#tore brunborg
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What should session musicians' solo albums be like then? Manu Katché, for instance, looks like someone who would have done either more progressive rock shenanigans on his own or some jazz fusion. He chose the latter, though his pieces do remind me of what his major employer, Mr. Peter Gabriel, might have done, had he decided to go all jazz. True, we can go too much in this – session musicians on their own are not the mirrors to the biggest names they work with, they're their own players with their own quirks and characteristics. Still, one can notice a slight tinge of his other collaborations. I mean, the tune on the link could be rewritten into something for Sting and, you are correct, Manu Katché also drummed for him.
#Youtube#manu katché#unstatic#ride me up#ellen andrea wang#jim watson#tore brunborg#luca aquino#10's music#jazz
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remembrance by Dave Binyon Via Flickr: Sculpture park in the Frogner Park, Oslo with more than 200 sculptures by Gustav Vigeland (1869–1943) Please : Right Click and select "Open link in new tab" www.youtube.com/watch?v=DKqqDXhNOX0 "Remembrance" - Ketil Bjørnstad / Tore Brunborg
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Après Un Rêve By Helge Lien Trio, Tore Brunborg From the album Funeral Dance Added to Discover Weekly playlist by Unknown User on December 11, 2023 at 12:00AM Listen on Spotify https://ift.tt/tuMeLs0
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Ballads Tend To Be ...
... sentimental, slow, often somewhat dreamy stuff. Well - this one isn't. It's slow alright, but in a stridently virile sort of way.
Then again, these are musicians from Norway - a nation not exactly blessed with mediterranean conditions, where maybe even your dreams need to be a bit more down-to-earth because frost bite is never too far away ...
Anyway, here's a quartet led by bassist Bjorn Alterhaug with the title track from his album A Ballad (1986, Sonor Records – SONCD 2013)
Bjorn Alterhaug, bass Tore Brunborg, sax Vigleik Storaas, piano Trond Kopperud, drums
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La Montaña Rusa #487. Wolfgang Dauner. Manolo Valls Quartet. Adam Baldych with Helge Lien Trio. Mostly Other People Do The Killing. Ron Miles. The Bad Plus.
La Montaña Rusa #487. Wolfgang Dauner. Manolo Valls Quartet. Adam Baldych with Helge Lien Trio. Mostly Other People Do The Killing. Ron Miles. The Bad Plus.
De vuelta con otra estupenda ronda de jazz clásico y contemporáneo para todos vosotros y como siempre, por la cara desde La Montaña Rusa Radio Jazz. Abrimos con nuestro Clásico de la Semana que esta vez pone el foco en este estupendo pianista alemán llamado Wolfgang Dauner, conocido de los fusionemos sin duda por su trabajo junto a la United Jazz+Rock Ensemble. Hoy lo presentamos a piano solo en…
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#Adam Baldych#Bill Frisell#Brian Blade#David King#Ethan Iverson#Helge Lien Trio#Iván Cebrián#Jason Moran#Manolo Valls#Moppa Elliott#Mostly Other People Do The Killing#Oscar Cuchillo#Reid Anderson#ron miles#Rubén Díaz#the bad plus#Tore Brunborg#Wolfgang Dauner
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Mathias Eick: Skala
From: Skala
Electric Guitar, Trumpet, Recording Arranger : Mathias Eick
Electric Bass: Audun Erlien
Piano: Andreas Ulvo
Drums: Torstein Lofthus
Tenor Saxophone: Tore Brunborg
Keyboards: Morten Qvenild
Drums: Gard Nilssen
2011 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin
Phroyd
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Tord Gustavsen Quartet – Live in Ravello
Tord Gustavsen – piano Tore Brunborg – saxophone Mats Eilertsen – bass Jarle Vespestad – drums
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granny-pop-out-of-bedbw by Dave Binyon Via Flickr: Calystegia sepium (hedge bindweed, Rutland beauty, bugle vine, heavenly trumpets, bellbind, granny-pop-out-of-bed and many others Please : Right Click and select "Open link in new tab" www.youtube.com/watch?v=DKqqDXhNOX0 "Remembrance" - Ketil Bjørnstad / Tore Brunborg
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Follow My Favourite Songs by PistakkioMusic on Spotify!!! All Rights Reserved by Pistakkio
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Tore Brunborg. Slow Snow, 2015. ACT 9586-2. ( Guitar, Electronics – Eivind Aarset ) ~
[ Album Review | London Jazz News ]
Tore Brunborg hasn’t had the international acclaim of other Norwegian saxophonists such as Jan Garbarek, from an earlier generation, or Marius Neset, from a later one. But a career stretching over more than three decades has seen him perform with stars including Manu Katché and Pat Metheny. British audiences have heard him with John Taylor in the Anglo-Scandinavian trio Meadow or, more likely, in pianist Tord Gustavsen’s quartet. His typical contribution to a Gustavsen gig is to supply whisper quiet accompaniment to the leader’s devoutly devotional piano, then bring things to a long-awaited climax with some relatively unrestrained tenor sax preaching when Gustavsen eventually finds his gospel groove.
The first track here replays that arc rather precisely, with Brunborg himself furnishing the soft piano chords that establish the atmosphere, fully two minutes before the saxophone joins in. It sets the style for much of the set. Pleasant if not especially striking themes and simple motifs. A disinclination to use three chords where two will do. Harmonic or even melodic movement emerging slowly. Unhurried, understated, and a thousand miles from the clattery rhythms and bustling lines of contemporary New York post bop.
It is a familiar musical neighbourhood – most jazz listeners would take this for an ECM recording in a blindfold test – perhaps even a little too familiar. Steinar Raknes on bass has some fine grooves. Per Oddvar Johansen on drums is not given a lot to do much of the time, but does it unobtrusively well.
The secret sauce here is Eivind Aarset’s guitar, whose sound has so many dimensions it must arise from some kind of fractal process. The easiest contributions to peg are the ocasional Frisell-ish twangs and brief fuzz-filled outbursts. But there are a host of other subtle colourings and commentaries. His constantly changing additions to the soundscape are an excellent, electronically enhanced complement to the solidly rooted lyricism of the saxophone. Like Brunborg, he is more likely to hint at deep feeling below the surface than indulge in anything more demonstrative – sometimes Scandinavian jazz can seem very English that way. But the combination is transformative, producing a carefully wrought session that is more than the sum of its parts.
#jazz#jazz saxophone#Tore Brunborg#eivind aarset#act music#2015#2010s#2010s jazz#london jazz news#review#rainbow studio
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Adam Bałdych & Helge Lien Trio – Love
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Norway Seems Destined ...
... to keep producing great jazz musicians. Is it something in the national character? In the Norwegian air? Do fjords and polar lights and lonely winter forests somehow make people pick up musical instruments and produce the most gorgeous noises, to keep away trolls and winter darkness?
Here, anyway, is saxophonist Tore Brunberg with the opening track of his album Gravity (2003, Vossa Jazz Records – VJ03006-2). It's called Credo, and whatever faith may be proclaimed on this occasion, it is put into sound by some of the finest soloists:
Tore Brunborg - tenor sax Bugge Wesseltoft - piano Anders Engen - drums Lars Danielsson - bass
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마지막 이브의 밤을 울리는 섹소폰과 오르간에 적셔지는 북유럽의 크리스마스 Tore Brunborg & Kjetil Bjerkestrand - nordic christmas (차가운 여름 안에 있다면 하얀 계절의 슬픔) https://www.instagram.com/p/B6dPXmSnIXY/?igshid=gtew8enk42i6
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Jazz: Manu Katché "Clubbing" from the album "Manu Katché - Live in Concert", ACT Music, 2014
Recorded live at Jazzclub New Morning, Paris, June 16, 2014
Manu Katché - drums
Luca Aquino - trumpet
Tore Brunborg - saxophone
Jim Watson - piano & Hammond B3
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