#type of wire

[srjsteel]

What’s the Right Binding Wire for High-Rise Projects?

Binding wire selection would possibly appear trivial in comparison to selecting the best TMT bar or positioning bar dowels efficiently, but this small aspect performs a vital role in structural integrity. When building high-rise buildings, every element is a topic—from the muse to the tiniest fastening material. The first class of binding cord directly impacts how properly reinforcement remains in the area throughout concrete pouring, affecting the overall electricity and sturdiness of the finished shape.

Why Binding Wire Quality Matters in High-Rise Construction

Skyscrapers and multi-story buildings face precise structural challenges that low-upward push systems don't come upon. Wind forces, seismic hobby, and the sheer weight of the building create complex pressure styles in the course of the reinforced concrete factors. Proper binding twine ensures that carefully placed bar dowels and top-rate TMT bars keep their engineered placement in the course of concrete pouring—a critical issue in structural performance.

Binding wire failure at some point in construction can cause reinforcement displacement, creating vulnerable factors that compromise the whole structure. This risk increases considerably in high-upward thrust initiatives wherein concrete pours happen at significant heights and volumes. Experienced engineers recognize that deciding on appropriate binding wire isn't always about cutting prices but making sure of long-term structural integrity.

Comparing Binding Wire Types for Different Applications

Black Annealed Wire

This traditional binding cord choice stays famous for well-known production packages. When securing traditional bar dowels in non-essential sections, black annealed wire offers sufficient strength and workability. The twine's malleability allows for tight binding with minimal attempt, making it efficient for massive-scale initiatives.

However, while running with the satisfactory TMT bar types in load-bearing columns or shear walls, black annealed cord presents certain boundaries. Its susceptibility to corrosion makes it much less appropriate for uncovered environments or systems in coastal areas. Additionally, its notably lower tensile strength won't provide ok security for heavy reinforcement configurations.

Galvanized Binding Wire

Galvanized binding cord offers advanced corrosion resistance, making it perfect for securing bar dowels in foundations and different moisture-susceptible locations. The zinc coating acts as a sacrificial layer, protecting the twine and, by extension, the reinforcement it secures. For high-rise projects in humid or coastal environments, this asset considerably extends structural sturdiness.

When used with top-rated grade TMT bars, galvanized binding wire creates a more corrosion-resistant reinforcement machine. The additional price in comparison to black annealed twine is minimal when viewed against the potential long-term renovation financial savings and structural integrity advantages.

PVC-Coated Binding Wire

For specialized packages where chemical resistance topics are concerned, PVC-coated binding wire offers precise benefits. Industrial centers, water remedy flowers, or systems exposed to chemical environments benefit from this binding twine variant. The PVC coating prevents chemical attacks that might compromise widespread wires.

This specialized binding cord also prevents galvanic corrosion while different steel kinds touch each other—a consideration while specific bar dowel compositions ought to paint along the nice TMT bar grades to be had.

Making the Right Binding Wire Decision

Structural protection depends on seemingly minor decisions that compound at some stage in the construction technique. Selecting appropriate binding wire based on mission requirements in place of certainly defaulting to the most inexpensive option contributes appreciably to overall structural performance.

For vital structural factors, the usage of top-rate TMT bars—specifically those in seismic zones or helping enormous loads—and better-grade binding wire gives essential security.

Construction experts need to examine binding cord specs with the same care given to choosing bar dowels and reinforcement. This interest in detail distinguishes exquisite structures from simply okay ones and affords peace of mind about long-term performance. When structural integrity matters arise, every issue—together with binding cord—merits careful consideration.

[xxxsugarcyanidexxx]

fucking robots that actually look like robots. You agree. Reblog.

[carsthatnevermadeitetc]

Jaguar E-Type Series 1 4.2 Coupé Prototype, 1965, by Frua. A project by British racing driver John Coombs to offer a bespoke version of the E-type. After a chance meeting with Italian coachbuilder Peitro Frua, they agreed a series of trim modifications that would be manufactured by Frua in Turin and then fitted by Coombs at his workshop in the UK. In addition to the Frua-designed nose and rear bumper Combs had the head ported and added a high ratio back axle with suspension upgrades. It was presented at the 1966 Geneva Motor Show and at Earls Court but despite receiving orders Combs cancelled the project on cost grounds so the prototype remained a one-off. It was sold recently in the UK

sales listing

[vanalex]

"There is never a show that goes by that I am not terrified to walk out onstage. Maybe terrified is too strong of a word. It's not so much that I'm afraid of what the audience is going to think or that I'll screw up onstage, but that my equipment, or the rest of the band's equipment will. The worst thing in the world is to have something blow out onstage, then the song stops, and you have people getting restless. I as the frontman have to pacify the audience, so it's like, 'Oh, fuck! Now I have to go out there and calm all these people down.' Hopefully, it'll be a minor problem. There have been shows where my bass amp blew up twice in one night, where I had to do half the show with no bass and wing it. It's like, sometimes I feel like a complete dick onstage and I'm standing there in front of the whole world thinking, 'Oh, god, I'd like to be any other place but here right now.' But you can't let the audience know it. You just have to continue with it, and make the best of it."

~ Peter Steele ~ Live Wire Interview 1995

[non-plutonian-druid]

[ID: a tua comic.

Panel 1: Viktor says "Why are you in my apartment."

Panel 2: Five, who is in Viktor's apartment, says "We're going to a pottery class on Thursday."

Panel 3: Viktor, perturbed: "Wait, what? ...I'm busy" Five, offscreen: "You're not, I checked."

Panel 4-5: Viktor, from offscreen, says "wait-" while Five says "The flyer said to wear clothes you don't like" and disappears.

Panels 6-9: Viktor, looking bewildered, asks "Does he do this to you guys too?" Luther replies "We made candles. They... look like shit. But they smell nice!" Allison replies "We made keychains." Klaus replies "I... guess he drives me to my knitting club? I think he just does it to flirt with the old ladies."

Panel 10-11: Viktor prompts, "Diego?", who looks embarrassed.

Panel 12: Diego tilts his nose in the air and says "needle felting." Allison replies "of course."

Panel 13: Diego opens one eye and says "I'm gonna make Lila a wolf." Luther replies "of course." End ID.]

Needle felting is the stabbiest craft.

also i have though long and hard about what five should do with himself now that the apocalypse is gone, and i have decided that one of the answers is "drags his siblings to community crafting classes against their will"

(takes place not in season 4, but in the equivalent time period (ie 2024) in one of those classic "after season 2 the sparrows are quickly taken care of and they get back to their own timeline" aus, becuase season 4 was mostly ok but i don't want to play in its space.)

[mirthfulmoonshine]

‼️Angel of Death is a killer shot

[shitty-proendo-blackout-posts]

CHEESE.

[thestalkerbunny]

Locke and Key-a pair of 'Trapper' Slashers.

Locke was the heavy lifter of the two. From building the elaborate traps and puzzles they'd put people in to kidnapping people and moving their bodies. Locke, though characterized frequently as a giant mute brute, is a rather gentle person. He genuinely believed what Key and he was doing was a good thing. That the people who survived their traps would leave with a new perspective and change their lives. Which was not the case as Key was simply a man who loved control, had an ego and god complex and lorded over Locke with abuse emotional and physical despite the fact Locke was much much stronger.

Eventually, Locke had enough and killed Key publicly and submitted to being arrested. He is ironically a very model prisoner and is often contacted by the FBI to profile other killers. Locke is an alarmingly intelligent man with a strangely deep level of emotional intelligence when it comes to people. The few people who have tried to psychoanalyze Locke believes it's the same level of gaslighting and manipulation found in cults and high control abusive relationships that resulted in his submissive behavior towards Key.

Locke being a calm, pleasant man often puts people at unease because they expect him to be naturally violent. The prison he was sentenced to has become much more peaceful since he is essentially the biggest scariest son of a bitch there and he calls nearly all the shots.

[ulteri0rm0tives]

....and if I said I wanted Johnny and Kerry in the messiest divorce arc since Paul McCartney and John Lennon.. what then...

[decayinglandmine]

How it unironically feels to be 23+ in jiraiblr

[vanalex]

Peter: "I'm not sure where one day ends and the next begins. We usually leave the show after we're done. We'll take a break, meet some fans, then take another break on the bus and eat and talk. Then we go to sleep and when we wake up we're at the next hotel. Then we get to shower, and make a hundred phone calls. Then we're off to soundcheck. After soundcheck, these guys like to hang out, I usually work out. Then it's time to make fools of ourselves on stage."

LW: I interviewed Kenny before and he said that he didn't get up till 5 PM. Today he really didn't. Is he the only one like that?

Peter: "He's the most nocturnal."

LW: I know that you do a lot of weight lifting. Do you do that on the bus?

Peter: "It's a back room on the bus, I'll show you when we're done."

LW: Does anyone else lift weights in the band?

Peter: "Johnny's got his beer can, he does a lot of curls with that."

Josh: "I lift four packs."

Peter: "Kenny just drags himself around, which is all the exercise that he can handle."

LW: When I interviewed him once before, I asked him what he did after shows and he said he would go find drugs...

Josh: "That's Kenny. That's as an honest answer. Dealing with the stress, and living in these conditions, naturally it's nice to be completely shit-faced and escape."

Peter: "If you can't escape physically, you have to escape mentally."

~Peter Steele and Josh Silver~ Livewire Interview 1997

[fairuzfan]

I think they make better tv than movies these days

[ace-and-ranty]

Here's a thing that really stood out to me about Nessarose in Part 1. Don't remember if that was in the musical, but.

She tells Elphaba: "No, you shouldn't have."

And it really startled me, because. Let's rewind. Here's what happened: Elphaba walked out ahead of her father and sister, not sure why, startled the heck out of everyone by... being there... did her little "Let's get this out of the way" speech. And was slightly snide to Galinda who was being an absolute git to her.

Her father catches up, and snaps at Elphaba to "Stop making a spectacle of yourself".

Elphaba tells Nessa, "I shouldn't have popped off like that". And at this point, I was fully expecting Nessarose to say some inane soothing shit, like, "It's all right, let's forget it", or whatever, except no. She agrees. She agrees with their father that Elphaba:

A) Existing B) Defending herself by being kinda prickly

is Elphaba making an spectacle out of herself.

And this is immediately following her getting the shoes, in front of Elphaba, and immediately before she starts gushing on how this is her second chance, with no thought whatsoever that her sister is still stuck at home, alone with a father that hates her, and, I imagine, incredibly dull prospects for life.

It's like. Elphaba has been thought to make herself small and responsible for Nessa. But Nessa has also been taught to expect it. She expects Elphaba should put her well-being first. There is not a single moment of asking Elphie if she will be okay at home. There is never an attempt to step up to help her. Nessa has been brought up with the unspoken familial dynamic that it's Elphaba's fault she's in that wheelchair, and thus Elphaba's responsibility to atone for it, forever.

Which I imagine could make for a very juicy fall out between them in part two. Because how dare Elphaba put the well-being of Animals before Nessa's?.

[hazelnutnebula]

ermm., your connection sucks so bad, stinko. get well soon~ ^_^

[nekobami]

Cratz pur

(take your time i know he’s hard for you to animate/draw like stupid alight Motion)

THATS RIGHT, stupid alight motion, I'm completely SICK of it so I'm gonna have to stick with my sketch inky artstyle :D (hope u like it) [TYSM for asking (and requesting) <3]

[mercutiotakethewheel]

Kendra, inwardly: Omg I am so scared right now. I’m going to die here. This freakyass magical creatures about to do me in. And could do so easily, which I am imagining very vividly right now. Those are huge teeth. I am fighting god to hold it together right now. I don’t want to die. Why am I here? Just to suffer, every night I close my eyes and—

Kendra, outwardly: I cast vicious mockery.