#sunstroke project
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eurovision-song-bracket · 2 months ago
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Songs from the 2010s
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2014 - “Rise Like a Phoenix” by Conchita Wurst (Austria)
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2010 - “Run Away” by Sunstroke Project & Olia Tira (Moldova)
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eurovision-facts · 11 months ago
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Eurovision Fact #718:
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A group of former Eurovision contestants are going on tour together across Europe and Australia for "Eurovision On Tour 2024." The concert series will begin in October and finish in January of 2025.
The group behind the idea for the tour, Eurodrama Entertainment SL, also produces the Barcelona Eurovision Party and Nordic Eurovision Party.
The artists who have confirmed their participation in the concert event are:
Silia Kapsis (Cyprus 2024), Carola (Sweden 1983, 1991, 2006), Emmelie de Forest (Denmark 2013), Linda Martin (Ireland 1984, 1992), The Roop (Lithuania 2021), Destiny (Malta 2021) and Sunstroke Project (Moldova 2010, 2017).
[Sources]
"Eurovision on Tour to bring winners, icons and favourites to fans," Eurovision.tv.
Participants of Malmö 2024: Silia Kapsis, Eurovision.tv.
Participants of Munich 1983: Carola Häggkvist, Eurovision.tv.
Participants of Rome 1991: Carola, Eurovision.tv.
Participants of Athens 2006: Carola, Eurovision.tv.
Participants of Malmö 2023: Emmelie de Forest, Eurovision.tv.
Participants of Malmö 1992: Linda Martin, Eurovision.tv.
Participants of Luxembourg 1984: Linda Martin, Eurovision.tv.
Participants of Rotterdam 2021: The Roop, Eurovision.tv.
Participants of Rotterdam 2021: Destiny, Eurovision.tv.
Participants of Oslo 2010: Sunstroke Project & Olia Tira, Eurovision.tv.
Participants of Kyiv 2017: Sunstroke Project, Eurovision.tv.
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thateurosite · 1 year ago
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🇲🇩 Natalia Barbu collaborates with Sunstroke Project on new single “Cherchez la femme"
🇲🇩 Following on from #Eurovision 2024, #Moldova’s Natalia Barbu has released a collaboration with fellow Moldovan Eurovision participants Sunstroke Project entitled “Cherchez la femme”.
Following on from Eurovision 2024, Natalia Barbu has released new music. This time she has acquired the help of Moldovan Eurovision veterans Sunstroke Project. The song is entitled “Cherchez la femme”. About “Cherchez la femme” The song has a mixture of French and English lyrics. There is a real summer feel to this track. It is of a very different sound to Natalia’s Eurovision track “In The…
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aijamisespava · 2 years ago
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Wrapped 2023 (Aijamisespava Edition!)
Oookay, taking a break from my messenger role in Eurovision Land to bring you something different (buckle up, this is going to get long). Yesterday was Spotify Wrapped, and while I'm off celebrating my favorite songs that made it to that top 100 list, I also become a wild statistician and bring you my stats.
General Stats: Well...I listened for 139,902 minutes (more than my friends and family), my top artist was Taylor Swift with Evanescence, Panic! At The Disco, My Chemical Romance, and Loïc Nottet rounding out my top 5. I'd go into my top 5 songs but.....Loïc Nottet took 3rd and 4th with "Mélodrame" and "Mud Blood" respectively. What about the rest? That's what I'm here for.
Welcome to my Eurovision 2023. Any Eurovision song that makes my Spotify Wrapped is in my Grand Final. So countries can participate as many times as they appear. So here is my list. I'll have their actual placement on my Wrapped in parenthesis.
Latvia 2023: "Aijā" by Sudden Lights (1)
Serbia 2023: "Samo Mi Se Spava" by Luke Black (2)
Türkiye 2010: "We Could Be The Same" by maNga (5)
Switzerland 2021: "Tout l'univers" by Gjon's Tears (7)
Norway 2023: "Queen Of Kings" by Alessandra (9)
Australia 2023: "Promise" by Voyager (12)
Slovenia 2023: "Carpe Diem" by Joker Out (13)
Czechia 2023: "My Sister's Crown" by Vesna (14)
Georgia 2023: "Echo" by Iru (15)
Italy 2023: "Due Vite" by Marco Mengoni (17)
Armenia 2023: "Future Lover" by Brunette (19)
Austria 2023: "Who The Hell Is Edgar?" by Teya + Salena (20)
Lithuania 2023: "Stay" by Monika Linkyte (23)
Finland 2023: "Cha Cha Cha" by Käärijä (26)
France 2023: "Évidemment" by La Zarra (27)
Romania 2023: "D.G.T. (Off And On)" by Theodor Andrei (29)
United Kingdom 2023: "I Wrote A Song" by Mae Muller (31)
Australia 2016: "Sound Of Silence" by Dami Im (48)
Czechia 2022: "Lights Off" by We Are Domi (49)
Switzerland 2020: "Répondez-moi" by Gjon's Tears (52)
Bulgaria 2017: "Beautiful Mess" by Kristian Kostov (53)
Greece 2022: "Die Together" by Amanda Tenfjord (56)
Sweden 2015: "Heroes" by Måns Zelmerlöw (59)
Finland 2014: "Something Better" by Softengine (60)
Belgium 2015: "Rhythm Inside" by Loïc Nottet (61)
Italy 2014: "La Mia Città" by Emma (64)
Austria 2022: "Halo" by LUM!X and PIA MARIA (68)
Russia 2016: "You Are The Only One" by Sergey Lazarev (69)
Belarus: "Forever" by ALEKSEEV (72)
Denmark 2013: "Only Teardrops" by Emmelie de Forest (73)
Ireland 2020: "Story Of My Life" by Lesley Roy (79)
Ireland 2022: "That's Rich" by Brooke (87)
Ukraine 2017: "Time" by O. Torvald (93)
Finland 2022: "Jezebel" by The Rasmus (96)
Cyprus 2021: "El Diablo" by Elena Tsagrinou (97)
Moldova 2010: "Run Away" by Sunstroke Project (100)
Honorable mentions go to "Gladiator" by Jann and "Novi Plan Drugi San" by Filip Baloš for making my Wrapped at 21 and 32, respectively. They may not have made it to the Eurovision stage, but they have a soft spot in my heart. Unfortunately, I did not have any Junior Eurovision songs make it. But if they did, they would be listed.
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fliponline · 1 year ago
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🎁 #HappyBirthday to Sergei Yalovitsky [@sunstrokemusic] who has represented #Moldova at #Eurovision twice: 2010's "Run Away", finished 22nd with 27pts 🔴 https://youtu.be/pHXDMe6QV-U and 2017's "Hey Mamma!" finished 3rd with 374pts. 🔴 https://youtu.be/SWaQdHoCvYk #escismybf #MDA
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jasoncanty01 · 2 years ago
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SunStroke Project & Olia Tira - Run Away (Moldova)
(Epic Sax guy)
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montelent · 11 months ago
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Sunstroke Project & Lidia Isac - Portofino
“Sunstroke Project & Lidia Isac – Portofino” is a new song released in 2024. This collaboration brings together the popular Moldovan band Sunstroke Project and singer Lidia Isac. The song is sung in Italian and has a fresh, summer vibe. The lyrics of “Portofino” talk about a romantic evening in the beautiful Italian town of Portofino. The song describes the colorful city, the lighthouse, and the…
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bongaboi · 1 year ago
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Honkai Star Rail: Run Away
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lunlumo · 1 year ago
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round 1, 5/3. the odd coincidence that one is called hey mamma and the other is about postpartum depression is intriguing me
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eurovision-song-bracket · 2 months ago
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Songs from the 2010s
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2010 - “Run Away” by Sunstroke Project & Olia Tira (Moldova)
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2019 - “Arcade” by Duncan Laurence (Netherlands)
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foundtherightwords · 7 months ago
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Fallen Empires - Chapter 5
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Pairing: Geta x OFC
Summary: Having done the unthinkable to secure his throne, Emperor Geta rules with ruthlessness and paranoia. Now, after escaping an assassination attempt, a badly injured Geta is saved by Daphne, a young widow, who takes him back to her remote village without knowing his true identity. As Daphne nurses the former emperor back to health, attraction blooms between them, and Geta discovers a soft side he didn't know he possessed. But can their love survive his thirst for revenge and his desire to reclaim power?
Chapter warnings: domestic violence, physical abuse
Chapter word count: 3.7k
Prologue + Chapter 1 - Chapter 2 - Chapter 3 - Chapter 4
Chapter 5
Daphne watched her patient across the table. He was bending over two flat boards, gouging out a shallow square in each of their centers with a chisel she'd borrowed from her youngest brother, Mikkos, claiming she needed it to fix a window. Mikkos, ever the dutiful sibling, had offered to fix the window for her, but she insisted she could do it herself, saying she didn't want to take him away from his regular carpenter work. It was such a bad lie that she feared Mikkos might turn up anyway, but it looked like he believed her.
Romulus was trying to make a wax tablet. It had all started the other day, when Daphne came back from her usual rounds in the village to find out her goat, Amalthea, had broken into the garden and was contentedly munching on some of the seedlings she'd just planted. Daphne had given Amalthea a stern talking-to and planned to raise the garden wall so the goats couldn't jump over it—she didn't have to worry about Midas, who was a good boy and knew the garden was off-limit—but what really worried her was that she didn't know what Amalthea had eaten exactly. Some of the medicinal plants were poisonous or at least harmful to a goat, and the poison could pass into Amalthea's milk, harming the kids as well.
"Don't you remember what you've planted?" Romulus asked, when he heard her scold Amalthea.
"Well—yes, usually," she stammered. "But I've been busy taking care of you so I wasn't paying attention." She ran an irritated hand through her hair. "Time like this, I wish I knew how to read, so I can label my plants and medicines."
Romulus stared at her. "You don't know how to read?"
Now it was her turn to stare at him. "Of course not. Around here, one doesn't need letters to be shepherds." The only person in the village who knew how to read and write was the chief, Master Kavos, and even then, only enough to write down thei villagers' names in the tax roll. Daphne had always wanted to learn, but she knew she shouldn't get ideas above herself. She had once been courted by a scribe in the nearby town of Adala, and when she suggested to him that she should like to learn to read, he had only laughed at her, thinking it was a joke.
Thankfully, Amalthea was none the worse for wear, but Daphne had a stressful day watching the goat for signs of poisoning or bloating. That evening, over their meal, Romulus suggested casually, "I can teach you to read, if you want."
"Why?" Daphne asked warily.
"It'll be something to do," he said with a careless shrug.
In the end, Daphne had agreed. She could see no harm in it, and she rather liked the idea of having neat rows of labeled jars and jugs, like the apothecary's shop in Adala she often visited. And Romulus was right, it would be something to do in the long hours when it was too hot to work outside. He was still pushing himself too hard with his exercises, and often Daphne had to remind him to go into the shades and rest or he would have a sunstroke. He struck her as a restless sort of person; no doubt he was tired of being cooped up inside. This would give them both something to fill their time.
So now he was making a wax tablet for their lessons. She could tell he was not used to woodworking, as he held the tool awkwardly and his chiseling was uneven, but he seemed determined to get it done. He frowned over the chisel, sweat dripping down his forehead, the tip of his tongue poking out between his teeth. The expression contrasted with his usual scowl, giving him a rather childish look, and Daphne had to turn away to hide a grin.
She wondered why she kept him around for so long. It had been a month since she brought him back, half-dead, from the Balikh, and he had made a remarkable recovery. Perhaps not enough to walk all the way to Edessa, but certainly enough to leave on a cart or a wagon. Yet she kept putting off his departure, telling him—and herself—that something could happen to him on the road, that his wounds could open up again, that his fever could come back. She could never live with herself if she let her patient die from negligence. But other than professional pride, there was another reason she kept the soldier around, the same reason she'd saved him in the first place—for companionship.
In the years since she received the message that Galen was not coming back from Caledonia, and since she moved into the hut following her grandmother's death, Daphne had been on her own. Of course, the villagers were always around, but they never stayed for long. The only time Daphne had had a patient stay with her was when Ione, the little girl who lived on the next hill, broke her leg running down the hill after her father's goats. After Daphne had set the bone, the little girl had become so taken with Amalthea that she'd insisted on staying, and for the next three weeks, Daphne had had a rather chatty housemate who hobbled around, got underfoot, and made a mess of all her herbs and potions. Daphne had rather enjoyed it. Even now, whenever she had to leave the village for longer than a few days, she still entrusted the care of Amalthea and her kids to Ione.
It was hard being alone. It was the one thing that her grandmother, for all the wisdom she had imparted to Daphne, had failed to teach her. When she first moved into the hut, Daphne had thought she would enjoy it, after years of growing up with two younger brothers and never having a moment to herself. But the novelty had worn off quickly. Sometimes, on winter evenings, when dusk fell early over the hills, her own fire giving up little warmth, she would sit and watch the smoke from the huts down in the valley blend in with the gray clouds, feeling so lonely that she might even risk her father's wrath to come back to the village. But in the end, fear of her father always won out, and she remained in her hut, wondering how her grandmother had managed it all those years.
Now, it was a comfort to return to the hut after a long day to another person, who was waiting for her. It was a comfort to hear a voice other than her own and see another face across from the table during mealtimes. It was a comfort to fall asleep knowing there was another person just on the other side of the wall. A simple sort of comfort, perhaps, and it would not last, but she would take it for as long as she could.
One might say that an irascible, arrogant, and quarrelsome legionary did not make for a very good companion, but Daphne didn't mind. Had he been courteous and good-humored, had he asked for her help with politeness and accepted it gladly, it would have made her nervous, afraid that she would offend the noble patrician with her coarse peasant ways. His roughness put her at ease. It was simply that he, like most men, was used to having his every order followed and his every whim catered to. His undoubtedly high status only made it worse. She had had her fair share of men like him, men who insisted they were perfectly fine until the moment they tumbled over from pain. Patrician or plebeian, at the end of the day, they were all the same. She knew how to deal with them.
The only thing that bothered her was Romulus's reticence. After a month, she knew nothing about him except for his name, and that may not even be real. To all of her questions, he answered none and only gave questions of his own. He'd stopped making her taste his food and medicine, but she knew he still slept with his dagger under his pillow. Well, she couldn't blame him for being suspicious after having so narrowly escaped death. Who was she to judge anyway? She hadn't been exactly open with him either.
That day he walked around and got himself lost on the hillside, it had been on the tip of her tongue to tell him about Galen. When she turned around and saw him sitting at the door with his back to her, dressed in Galen's old tunic, for a heart-stopping moment, she'd thought he was Galen. They had the same build, sturdy and broad-shouldered, the same dark curls and eyes. The difference was that Galen had been quick to jest and to laugh, while Romulus was always scowling. But for some reason, she felt shy about mentioning Galen to Romulus, and so she had kept those memories to herself.
After the boards had been chiseled out, Daphne melted some beeswax and poured it into the hollows, while Romulus fashioned two styli out of twigs, and the lessons began. Daphne took to it with an enthusiasm she didn't know she possessed, and soon learned to write her name, the names of her animals, and the common names of the medicinal plants in her garden. Romulus seemed to enjoy the lessons as well, and she often caught him watching her with a curious expression, without his usual wariness. When they tired of the writing and reading lessons, Romulus made another board, marked off a series of squares on it with his knife, and gathered a handful of pebbles from outside—half of them black and the other half white—and placed each of them on a square. It was a Roman game called latrunculi, or draughts, he said, and proceeded to teach Daphne to play. In this, she proved to be a quick learner as well. Once she'd grasped the rules, it only took her five games to beat Romulus. This brought on another scowl, while Daphne laughed at him for being a sore loser.
With such occupations, the long, hot days of early summer went by quickly. Romulus seemed calmer, though he remained wary, watchful of every little movement outside the hut. One afternoon, Daphne was coming in from the garden with some vegetables. She had just stepped through the door when an arm yanked her into a corner and a hand clamped over her mouth, cutting off her half-formed scream. It took her a moment to realize it was Romulus, who was standing with his back against the wall. His eyes were enormous in the dimness of the hut, and sweat was pouring down his face. Daphne tried not to notice how tightly he was holding her, how his arm was circling her, pressing her back to his chest. He smelled of sweat and leather, and for a confused moment, she was reminded of evenings when she went to the edge of the pasture to meet Galen coming back with the goats. They had been courting then, though they had always known they would marry, so it wasn't as if Galen had to do anything to woo her. She would throw her arms around him and press her face into his neck, and he'd smelled just like this...
She twisted out of Romulus's arm and hissed through his fingers, "What in Hades are you doing?"
"Shh!" He held up his dagger, precariously close to her face. "There's a man coming up the path." His breath was hot against her ear.
"One of the villagers?"
"No. I've never seen him before. He looks shifty."
"Stop being so damned suspicious!" she snapped. "You haven't seen everybody from the village. Just go into the bedroom and let me see who it is."
Reluctantly, he lowered the knife and let her go. Once the bedroom door had closed behind him, Daphne picked up the vegetables that had fallen out of her basket and looked out the door to see who the mysterious visitor was.
Her stomach dropped. Staggering up the path was her father, Timon. His robe was disheveled—more disheveled than usual, his head bare, his face bruised. Each of his feet was having a very different idea of where it was going, and she could practically smell the wine on his breath from where she was.
Silently cursing, she went out to meet him.
"What are you doing here?" she asked.
"Chaire to you too," said Timon, sounding friendly for once. "You're looking well, daughter."
Her guard was instantly up. Whenever her father was being nice, it was because he wanted something. She eyed his bruises and had a pretty good guess what it was he was after. She asked anyway. "What do you want?"
"Can't I just visit and see how you're doing?" He sat down by the front door and looked up at her with bleary eyes. "Your mother misses you. When was the last time you came to see us?"
"I just saw Mother the other day," she said coldly. She wished he would just get on with it and leave.
Timon peered into the hut. Daphne followed his gaze warily, hoping Romulus hadn't left the wax tablet or the latrunculi board lying around. She knew her father would come down on her with all the wrath of Zeus if he found a man living with her. There were two cups on the table, but thankfully, Timon didn't seem to notice.
"Looks like you're doing well," he said. "Lots of patients, lots of coins..."
"What coin? When have you ever seen any coin around here?"
"I don't need much." And there it was. She knew it had to come out sooner or later. "Just a few coins to tie me over." Always the same. If she had saved all the coins she'd given her father "to tie him over" throughout the years, she would've been rich by now.
Daphne sighed. "How much do you owe?"
"Ten drachmae," said Timon. Daphne groaned inwardly. Ten drachmae was a large sum even by the standard of a sizeable town, where a man could subsist on half a drachma a day; here in their village, where they lived by bartering and some had never seen so much as an obol, it was practically a fortune. "Those snakes at the nomad camp tricked me!" her father snarled. "They said it was just one game, for fun, and before I knew it, they've taken everything I got! It wasn't my fault!"
"It's never your fault, is it?" Daphne snapped. "Mother and Mikkos work their fingers to the bone, and Attikos sends home everything he can, but it's never enough for you, because you insist on falling in with every low-life and criminal you come across!"
"You're one to talk!" Timon stood up, and Daphne had to turn her face away from his wine-sour breath. "You'd never have this place if it wasn't for me! And here you are, living in the lap of luxury, while your family starves!"
Daphne grimaced. Her father's drunken insults were nothing new, but they never stopped grating. He made it sound like she was dining on roast mutton and fresh fish every night. "Go home," she said. "I have nothing for you."
"We'll see about that!" said her father. He stormed into the hut and started going through her herbs and potions, searching for where she might have hidden some money. Jars clattered to the ground. They didn't break on the soft earthen floor, but their contents spilled out, leaves and roots scattering everywhere. Daphne trembled in terror, not of her father's wrath, but of him opening her bedroom. If he burst upon the knife-wielding Romulus, it would be catastrophic.
"Stop it!" she shouted, trying to shove him outside.
"Perhaps I ought to take your goats," Timon said, staggering out the door. "Or that donkey. They should fetch a pretty sum."
"No!" Daphne went cold all over. Knowing her father, her animals would end up at the butcher's right away. She grabbed the back of Timon's robe, and he went sprawling on the ground.
"Is this how you treat your father, you ungrateful whore?" he slurred, scrambling to his feet.
"I will treat you as a father when you start acting like a father!" she shot back.
This earned her a backhanded slap across her face. Timon was so drunk that it didn't hurt much, yet Daphne could feel hot blood dripping down her cheek. Putting her fingers up, she realized the slap had caused the cut on her cheek to open again. She glared at her father. This was routine for him. Once he failed to appeal to her sense of filial duty, he would resort to violence. It had always been the same way in their family, even when she was a child. When one of them didn't do what he wanted, he would hit their mother or one of the children until they submitted to his will. Her grandmother had been the only one standing between them and Timon's beating, and it was only after she took on her grandmother's mantle that Daphne found the strength to start standing up to him. In fact, Daphne was surprised her father had made the trip up here himself. Usually, he would force her mother to go in his stead, knowing Daphne could never refuse her mother anything. Perhaps this time he had realized, and rightly so, that her mother's bruised and battered face would only infuriate Daphne and get him nowhere.
Daphne pressed a corner of her stole to her cheek. If there had only been herself, she would have fought harder to drive her father away. But she wasn't alone. No doubt Romulus had heard their struggle. She had to get her father out of the hut before Romulus became even more agitated and did something foolish.
Going back inside, she gathered up some amphorae of wine that she'd just picked up from the village, a payment for curing a shepherd of his toothache. She dumped them into a basket and pressed the lot into her father's arms. "Here," she said. "It's the only thing I have that is worth something. Take it. Treat your gambling pals to a drink and maybe they'll give you an extension on your debt. Or you can drown in it for all I care."
Timon raised his hand again, but this time Daphne had foreseen his intention and ducked. Losing his balance, her father had to hold on to a boulder to keep from falling over. It took the fight out of him, and he took the basket from her with a brightening face.
"You're a good girl, Daphne," he said as if nothing had happened. "I know you'll take care of us." He reached out to pat her cheek. She flinched away. "Speaking of which, have you given Izkur's proposal another thought? He's very keen, you know."
"No," she said, trying to keep calm. "I've told you, I'm not going to marry again, and certainly not to that old lecher. Go home now. And try to stay out of trouble this time," she added, knowing it wouldn't happen.
Daphne watched until his stumbling figure disappeared down the path, before returning to the hut. She was cleaning the blood off her face when Romulus emerged from the bedroom, still holding his dagger.
"That was your father?" he asked.
She sighed. "Unfortunately, yes."
"You've never mentioned him."
"What's there to mention?" she said with a shrug. "He's the terror of the village. If it wasn't for my grandmother, our whole family would've been driven out of this place years ago because of him."
"Is that why you insist that I hide?"
"Yes. I would not have him accuse me of misconduct." She didn't say that the secrecy was for her father's protection as much as hers and Romulus's. Then suddenly she realized what she was implying by "misconduct", and her cheeks grew hot even as the pain from the cut subsided. Romulus didn't seem to notice.
"What did he mean when he said you wouldn't have this place if it wasn't for him?" he continued.
Daphne wrung out the bloody cloth and hung it up. "This was my grandmother's place," she explained. "She left it to me on her deathbed, even though I can't inherit. My father is her only son, so it should've gone to him. But I convinced him to let me stay here and continue my grandmother's work."
Romulus was quiet for a moment. "I have some money," he said. "You could've given it to him."
"I'll not touch your money!" She had seen the pouch on his belt since the first day and heard the clink of coins inside it, but had refused to even open it on principle. Then she added, in a softer voice, so he wouldn't think her ungrateful. "Besides, it wouldn't be enough. It would never be enough for my father."
Romulus looked at her strangely. She turned away, not wanting him to see the bruise forming on her cheek, and started gathering up the spilled jars.
"My father—" Romulus began.
Daphne turned back to him with interest, for this was the first time he had ever mentioned anything relating to his personal life. Only whatever it was he had to say seemed stuck in his throat. She waited, but he closed his mouth again. With a sigh, Daphne returned her attention to the jars.
Without another word, Romulus put the dagger away, got down on his knees, and helped her.
"Thank you," she said with a smile, as he handed her a jar.
Her smile seemed to startle him. And then, slowly, hesitantly, a corner of his mouth lifted in return. It was the first smile she'd ever seen from him, and brief though it was, it still lit up his face and wiped away his scowl. It made him look younger and friendlier, and Daphne no longer wondered why she kept him around.
Chapter 6
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As you may know, in the "Gladiator II" script, there is a deleted line that reveals Geta and Caracalla's father was abusive. While this has no basis in history (same as much of the movie), it does align nicely with what I already had written about Daphne's own abusive father, so I had to add a little moment between Daphne and Geta as a nod to that. I'd like to think that Geta's childhood trauma made him more sympathetic toward Daphne, though he may not be ready to admit that yet.
Taglist: @sheneedsrocknroll92, @justnobodynothingmore, @barcelonaloverf1life, @myotakureprieve, @flawssy-227, @itsrainingbisexualfrogs (if you want to be tagged or removed, let me know!)
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eurovision-facts · 1 year ago
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Eurovision Fact #534:
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The official Eurovision YouTube channel has released a 10-hour version of the "Epic Sax Guy" solo from Sunstroke Project & Olia Tira's "Run Away," which represented Moldova in 2010.
[Sources]
"Epic Sax Guy - 10 Hour Version - But when does the beat drop? 🤔," Eurovision.tv.
Epic Sax Guy - 10 Hour Version - But when does the beat drop? 🤔, YouTube.com.
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flightrising · 1 year ago
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No thoughts, just vibes. Sunstroke Project & Olia Tira. 'Runaway'. Eurovision Grand Finale 2010. https://youtu.be/pHXDMe6QV-U?t=46
Video Description: A video of a platform with red banners in the background. Also in the background are two black and white Bogsneak dragons in male pose bopping their heads to the beat of the saxophone song. The Bogsneak on the left is dressed in a white scarf and tunic and the Bogsneak on the right is dressed in a black scarf and tunic. In the center foreground is a bright yellow and blue Coatl in male pose, with a black vest, blue pants, red gloves, and sunglasses. He is holding a saxophone and playing it, bopping to the beat in half time and around the screen.
Dragon Information:
Bogsneak Dragons
Harlequin White/Jester White/Points Black
Apparel on the left: Contrast Rogue Belt, Dour Sailor's Pants, White Aviator Scarf, White Satin Tunic, Simple Iron Bracelets
Apparel on the right: Contrast Rogue Belt, Dour Sailor's Pants, Black Aviator Scarf, Black Satin Tunic
Coatl Dragon
Lapis Ribbon/Lapis Eel/Yellow Underbelly
Black Shades, Dour Sailor's Vest, Simple Iron Necklace, Blue Breeches, Crimson Rogue Gloves, Privateer's Seaspray Boots
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han4el · 10 months ago
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How I see the moon signs, as a cancer rising + leo moon
— Aries Moon
So insane... love it. I just never know what to expect from them. When I think I start to understand them, I discover a new layer to them, a new heatwave incoming, ready to melt any drop of hypocrisy, fakeness or illusions. Personally, I never had close friends with this placement, but I've seen them being very supportive with their close ones. Even if they sometimes say something rude or out of the pocket, it's usually good intended and they only say it if they think it's absolutely necessary (unless you're annoying to them, then they'll just straight up bully you).
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Random associations: PE competitions in middle school, angry apologies, crying and laughing at the same time, being mad at someone for being nice to you, being the life of the party for the "the life of the party" people, the best friend of the popular/famous girl, getting giddy with your pet after just yelling at someone, MOOD SWINGS, having a favorite person that shapes your personality more than you think, friendly bullying, loyalty, no bs, no cap, you get what you give, nothing more and nothing less, being remembered by that one friend who checks on you everytime you're struggling, night car rides, uncontrollably laughing in serious situations, red velvet cake, cinnamon, sharp eyeliner, messy hair, making a competition out of anything and getting mad at the fact that you're the only one taking it seriously, always trying to be the best, long-term friendships (like 10 years long), sunstrokes, nosebleeds, blacking out, tremors before fighting, mafia romance, russian models, dry red wine, learning how to fight just to defend yourself, fast life, being in a relationship with someone you low-key hate, fruity and spicy perfumes, enjoying burning paper as a way of releasing stress, feeling relaxed after getting someone else mad instead, forgetting to eat, mixing random pieces but somehow making the outfit work, being the only one who can pull off a piece of clothing or a specific style (usually it looking weird on other people), scratch marks after playing with your pets, having new big dreams every month, red hair, freckles, tanned skin, arm wrestling, boys teasing their crushes, the one who always gets in trouble.
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What I love about this placement: the commitment, ambition, devotion, the passion, the energy, the random bursts of emotions. If you need someone to inspire you into doing something, call these guys. They'll make you want to change your life 360° in one night (and most probably actually doing half of those things in one week). They're really good at just getting the sh*t done themselves. Unapologetically authentic and autonomous. The developed ones are actually very good at controlling their feelings and using them for their advantage. Maybe it's just me, but the aries moons I've seen had really pretty skin, usually with freckles. Oh and their noses are usually very pointy or just look that way. Their faces overall just seem very athletic. You might think they do sports even if they don't (they secretly do). Very serious about their purpose. Will never look at you again if you take their dedication for granted. Also, won't waste their time with you if they sense your weak morale, lack of self-awareness or if you don't really wish to change anything in your life. That's an ick for them.
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What I dislike about this placement: how fast they forget their old projects and sometimes ex friends (I know it's for their own good, though). Their impulsivity... they will look you in the eyes and say the most gut wrenching threat then forget completely about it 5 minutes later and act all weird if you remind them of it as if it's your fault that you made them "mad enough to behave like that". That loud a** voice in those situations when y'all REALLY have to keep it down 😭 also they're rarely empathetic, so don't run to them when you have a problem (unless you're bffs, then they'll fight whoever hurt you).
My experience with them: 6/10
I might make this a series. Tell me what you think.
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theyhavetakenovermylife · 6 months ago
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Their Favorite Eurovision Songs 1956 - 2024 (Headcanons)
Rise!Turtles + Bonus!
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A/N: I was just so hyped to see that Albania had chosen Shkodra Elektronike with Zjerm to represent them in Eurovision 2025, that I just HAD to write this. Two songs into 2025! Let’s see if it will get as chaotic this year like it did last year😂😅💚
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Warnings: Flashing lights
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Raphael:
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1 points: TiTAN - Besa (Albania🇦🇱, 2024)
2 points: Ai Coração - Mimicat (Portugal🇵🇹, 2023)
3 points: Satellite - Lena (Germany🇩🇪, 2010)
4 points: Only Teardrops - Emmelie de Forest (Denmark🇩🇰, 2013)
5 points: Take Me to Your Heaven - Charlotte Nilsson (Sweden🇸🇪, 1999)
6 points: Ne Partez Pas Sans Moi - Céline Dion (Switzerland🇨🇭, 1988)
7 points: J’aime La Vie - Sandra Kim (Belgium🇧🇪, 1986)
8 points: We Will Rave - Kaleen (Austria🇦🇹, 2024)
10 points: Waterloo - ABBA (Sweden🇸🇪, 1974)
12 points: Euphoria - Loreen (Sweden🇸🇪, 2012)
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Leonardo:
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1 points: Making Your Mind Up - Bucks Fizz (United Kingdom🇬🇧, 1981)
2 points: Euphoria - Loreen (Sweden🇸🇪, 2012)
3 points: Take Me to Your Heaven - Charlotte Nilsson (Sweden🇸🇪, 1999)
4 points: Zorra - Nebulossa (Spain🇪🇸, 2024)
5 points: La Noia - Angelina Mango (Italy🇮🇹, 2024)
6 points: Zitti E Buoni - Måneskin (Italy🇮🇹, 2021)
7 points: Waterloo - ABBA (Sweden🇸🇪, 1974)
8 points: Soldi - Mahmood (Italy🇮🇹, 2019)
10 points: SloMo - Chanel (Spain🇪🇸, 2022)
12 points: Fuego - Eleni Foureira (Cyprus🇨🇾, 2018)
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Donatello:
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1 points: Because Of You - Gustaph (Belgium🇧🇪, 2023)
2 points: Only Teardrops - Emmelie de Forest (Denmark🇩🇰, 2013)
3 points: Popular - Eric Saade (Sweden🇸🇪, 2011)
4 points: The Code - Nemo (Switzerland🇨🇭, 2024)
5 points: Tattoo - Loreen (Sweden🇸🇪, 2023)
6 points: Waterloo - ABBA (Sweden🇸🇪, 1974)
7 points: Euphoria - Loreen (Sweden🇸🇪, 2012)
8 points: Before The Party Is Over - Mustii (Belgium🇧🇪, 2024)
10 points: Shum - Go_A (Ukraine🇺🇦, 2021)
12 points: Europapa - Joost Klein (Netherlands🇳🇱, 2024)
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Michelangelo:
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1 points: Puppet On A String - Sandie Shaw (United Kingdom🇬🇧, 1967)
2 points: 10 Years - Dadi og Gagnamagnid (Iceland🇮🇸, 2021)
3 points: Moustache - Twin Twin (France🇫🇷, 2014)
4 points: Give That Wolf A Banana - Subwoofer (Norway🇳🇴, 2022)
5 points: No Rules! - Windows95man (Finland🇫🇮, 2024)
6 points: Run Away - SunStroke Project and Olia Tira (Moldova🇲🇩, 2010)
7 points: Rim Tim Tagi Dim - Baby Lasagna (Croatia🇭🇷, 2024)
8 points: Dancing Lasha Tumbai - Verka Sandurchka (Ukraine🇺🇦, 2007)
10 points: Stefania - Kalush Orchestra (Ukraine🇺🇦, 2022)
12 points: Cha Cha Cha - Käärijä (Finland🇫🇮, 2023)
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Bonus!
Splinter:
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1 points: In A Moment Like This - Chanée and N’evergreen (Denmark🇩🇰, 2010)
2 points: Only Teardrops - Emmelie de Forest (Denmark🇩🇰, 2013)
3 points: Voila - Barbara Pravi (France🇫🇷, 2021)
4 points: Özülne Apar - Fahree (ft. Ilkin Dovletov) (Azerbaijan🇦🇿, 2024)
5 points: Refrain - Lys Assia (Switzerland🇨🇭, 1956)
6 points: Tout L'univers - Gjon’s Tears (Switzerland🇨🇭, 2021)
7 points: Euphoria - Loreen (Sweden🇸🇪, 2012)
8 points: Fly On The Wings Of Love - Brødrene Olsen (Denmark🇩🇰, 2000)
10 points: Teresa & Maria - alyona alyona, Jerry Heil (Ukraine🇺🇦, 2024)
12 points: Waterloo - ABBA (Sweden🇸🇪, 1974)
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Baron Draxum:
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1 points: De Troubadour - Lenny Kuhr (Netherlands🇳🇱, 1969)
2 points: Rock Bottom - Lynsey de Paul and Mike Moran (United Kingdom🇬🇧, 1977)
3 points: Tout L'univers - Gjon’s Tears (Switzerland🇨🇭, 2021)
4 points: Calm After The Storm - The Common Linnets (Netherlands🇳🇱, 2014)
5 points: Rock ‘n’ Roll Kids - Paul Harrington and Charlie McGettigan (Ireland🇮🇪, 1994)
6 points: Beautiful Mess - Kristian Kostov (Bulgaria🇧🇬, 2017)
7 points: Hold Me - Farid Mammadov (Azerbaijan🇦🇿, 2013)
8 points: Molitva - Marija Serifovic (Serbia🇷🇸, 2007)
10 points: 1944 - Jamala (Ukraine🇺🇦, 2016)
12 points: Amar Pelos Dois - Salvador Sobral (Portugal🇵🇹, 2017)
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April:
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1 points: Running Scared - Ell and Nikki (Azerbaijan🇦🇿, 2011)
2 points: Only Teardrops - Emmelie de Forest (Denmark🇩🇰, 2013)
3 points: La Noia - Angelina Mango (Italy🇮🇹, 2024)
4 points: Everyway That I Can - Sertab Erener (Turkey🇹🇷, 2003)
5 points: My Number One - Helena Paparizou (Greece🇬🇷, 2005)
6 points: Euphoria - Loreen (Sweden🇸🇪, 2012)
7 points: Shady Lady - Ani Lorak (Ukraine🇺🇦, 2008)
8 points: Évidemment - La Zarra (France🇫🇷, 2023)
10 points: Rise Like A Phoenix - Conchita Wurst (Austria🇦🇹, 2014)
12 points: The Code - Nemo (Switzerland🇨🇭, 2024)
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Cassandra:
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1 points: Euphoria - Loreen (Sweden🇸🇪, 2012)
2 points: Jezebel - The Rasmus (Finland🇫🇮, 2022)
3 points: Promise - Voyager (Australia🇦🇺, 2023)
4 points: Ulveham - Gåte (Norway🇳🇴, 2024)
5 points: Blood & Glitter - Lord Of The Lost (Germany🇩🇪, 2023)
6 points: Zitti E Buoni - Måneskin (Italy🇮🇹, 2021)
7 points: Dark Side - Blind Channel (Finland🇫🇮, 2021)
8 points: We Could Be The Same - Manga (Turkey🇹🇷, 2010)
10 points: Doomsday Blue - Bambie Thug (Ireland🇮🇪, 2024)
12 points: Hard Rock Hallelujah - Lordi (Finland🇫🇮, 2006)
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Casey Jr:
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1 points: Brividi - Mahmood and Blanco (Italy🇮🇹, 2022)
2 points: Euphoria - Loreen (Sweden🇸🇪, 2012)
3 points: The Code - Nemo (Switzerland🇨🇭, 2024)
4 points: Soldi - Mahmood (Italy🇮🇹, 2019)
5 points: Promise - Voyager (Australia🇦🇺, 2023)
6 points: Fairytale - Alexander Rybak (Norway🇳🇴, 2009)
7 points: What’s Another Year - Johnny Logan (Ireland🇮🇪, 1980)
8 points: Zitti E Buoni - Måneskin (Italy🇮🇹, 2021)
10 points: We Could Be The Same - Manga (Turkey🇹🇷, 2010)
12 points: Stefania - Kalush Orchestra (Ukraine🇺🇦, 2022)
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