what do you already know/like, if anything?

[i-do-guitars]

Patrick Stump's Infinity on High Guitar

Looks like an SG Standard that's been painted with stars and franklyn the sheep off the Infinity on High album art.

He first used it at the American Music Awards in 2006, the live debut of "This Ain't a Scene, It's An Arms Race" on November 21st 2006 - the first time they promoted their album Infinity on High. There are pictures of him using it at the rehearsal of the AMAs and he also used it at the KROQ Almost Christmas show.

I'm curious as to who painted the guitar. It really does look great. Also what happened to it? It's so cute.

I assume he probably took it on tour with him. I found these two images of him playing it too but can't find a source for when/where they're from:

KROQ Almost Christmas 2006:

2006 AMA Rehearsal:

[wherewhereare]

Found this online:

"Rossdale made his move on Gwen Stefani, the frontwoman of No Doubt, when her band was opening for Bush on their 1996 tour (Bush and No Doubt first shared a bill at a KROQ Christmas show in Los Angeles on December 17, 1995, but Stefani and Rossdale didn't meet). Do Doubt joined the tour on February 12, 1996, and on February 16, Rossdale threw a party after their New Orleans show in an effort to get to know Gwen. His ploy worked; they enjoyed a drunken night in the city and shared their first kiss. When they met sober the next day, they still liked each other. The pair married on September 14, 2002 and had three children together. On August 3, 2015, Stefani filed for divorce from Rossdale, citing irreconcilable differences."

I've seen the primary sources for everything stated at some point, but since I've read/listened to hundreds of interviews, it would be a pain in the ass to find them. They talked about both being at the KROQ Christmas show but not actually meeting.

If I remember correctly they first met shortly before the tour started, and Gwen was wearing roller skates. I forgot the details. Would've been an adorable story if GR weren't an asshole. The way G was described in that story was so cute. It just shouldn't have been him she met.

-

[chorusfm]

MOVIESTARZ

Recently I was able to connect with self-described “hyperpop” band, MOVIESTARZ, to discuss what went into their new single called “Invited.” The song comes from the duo of Alex Pombar and Tyler Nichols who channel their love for Blink-182-type pop-punk paired with club ready anthems similar to Charli XCX. Thanks for your time today! Can you walk me through the writing process of your great new single called “INVITED”? Thank you!!  I used to read AP.net when you guys were a Blink fansite so it’s an honor! “Invited” actually went through a few iterations lyrically, conceptually, melodically. We ended up thinking in the vein of “Party Hard” (Andrew W.K.) and what made that song so infectious and once we landed on that it fell together super quick. We’ve been in the music game for what feels like so long it’s like you just want to stop playing the “game” part of it. You want to be invited because they actually want you there, not just for the “networking” or “clout” purposes. How do the two singles released thus far (“CLUB PUNK” / “INVITED”) reflect the direction that MOVIESTARZ is taking on your new album? “Club Punk” and “Invited” both have that in your face buzzy guitar, big electronic beat and are the first two songs on the record. I think they both just introduce listeners to our world really well. I feel like our direction with MOVIESTARZ is no direction, anything is possible. We want to collab with anyone and everyone. “Club Punk” we knew was gonna be the first song as soon as we wrote it, but also calling it “Club Punk” was to just outright say what we feel like our genre is. We take influence from so many places but our core ethos is just make a fun catchy song and keep the listener on their toes. So many times we said “how can we take this song left even for a second.” If you like “Club Punk” / “Invited” I think you’ll love the whole record. What are some of your sources of inspiration in your music? Some of the big ones would be Sleigh Bells, the 1975, Gorillaz, Charli XCX but personally I listen to a lot of smaller pop artists who I believe should all be arena’s: the BLSSM, Upsahl, Mallrat, Sophie Powers, SYCCO, Underscores I love their melodic sensibilities, sonically keeping things so interesting, simple but big. I gravitate towards more female vocal leaning stuff so that was certainly a huge inspiration point. Can you describe your music upbringing that led you to incorporating so many unique styles into MOVIESTARZ? Alex and I both grew up on the 90’s pop punk/alternative, KROQ, to TRL to Myspace pipeline.  What I think was so special of that time especially TRL is you’d have blink, Limp Bizkit, NSYNC, NFG, Britney Spears all in the same 30 minutes and just let the great songs be great songs, but it all kind of lived together in this little ecosystem that impacted a generation so dramatically. IMO the average music listener got away from that a bit but I love where we are at in 2025 there just are no rules to live in a genre and I think we’re back in the world where anything has a chance to cut through, thanks TikTok? What do you hope fans will ultimately feel or take away from listening to MOVIESTARZ music? I hope people want to replay it. Whenever I hear a new song and I immediately want to listen to again…that’s just the best feeling in the world. If that happens we’re stoked. Also, tell a friend please! --- Please consider becoming a member so we can keep bringing you stories like this one. ◎ https://chorus.fm/features/interviews/moviestarz/

[omens-and-more]

https://www.tumblr.com/steepedwonders/765425260997771264/looks-like-the-kroq-soundspace-they-did-after?source=share

Ready for this 😁

…

[freeonlineradistations]

Top 10 Radio Stations in the USA: A Guide to America’s Best Listening Experiences

Radio has long been a powerful and influential medium in the United States, connecting people from coast to coast with a variety of content ranging from music and talk shows to news, sports, and cultural programming.

Whether you’re commuting through the bustling streets of a major city or streaming your favorite station online, the right radio station can transform your day by offering entertainment, timely information, and a sense of community. With a rich history and a vast array of options, American radio caters to every possible taste, making it a beloved part of daily life for millions of listeners.

In this article, we’ll dive into ten of the most popular and influential radio stations in the USA. Each of these stations has carved out a special place in the hearts of their listeners, offering unique programming that keeps audiences engaged and coming back for more.

1. WHTZ-FM (Z100) — New York, NY

WHTZ-FM, famously known as Z100, stands as one of the most iconic radio stations in New York City and the United States as a whole. Broadcasting at 100.3 FM, Z100 is celebrated for its Top 40 hits, appealing to pop music enthusiasts across generations. The station’s crown jewel is the Elvis Duran and the Morning Show, a nationally syndicated program that boasts millions of dedicated listeners. Known for its high-energy content, interviews with top-tier artists, and connection to the latest pop culture trends, Z100 remains a dominant force in radio.

2. KIIS-FM — Los Angeles, CA

Los Angeles’ KIIS-FM, found at 102.7 on the FM dial, is the go-to station for contemporary pop hits on the West Coast. Like Z100, KIIS-FM offers a heavy rotation of Top 40 music but with a distinct L.A. twist. The station is home to the immensely popular On Air with Ryan Seacrest, where listeners tune in for celebrity gossip, exclusive interviews, and chart-topping music. KIIS-FM has a deep-rooted connection with the Los Angeles culture, making it a must-listen for anyone wanting to stay in the loop with the city’s entertainment scene.

3. KEXP-FM — Seattle, WA

KEXP-FM, broadcasting on 90.3 FM, is a haven for indie and alternative music lovers. Based in Seattle, KEXP’s reputation stretches far beyond the city due to its commitment to promoting emerging artists and its eclectic music mix. Whether you’re into indie rock, electronic beats, or experimental music, KEXP offers a carefully curated playlist that reflects Seattle’s vibrant and ever-evolving music culture. In addition to live performances and artist interviews, KEXP’s global streaming presence solidifies its place as one of the most respected indie stations in the world.

4. WBEZ-FM — Chicago, IL

WBEZ-FM, operating at 91.5 FM, is Chicago’s leading public radio station and the birthplace of one of America’s most beloved radio programs, This American Life. Known for its high-quality news coverage and rich storytelling, WBEZ provides a wide range of cultural and informative content that goes beyond the typical news station. Listeners appreciate the station’s thoughtful, in-depth programming, which includes investigative journalism, feature stories, and commentary on local and global events. WBEZ is an essential source of news and culture for Chicagoans and beyond.

5. WNYC-FM — New York, NY

WNYC-FM, located at 93.9 on the FM dial, is one of the most prominent public radio stations in the country. It plays a critical role in the public radio ecosystem, offering a mix of local and national news, thought-provoking talk shows, and culturally enriching programs. WNYC is known for popular shows like Radiolab and The Brian Lehrer Show, which bring in listeners with their insightful discussions on science, politics, and culture. For those seeking intelligent and engaging content, WNYC is a staple of New York’s radio landscape and a significant player on the national stage.

6. KROQ-FM — Los Angeles, CA

KROQ-FM, broadcasting at 106.7 FM, is synonymous with alternative rock in Los Angeles. Since its rise to prominence in the 1980s, KROQ has been at the forefront of the rock music scene, helping to introduce alternative bands and tracks that would go on to become legendary. Known for its cutting-edge programming and a strong connection to the Southern California music scene, KROQ has been a major influence on the alternative genre. Shows like Kevin and Bean, which entertained listeners for decades, added to the station’s cultural influence in the world of rock.

7. WBLS-FM — New York, NY

WBLS-FM, at 107.5 FM, is New York’s leading urban adult contemporary station, offering a rich mix of R&B, soul, and hip-hop. WBLS has a long tradition of serving the African American community in New York City, offering not only great music but also programming that connects listeners with important cultural and community issues. Shows like The Quiet Storm provide a smooth and soulful soundtrack to the evening, making WBLS a beloved part of the city’s radio culture. Its influence on urban music is far-reaching, and its dedication to the community sets it apart from other stations.

8. NPR — National Public Radio

Although not a singular station, NPR (National Public Radio) is a network with an enormous influence across the U.S. With member stations in cities nationwide, NPR provides a wide range of programming, from comprehensive news coverage to cultural commentary and storytelling. Programs like Morning Edition and All Things Considered have become staples in American households, offering listeners a thoughtful and balanced perspective on the news. NPR’s journalistic rigor and commitment to educating the public have made it a trusted source of information for decades.

9. WXPN-FM — Philadelphia, PA

WXPN-FM, broadcasting at 88.5 FM, stands out as Philadelphia’s premier station for adult album alternative (AAA) music. Affiliated with the University of Pennsylvania, WXPN offers an eclectic playlist that spans genres like folk, indie, and world music. Its flagship program, World Cafe, features live performances and in-depth interviews with both well-known and up-and-coming artists, making it a favorite among music enthusiasts. WXPN’s dedication to quality music and diverse programming makes it a standout station, not just in Philadelphia but across the country.

10. WFMU-FM — Jersey City, NJ

WFMU-FM, at 91.1 FM, is a freeform radio station that has gained a cult following for its adventurous and boundary-pushing programming. DJs at WFMU have full creative freedom, resulting in one of the most eclectic radio playlists in the country. From avant-garde jazz to obscure punk, WFMU is a place where anything goes, and that’s precisely why its loyal audience loves it. The station’s commitment to independent programming and its community-driven ethos make it a unique and cherished part of the American radio scene.

The United States is home to an extraordinarily diverse and vibrant radio landscape, with stations that cater to every possible taste and interest. Whether you’re a fan of mainstream pop hits, indie gems, alternative rock, or insightful news and storytelling, there’s a radio station that’s perfect for you. The ten stations highlighted here offer a glimpse into the best of American radio, each with its own unique style, programming, and loyal listener base.

So next time you’re searching for something to listen to, consider exploring one of these stations for an enriching and entertaining radio experience.

[tayfabe75]

"Treat old stuff as the artist you are now, not as the artist you were then. 'Cause I wouldn't have Sex or Robbers or… if I'd have done that. I was 17 when I wrote Sex and I was 18 when I wrote Chocolate and Robbers and then I didn't make a debut album until I was 23. And 18 to 23, you're very different or you see yourself as a very different person at that time so, I'd like grown out of those songs by that point and… but there's something about them, and then my manager just like, convinced… demanded that I put them on the record."

April 13, 2019: Matty talks about his appreciation for the songs he wrote as a teenager, despite having outgrown them. (source)

[rhyme-the-rhyme-well]

Pic 5 above from another angle... [x]

Beastie Boys, mostly at KROQ show, 2004

(Photo credits Chris Polk, Christina Radish, Frazer Harrison)

Also Adam and Mike backstage at MTV VMAs, 2004 (photo by Jeff Kravitz)

[theditchlillies]

Smashing Pumpkins // Siamese Dream // 27 July 1993

Mother weep the years I'm missing // All our time can't be given back

"But as for that misspelled title, the origins are murkier. In 1996, an exasperated Corgan said during an online chat in Dublin, “You know how I got the title ‘Mayonaise’? I looked in my refrigerator.” He also told a Colombian radio station that it’s actually a phonetic way of writing “my own eyes.” A 1996 interview with KROQ is probably the closest we’ll get to a real insight on the title. “Sometimes you just gotta open up your brain and just see what comes in,” he said. “’Mayonaise’ was like one of those. James said, ‘What are we going to call this song?’ And I just said, ‘Mayonaise.’ And that was the end of it. I spend more time explaining ‘Mayonaise’ then we actually spent writing it, recording it and playing it.”

Source:

[spookyspemilyreid]

Happy Anniversary “Meteora”! (March 25, 2003)❤️

Meteora is the second studio album by American rock band Linkin Park. It was released on March 25, 2003 through Warner Bros. Records, following Reanimation, a collaboration album which featured remixes of songs included on their 2000 debut studio album Hybrid Theory. The album was produced by the band alongside Don Gilmore. The title Meteora is taken from the Greek Orthodox monasteries sharing the same name. Meteora has a similar sound to Hybrid Theory, as described by critics, and the album took almost a year to be recorded. It is the first Linkin Park studio album to feature Dave Farrell after he rejoined the band in 2000.

Meteora debuted at number one on the Billboard 200, selling over 810,000 copies in its first week. Linkin Park released singles from Meteora for over a year, including "Somewhere I Belong", "Faint", "Numb", "From the Inside", and "Breaking the Habit". The song "Lying from You" was released as a promotional single. Meteora received generally positive reviews, although critics noted that the album's musical style was similar to its predecessor Hybrid Theory .

Meteora has sold over 27 million copies worldwide, making it one of the best-selling albums of all time. It is certified 7x Platinum by the Recording Industry Association of America (RIAA). It was ranked number 36 on the Billboard Top 200 Albums of the 2000s. Some songs from the album were remixed with some of Jay-Z's songs for the EP Collision Course (2004). "Session" was nominated for Best Rock Instrumental Performance at the 46th Grammy Awards.

Initial writing for a second album dated back to early 2001, while still touring in support of Hybrid Theory. The band had written around eighty different demos during their Hybrid Theory World Tour and LP Underground Tour, within the span of just eight months. Rough song ideas written then would find its way to the final album; notably the intro for "Somewhere I Belong". Bennington recorded guitar notes for it, but found it too folk rock sounding. However, Shinoda and Joe Hahn reworked it, adding effects to it, and then played it backwards, molding it into something the band was happy with. As explained by Shinoda: "Since I reversed it, it was playing 4-3-2-1. The chord progression was reversed. Then I cut it into four pieces, and I played it 1-2-3-4. And that's why it has that sweeping sound.

In early 2002, after the touring, the writing continued in Mike's home studio, pre-production of the album began there. The band worked in pairs during the writing process, whereas Shinoda was always involved in all the songs. The recording of the songs mainly used Pro Tools, whereas the band used the traditional method of writing, in main studio. In June, pre-production terminated and the band headed for main production. The band finalized Don Gilmore as their producer. When Reanimation was released, the band had started to write the main content. Rob Bourdon spent eight hours a day in the studio for the recording of the album. By August, the band entered NRG Studios as Bennington also began writing songs with the band.

Linkin Park had finished versions of many songs before the actual recording process had begun, but they majorly wrote the finalized songs included in the track list in the studio. By October the drums were finalized and guitar parts were introduced by Brad in the control room of the studio. By the end of October, the bass parts were introduced. Don Gilmore himself being a bass player helped Farrell in his recording. The sampling part by Hahn was introduced just a month before the deadline, thereby Mike finished the recording of "Breaking the Habit" with strings arrangement by David Campbell; the song had been worked on by Shinoda for five or six years. The vocal production started in November. The mixing process as well as the album itself was finished in New York City.

Lyrically the album contains elements including depressing emotions, anger, and recovery. Explaining to MTV, Bennington said: "We don't talk about situations, we talk about the emotions behind the situations. Mike and I are two different people, so we can't sing about the same things, but we both know about frustration and anger and loneliness and love and happiness, and we can relate on that level." In the same interview, Shinoda explained it as: "What we really wanted to do was just push ourselves and push each other to really find new ways to be creative." He continued: "We wanted each sample that was in each song to be something that might perk your ear – something that you might not have ever heard before." In a promotional interview, Rob Bourdon stated: "We wanted a group of songs that would sit well together because we wanted to make a record that you could pop into your CD player and, from beginning to end, there would never be a spot where you start daydreaming." In titling the album, Mike said that "Meteora was a word that caught my attention because it sounded huge." Dave, Joe, and Chester elaborated that just like how Meteora, the rock formations in Greece, is very epic, dramatic, and has great energy, the band wanted the album to have that same feeling.

Genre-wise, the album is categorized as nu metal, rap metal, rap rock, and alternative rock.

The promotion for the album began well ahead before its release, as pictures of the band recording were distributed to the media. To support the album, there were many photo shoots of the band on October 29 at the Ambassador Hotel, where the band took a break from recording the album for two days, for designing the cover art of the album. "The Flem" and "Delta" helped the band for the art works, for the album as well as for the singles spawned by it. A TV commercial for the album was premiered on January 1, 2003. "Somewhere I Belong" was released as the first single, premiering on US radio on March 18, 2003. Being released only nine days before the album release, it influenced the album sales performance worldwide. The second single off the album was "Faint", released before the band started its world tour. The third single "Numb" was released when Linkin Park performed it live in Madrid. "From the Inside" was released as the fourth single off the album before the North American leg of the world tour. "Breaking the Habit" was released while the band was in Indonesia. The album was released with various limited edition content for promotional purposes.

There is a special edition of Meteora, which includes the "Making of Meteora" DVD documentary. The special-edition package was packaged in a blue tinted case with the blue Meteora cover that can be found in some parts of Asia, United States, and more commonly in India. An alternate Indian version contains an alternate DVD and alternative cover that is packaged in a slimline case with the disc in original packaging. The "Tour Edition" of Meteora is packaged in a two disc set. The second disc, which is a Video CD, has the music videos for "Somewhere I Belong", "Faint", "Numb", and "Breaking the Habit". The tour edition is packaged in a standard Compact Disc case, rather than their trademark digipak case. The album was also released on a very limited quantity of vinyl records (spread across two LPs) under Warner Brothers. These are coveted by collectors and fetch high prices at auction. In 2014, Linkin Park released a demo version of Shinoda singing the song, on their 14th annual fan club CD, LPU XIV. 

The band promoted the album with their Meteora World Tour and various other supporting tours. The world tour was supported by Hoobastank, P.O.D. and Story of the Year. The band played shows at Pellissier Building and Wiltern Theatre on the day before the album release and on the release date. The shows were called "'Meteora' Release Show". The European leg was cancelled because Chester was having severe back and abdominal pains. As a result, half of the music video of "Numb" was shot in Los Angeles and the Czech Republic. The album was also promoted by the Projekt Revolution festival. A live album was released in support of the album titled Live in Texas. Linkin Park played various special shows worldwide, including "Reading Ireland", as well as performing during the Kerrang! Awards, "Livid", "X-103's Not So Silent Night", "The End's Deck The Hall Ball" and "KROQ Almost Acoustic X-Mas", in promotion of the album.

Meteora received generally positive reviews, although critics noted that the album's musical style was similar to its predecessor, Hybrid Theory (2000). The overall Metacritic score is 62. E! Online rated it A, and expected it to "shoot straight for the stars". Entertainment Weekly described it as "radio-friendly perfection". Dot Music described it as a "guaranteed source of ubiquitous radio hits". Rolling Stone said the band "squeezed the last remaining life out of this nearly extinct formula". Billboard Magazine described Meteora as "a ready-made crowdpleaser". The New Musical Express said it had "massive commercial appeal" but left the reviewer "underwhelmed". 

AllMusic described the album as "nothing more and nothing less than a Hybrid Theory part 2.", but added that the band "has discipline and editing skills, keeping this record at a tight 36 minutes and 41 seconds, a move that makes it considerably more listenable than its peers... since they know where to focus their energy, something that many nu-metal bands simply do not." Sputnikmusic writer Damrod criticized the album as being too similar to Hybrid Theory, but praised the album's production quality and catchiness, stating "the songs just invade your brain".  

Blender described it as "harder, denser, uglier", while Q described it as "less an artistic endeavor than an exercise in target marketing." Entertainment Weekly gave the album a B+, calling it a "thunderously hooky album that seamlessly blends the group's disparate sonic elements into radio-friendly perfection".  

The song "Session" was nominated for a Grammy Award for Best Rock Instrumental Performance in 2004.

In its first week, Meteora debuted at number one on the Billboard 200. The album sold at least 810,000 copies its first week of release. As of June 2014, the album has sold 6.2 million copies in the US, and over 27 million copies worldwide. The album was ranked number 36 on Billboard's Hot 200 Albums of the Decade.

[world---in---my---eyes]

Depeche Mode, KROQ, L.A., CA, USA (16/05/1997)

andymock_design:

A lifetime ago I worked in the promotions department @kroq . Some of the best years of my life! It was an amazing experience working for a radio station I grew up on. Music was a huge part of my life and still is. So for #nationalradiodayhere’s a pic of me with the KROQ crew and some band called @depechemode (maybe you heard of them?)

Photo © Andy Mock Source: andymock_design