#token links

[saberqtransforma]

Chainlink : Desvende esse Mistério

🔗 Você já ouviu falar em oráculos no mundo das criptomoedas? Eles não têm nada a ver com mitologia — mas tudo a ver com o futuro da tecnologia blockchain.

O Chainlink é um dos maiores exemplos disso. Ele conecta contratos inteligentes com dados do mundo real, tornando possível desde seguros automatizados até previsões de mercado mais precisas.

Mas como isso funciona, na prática? Mais do que promessas, o Chainlink já está sendo usado em aplicações reais e impactantes. E eu separei 10 delas pra você conhecer!

👉 Dá uma olhada nesse artigo completo que publiquei: 🌐 saberquetransforma.com.br/chainlink-10-aplicacoes-reais-do-oraculo/

Se você curte inovação, blockchain e quer entender como a tecnologia está moldando o presente (e não só o futuro), essa leitura é pra você!

[sleepiestoken]

via ssamhallett

[lifemod17]

II

🎥: pannadise | tiktok

Download Festival || 06/14/2025

[vulcanette]

ii ascending during atlantic

[elkkiel]

my arms belong around you

some cozy vess/ii vibes for @bubacorn <3 happy holidays friend!! :3

[mcqraw]

intricate rituals

[frothingatthemaw]

“It’s blue light over murder for me…”

[melit0n]

It's blue light over murder for me.

[conditionalclause]

has this been done

[moonchild-in-blue]

Show Me How To Dance Forever info dump

Alright, I'm joining the research team side of tumblr and going through every element of the website / new information. A lot of what's here has been posted by others, so this is more of a compilation of things and me thinking out loud.

The Code - D O U O S V A V V M

The Shugborough Inscription is a sequence of letters – O U O S V A V V, between the letters D M on a lower plane – carved on the 18th-century Shepherd's Monument in the grounds of Shugborough Hall in Staffordshire, England, below a mirror image of Nicolas Poussin's painting the Shepherds of Arcadia (...) [about the relief] On the tomb is carved the Latin text Et in arcadia ego ("I am also in Arcadia" or "I am, even in Arcadia") The letters on the second line, D M, were commonly used on Roman tombs to stand for Dis Manibus, meaning "dedicated to the shades". (from wikipedia page)

I'm not gonna go into much detail about the whole Holy Grail thing, bevause you've all probably read this article by now. I do wanna point point out the obvious Arcadia = Eden connection:

Arcadia (Greek: Αρκαδία) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires. Greek mythology and the poetry of Theocritus inspired the Roman poet Virgil to write his Eclogues, a series of poems with references to Arcadia as the home of Pan, pipes and singing. (from wikipedia page)

And to point put what the shades in "dis manibus" mean:

In ancient Roman religion, the Manes (/ˈmeɪniːz/, Latin: mānēs, Classical Latin: [ˈmaː.neːs̠]) or Di Manes are chthonic deities sometimes thought to represent souls of deceased loved ones. They were associated with the Lares, Lemures, Genii, and Di Penates as deities (di) that pertained to domestic, local, and personal cult. They belonged broadly to the category of di inferi, "those who dwell below", the undifferentiated collective of divine dead. (from wikipedia page)

POINTING OUT that the Lares are viewed as guardians (sacred guardians if you will -> see Chokehold (I come as a blade, a sacred guardian) and the TOG poem (I am the teeth of God).

The Divide / The Choices

SPEAKING OF the TOG poem, the first email that prompts the choice of house reads "Behold, a Divide", which is very similar to " I am the line between" verse of the poem.

We are presented with two images (which I will get into it later) - House Veridian (crossed swords) and Feathered Host (a feather)

House Veridian: The House Must Endure Feathered Host: The Cycle Must Be Broken

House Veridian

Veridian is probably a reference to the colour viridian, given the symbol is green. Interestingly enough, this pigment is a "hydrated chromium(III) oxide", os an HEXAGONAL SHAPE (the same shape of the images we see on the email. ALSO. OMG YOU GUYSSSS LOOK:

It is antiferromagnetic up to 307 K, the Néel temperature

What's that you ask? WELL:

In materials that exhibit antiferromagnetism, the magnetic moments of atoms or molecules, usually related to the spins of electrons, align in a regular pattern with neighboring spins (on different sublattices) pointing in opposite directions.

THIS IS BLOODSPORT AND ALKALINE ALL OVER AGAIN, I'M GONNA THROW UP. VESSEL YOU BEAUTIFUL BASTARD NERD. MORE:

Chromium(III) oxide is amphoteric AKA In chemistry, an amphoteric compound (from Greek amphoteros 'both') is a molecule or ion that can react both as an acid and as a base

BITCH.

It is also used to polish BLADES! SWORDS! HMMMM!!!!!

If we think of The House as A Vessel for a god (which is basically what they are, mortal houses of worship), we can definitely see it as "I, the guardian, the fighter, the blade, must endure" . See Chokehold and Higher especially for this.

Feathered Host

I think the connection with thw TNDNBTG/ Euclid is pretty obvious. The constant imagery of angels and heaven in his lyrics, the "cycle" that is completed and repeated with those two songs. The cycle is broken, but it loops again.

You live with angels vs your wings won't find you heaven. You are the garden vs I will go back to Eden. You are far away where I can't reach you vs I will bring down heaven myself for you. Gods vs mortals vs angels. Beginning and End. Like F. Ocean said, "it's a loop. the other side of a loop it's a loop".

I think both of these choices are a very clear representation of the story that has been presented in the trilogy, but even more so in TMBTE. The dichotomy between continuing to fight, to spill blood, to be a hones and well polished tool, and the realisation of the enormity of the violence that persists. The desire for peace, the longing for simpler, more innocent times, for Eden, for Arcadia. A utopia that may only exist in dreams, long forgotten. The fields of elation now barren and sealed off.

Euclid marks the moment of breach, where there's finally a clear thread of hope. The break of the bough, the killing of the self, of the ego. But even then, there is still some attachment for the past weaved between the frayed ends. It's still the autumns leaves, do you remember me? And the final callback to TNDNBTG, the loop. An everlasting ouroboros, the venomous serpent biting its own tail, Even and The Tempter one and the same.

I find it interesting how the double-swords can mean so much. In tarot, it represents an impasse, a stalemate (the card is a blindfolded woman - see the Rain guardian - under the moon holding the two swords). It's used as a battlefield marker. In chemistry, double daggers are used to indicate the Transition State of a chemical reaction. Much to think about.

Show Me How To Dance Forever

Right so, I already made a half-assed post about the Nothing Lasts Forever to Show Me How To Dance Forever pipeline, but I'm keeping it here anyways. They have mentioned dance many times before, in the WH cover, in Aqua Regia and Ascensionism, in the interludes (where they say something about dancing with life and death both if I'm not mistaken).

Now, Aqua Regia makes a reference to Dark Signs . I'm done dancing to alarm bells // (...) I could see dark signs, alarm bells in your eyes. AND, Dark Signs has one of my most favourite lyrics, which goes: I might bend and break to my basic needs to be loved and close to somebody. WHICH WE CAN CONNECT to I Wanna Dance With Somebody (who loves me).

Which poses the question: WHAT are we dancing to? Are we giving in yet again to the need for love, and reveling in what it is a flawed and broken cadence of pleasure and pain alike? Or are we asking to be shown how to dance instead of fight, how to turn despair into tenderness. How to live this new life, a new beginning? Are we forever doomed to waltz with Death, to balance fire in the earth, or are sailing away to new ports, leaving funeral pyres behind towards a new shore, to Arcadia? MANY SUCH QUESTIONS!

The Black Flamingo

I don't know dawg. Is he Vessel? Black and tall and elegant and kinda weird?? Ridiculous wingspan??? Jk. I know some people have already talked about it, and it's potentially connected to the TOG novel (which I haven't read yet), so I'll leave that to you.

I might be missing some things but this is what I have for now. My brain hurts lmao.

[sleeptaken]

[X]

[bluesey-182]

okay bear with me while i try to organize all of these thoughts.

even in arcadia is such an interesting album to me because it seems to simultaneously be the most AND the least lore-heavy album compared to all their other work. i've always been of the mind that very few, if any, of their songs are actually about sleep. vessel sings about his own personal struggles, a lot of those having to do with what was an obviously very toxic and potentially abusive past relationship, but i've never really thought he was singing about sleep for a good 99% of their discography. the songs themselves are the offerings. "here's all of my pain. i offer if to you" (in penance??? 👀). however, at the same time, the kind of metaphors and language he uses puts all of that pain behind a certain kind of... barrier, i suppose? that makes it seem like "maybe it could all just be a story". and then he comes into this album with songs like past self, caramel, provider, damocles, and gethsemane where it feels like he's being even more brutally honest and vulnerable than he's ever been before (which is saying something because dear god does vessel spill his guts and bare his heart through the project). he's talking directly to the audience in a way that's unfamiliar and new and gut-wrenching on a whole new level. it's like he's testing the waters of stepping out from behind the smoke screen he's been singing through in the past.

and yet. you get songs like look to windward, emergence, dangerous (this one to a slightly less degree than the others) even in arcadia, and infinite baths. he's saying things that almost don't seem like they'd be said to or about an actual person. they have these incredibly fantasy-battle-esque sounds and lyrics to them. and there are a million and one theories about what sleep is, but this album in particular has me feeling like sleep is a personification of vessel's demons and in this album he's fighting them like he hasn't ever before. he's not bowing down, he's actively out for blood. that's who/what he's talking to this time, as opposed to the person(s) he's usually addressing in his songs.

so that brings me to the house divide. "the house must endure" / "the cycle must end". house veridian and feathered host. and then you get the line "you know i live by the feather and die by the sword". like obviously this is the house divide, but the more i think about that line (especially with feathered host potentially being a nod to feathered quills and that suggesting the houses are actually the pen vs the sword) the more i keep thinking that like... this album is the inner battle between the poet who loves music and chose this project as the outlet vs the man behind the mask dying at the sword of that project. realizing he's gotten himself into this corner of constantly replaying his darkest moments ("i play discordant days on repeat") so he can make this music ("until they look like harmony") and realizing it's hurting him more than it's serving as catharsis anymore. and it all comes together in an album where he's both allowing himself to be what is potentially the most vulnerable he's ever been--ditching some of the metaphors to say things more point blank, addressing the audience directly, getting to be goofy and vulnerable in a lighter way through "provider"--while also giving us songs that are direct conflicts with this deity he's made himself vessel to and also building on that story in a way that has previously been incredibly vague and sparse in terms of actual canon.

it's an incredible dichotomy and i think this separation of the houses was a really clever way to do it. but it also makes me think that the album isn't as cut down the middle in the divide as i think a lot of us initially thought. it's also interesting to catch the lyrics in this album that reference each other across the aisle. (the one coming to mind rn is "war of attrition" being in both look to windward and caramel when they both have different themes to them).

all this to say, vessel is a genius and continues to achieve incredible and mind-boggling things in his music, and this album has really (in my opinion) been a gift.

[tedzyrotten]

what other way is there to describe this other than “this one’s mine :)”

[lifemod17]

🎥: Destructive Viper | youtube

Rock im Park || 06/07/2025

[vulcanette]

📸: @ jay adams

[prettyboyivy]

🖤