#taylor swift track 5

[tisthedamngreenbriar]

honestly should’ve seen this one coming

this is the test!! made it with love and I hope you guys like it

[burntcheerio]

okay let's get into my thoughts of each track based on the titles: Track 1 - Fortnight (ft. Post Malone) POST MALONE??? i swear, i'm not joking, i had like a dream or a thought a little while ago that was like "lmao what if taylor collaborated with post malone what would that be like- she would never tho that would be crazy" so ig i manifested it?? ngl i don't listen to post malone and i haven't heard many of his songs. except i think that one song about circles that was on the radio a lot a while ago when i would listen to the radio all the time was his song. it was fine, kind of annoying tho once i heard it too much. i'm really not sure what to expect with the song, but i do like the title. a fortnight is two weeks so i'm curious if time will have a significance in this track, let alone the album. she wore a clock choker last night and kept asking Tree if her watch was set correctly, apparently to midnight, so i have a feeling time may be a theme within the album. idk but fortnight just gives me middle ages castle vibes so i'm curious if this song will have modern vibes, old hollywood vibes, or like ancient vibes when it comes to setting.

Track 2 - The Tortured Poets Department the titular track!! okay i genuinely have no ideas whatsoever for what this song could be about. maybe another anti-hero/yoyok type song? or even like a mastermind/labyrinth type love song? tbh idk- im really curious to hear other theories or opinions on this track so pls share !!

Track 3 - My Boy Only Breaks His Favorite Toys 101% about a bf who once treasured and loved their relationship starts letting it die (cough joe cough). that phrase is so powerful because it provides the perfect imagery to show "yeah he loved me a lot, but he also hurt me" whether or not he knew it, he did it. this title definitely gives me like poetry title vibes so i'm curious what not only the lyrics will be but what the actual musical element will sound like.

Track 4 - Down Bad OH BOY A DELUSIONAL TRACK YES PLEASE. i can already tell that a running theme within this album is like wanting someone you can't have or loving someone too much that it's an issue. oh boy am i ready for the down bad delusional song this track will give us. i'm really hoping it'll be more of a happy delusional than a sad unrequited love delusion because i could see it going in that direction and as clever as that is i would like to be supported in my delusions. i'm really excited for this song.

Track 5 - So Long, London I HAVE BEEN WAITING TO TALK ABOUT THIS ONE OMG. THIS IS THE WHOLE REASON IM MAKING THIS POST. OH BOY. OKAY SO. the parallel to London Boy is CLEAR. bye bye joe. FAREWELL. we are officially done and over. there is no way in which i can look at this track title and not think "this is about joe" because it just so clearly is and i am HERE for it. i am curious if it's going to be a bad bitch call-out track or a sad mourning track...we'll just have to wait and see ig! (just realized it's a track 5 so it could be more emotional, but maybe she'll go a different route this time? i don't know but it'll be great fs)

Track 6 - But Daddy I Love Him OH MY GOD. as a lesbian it's frustrating that i'm sure many of these songs will be heavy on the "he's a boy" so it'll be harder for me to sing along earnestly, BUT that being said...i CANNOT WAIT for this track. i honestly don't know what the vibe will be for it but i'm sure it's phenomenal and i can't wait to hear it.

Track 7 - Fresh Out the Slammer is this a phrase? am i out of the loop? hold on lemme look it up..okay all i've learned is that there are several other songs with this same name. truly have no clue what this could be.

Track 8 - Florida!!! (ft. Florence + The Machine) i. i don't even know what to expect. i think i might just expect nothing because that way i'll definitely be surprised and delighted.

April 19 🤍 store.taylorswift.com

[unrelentingrambling]

YOU SWORE THAT YOU LOVED ME BUT WHERE WERE THE CLUES/I DIED ON THE ALTAR WAITING FOR THE PROOF/YOU SACRIFICED US TO THE GODS OF YOUR BLUEST DAYS/AND I'M JUST GETTING COLOR BACK INTO MY FACE/I'M JUST MAD AS HELL CAUSE I LOVED THIS PLACE FOR/SO LONG, LONDON

[lightscamerabitchsmileee]

Well here it is the track known for being where Taylor put her most personal of songs on an album: Track 5 😊😊

Vote for your fave, Reblog and put in the tags when choosing OG or TV which one you prefer (or in All Too Well's case if you prefer either one of those or the 10 minute version lol) 😊

Also check out my Masterpost to participate in the track 1-4 polls 😊😊 have fun 😊😊

[sunshine-and-her-ikevil-stuff]

I haven't even read it yet and it ALREADY HURTS (even more so with context of what happened just before)

I already feel too many emotions

screaming "I DIDN'T HAVE IT IN MYSELF TO GO WITH GRACE, 'CAUSE WHEN I'D FIGHT YOU USED TO TELL ME I WAS BRAVE!"

[lockscreenxd]

Lockscreens 6667-70

Reblog/Like if you use / save it

Please be honest

Do Not REPOST

[nothing-but-glitter-and-lashes]

me: *screaming* when you were out building other worlds where was i

me: *screaming* where’s that man who threw blankets over my barbed wire

me: *screaming* i made you my temple, my mural, my sky

me: *sobbing* now im begging for footnotes in the story of your life

[that-one-annoying-fan-girl]

You know that ttpd is good when over half of the tracks could have easily been a track 5

[im-not-asleep-my-mind-is-alive]

TSMWEL is just the Dear John of TTPD

[runninlikewaterr]

Thinking thoughts

As we know, Taylor never does anything arbitrary. Thinking about the order of the tracklist…why is But Daddy I Love Him track 6? She puts her most raw, vulnerable, emotional songs as track 5, but her track 6’s tend to be more upbeat bops but with a hint of sadness to them. It never made sense on Red why she put 22 directly after All Too Well—until we heard the 10min version, and realized she was celebrating her 22nd birthday after having the worst 21st birthday. It gave so much more depth and a twinge of heartbreak to 22. So now: why BDILH at track 6? After the heartbreak of London, of finally pulling the plug on a 6 year relationship with no pulse, she’s free! She wants to gallop through a field in her sundress and speed off with a wild boy and all his wild joy who makes her FEEL things!! She don’t give a damn what ANYONE thinks about him!! Except-oh wait- the one person(s) whose opinions are the only ones she’s ever actually cared about: her fans. Taylor’s unadulterated devotion to her fans has always been what sets her apart from the pack, in my mind at least. She cares what we think. SHE INVITED Y’ALL TO HER GD HOUSE BECAUSE SHE WANTED FANS TO HEAR HER MUSIC FIRST. She knows what we like, she talks to us online, she makes it all fun and worthwhile for us. Because she knows that we’re the ones who listen to her, who fill all those stadium seats. We’ve always supported her no matter what and defended her and she loves her fans for that. But taking that miracle move-on drug—that was the first (kind of major) time that she saw that support falter. She must’ve felt so betrayed. And that’s gotta hurt- watching the one group of people who you have always counted on to have your back without fail suddenly *checks notes* writing petitions protesting your rebound relationship? Could never be me but anywho…

I think that’s what her track 6’s are. Track six is her saying “I’m all good, I’m happy now, but I still have some of the hurt from what happened with track 5”. Like these songs honestly could’ve been track 5s with these nuggets of vulnerability she sprinkles in there, but they’re kinda too Over It to care anymore.

[epiphanyblvd]

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. 　　　.   　　˚　　 　　*　　 　　✦　　　.　　.　　　✦　˚ 　　　　 ˚　.˚　　　　　　.　　. 　 ˚　.　　　　 　　 　　　　 ✦ 𝜗𝜚 forever and always an evermore and reputation defender 🤍