#thin tony

[burningfudge]

KAMALA WRITES STONY FANFICTION

Ms Marvel: Stretched Thin (2021)

[yellow-g0ache]

Yknow scrolling through the tag I never quite got it before but now I fully understand autoandrophilia. You become, simultaneously, the giver and reciever of the kind of pleasure you want to give and recieve; I squeeze my hand over my ass and I feel both a nice round firm boy's ass and the calloused large hands groping and squeezing my ass. I run my hands down my stomach and I feel both the taut muscle and hair and also the reverent sweeping of searching hands on one of my more sensitive areas. I look in the mirror and see the scruffy stubble on a sun-kissed face and I want to look at him forever and those same eyes gaze back at me, no longer a stranger's. At once I get to give and take for myself and neither feel foreign

[coveredinsun]

i put this in a fic so i might as well make it into a post too. this is NOT original, i should say, but it’s basically canon in my head that legolas’ mom died in the war of the last alliance (presumably fighting under oropher, who also perished then) cuz it’s just more narratively weighty than “some gundabad orcs killed her.” peter jackson mega fumbled with that one if you ask me. and i think if legolas were forbidden from going into that fight it would create a scrumptious parallel to gimli being forbidden from going on the quest to reclaim erebor with thorin. which is important and true because everything is about gimleaf. every single time without fail

[cryptixotic]

✷ 𝚂𝚝𝚛𝚊𝚠 𝙷𝚊𝚝 𝙲𝚛𝚎𝚠 ! ✷ inked version under the cut ;-)

Free 4 you to color, as long as you credit and link back to me if reposted online ;^)

[rockingreads]

Tony Visconti (w/ Richard Havers): The Autobiography: Bowie, Bolan and the Brooklyn Boy (A Nostalgic Journey Through the Golden Age of British Pop and Rock Music) (2007)

Most record producers and engineers belong behind the studio console, along with their boring stories about mixing levels and button-pushing, but Tony Visconti's exceptionally long and colorful list of superstar credits make him one of the exceptions.

As the title says, Visconti was born and raised in Brooklyn, where his love of music flourished and found its first outlet playing with small-time bands (Ricardo & The Latineers, The Crew-Cuts, etc.) and even releasing a single -- "Long Hair" as Tony and Siegrid with his first wife.

Along the way, Visconti began working for a publisher as staff engineer and met British producer Denny Cordell (The Move, Procol Harum, Joe Cocker, Leon Russell, etc.), who duly invited Visconti to work for him in London.

His first job entailed assisting on the first Tyrannosaurus Rex LP, and after producing (and playing bass for) David Bowie's The Man Who Sold the World, Visconti enjoyed a fruitful relationship with the renamed T.Rex and its leader Marc Bolan (Electric Warrior, The Slider, etc.), until the glam rock pixie scuttled his career prospects by 1974.

But one closed door opened another as Visconti reunited with the post-Ziggy Stardust Bowie for his massively influential Berlin Trilogy (alongside Brian Eno) and 1980's Scary Monsters (And Super Creeps), but these were hardly the sum of his credits.

Because, over the course of the '70s and into the '80s, Visconti built one of rock's most enviable resumes, adding the likes of Badfinger, Osibisa, Sparks, The Moody Blues, The Boomtown Rats, Thin Lizzy, Morrissey, and many others to his bulging professional ledger.

Personally, I'm especially grateful for Visconti's work on behalf of Thin Lizzy, since their albums were decidedly lacking on the production front until the 'Brooklyn Boy' helmed 1977's Bad Reputation, '78's classic Live and Dangerous, and '79's Black Rose.

Visconti's workload lightened in the '90s, so he doesn't even try to disguise his gratitude when Bowie re-engaged him to co-produce Third Millennium LPs like Heathen, Reality, and, after these memoirs' publication date, '13's The Next Day and '16's swan song, Blackstar.

It goes without saying that an updated edition of Visconti's story covering David's final works would be welcomed with open arms, since there are obviously precious few living collaborators who shared so many creative experiences with rock's great chameleon.

And there is obviously only one producer who rode a white swan with Bolan, sold the world with Bowie, and worked with as many diverse and intriguing artists as did Tony Visconti.

Featured Records:

T.Rex: The Slider (1972)

David Bowie: Low (1977)

Thin Lizzy: Bad Reputation (1977)

Buy from: Amazon

[heartbeetz]

One of my favorite things from JB's impromptu discord qna the other day btw. Sooooo real and exactly how I see it tbh. They're goofysilly and annoying ♡

[sol-dial]

I got some more lazy, silly art becaausee the brainrot is real (featuring ms paint and iffy quality :,D)

Here’s him! The silly guy! <3

[burningfudge]

Tony takes his Uncle Iron Man duties very seriously.

Ms Marvel: Stretched Thin (2021)

[boob-reynolds]

Hate when ppl pick a Thunderbolts character and start going to town on how problematic and Evil they are. Oh, that character did a bad thing and wants redemption? In the Did A Bad Thing And Wants Redemption movie? *gasp*

[gregorygalloway]

Tony Visconti (born 24 April 1944) has produced some of the greatest albums in rock music, including Electric Warrior (1971) by T. Rex (Visconti produced 8 albums for the group), The Idiot (1977) by Iggy Pop, Live and Dangerous (1977) by Thin Lizzy (1 of 3 albums he produced for the group), and "Heroes" (1977) by David Bowie (14 albums as producer).

Visconti wrote and conducted the orchestra arrangements for Band on the Run (1973) by Paul McCartney and Wings (McCartney did not give credit to Visconti for 25 years).

[shamelesslurker]

OH YAY ❤️❤️❤️❤️

[martinsorbit]

I drew finders keepers y/n and eclipse walking together and having a great time as if I haven't just integrated the Mimic into the AU. Yall stay safe out there cuz these guys will go thru some stuff

[mitjalovse]

Tony Visconti may have been a man for all seasons in terms of his production skills despite him being the master of one era. I mean, his work with Thin Lizzy showed he understood the 70's. Then again, the latter period should be seen as much more eclectic than the classic rock channels present with Thin Lizzy probably being a good example of this. Sure, they are in the same category as, say, Deep Purple and Led Zeppelin, yet Lynott and the guys are more interesting than all of them. While you can tell they all share the same pool of influences, I would say they also went into a greater depth than the rest of them. For instance, the song on the link has a strange structure that could've dragged the piece down – this doesn't happen.

[elitehoe]

THE KENNY JERICHO VS BUCKS MATCH IS BOOK FOR FULL GEAR IN CALIFORNIA IF THE BUCKS LOSE I WILL LOSE MY FUCKING MIND I SWEAR

[firstroseofspring]

jawdrop at that scene in the sopranos where tony bought carmela the little black dress. it was so strange- especially in the context of the episode where there's those big fights about the guys making fun of one of the wives, i wasn't really sure what his motivation was there. it felt like this weird twisted tony-like way of expressing appreciation where the line between- i love my wife and appreciate her body- and thank God she fits into this small dress that i got for her- is blurred. especially the sex scene right after?

anyway i felt totally vindicated tho because i wrote this random scene sometime last year where john buys miral a federation-style dress for her to wear and then ** ***** *** ** ** or at least wants to. and she wears it bc she's kind of projecting this thoughtfulness into the gesture that really isn't there. or at least isn't as deep as she thinks it because i think there's gap between klingon wishfulness/romance and what she's actually getting (plus with miral there's this added layer of like. him dressing her to make her less . yknow) BUTTT i was like glad i came across that scene in the sopranos because i was like okay so we all agree that this is something a guy might do and it's not necessarily positive. yayyyy dysfunctional marriage! <3

[danmeichael]

Shizun x Tony tiger anon here

Iam aware of those things... I've already tried something like this b4 with little success *cough* do you think Liu qingge could do a sonic rainboom *cough* I'm not entirely sure how I went the even weirder route this time but I've already given up cause it's too weird for me lol not sure how I ended up with shizun x Tony the tiger I think I was watching a gaming yt and said oh Tony tigers big hands on my waist and then after watching that vid saw big naturals Gandalf talk about shizun like usual and it clicked and it was also 12am for me lol my goal in doing these asks is to have skinzun 2.0 or something like it also u were one of like the first 3? Ppl I sent an ask too

have you ever heard the saying you can lead a horse to water but you can't make it drink?

skinzun was not created because someone sent asks to as many artists as possible in hopes that they would draw skinzun. skinzun was made because aph made a piece of art of skinzun and people loved that art. they found it cute, or weird, or funny, in a way that was meaningful enough to them that they all took it upon themselves to draw skinzun. people draw skinzun because they love him, in whatever ways you can love a skinzun. people are still iterating on the skinzun concept to this day because it's so beloved. because people are having fun in that sandbox.

you are not going to create anything like that by sending people cursed asks and hoping they'll love it enough to make you fanart.

sqq(cum)/tony the tiger is not going to be skinzun 2. no ask you, or anyone really, send is going to be skinzun 2. it's not because your ideas are bad, not because you can't create something good.

it's because you don't love it.

you can't create a skinzun by sending cursed asks to random blogs and hoping they'll love your ideas for you when you don't even love them yourself.