#t: jacob

[justawanderingfan]

Screw canon they’re all bisexual (to me)

[gaypeople]

jacob is so funny for this. “his focus was on work” until sam got on set and they had routine dinner dates where they ate the same thing every single time.….much to think about

[angels-hook]

my collection of wrestlers funny tweets but it’s literally just chuckie t, hangman, and mjf

edit* I FORGOT THERE WAS TWEETS FROM TAKESHITA AND KASSIDY

[rapidhighway]

i have to listen to an audiobook before tomorrow im working im workingg i swear, more knuckles gijinka cause apparently, i love drawing him

[insertlovelyperson]

#meninwomensfields

[artificialroux]

fork's high left winger abigail brooks: the bruiser, the dreamer, and the quiet storm

born: october 20th, 1989

species: human(?)

year: sophomore at forks highschool

love interest: jacob black

faceclaim: sophie thatcher

sweet thing, i watch you

— with smudged eyeliner like war paint and boots two sizes too big—stolen from her dad’s closet years ago—abigail brooks is forks high’s paradox: the girl who looks like she might punch you in the face but is somehow the first one to pick someone up off the field. her bleach-blonde hair is choppy and uneven from late-night bathroom mirror sessions with dull scissors. she always looks a little wild, a little feral, like she might vanish into the woods and never come back.

— abigail doesn’t say much unless she has something to say—and when she does, it’s sharp, dry, and usually funny if you get her. most people don’t. but she’s not cruel, just cautious. she’s been burned before and doesn’t hand out trust easily. beneath that "mean mug" is someone fiercely loyal, fiercely protective, and deeply observant. the kind of girl who remembers the way your voice cracked when you said your mom was sick. the kind of girl who’ll leave a flower on your locker with no note and pretend it wasn’t her.

— she plays left wing on the forks high soccer team—fast, strategic, aggressive. art is her real love, though. sketchbooks crammed with charcoal dreams, tangled symbols, faces she’s never seen but somehow knows. lately, her dreams have turned vivid and strange. things that happen later—days, sometimes weeks after she draws them. a wolf in the road. a storm that never came. a boy with fire in his chest and shadows in his wake.

burn so fast it scares me

— abigail and jacob were those kinds of childhood friends—the kind who grew up sharing backyard bonfires, tire swings, and half-eaten popsicles. her dad and billy black were close, bonded by old stories, fishing trips, and a quiet understanding that came from living in a place like forks too long. the brooks family wasn’t quileute, but they were close enough to be folded into the edges of la push life.

— jacob and abigail used to build forts out of driftwood and carve initials into trees like it meant something. he called her "abs" back then, before the bleach and the boots and the walls she built around herself.

— they drifted apart in middle school—she got quiet, he got taller. life started to change, as it does. but there’s a weird ache between them now, something deeper than memory. like they’ve both been walking in circles for years, about to meet again in the center of something bigger.

hii guys!! meet my cringey twilight oc...she's been lingering in my mind since i read the books like 2 years ago and finished them last year!! i wanted to make jacob an age appropriate love interest who actually treated him right...she's based off book lore more than movie lore hence her birthdate!! idk if anyone even likes twilight or ocs for it but it's one of my favorite guilty pleasure series and i've worked hard on developing abigail for a while now so i hope you guys like her 🫶🏻

tags : @dippindotties @logansdogmotif (lemme know if you wanted added!!)

credit for template inspo : @sapphicides

[hyohaehyuk]

Photos via vampystat and heeeymira

2nd video

_littlepossum: “I got a plushie!” 😭😭 (given to him by @/lestat_thinker made by @&inkalope)

@/SmokieMoonpie now that you’ve said it, please brag about being the person he immediately wanted to show his plushie to 😭

1st video

SmokieMoonpie: He was feeling left out after this (Context— Jacob: *showing off the plushie*: Can you believe someone made this with their hands?)

More videos/photos of jacob with his plushie: 1 | 2 | 3

[jadecurtin]

“Put these on and pose”// new jersey devils edition

[webdiggerxxx]

*ೃ༄ੈ✩‧₊˚

[briabooknerd]

Night of the Dogman

Retribution

Vengeance

1-3

Luka T.Jacobs

[obituaryomeko]

reviving my dead tumblr just to bring SOMETHING new to gt tumblr it's getting stale on here - noah fence

[drawfee-quot3s]

that's right, it's me, jesus

from bible

from bible. we didn't have forklifts back then

but if we did

i would be certified to operate one

- nathan, karina, + jacob

[gl1tt3ryd34th]

Man why couldn´t the 4th book be a compilation of one-off shenanigans of Jake and the gang in the modern world

Someone teach Enoch about Mortal Combat pls

[nyc-looks]

Bianca, 49

“I’m wearing a Simone Rocha skirt, vintage Nirvana tee, Marni basket, Ripetto mary janes, and Simone Rocha headband. Recently my looks have evolved dramatically. I’m 49 now and I’m rethinking what I want to convey as a vessel of joy. I like to bring my A game everywhere cause I love seeing people have fun with fashion. You’re never too young or too old to be fabulous. I’ve been shopping in my closet cause history repeats itself and it has again. My peek youth was spent in the 90s so I have lots of authentic 90s pieces. I was going to meet Linda Evangelista at Marc Jacob’s book store so I wanted to bring a bit of 90’s back in a fresh modern way.”

Sep 7, 2023 ∙ West Village

[therealstacyfakename]

Our Amazing Action Heroes!

And of course Brennan’s final form

[pynkhues]

Speaking of Louis, Lestat and masculinity, I think a point that people always ignore is that Louis' masculinity is important to him and he's attached to gender roles/preconceptions far more than Lestat/the way Lestat is not. I think it's communicated in the show pretty well. It's why he feels comfortable in the role of the successful businessman to Lestat's supporting spouse, but not when the power dynamic is flipped, and why Lestat feels comfortable to be the supporting spouse as well. Your recent post reminded me of the "Come to me" lyrics, and I think Lestat placing himself in the feminine role of Mélisande is another example of that. Plus the Marie Antoinette dress (note Louis being kind of uncomfortable with the camp of it all lol).

I totally agree, anon. I think the show's pretty deliberate with the fact that Louis' at his most comfortable in his relationships with both Lestat and Armand when he's acting as the businessman / breadwinner and they're acting as the supportive spouse. I mention it in the post I think you're replying to, but Lestat playing host at The Azaelia and helping to manage the staff - presumably without being paid - very much plays into that sort of dynamic, and it's one Louis seems to be repeating with Armand in Dubai given Armand's helping to effectively administrate the sales of Louis' art investments. It's a form of unpaid domestic labour which in a loving relationship, can be completely fine, but does often come with (perceived or real) connotations of roles and a certain power dynamic.

A huge part of that I think is tied to Louis' sense of masculinity and the role he wants to take in his relationships, but I also think it comes from a genuine place of wanting to be the provider, which has likely been borne out of the role he took with his mother and siblings as a young man. I talk about that more here, but I do think he needs to feel like he can look after those he cares about, and I actually do think it comes from a pure place even though it can be and is often corrupted by the fact that he's capable of real cruelty and vindictiveness when he feels scorned (i.e. he wants to provide for Grace because he loves her, and he buys her that holiday for her honeymoon, and he wants her to have the house to raise her family in, but when she disowns him, he doubles down on that out of spite not because he's letting her go and moving on, but because he's holding her to it. He knows she and Levi could never afford it without him, and he really rubs that in her face at their mother's wake. She'll always be living in his house, and that once meant something pure and good and loving, albeit paternalistic, and now it fundamentally does not).

I didn't really go into it in that last post, but I also think Louis being a voracious reader is something that gets misread a bit sometimes. Like these days, it can feel like being well-read is more common with women, particularly in online spaces, but I absolutely see the connotations on the show of it being partially a performance of class and masculinity. That's not to say I don't think he genuinely loves reading - I really think he does, and I love that about him - but this is the 1910s through 1930s when hypermasculinity and wealth was very much tied to being well-read, and a lot of contemporary authors from William Faulkner to Ernest Hemingway to Joseph Conrad, were both depicting and exploring manhood in ways that were pretty formative for a generation of men.

On top of that, reading was a symbol of class because the only people who had the time or capacity to do it were people who were both educated and had money. Louis sitting on a park bench in a three piece suit reading Charles Darwin of all people is absolutely a show of class and masculinity, and the fact that it dovetails into a conversation about diet, again, is a broadcast of wealth and status. Sure, we're talking about eating people, but if you're looking at it as a metaphor, it's symbolic of Louis having' choices about what he eats when, which is inherently about having the means and status to do so.

Plus I feel it's pretty important context for Louis and Lestat's bickering in 1.05 when Louis' reading Madame Bovary - Lestat calls Louis a snob, and Louis goes in by basically calling Lestat shallow and uncultured, which is a) very funny to me, personally, I love it when they're mean to each other, haha, but also b) I think very much evident of Louis' feelings of masculinity, particularly given it happens directly after he cites Claudia calling him the unhappy housewife. Again, Louis' rejecting that role - the house is a mess (so they've either fired their staff, or they've quit), Louis' not going to do it and neither is Lestat, and Louis' sprawled on the couch reading from his husband's library and dragging him for being too frivolous to read them.

Again, I think Louis genuinely loves reading, but I also do think for him it's fundamentally a part of his identity as a Cultured, Intellectual Man. It's why he doesn't take to the campiness of the Theatres des Vampires, or as you said, get involved in lestat's Mardi Gras performance (I'm always sooo fascinated by the fact that we don't get a reaction shot of Louis to that sequence at all - again! It feels loaded!) I think his sense of masculinity is, well, pretty traditionally masculine, and I think it's pretty vital to his self-image.