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o0anapher0o · 9 months ago

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Okay, I know I’m late to the party and this has probably been discussed to death, but I have thoughts and they need out.

I’ve been a Star Trek fan all my life so I’m very familiar with writers on a show going “You know what would be a cool idea? A surprise reveal that retroactively changes everything. Plot holes? What do you mean plot holes? It’s called texture.” But even with that background the Iris is Carlos’ secret wife plot was one of the dumbest, least well thought out reveals I have ever seen and that includes Spock getting a surprise secret sibling twice.

It’s just created this weird Discworld-logic phenomenon where Carlos in season 4 has been married to Iris for nearly ten years, but they definitely weren’t married last season (or at least in 1&2). And here’s the thing that bugs me so much: I understand why they wrote it and it works for the characters, it just makes absolutely no sense within the established canon of the show. Like, do I believe Carlos is the type who would get hetero married to his best friend to placate his parents and then not tell his boyfriend about it until he absolutely had to? I love Carlos, but yes, 100% he would do that. Unfortunately we have absolutely no indication that he so much as met Iris before 4x01. The way Carlos story had been told before it makes no sense narratively or emotionally.

In season one Carlos is introduced explicitly as Michelle’s friend and it’s heavily implied they only met through the investigation of her sister’s disappearance. While that is never explicitly stated and I’m willing to suspend my disbelieve here, the fact is that Carlos is involved in and contributes significantly to the investigation, an investigation he wouldn’t get anywhere near if he was Iris’ husband, in fact he would likely be a main suspect (from a police perspective the situation is that a (white) woman, married to her (latino) husband disappeared after a fight with her boyfriend. Once she was presumed dead the most likely scenario is that either the boyfriend or the husband did it).

But even if we neglect realism in proceedings (which, fair in a show that has a fucking volcano in the middle of Austin), Carlos being best friends and married to Iris would have had a different emotional impact. For one thing his relationship with Michelle would be different. As we see him, Carlos is a friend to Michelle, supporting her in her loss, but there is no indication that they share that loss. And if Iris had been Carlos best friend you cannot tell me Michelle wouldn’t have thrown that in his face everytime he tried to get her to accept that Iris might be dead. Michelle is not one to refrain from a little guilt tripping if it gets her what she wants. But she is also an empathetic person, who would have told her friend when they found Iris alive. (Technically the hospital would have probably called him that they had his wife but) there should have at least been an attempt to contact him when she does find her. As it is we don’t even see Carlos find out about Iris being alive and Michelle literally tells Owen before she even considers telling Carlos (literally she doesn’t even look at him when he comes to the firehouse to pick up TK).

And it continues in season two. If Carlos was married to Iris (and his parents canonically know about it, which is of course the point) then his relationship with his parents in season 2 doesn’t make any sense.

Carlos is estranged from his parents because he believes they don’t accept him being gay and them not having talked about it since he came out to them means they’re still hoping it was just a phase and he would change his mind. The thing is if Carlos came out as gay to his parents at 17 and then married a woman 2-3 years later that hope/opinion would be entirely justified because to them that would have been exactly what happened. Even if they know the marriage is basically over, he still married a woman after he told them he never would so he must have changed his mind, right? How are they supposed to know the marriage was the error and not the coming out, especially if they never talked about it. There is a huge difference between ‘I don’t want to rub their noses in [something they might not like me for]’ and ‘they think I’m not actually gay because I went so far as to marry a woman to make them happy’. One is not advertising your queerness were you think it’s not welcomed the other is deliberately stepping back in the closet. In the latter case it makes no sense for Carlos parents to accept his sexuality and relationship with TK without at least asking about Iris and confusion at meeting Carlos ‘friend from work’ would have been justified.

Tl:dr Carlos being best friends with and married to Iris doesn’t make sense with anything established in seasons 1 and 2. It doesn’t work for his relationships with the people who would have known about it and it doesn’t work from a purely practical this-is-how-the-world-works standpoint either. Carlos in the early seasons did not know Iris and had no relationship with her beyond her being his friend’s missing sister.

#thing is #I didn't hate what they did with it #I hated it because it didn't make a lick of sense #and was so obviously an 'we need to create drama out of thin air'#when there are at least four tragically underused characters running around #I get it we all love tarlos and the kidnapping ep was great and I even liked Iris (or maybe I just like the actress)#But like make half an effort to make it make sense #long post #911 lone star #carlos reyes #meta

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shihalyfie · 4 years ago

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The relationship between the Yagami siblings

The above line is possibly one of the most vital lines in contextualizing the relationship between the Yagami siblings, but is all too often omitted, and so it can lead to a lot of other questions about whether Hikari has dependency problems or whether Taichi has a natural tendency to be overprotective (also not helped by the fact that Hikari’s own voice actress, Araki Kae, was very fond of joking about Hikari having a brother complex). Once the proper context is applied, however, the relationship between the two ends up saying a lot about both individually!

That's the kind of girl she is! She's always thinking about other people before herself, and she'll never tell anyone that she's in pain or having a hard time, even if it kills her! The thing is, she might not have even wanted to come to this stupid world at all...But when people tell her that the fate of the world is in her hands or something, she could never refuse!... ...That's why...That's why I'm supposed to look after her and protect her...

The summary of everything going on between the two siblings at the time of Adventure has to do with the following:

Hikari is “always thinking of other people before herself” (i.e. she “doesn’t want to be a burden”, a very common sentiment among these very selfless kids in Adventure and 02), and therefore will accept massive burdens or pain on herself because she doesn’t want to trouble others. Because of that, she also will not speak out about her pain, simply suppressing it and pretending that everything is fine, while working for others’ sake.

Even Taichi has no idea what she’s thinking, because she’s so bad at vocalizing what she wants or is actually feeling that he has to guess. While he’s obviously emotionally compromised and thinking the worst of everything at the time of the above incident in Adventure episode 48, he also states that “that’s the kind of girl she is,” which implies that the above incident where Hikari got pneumonia was not an isolated incident, and therefore that Hikari has a repeated pattern of behaving like this. Hence, why Taichi has to keep stepping in -- he has to constantly assume the worst and go overboard, because Hikari will not do anything for herself if left to her own devices.

Both siblings are characterized as “dangerously self-sacrificial”; Taichi will recklessly risk his own welfare if it’s for the sake of others not getting hurt, whereas, as just indicated here, Hikari will refuse to burden other people even if it leads to her own personal destruction. This is not the only time Adventure has portrayed the negative aspects of being too selfless (it’s also a huge theme of Sora’s character arc), and it’s also why Hikari so easily offers herself up at the end of Adventure episode 36; it’s not just about Taichi! Hikari just puts others before herself by default to the extent that, while doing something for herself is hard to do, doing things for others is a no-brainer.

This is also why Hikari’s actions of “clinging” to Taichi in Adventure episode 21 shouldn’t be contextualized as her being clingy to him and wanting him there for her own sake -- remember, the point that was made is that Hikari thinks so little about what she wants that she doesn’t even consider her own wishes as an object, so the reason she bids for them to “stay” in this episode is because she knows he’s been in another world, a potentially dangerous one, and is about to go back and risk his own welfare for it. Since her attitude revolves around “other people’s sake”, it’s natural that she’s not going to be very enthusiastic about her brother and their new friend heading back to the unknown like that. (Remember, she seemed to be fine with him being out at camp and being away from her for prolonged periods of time in general.)

Which is especially enhanced when we see the context of why Taichi has his massive freakout in Adventure episode 48, and the way Hikari behaves in both the episode and the flashback:

The conflict in the episode was kicked off by, once again, Taichi being unable to tell what Hikari was thinking or feeling, and underestimating how much pain she was in, while Hikari had been suppressing it because of her selflessness. As Taichi says, he can’t tell if Hikari had wanted to come, or if she had simply come out of “obligation” regardless of how she’d felt.

And, in the flashback depicted, again: Taichi hadn’t insensitively dragged Hikari out, he had legitimately thought she was fine and misjudged her condition, and Hikari had agreed to go out without protest, only for that to be very much not the case. And when Hikari returned, she had no blame for him and only continued to blame herself for ruining his fun. So, again: Hikari doesn’t even think of herself, and only thinks about how much of a burden she’s being on others, and the incident (and presumably others) had brought Taichi into the understanding that he cannot use what Hikari says about herself as an accurate bar for how she’s doing.

The Character Complete File gives us a bit of an interesting tidbit about Taichi and Hikari’s home lives, in that, if you pay attention, you’ll notice that the Yagami siblings don’t share a room anymore by the time of 02. According to both Taichi and Hikari’s testimonies, Hikari had “constructively” kicked him out by hint-hinting that she was actually not very fond of sharing a room with him and was embarrassed by it! She does eventually admit that it’s a bit lonely without the second person around, but she’s very happy to claim her room as “my own little castle”, and, moreover, with the above context, you can imagine that she, once again, might have been self-conscious about being a “burden” on him due to both of their spaces intersecting too much.

So when we do get to 02...

The line from the second screenshot is the most commonly cited line about Hikari’s attitude regarding her brother in 02, but recall that this is from Hikari basically doing her own version of rambling incoherently. The actual context clue required to decipher this comes from earlier in the episode, when, drowning in the negative atmosphere and impact the Dark Ocean is having on her, Hikari has a vision/flashback of saying “I’m sorry” to her brother. Remembering that the Dark Ocean is heavily associated with “negative emotions”: what does “I’m sorry” mean? “I’m sorry” -- or, in other words, “I caused you more trouble again.” So when Hikari says that “my brother always protected me”, she’s basically saying “I’ve been burdening my brother by making him protect me all of the time,” and the fact that she pairs this with a statement “the next time they call me, I may end up there” is one about inevitability -- she does not like the idea of continuing to burden him, and is letting horrible things happen to her because she would rather not keep doing this to him.

This is what threads the apparent “contradiction” between Hikari supposedly being so “quiet” about certain things yet so assertive about others -- Hikari has never shown any hesitation about putting her foot down assertively when it’s about other people’s sake, but it’s always about her own sake and her own feelings when she suddenly clams up. Tailmon even alludes to it herself in the episode:

Hikari is “strong”, and she’s shown it many times -- she’s assertive, brave, and heck, in this very same episode, the moment she realizes the “Hangyomon” need help, she doesn’t even hesitate to do her best to help them even at the risk of pain to herself! But she’s not going to make it until she can accept the help of others instead of denying everything out of worry for being a burden, which is why the issue starts to resolve a little when Hikari finally breaks down and admits that she wants others to help her, including Takeru, whom she had spurned earlier during the episode.

Hence, this is why the “follow-up” to this episode, 02 episode 31, doesn’t involve Taichi at all -- but it does involve a continuation of the same thing about Hikari’s problem, and she even confirms what Taichi had said about her back in Adventure episode 48, that she won’t vocalize her own problems. On top of that, she adds another layer to it: Hikari compulsively suppresses her own problems to the point she’s outright jealous of Miyako for being able to vocalize them. Hikari’s “selflessness” problem is so bad and self-destructive that even she realizes it’s a problem and wants to do something about it, but literally cannot. This is how bad her problem is, and why none of her actions to this point can really accurately be read as her being clingy or wanting to do anything for truly selfish reasons; this problem of “self-destructive selflessness” was so bad that even she didn’t like this about herself. And, hence, why she felt like she was “burdening” her own brother while she was at it -- it was a problem she did with everyone, but since he was one of the people she knew and trusted the most (having literally grown up with him, and all), it had been the worst with him.

Therefore, Miyako is able to address this issue even without Taichi being involved at all, because the problem wasn’t really about Taichi -- but 02 is a series about the importance of relationships and accepting a need to grow with the help of other people, and therefore, Miyako addressing Hikari’s issue of being so closed-in, and encouraging her to seek help and stop accepting her own destruction just to not “burden” others, is likely to help her have a better relationship with her brother in the future.

...although, by this point in 02, this really was more of Hikari’s own issue than it was Taichi’s by this point, because Taichi treats his sister pretty “neutrally” over the course of the series -- when Hikari’s stranded in the Digital World in 02 episode 7, Iori’s the one more panicked than he is, and he’s mostly just concentrated on having an alibi for her to come back with. And he has zero problem with her flinging herself into dangerous situations over the course of the year, including the stakeout trip started in 02 episode 18 (and for what it’s worth, Hikari herself clearly had no issue flinging herself into such a situation). And when he discusses the issue of the new kids in the 02 group having to accept that killing an enemy will soon become an inevitability in 02 episode 43, it’s a pretty serious conversation with him advising her the way he would have advised any of his other juniors.

This is why context is so important! Taichi had said, back in Adventure episode 48, that he’d hovered over her because he’d had no clue what she was thinking, and would have to take extra precautions because she could easily get herself killed like that. But in 02, it’s not like she was constantly suffering a cold, and it’s a lot more obvious that her actions throughout the series were because it was what she wanted to do, regardless of the risks, so it’s her right to do whatever she wants, and therefore he leaves her to it; she’s clearly doing a much better job taking care of herself, so there’s no reason for him to step in.

Hikari also takes his advice at face value and doesn’t have any particular weirdness about it; she’d never put him on a pedestal or anything, she just still happened to have very self-destructive tendencies that were ultimately resolved with the help of the rest of the 02 group. Often submitted as Hikari having proof of putting him on some kind of weird pedestal is her reaction in 02 episode 4, when she gets angry at Daisuke for being disrespectful about an older sibling, but this omits the fact that Yamato (being a very offended older sibling) got in on it too; the point was more about the disparity between Daisuke and Jun’s more vitriolic relationship compared to the more mutual-esteem relationships between the Ishida-Takaishi and Yagami siblings, plus the fact that, even if the perspective was different, Daisuke was being pretty harsh about his wording (he outright says he hates his sister...).

This is also presumably why, when everyone is presented with illusions regarding their personal worries in 02 episode 49, Hikari’s is the only one that has no relation to her family or home life whatsoever. She has nothing to really worry about with her home life, and Taichi seems to be fine and she has no particular interest in what he does as long as she’s not burdening him further. Rather, again, her character was largely about “doing more for other people than doing anything for herself,” so of course, her “dream” ends up being about everyone else in the world being happy.

In the end, it was more about her larger issues of her relationship to “other people” versus her relationship to “herself” than anything else -- it was just impacting the siblings the most since they were, well, siblings.

#digimon #digimon adventure #digimon adventure 02 #yagami hikari #yagami taichi #hikari yagami #taichi yagami #shihameta

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ectonurites · 4 years ago

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heyyy can you talk about kons dating history or atleast with older women? ive seen a few posts but im not sure but thats so ://///

Ahhh yes. Kon’s dating history, I've finally now finished reading all his solo comics (and had already gone through his team books a while back) so it’s a perfect time to delve into this. I’m kinda broadening it to his love interests in general, as not all of them put an official ‘dating’ label on things, but are still worth bringing up. This is kinda long so sorry in advance about that, but I tried to be as brief as possible.

TW for pedophilia (in these specific cases discussing a 23 year old dating a 16 year old, and another woman without a specifically given age [but clearly an adult] with the same 16 year old) obviously i’m not talking about it positively here but it’s unfortunately necessary to discuss with this topic.

I consider Kon as having five primary love interests in the pre-reboot comics world, which is where most of his dating happened. The ‘criteria’ I guess i’m using to separate them from the others i’ll talk about after is a combination of ‘they interacted for a long time’ and/or ‘the relationship had a big impact on his story/him as a person’.

I’m also mainly sticking in pre-New 52 world for this because aside from the 'fake married to Lophi to protect her and her kid on Gemworld' thing in Young Justice 2019, he hasn't done much with relationships since getting officially reintroduced. Then the New 52 version of Kon was a very separate person and even so he was mainly just (sorta) involved with Cassie.

ANYWAYS the main five are:

Tana Moon - Tana was a 23 year old (as stated in Superboy #32) reporter Kon initially met during Reign of the Supermen, the story he debuted in (meaning she was one of the first people he met), who also happened to move back to Hawaii around the time he ended up there on his press tour. The two of them had an on and off relationship from basically the start of the comic until she broke up with him in Superboy #46. She briefly came back into his life in Superboy #72 after having been kidnapped by The Agenda, before being killed by Amanda Spence in Superboy #74. Kon and several others refer to her as his ‘first love’ especially after her death, which weighed very heavily on him.

Knockout/Kay - A woman we find out was originally one of the Female Furies, who works as a stripper at the 'Boom Boom Room’ in Hawaii while trying to keep a low-profile after leaving Apokolips. We don't get an exact age for her but she's very much so implied to be an adult. She hits on Kon from the moment she meets him (she also quite literally uses the term ‘jailbait’ to describe him in her first appearance in Superboy #1) and kisses him several times, insisting on working with him and training him and eventually beginning a more formal relationship with him. She kills someone and he blindly defends her thinking she couldn’t have done it, and she tries to coerce him into killing someone by promising herself to him (before killing the guy herself when Kon wouldn’t do it). The arc mainly focused on their relationship is from Superboy #22-30, but she is a presence in the comic from the start. She is arrested for the murders she committed at the end of the arc, and doesn't interact with Kon much again after as she is in a high security prison, but she is referenced multiple times.

Roxy Leech - Roxy is the daughter of Rex Leech, Kon's agent. From the moment she meets Kon, also during Reign of the Supermen like Tana, she's got a thing for him. Her age is left a bit more unclear, as some bits of dialogue indicate she is actually close to Kon's age but other things like how she applies to the police academy, something you need to be like 20 to do, indicate she's a bit older. Regardless, she’s definitely younger than Tana as she comments on her age at least once. She actively dislikes both Tana and Knockout for being interested in Kon, and confesses her feelings to him during a 'the whole world might end tonight' situation (in Superboy #33). The two of them didn't really date, but there is a period of time where Kon feels torn between Tana and Roxy. Not too long after that she ends up volunteering herself to be used in a procedure to stabilize Kon's dna after it had been torn apart by The Agenda when they cloned him, as the method to save him required someone close in age to him be used as a genetic template. From that point on they considered each other more like siblings, ending the romantic aspect of their relationship (in Superboy #41)

Serling Roquette - Serling is a 16 year old (as first stated in Superboy #57) science prodigy who works in the genetics department of Cadmus, and is the person who manages to cure Kon's condition where he'd been stuck at age 16 (a side effect from the procedure with Roxy). Initially she had a crush on Guardian, but over time grew to like Kon, she was one of the first people at Cadmus he personally tells his name ‘Kon-El’ to. They only kinda start to get together before Tana comes back and then is killed. After a situation where Roxy came back and needed help, when he and Serling try to maybe pick things up again, Kon realizes Tana’s death is still too fresh for him to get involved in anything too serious with her and he breaks it off, leaving them very tense with one another. (Superboy #82)

Wonder Girl/Cassie Sandsmark - Cassie had an interest in Kon before she even met him, more of a celebrity crush at first than anything else. They share their first kiss in Wonder Woman #153 after she had tried to change her look to impress him and he reassured her that she was already beautiful the way she is. Cassie was present for Tana's death in Superboy #74, and after that Kon is overly protective of her in a noticeable way that actively annoyed her (She points out to him that she can take care of herself a few times, like in Young Justice #29) but eventually at the end of Young Justice (in #55) he confesses feelings for her, and they share another kiss. Graduation Day bringing about the end of Young Justice as a team kinda throws a wrench in things, but early in Teen Titans Vol. 3 they begin to date more formally, and are getting pretty serious together (cough cough they uhh consummate their relationship in the Kent farm's barn in TT Annual #1) right before Kon is killed during Infinite Crisis. She takes his death very badly and joins a cult to try to bring him back, has her whole thing with Tim (who is coping equally poorly with the death... almost 100 cloning attempts babey), and befriends Kara as a surrogate Teen Kryptonian™, but eventually learns to accept what happened and move on. Then he comes back, and everything's a lot to process all over again. She had become the team leader and things were just different than they used to be. They tried to resume their relationship but eventually Kon decided to end it (Teen Titans Vol. 3 #91), because they both wanted different things at that point in their lives, but they remained friends and teammates.

So when people are talking about the ‘older women’ thing, it should be pretty clear from that list they’re talking about Tana and Knockout. Both were adult women dating a 16 year old boy, and neither situation did enough to handle it in a way that addressed it as the problem it was. Knockout’s situation did end up being seen as a bad thing by the end because of the murder parts at the very least, but the age difference didn’t come up nearly as much. With Tana a few people (Roxy, some of Tana’s coworkers, even Tana herself) did bring up the age difference as a potential problem, but they continued to stay together for a pretty long time regardless. The kicker is that she ultimately breaks up with him for being ‘immature’ after he gets stuck at age 16, when it’s like... he’s 16. You’re 23. No kidding you think he’s immature? It was just a whole mess and makes reading a lot of his solo incredibly uncomfortable.

Additionally he has a few other shorter-lived relationships/potential love interests. I’m categorizing them separately because they weren’t focused on in the same ways/for as much time as the girls I listed above:

Trixie (Superboy #94-100) - When Kon gets his own apartment in Suicide Slum, he repeatedly runs into Trixie and the rest of the Slaughterhouse Six, but Superboy inspires her to try to turn her life around. They didn’t formally date but that was definitely the direction things were starting to head towards before his apartment building blew up and he realized he needed to get away from the city where his presence was painting a target on innocent people, and so they decided to just be friends. (This was also when his solo ended, so possibly if the book hadn’t been ending they may have continued longer)

Batgirl/Cassandra Cain (Superboy #85, Batgirl #39-41) - They first met when Kon had been bugging Tim in Gotham, and had a little adventure together that resulted in Batman being PISSED because he didn’t want Cass interacting with Metas (especially not teenage boy ones that’ll flirt with her) and Kon volunteered to share her punishment so she didn’t have to do it alone. They later meet again shortly after Kon moved in with the Kents while on a cruise (and he’s her first kiss!) and afterwards she goes to Smallville to meet him. She’s actually like the first person outside the Kents we’re shown to know his new civilian name is ‘Conner Kent’. After their little attempt at a date they decide to just stay friends.

Lori Luthor (Various appearances with Kon in Adventure Comics (2009) & Superboy Vol. 5) - When Kon and Lori initially meet there’s definitely some interest and she kisses him, but it happens while he’s still dating Cassie so he makes it clear he’s unavailable. Afterwards he learns who she actually is and realizes ‘oh she’s sorta kinda my cousin on the Luthor side’ so he stops really being interested. She’s still interested because she feels like the cloning doesn’t make them really related, and they talk about it in Superboy Vol. 5 #4 after he and Cassie had broken up, but he still feels too raw from Cassie and too weirded out by the situation to have it go anywhere. Kon helps try to get Lex to cure Lori’s mom (Lex’s sister Lena), and eventually when Lex is an ass in the end he finds another way (Some Wayne money through Tim) to try to help her. Lori figures out Conner is Superboy and along with Simon and Sujan helps him to save Smallville from the Hollow Men.

Ravager/Rose Wilson (Teen Titans Vol. 3 #95-100, kinda some parts of Superboy Vol. 6 if ya squint) - This is another of those ‘they didn’t actually date but there was interest’ situations, in the very end of Teen Titans Vol. 3. A fake version of Rose had kissed Kon which was kinda the catalyst for it, where after that moment he became a bit more protective of her once the real her returned. They had a moment where Kon tried to trust her with something (Kryptonite to take him down if the situation arose) but she saw it more as him thinking she was the one ruthless enough to do it, rather than as a token of trust, and left upset. The reboot happened before this really went anywhere/got resolved though, but interestingly enough she became a bit of a support character in the New 52 version of Kon’s life, likely because of this connection they tried to do before the reboot. They never really dated there either, he just referred to her as cute a few times. New 52 Kon is a very separate person anyways, but it’s worth mentioning.

I might be forgetting a few other minor ones along the way (especially if there’s things that weren’t in his main books), and Kon (especially in the 90′s) was the kind of guy to flirt with pretty much every girl he saw, so bear that in mind. But yeah, I hope this helps!

#sam writes #this ended up like 2k words dear lord i have written So Much abt superboy in this year of 2021

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five-rivers · 4 years ago

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Long Night in the Valley chapter 14

“It’s Bakugo.”

“Old Bakugo,” said Todoroki.

“I don’t know,” said Uraraka. “He hasn’t sworn at us yet.”

“Wish fulfillment old Bakugo,” corrected Todoroki.

First contact, said two voices. Aizawa could recognize one as belonging to Two.

“Stop comparing me to the exploding brat,” snapped Two. He returned his attention to Midoriya. “I don’t agree with your philosophy,” he said. “But this isn’t the time or the place.”

Midoriya nodded even as he swayed in place, the edges of his body fuzzy.

“Your idea will work. Eight can take him.”

“What are you talking about?” asked Aizawa.

“Nine here just ran into that fire user.”

“Dabi,” supplied Midoriya, voice thin. “Thank you for letting me use your quirk, sensei.”

“Anytime,” said Aizawa.

“Is there anything we can do?” asked Uraraka.

“Stay back and don’t distract him,” said Two. “I’d send you on ahead to One, but I need to give him my power if he wants his ridiculous escape plan to work.” He crossed his arms. “Focus, Nine.”

The thing was, Dabi relied on his quirk to the exclusion of everything else. Which was fine. It was a powerful quirk, and his body really wasn’t up to quirkless fighting, seeing as it was literally stapled together.

But there was a reason he had not faced Aizawa himself in the training camp, but instead had delegated that task to one of Twice’s duplicates. No matter how much his quirk hurt him, no matter how much it reminded him of that man and that time, he did not fare well in fights without it.

Toshinori and Izuku had picked up on this, and, thanks to the joys of partial telepathy and haunted quirks, had managed to come up with a plan.

It was, if Izuku was being honest, a sort of terrible plan, but Izuku and Toshinori were both injured and exhausted, and it was the best they could come up with.

Izuku would hang back and cancel Dabi’s quirk, while Toshinori beat him to a pulp.

This division of labor was decided upon through the observation that Toshinori had much greater experience in beating people to pulp and that Izuku probably wouldn’t be able to focus on using Aizawa’s quirk and fighting at the same time. But Izuku worried. Toshinori had been under so much strain today. His body was in just as bad a shape as Dabi’s. If Izuku blinked.

So don’t blink.

What a comforting consensus from the peanut gallery in the back of his head.

Nana chuckled, but she sounded strained. Not much else we can do for you right now, kid.

Toshinori was prepared to fight dirty.

As a hero and Symbol of Peace, he was often faced with the expectation that his fights be clean, straightforward affairs. Usually, he complied with the expectation. Few people could match his strength. Few enemies stood up again or kept fighting after he knocked them back, once. For those enemies who could match him, relatively clean fights were often still the best option to defeat them.

But there had always been exceptions, All for One being chief among them.

Toshinori could fight dirty. It was a skill he knew better than to let lapse.

He knew how much old injuries could hurt, and he had no scruple against going after them. Any weak point was fair game.

(This wasn’t even beginning to mention the others, still whispering in the back of his mind, who had maintained the thin line between the light of hope and the darkness of despair for so many years.)

His fist impacted the line of Dabi’s medical staples. Toshinori felt them bite into his knuckles, felt Dabi’s skin tear around them.

The man – the boy, really, he couldn’t be more than a handful of years older than Izuku – reeled back, shaking his hands as if he couldn’t quite believe his quirk was gone. Then he looked up, at Izuku, and Toshinori could give him this, at least: He caught on fast.

He snapped an arm out, clotheslining Dabi before he could pass him and attack Izuku. Dabi hit the ground, and Toshinori tried to follow up his advantage with a sharp kick to the head.

But, even with as much experience as Toshinori had, Dabi was younger and sprier. He recovered quickly, retaliating with comparatively clumsy but strong fists.

Toshinori was very aware of the time limit he was on. How long had Izuku kept his eyes open already? Aizawa could only keep his version of the quirk going for a few minutes.

He knew when Izuku started to waver, the concern of the past users going clear and sharp in the back of his head.

Dabi’s hands burst into flame.

“Touya!”shouted Izuku.

The man whipped his head around, apparently forgetting that Toshinori was even there.

“We saw your hair dye, you drama queen!”

Toshinori grabbed the sides of Dabi’s head, and tried to slam it into his knee, but Dabi pulled free. They were both breathing heavily, now, but Izuku had his eyes back open and fixed on Dabi.

Toshinori doubted they’d be so lucky to distract Dabi again. The others slid into place in his mind, their experience neatly complimenting his own. They needed to finish it before Izuku had to blink again.

They raised their fists.

“Visit your mom, you loser!”

They closed in.

“At least tell the police what happened to you, so they can get your siblings out!”

So, it turned out Izuku did have something else to contribute to the fight.

“Please repeat what you told me earlier,” ordered the HPSC president.

The hapless liaison with the DNA testing center flinched, then hid the flinch behind a cough. “Well,” he said, “our technicians ran Midoriya’s DNA through a number of databases, and Midoriya is related to the Scourge of Kamino, but, uh, I think it best if I let her explain the rest.” He stepped out of view of the camera, the coward.

The technician waved at the camera. “Hi, uh. So, I guess the first weird thing about the sample you gave me was how contaminated it was. There were, like, almost a dozen different people’s worth of DNA in the sample you gave me, which… usually Hawks is better than that? But then I remembered the nomu DNA, and the Scourge’s DNA, so in retrospect… Anyway, I sort of ran them all through our databases—”

“Which databases?” interrupted Mr. Brave. “The commission ones, the police ones, the public ancestry ones?”

“All of them,” said the technician. “I ran them through the old ones, too, because the Scourge of Kamino is supposed to be over a hundred years old, isn’t he? I’m kind of surprised he wasn’t run through the old databases himself earlier. You could have closed dozens of cases.”

“Get on with it,” hissed the offscreen commission liaison.

“But I ran them through, and, uh, one was All Might.”

A whisper ran through the room. “He stole All Might’s quirk?” asked one hero, traumatized.

“I don’t know,” said the technician, nervously. “I mean, All Might was there, so it could have just been contaminated in the normal way, but… No, I’ll come back to All Might’s DNA in a bit. Then there were three other heroes’ DNA, Skyrunner, Fidelity, and Lariat.”

“We’ll have to assume he has their quirks, too,” said the commission president grimly, for the benefit of the assembled heroes. “Continue.”

“Another matched to the vigilante Forewarning. Then one matched to what was labeled as a 99% surety DNA sequence from Tempest.”

“My god,” said Mr. Brave.

“Then there were some sequences that matched to samples taken from the scenes of various crimes and terrorist actions but are otherwise unknown. That left two DNA samples that could be Midoriya’s assuming he isn’t over a hundred years old. They both matched as relatives to the Scourge of Kamino.”

“What kind of relatives?”

“Uh, one was rather distant, and was actually had the least DNA present out of all the other strands… The closest possible relation would be half-brother, although cousins might be possible… The other was a parent-child relationship, and the most present DNA sequence, so I would assume that one belonged to Midoriya. The thing is…” She trailed off.

“We don’t have all day.”

“The thing is, all of the different people I’ve mentioned also are related to the Scourge of Kamino.”

Silence.

“Excuse me,” said Mt. Lady, raising a hand. “Did you say all of them? Like, including—”

“Including All Might, yes, though he’s probably more like a great-grandson or something along those lines,” said the technician. “Once you get more than a generation or two, it’s hard to tell, because the ratios of what you get from grandparents aren’t even…”

“Do you have anything more to add?”

“Yeah. After running them through the databases… Well, there are dozens of active heroes that are at least loosely related to either them or the Scourge of Kamino, not to mention villains, common criminals, and civilians who had to register their DNA for one reason or another. And the ShiHi cell line? The one that replaced the HeLa line in almost every drug trial after the quirked population got majority status? That’s a perfect match.” She laughed, clearly on the edge of hysteria. “I mean, I don’t know what we expected. He’s over a century old, of course he’s going to have kids and family members. And he’s – And he’s clearly into shady medical research. Wouldn’t put it past him to have donated to sperm banks, the sick—”

The commission president muted the technician. “You see,” he told the heroes, “why we must act to contain and neutralize Midoriya Izuku as a threat as soon as possible. So many heroes being related to an archvillain like the Scourge of Kamino would damage confidence in the hero system, perhaps irreparably.”

“Are any of us-?”

“I don’t think that’s relevant right now, do you?” asked the commission president, smoothly. “What is relevant is ensuring that Midoriya’s DNA family tree never gets into public hands.” He fell quiet, scanning the heroes with dark eyes. “Regardless of whether or not any of you could find yourselves in it, the fact of the matter is that the ensuing investigations would lay bare other things you may not wish to come to light.” He cleared his throat. “Now, Hawks is putting together a team to track down the League of Villains. In light of recent revelations, we believe they have been working closely with Midoriya…”

“Maybe you can use my quirk,” said Shouto. “If you’re fighting Dabi, ice would be the perfect counter.”

Midoriya shook his head. “You’re not related. Can’t.”

“What?”

Two sighed. “The trick he did with your teacher’s quirk only works on people related to him.”

Shouto blinked, then turned to look at Aizawa. “Sensei—”

“Absolutely not,” said Iida, loudly.

“You don’t know what I was going to say,” protested Shouto.

“You can’t ask people if they have secret love children! It’s improper! Let us simply wait quietly like, ah, I’m not sure we caught your name earlier, sir.”

“No, you didn’t,” said Two.

“In any case, let us wait quietly,” said Iida, not one to be easily put out.

“I’m related to Midoriya?” asked Aizawa in tones approaching despair.

“You are,” said Two. “I think you’re related to one of my younger siblings, like Six is. Possibly to the Shimuras, as well, given the secondary portion of your quirk.”

“So,” said Shouto, the gears in his brain turning, “Midoriya is related to all of you?”

“Some more distantly than others, but, yes.”

“So, he based you off relatives and people he knew in real life.”

Two sighed heavily. “Look. That was obviously a lie. Six only bothered with it because of that government bastard that’s crawling around.”

Midoriya had been right. Shouto’s conspiracy theories could be used as an interrogation technique.

“Then what’s the truth?” asked Shouto. “Or are you just embarrassed, like Midoriya is about how All Might is clearly his father?”

Midoriya made a very distressed sound, and Shouto realized that maybe this wasn’t the time.

“You have no room to talk when the pyromaniac currently trying to roast Eight is your older brother, you peppermint styled weirdo.”

“You really are like Bakugo.”

“Do you have some sort of death wish?”

“C-can you guys not? This is hard…” said Midoriya. Then, he gasped and fell to his knees. “He got him. Oh, gosh.” He took a deep breath. “My eyes.”

“Luckily, you won’t need them for this,” said Two, kneeling in front of Midoriya. “In the movement, I was called Shadow Dragon. One came up with the name. He named my quirk, too. Perception Filter. Wanted to name it Chameleon Circuit for a while, but that made no sense. He was such a nerd. He’s still a nerd.”

“Yeah?” panted Midoriya. “Guess that… isn’t a surprise. He used old manga to support his arguments with—No, it doesn’t make it better that you only used that argument once. I mean, sure, I’d probably have made the same—”

“Focus, Nine,” said Two, snapping his fingers in front of Midoriya’s face.

Shouto stepped forward.

“It’s okay, Todoroki,” said Midoriya. “I’m just… How did it work? The Perception Filter?”

“No idea. We didn’t have fancy tests and doctors on hand to figure out the mechanics. But I can tell you what it did. When it first came in—” Midoriya nodded at this, as if he heard something in the sentence that Shouto was missing, “—I could disappear from the senses of one targeted person, along with anything I was carrying. Sight, hearing, smell – that last will be the important one for you.”

“Gigantomachia,” said Midoriya, nodding again.

“Exactly. Later, I was able to affect more people at a time, and my range grew. The fewer people I was hiding from, the farther I could reach, up to about a mile. Sometimes, I could draw attention towards myself, too, although I could never keep it up for long.”

“Activation?” asked Midoriya.

“Don’t think too hard about being hidden. You’re blending in. Part of the scenery. No ripples on the surface of the pond. A shadow inside a shadow.”

“Okay,” said Midoriya. “I think I’ve got it. Were you… were you ever able to hide other people with you? Otherwise…”

“Sometimes I thought I did. When Three and I worked together, we were always way luckier than we should have been, and there were some incidents with cars… But it never happened in a way I could test. Your best bet is just carrying Eight.”

“R-right. Okay. I’ll try that.”

“Izuku, you can barely open your eyes. Or stand up. You aren’t going to carry me.”

“But Two said—”

Toshinori frowned deeply and hoped Two got the message. “Just focus on yourself, right now, alright? Gigantomachia will be looking for you, first, not me.”

We’ve always been thankful Gigantomachia isn’t the brightest of All for One’s minions.

Even if he is one of the most annoying.

I don’t know if annoying is the word I’d use…

Toshinori blinked and shook his head. “You’re shaking,” he said.

“I’m okay,” said Izuku, trying to get up. “T’many quirks at once.”

Toshinori put his hands on Izuku’s shoulders, silently telling him to stay down. What a time to forget where he had packed the blankets… Although…

He looked back at where he’d propped Dabi, unconscious, up against a tree.

Dabi seemed to have a cold resistance vestigial mutation… although how Toshinori knew that was a mystery for another day (one probably connected with how One for All manifested in Izuku) and he was a fire quirk user. He didn’t really need that jacket. Besides, Toshinori was a villain now. Sort of. As he and Izuku had discussed earlier, villains were veritable bastions of pettiness.

He stole Dabi’s coat and wrapped it around Izuku’s shoulders.

Miles away, trying to coordinate heroes over a video call, Hawks lost contact with one of his feathers. Specifically, the one he’d hidden in Dabi’s coat. He did not frown, twitch, stutter, or otherwise falter. He did, however, curse internally, using words he suspected the hero commission would have like him to never have learned.

Dabi must have found the feather and destroyed it. Hawks had thought he’d hidden it better than that.

This was going to be a pain to explain.

Giagantomachia paused for a second, then, with a howl, redoubled his attacks.

“Can anyone tell what he’s screaming about?” demanded Tomura.

“No idea!” said Toga, her cheerfulness more than a little ragged.

“Hey, boss!” said Twice. “If I made a double of this guy, do you think they’d fight each other, or – Dear god, who in their right mind would want two of these things running around?”

“LITTLE LORD,” wailed Machia, “WHERE DID YOU GO?”

“Say, Shigaraki,” said Mr. Compress, narrowly dodging a boulder, “you don’t – ha – think he’s referring to the little green haired – er, white haired – oh, you know what I mean.”

Yeah, Tomura did, actually, which meant the brat (who might be Sensei’s brat – don’t think about it) was around here somewhere, and they’d missed him.

(Like everything else about this situation, Tomura had mixed feelings about this.)

“So, maybe, if the boy and the giant are acquainted, the mother—”

“Do all of you idiots have a death wish? You don’t fight two bosses at once unless you want to be pancaked.”

“I was thinking she could perhaps calm the giant—”

“Yeah, right before they team up to kill us. What part of this are you not getti-?”

Mr. Compress didn’t quite make the dodge and was catapulted into one of the few nearby trees that were still standing. As he lost consciousness, all of the various marbles in his pockets ballooned and broke, disgorging their contents. This meant that Tomura had to rescue Midoriya Inko from being crushed between an entire bus stop shelter (why, Compress, why?) and several logs, because if there was even a chance that she was Sensei’s wife, Tomura didn’t fancy his chances at staying alive if she was unalived in his general vicinity.

As Tomura was in no way a goody-two-shoes hero student, had never trained himself to safely save people, and had a quirk that literally destroyed everything his touched, this went far from perfectly.

At least Midoriya seemed unharmed.

“Ah,” she said. “My shirt.” She shifted slightly. “And my bra…”

There was a shout of utter rage from Gigantomachia, and Tomura contemplated just letting Machia kill him. Surely, being stomped flat by a man taller than most five story buildings would be less painful than whatever Sensei would come up with.

“Oh, my, Machia, is that you?” asked Midoriya Inko, quite calmly, as if she weren’t standing half naked in the middle of a battlefield in winter. “It’s been forever.”

“MRS. LORD!” shouted Machia, his eyes tearing up. “I AM SO SORRY! I LOST LITTLE LORD!”

“Oh, really? He was here, then?” Her eyes were glittering. “I’m sure he couldn’t have gone too far. If we walk around a bit, I’m sure he’ll hear us calling. In the meantime… perhaps you can explain to me what, exactly, you do for my husband? Your role in his business seems to have been downplayed.”

“Is that better?” asked Toshinori.

Izuku nodded tiredly. Despite Two’s instructions, he couldn’t keep up Perception Filter and, well, do anything else, really. Toshinori wasn’t much better. Izuku could tell, through One for All, that he was also on his last legs.

“Alright. Let’s keep going the way we were before,” said Toshinori, pulling Izuku up. “Got to get out of Gigantomachia’s range, so you can sleep.”

He did not say that reaching the Wild Wild Pussycats’ camp was now out of the question, with how beaten up they were. They’d be sleeping outside tonight. Hopefully they had enough clothes and blankets…

Izuku shuddered as the pounding sensation in his head increased.

“I’m sure it’ll be fine,” said Toshinori, guiding Izuku with a hand on his back. “Good, you have the briefcase, good.” Toshinori kept muttering encouragement. Izuku really wasn’t paying attention, which made him feel terrible, but he had to keep Perception Filter going. He had to keep going. Just a little bit more… Aizawa-sensei and his friends were almost to One. One would get them out before he broke through.

He just had to hold on until then.

Midoriya’s form flickered and then faded. Two sighed.

“Is he alright?” asked Aizawa. “Is he safe?”

“As safe as he and Eight can be, wandering through a forest filled with All for One’s minions while the government tries to track him down in the middle of winter,” replied Two. “Which isn’t very safe, speaking from experience. Come on, let’s go.” Two walked out the hole in the wall, not waiting to see if Aizawa or any of the kids followed.

“You’re calling Yagi Eight, now?” asked Aizawa.

“That’s his number, yeah. Hurry up.”

“Yagi, not Yagi’s… impression, his copy in Midoriya’s mind.” Two didn’t answer. “You aren’t impressions or copies at all, are you? You’re real people, somewhere, that Midoriya is connected to. Why pretend otherwise?”

“Some of the others thought Nine could fix things with the government, if they didn’t know what was really going on. Thought it would be ‘worth it.’ So stupid, after everything…” They walked through the compound gate and into a living room.

“It seems awfully contrived, though. Why try to be dead heroes? Why pick people like Skyrunner and Fidelity to impersonate?”

Two snorted. “They weren’t impersonating anyone. They really are Skyrunner and Fidelity. Except for Eight and Nine, we’re all dead, otherwise we would have finished this by now. Eight almost did, all on his own.”

They turned a corner. Two young children played in a bedroom while a teen watched on. One child was obviously a younger version of Two. That hair was distinctive. The other child had a short curtain of white hair. They had action figures they were playing with, although Aizawa didn’t recognize who they were of.

First contact, said a single, young voice.

The face of the teen leaning against the wall was scribbled out, as if with a marker.

“Don’t look too closely at that one,” said Two.

“Who is that?” asked Uraraka.

“All for One. I suppose you’d call him the Scourge of Kamino.”

“He’s your older brother?” asked Todoroki, his eyebrows raised into his hairline.

“Don’t be disgusting. Biologically speaking, he was my cousin.”

Oh, no, thought Aizawa, don’t tell me... “Is he the one you have locked away? The one you don’t count as being ‘among your number?’”

Two sighed again.

“Are you doing that instead of swearing?” asked Todoroki. “The sighing, I mean.”

“I told you to stop comparing me to the explosion brat! I—” Two tsked, then frowned. “Something’s not right.”

“What is it?”

“This isn’t a safe memory, just a quick one. One should have been here to pick you up by now.”

“What do you mean, it isn’t safe?” asked Iida, before Aizawa could. “No matter how immersed we are here, it is only a memory, isn’t it?”

“You did hear the part where he’s breaking in, didn’t you? And the part where we’re all real people? Are those glasses just for show?”

“The real All for One is trying to break into Midoriya’s mind,” said Aizawa.

“W-wait,” said Uraraka, “but… Izuku… That wouldn’t mean that the commission was right…”

“Of course not. Nine would probably cut off all his limbs before betraying his friends. Even if I don’t agree with him, and think he shouldn’t… I can still see that. But where is One?”

“Why are you telling us this?” asked Aizawa. “You’ve told us why the others didn’t. But you have no reason to say anything, yourself, do you?”

Two turned slightly, to gaze at Aizawa out of the corner of his eye.

“As long as we’re waiting, I might as well collect as much information as possible, right?”

“It’s insurance,” said Two, finally. “It’s hard to see how this will turn out. Eight wants to take Nine out of the country, but even if that works, All for One will still be here. Someone else needs at least part of the story.” He turned more fully to face Aizawa, lips pressed tight against his teeth. “You have to understand. I want Nine to… do well. I don’t want this on him. He’s a kid. So are you.” He looked at the students, then back at Aizawa. “You’re all kids. If I can get someone else to take care of this for him, while he and Eight are somewhere safe…”

“All for One is in Tartarus,” said Aizawa.

“You think something like that’s going to stop him? I’m not entirely sure death would stop him. It didn’t stop us, and he’s at least as stubborn.”

Well, wasn’t this an impossibly heavy weight to set on Aizawa’s shoulders.

“I have no sympathy, you lazy caterpillar lookalike. You’re an adult, aren’t you? Get help if you can’t do it yourself. If I find out you pushed it onto children, I’ll kill you.”

“Wow, he’s secretly soft, too, just like Bakugo,” said Todoroki. “Are you sure you’re not related.”

“There is legitimately something wrong with you. Do you—”

The hinges of the vault snapped, and the door crumpled outward. Another well-placed kick sent the door tumbling outward with a crash.

Shaking his hand, All for One stepped into the mindscape and smiled.

“Well,” he said, dragging his gaze over the assembled One for All users, his sworn enemies and the closest thing he had to family, “isn’t this a lovely little reunion?”

#bnha #boku no hero academia #fic #fanfic #long night in the valley

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kitkatopinions · 4 years ago

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I feel the need to hear your opinion on this since this is something I've been thinking about recently, and it's how crwby handles complex relationships/abuse in their show... It's infuriating.

I can't tell if they genuinely think they are writing this in a good way or if they know they're half asss-ing it and don't care since the fandom will eat it up anyways. Two big examples that come to mind for me in the last volume are emerald & cinder and whitley & jacques. In both instances the the victim never gets a moment of closure or a moment of breaking away from their abuser, nor are either victims allowed to show any sort of 'hesitance' (for a lack of a better term) related to their abuse.

Emerald (despite being all over cinder before Midnight), just conveniently forgets about her for the finale. Same for whitley. He just completely forgets about jacques (the man who manipulated him from birth) the moment weiss hugs him. On a shallow level, watching a victim pay no mind to their abuser is satisfying, but it being so immediate is just unrealistic and takes away from the pain that we are supposed to think these characters have suffered.

One of the worst things about suffering from abuse is how is affects the victims even when they have left the abusive relationship, but crwby seems to want to erase that completely from characters who should experience that for plot convenience.

It seems like the lesson learned from this is "if you were abused, just get over it and be convenient to our heroes or else!" And it's pretty gross imo.

Thoughts?

I thought that I would put these two asks together and take this opportunity to talk about the abuse victims in RWBY and how they're handled. I've tried to think long and hard about what to say about this, because this is an important topic to me and something that's personal for me. I'm an abuse survivor, but I have a complicated relationship with that part of myself and I'm never really comfortable talking about it much. But despite the fact that I've experienced abuse, I recognize that I'm not a professional sensitivity editor, not a therapist, and not someone who's studied the effects of abuse.

I'm simply writing this based on my own feelings and what I've picked up witnessing other abuse victims discuss their own feelings about abused character. There will be RWBY criticism below the keep reading. Please keep in mind that I'm not speaking for all abuse survivors and am only trying to articulate my own feelings in regards to this issue.

The first thing to note is that there isn't one, correct, right way to write an abuse victim in my opinion. Lots of people have different reactions and responses to abuse, the way they were abused is often also different, causing different reactions.

In the first anon, it's noted that Emerald and Whitley both seem to move on from their abuse quickly and with very little effect on them or their stories. Many abuse victims put their experiences on the back burner or 'in a box' to deal with later, or mask and pretend that they're alright or that their abuse just didn't happen. Some of them let their feelings or their anger simmer over time. There are also abuse victims who do just... Move on with relative ease. I'd imagine that's very rare though. (again, I'm not not an expert or any sort of psychologist.)

In the same way, an abuse victim becoming an abuser in their own interactions is something that one hundred percent happens. Cinder, Salem, Adam, and even Blake and Winter have all acted in abusive ways towards the people around them (though obviously Blake and Winter acted much less abusive than any of the villains mentioned.) It might be very hard for abuse victims to not fall back into those patterns of abuse that they've suffered, especially if they go through it at an early age. I'm not very comfortable talking about my own experiences, but myself and my siblings have all had to fight down toxic, hurtful traits that we picked up either through emulating or through survival. And it's hard to do that. Portraying characters who have been abused that lost that fight and might have abusive tendencies or slip themselves is - to me at least - sometimes even helpful in working through my own feelings.

And there are definitely one hundred percent abuse victims who feel like the way they were treated is deserved, that they 'earned' it, that they must 'make up for it.' Oz is in this category. There's nothing wrong with the concept of a character who feels responsible for their abuser or the hurt their abuser has caused to others, there’s nothing wrong with a character who tends to act as though everything is their fault and who thinks very poorly of themselves.

In theory. But the problem is that in application, there are a lot of pitfalls and struggles that come with writing for abuse victims. Understanding, thoughtfulness, and care are not the RWBY writers’ strength, and any time you portray real life issues that strongly impact the real life people involved in them, you have to be aware and careful with the messages you’re sending. This is obviously very important when someone writes for any minority or oppressed group or the issues that they face, but it’s also important to remember when you write for abuse victims, because they do have stigmas around them and deal with stereotypes and harmful portrayals as well. Let’s look at what I consider some harmful or hurtful pitfalls when it comes to abused characters.

Are the abused characters treated as the victims they are? If the abuse a character faces is treated as comical, treated as unimportant, or treated as deserved, that’s an obvious major flaw. Sad to say, but RWBY does not pass this. On two separate occasions, a character is hit by someone close to them in a way that clearly causes them some pain, with Blake hitting Sun across the face for following her, and Winter hitting Weiss for answering a question incorrectly and again for failing in her training (I tend to be more sympathetic towards Blake’s situation, as it is more gray with her clearly thinking Sun had stalked her which is a clear trigger from her own abuse, but this is an explanation, not an excuse and the fact that it was framed as funny rather than something Blake shouldn’t have done and should apologize for is the problem.) They also do not treat Ozpin like the victim when Qrow punches him in the face, having no one call Qrow out for it and having him never express guilt or try to apologize for it. Yes, I know Ozpin had retreated, but they never showed Qrow even make an effort to get Ozpin to come back so he could apologize. . They also ‘redeem’ Hazel and give him a ‘partially right’ storyline despite his openly beating Ozpin, unfairly blaming him for the death of his sister, and insisting that Ozpin deserved to be tortured. On top of this, despite having been horribly abused by the SDC, Adam isn’t treated with even an ounce of sympathy or understanding and Jacques Schnee and the SDC is treated like a more comical-ish nuisance in season seven and eight. This is greatly flawed. Hitting someone because they lied to you or kept secrets from you is not okay, hitting someone because they said something you don’t like is not okay. This should not be treated as funny and it shouldn’t be treated as the fault of the person who was hit for not being a good enough friend.

Are the abused characters mostly villains, when the heroes have never faced it? The reason for this is obvious, although it’s valid to have a villain be an abuse victim, it’s never alright to villainize abuse victims. Making the majority of your bad guys abuse victims and your good guys have positive relationships is in my opinion, harmful. Point for RWBY, this is not the case for their show. Mercury, Salem, and Cinder on the bad side are all abuse victims with Raven being a possible, but unconfirmed abuse victim as well. While Weiss, Blake, Ozpin, and Whitley are also abuse victims, with Qrow and May both being possible, but unconfirmed abuse victims, and Winter and Emerald are both abuse victims who were on the side of a villain and then turned good.

Is the abuse more severe in the ‘bad’ characters and lighter in the ‘good’ characters? If the abuse that the good guys faced is mostly lighter things and the abuse that the villains suffered is worse and more severe, that might send some bad messages that people who suffer more are automatically worse people, or ‘unsalvageable’ or ‘too broken,’ as opposed to the people that ‘there’s still hope for.’ Unfortunately, I think RWBY is almost a tie? We’ve never seen Weiss or Emerald suffer more than a hit, we don’t know for sure that Whitley or Winter were ever victims of physical abuse. Ozpin and Blake’s abuse is worse, however, as they are hunted down by their abusers who attempt to murder them, make them suffer, and hurt their loved ones. They also were heavily emotionally manipulated and victim blamed by their abusers. And on the villain side, Mercury was beat by his father who hated him and stole his semblance (an extension of your soul, I believe, in canon,) and the abuse led to the loss of his limbs. Cinder was forced to work hard labor by her abusive employer and the ‘stepsisters’ treated her badly, and she was physically electrocuted. We see her abuse extend to Salem using her Grimm arm to hurt her, copying the effects of the necklace. Adam was also a child laborer who worked in terrible conditions who got his face branded by his employer, in the SDC, which had to have been anti-faunus charged due to his bull horns. We don’t see Salem ever physically abused, but know that she was mistreated, isolated, and neglected by her ‘cruel’ father. So it’s not quite a tie, there are more severely abused characters amongst the villains than the heroes, but this is close enough that I don’t consider this much of a strike against them.

In the villains, is the abuse they faced given as ‘reason’ for their villainy? As I said before, villainizing abuse victims isn’t the way to go. A good way to avoid this - I think - is not have abuse be the sole reason for someone’s fall into a life of crime or cruelty. This is something that RWBY... Fails at imo. When showing us Mercury’s backstory, we’re introduced to him through seeing that he had just killed his abuser who cost him his legs, and then gets recruited by Cinder who at the very least likely emotionally and physically abused him the same way she did with Emerald, leading to the conclusion that the only reason he’s there at all is due to abuse. However, he’s just a teen and it’s possible that (like Emerald) he’ll be redeemed. A much more condemning story to talk about is Cinder’s. After people had been clambering for a Cinder backstory since volume three, RWBY finally showed us one. But it doesn’t include Cinder meeting Salem, why she joined her, her proving herself, none of that. Instead, Cinder’s backstory was entirely focused on her abusive situation as a child, entirely focused on her suffering. Cinder killing her abusers and then killing the teacher who decided to arrest her for getting herself out of her abusive situation was portrayed as the only needed backstory, the explanation to why she’s a power hungry, abusive, cruel, selfish, and just plain evil person. ‘She was abused’ is the explanation for why Cinder is where she is and why she is who she is in RWBY. That’s highly problematic to me.

In the heroes, are they “the Perfect, Sanitized Abuse Victims?” As I said before, there is no one type of abuse victim, but if someone has several abuse victims and they’re all either submissive, sad, and self-doubting, but gentle and caring and soft or dropped their abuser like a hotcake and never looked back, never seem affected, never really talk about it after they left... That’s bothersome to me personally. Measuring how RWBY is in this particular subject is... A little harder than I thought it would be. Let’s start by looking at the most prevalent abuse victim, Blake. She’s one of the reasons why this is hard to gauge, because for the first five seasons, Blake was deeply flawed and clearly affected by her abuse in ways that made her ‘unappealing.’ Blake was cynical, stubborn, cold, hard to get to know, she didn’t trust easily, she lashed out at her friends regularly, ran from her problems, made choices for her friends, and had a very negative self image. This didn’t stop her from being a good character and friend with a lot of good sides, too, and she had real, important friendships. This was - to me - a really great portrayal of someone clearly affected by their trauma, with lots to work on, who was still a good person. Some of her faults and problems started to get resolved in a natural way through her journey with Sun in volumes four and five, but when season six came around, many of Blake’s other traits suddenly vanished. No longer stubborn, independent, or cynical, and no longer standing up for herself, or really displaying her temper or hardheadedness or her struggles with getting to know people... Blake became more submissive, sad, self-doubting, but gentle, caring, and soft. Sigh. As the first ask mentioned, Whitley and Emerald both seemed to drop their abusers quickly the second they were removed from their lives again. it’s also worth noting that Whitley was treated with nothing but coldness and contempt by Weiss until he ‘proved himself’ by doing something selfless. Weiss did more or less drop Jacques the moment she left her house in V4, only mentioning him or her experiences when she’s using it to talk about Blake, and when she confronted him again in V7, she did so as someone who is proving she no longer cares. Ozpin seems to be the only one still unable to move on from his abuse and the ‘unappealing’ abuse victim. The first anon is right, there’s something satisfying with seeing an abuse victim move on like their abuser didn’t matter. But when almost all your abuse victims do, and one of the only other ones is turned into a submissive and soft support based / romance based character, and the only really ‘unappealing’ abuse victim is someone we’re supposed to see as ‘gray’... There’s something off there, in my opinion.

Were the abuse victims treated respectfully and thoughtfully by their friends, and if not, were they portrayed as wrong? This probably isn’t something that really even needs an explanation. Abuse victims should be able to set their own boundaries and tell their stories only when they want, when they feel comfortable, Their friends should be understanding of this and not force anything from them. In the case of Blake and Weiss, this is handled really well! Their friends let them talk about their experiences in their own time, and they’re understanding and validate their feelings when it comes up (much more common with Blake than with Weiss, who like I said, seemed to move on from her dad quickly after she left.) However, when it comes to Oz... This is all wrecked. Although unintentional (no one knew how deeply tied up with Salem Ozpin was or how intimate the memories they were going to watch were,) our main characters still forced Ozpin’s deepest and most personal secrets out of him in a fit of upset while he was tearfully begging them not to. He was forced to relive his most traumatic experiences in hi-def with other people watching with him, all his secrets and all his abuse wrenched away from him in what was clearly a very painful way. And then no one showed Ozpin even the slightest bit of sympathy or understanding for what he’d gone through, and no one ever apologized for what they had forced him to relive. In fact, Team RWBY were clearly displayed as in the right, and Oz was displayed as completely wrong for not trusting them implicitly. He had to apologize to them, which they acted begrudgingly accepting of as if they hadn’t shouted at an abuse victim after forcing him to relive all his worst experiences.

Are some abuse victims portrayed as bad for things that other abuse victims aren’t portrayed as bad for? Like the second ask says, in RWBY, Cinder and Mercury are treated as villains for having killed their abusers and Cinder is almost arrested for it, it’s considered a step in the direction of their villainy. But Blake is (rightfully) treated as the victim who was forced, who had no choice, who just wanted the abuse to stop. This is hypocritical and fundamentally flawed. I think this is a reflection of the fact that Cinder and Mercury are meant to be ‘bad’ abuse victim, who had violent tendencies and anger issues, and were already featured as bad guys before their backstory’s dropped, whereas Blake was meant to be a better abuse victim who (by season six) was starting to get written as a soft girl who just wanted to help her friends.

All in all, although there’s some things that I think that RWBY did well enough, I definitely think that I would consider their portrayal of abuse victims to be lacking. This is just my opinion and the way I feel about the writing, but there are a lot of ways to look at it. I think overall, I just really wish that the RWBY writers had been a little more sensitive and spent a little longer focusing on the character arcs involved in abuse recovery. (There’s still a chance for Whitley, Weiss, and Emerald to get more focus in volume ten, though, so long as the writers don’t timeskip!)

#rwde #rwby criticism #rwby critical #rwby hate #rwby bashing #tw; abuse #trigger warning; abuse

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sweetnightlullaby · 4 years ago

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As I was watching shang-chi (which was a great and entertaining movie btw, some spoilers below) I realised how we need more female centric films, even blockbuster ones that aren't just oh a masculine lady who can kick ass.

No I mean a whole character heroine journey (the Joseph Campbell way) about maturing and finding her way and all the variations that can imply.

Give me the story through the woman's perspective, the growth, the anger, the grief, the grey morality everything male action protagonists have been praised upon and women (look at Daenerys or Wanda) have been called as *shock face* mad villains.That's some bulshit right there and a shallow understanding of a multi leveled character but because their stories are been told through male writers ( yeah I see you g.r.r martin) or through a male protagonist the male audience must identify with (and the female audience has learned to do as well), we never truly explore or bother to understand the women in films.

God how can a woman be anything more than a secondary character, a loving mother, a mad bloodthritsy man hating (most of the times abused) woman, a sexualised teenager etc.

Back to shang-chi for a sec. Imagine a film with xialing as it's main character, we never saw much behind her badass image (which was pretty satisfying I must say), to her own trauma, her own head to head meeting with her father, her own grief about her mother, her journey of leaving as a kid a traumatic life and finding her way to the top. It's just.. frustrating.

Because we have seen the father and son archetype and clash and reconciliation many many times in cimena (which is predominantly male dominated) but never the mother and daughter archetype and relationship, the clash also, the kindness and all the emotional depth. The matriarch and her heir.

There's just so much unexplored space there and so many young girls and women who are thirsty for something to identify and ponder with, to see themselves and take pride in.

I'm sorry but even tho it was a good movie and we need this representation of asian culture, it could be so much better if marvel just stopped being marvel for a sec. I rolled my eyes so many times when his father was literally abusing him but never got called on his bulshit by either him or his sister and we got a montage of them locking eyes in the end as he gave him the ten rings (like thanks dad but what about all the psychological and physical pain I endured through my childhood, guess we'll never mention it again).

A part I did like was how the siblings switched places a bit, with shang-chi taking his mother's caring role and xialing taking her father's leadership (which again would have more impact if she developed a relationship with him, negative or positive).

Okay I'm done rumbling. The summary of that is that we need more action packed blockbusters about young girls and women and their journey of finding themselves. Also more films about women in general and the portrayal of abused women, angry women, vengeful women without bias (there's been a slight shift in that), also the portrayal of queer women with loving realationships (just imagine a black widow film where Yelena and Natasha weren't sisters but friends to lovers, okay I will stop now).

Finally, this all ties back to the first ever morally grey woman I saw on tv. That's Morgana from BBC's Merlin and of course she is viewed as a villain through our main characters lenses and good vs evil philosophy but she was such an interesting character, both kind and cruel. Just imagine an ending *potential spoilers*of Merlin and Arthur fucking of in the distance to become farmers and be gay together( like please) and Morgana with a*you can't change my mind*heavily queer coded Morgause rule Camelot together with acceptance of magic and a fresh chapter in fantasy and mythology and storytelling . It isn't hard. Of course one would argue this isn't how the original tales go, but this is art, it's fiction based on the Arthurian legends and you can expand and shift them as you desire, in fact you should explore their many sides(which the green knight with dev Patel did really well).

Okay I'm done for real now!

#shang chi #shang chi spoilers #marvel commentary #films #movies #female protagonists #film theory #storytelling #merlin

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jihyuncompass · 5 years ago

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Hello... May I do a platonic request of the RFA+V+Saeran with a teen!Mc on their routes?

This ended up being quite a bit longer than I had planned originally but hey more to enjoy right?

Zen

Zen would of course obviously be concerned.

He’s a sweet guy! He’s a protective guy!

He was a teen runaway, he knows what the streets are like. They’re no place for someone young and on their own.

So as soon as he learns your age, Zen’s protective nature kicks in.

Congratulations! Zen is your older brother now. No one is ever going to hurt you again. Also no you don’t really have a say in the matter.

When the whole Echo Girl scandal hits, he’s very careful around you. He cares about you, and the last thing he wants is for you to be dragged into this mess with him. The worst thing he imagines is the press finding out about you. Possibly accusing him of harming you or taking advantage of you in some way.

He would never hurt you, and he doesn’t want anyone getting any ideas. To him, you’re his younger sibling and he’ll do everything to protect you.

And unfortunately, for a little while that means keeping you at a small bit of a distance. Although considering its Zen. It’s not too much of a distance.

Soon things with Echo Girl start to calm down, but then. There’s the bomb, and Unknown.

The moment he comes into that apartment, sees you, a child. And Unknown trying to take you away. Zen knows that he has to get you to safety. He doesn’t even think when he grabs you and starts running, all he knows is you’re safe with him, and he won’t let this guy take you away and hurt you.

That protective older brother nature only becomes more intense once you’re at his apartment. He’s checking up on you constantly. Are you hurt? Are you scared? But he’ll also reassure you, you’re safe with him. That guy isn’t coming back. It’s okay.

He takes you back to his apartment. Where he can properly watch over you. Make sure that the hacker can’t get to you again. Can’t try and take you away to god only knows where.

After his route ends he still cares for you. Through this experience it’s only cemented that you’re family to him. And unlike his own family, he’s gonna stick with you and support you no matter what.

Yoosung

When you meet Yoosung he’s still in the midst of his grief over Rika.

Her death left a huge impact on him. After all he did look up to her so much. She was his role model, his hero. And well now she was gone.

Your arrival however marks a turning point in his life. Not only are you the newest member of the RFA but you’re also just a kid too.

He’s actually pretty excited that you’re younger than him. It’s nice not being the youngest member of RFA anymore.

It doesn’t take a super long time for Yoosung to take you under his wing. He remembers what it was like being a teenager, it’s not like it was all that long ago.

Also he just thinks you’re really cool! You try and stop Seven from pranking him too much and you like to talk to him about video games! What could be better?

In a way, he starts treating you the same way Rika treated him when he was younger. As a role model, as someone to look up to. Instead of seeing Rika in you, he starts to see Rika in himself. He did always want to be like her anyways. Have that sort of influence on people. Just like she did on him.

You start to notice his habits changing. He starts gaming less and studying more. If he wants to be a good role model then he has to act the part right?

Like with Zen. When he learns about the bomb in the apartment he’s instantly concerned and angry. The anger he felt towards V during his route was intense, but this is much much worse. Because not only is there a bomb in the apartment, there’s a kid, in the apartment with the bomb.

This gives him all the more reason to go to Mint Eye and face the hacker. As long as the hacker is active, you’re not safe. And to him, your safety is the most important thing.

He’s hesitant to let you see his eye injured. He doesn’t want to scare you. Or worry you. He needs to seem like a good role model.

But you don’t care about that stuff, you just want him to be okay. That is all that matters to you.

After his route ends he of course stays close with you. How could he not after everything that happened? Yoosung will always be a good friend to you. Especially once he graduates University, he truly becomes someone you want to admire.

Jaehee

Jaehee is absolutely concerned when he learns of your age.

She’s friendly towards you, of course he is. She’ll probably be less suspicious of you than she normally would be. However in exchange she’s also very hesitant around you.

However with time she’ll warm up to you a lot. In a lot of ways she’s like your cool put-together older sister you can talk to.

There’s a lot of bonding over Zen’s musicals. She’s more than happy to educate you on everything there is to do with Zen’s career. You’re like her little fandom protegee.

During her route she may see a lot of her younger self in you. She’s forced to think a lot on her own past and how she ended up where she is now.

Looking at you she imagines her past going differently, her life turning out a different way. What else could she have been doing now? If life had been a little different.

Jaehee’s the kind of person who will happily hear you talk about what you’re passionate about. She had to give up a lot of her own dreams in order to be successful, but she wants you to be able to follow your own passions.

Knowing you, and thinking about herself as a teenager really helps embolden her. She realizes that she should be trying to follow her passions. Not just survive.

At the RFA party she thanks you sincerely for everything you’ve done for her. For inspiring her, for helping her gain courage.

He also promises to help you achieve your own dreams. Being the person she needed when she was young.

She’ll still open her cafe, however she’ll promise that once you’re old enough, and ready you’ll always be welcome to work and help her run things.

Jahee’s never had a sibling, and it’s been years since she’s had a significant familial relationship with anyone. But together, you’re like a little family. Someone who helped her find a new path in life. And for that she is eternally grateful.

Jumin

Jumin is very taken aback when he learns of your age.

Jumin is tricky because I don’t think he’d talk down to you because of your age, but he definitely isn’t going to pretend that you’re an adult.

Regardless of age, the way into Jumin’s heart is through his cat. If you show genuine heartfelt interest in Elizabeth the 3rd. He’s going to like you.

Another way is through cracking jokes with him. Jumin is so funny, but his humor tends to go over most people’s heads. Laugh at his jokes, and it doesn’t matter your age Jumin’s going to appreciate talking to you.

At first, you’re probably going to be a little intimidated by Jumin. Not only is he an adult but he’s also Jumin Han he’s smart, he’s powerful, he’s rich.

However after a while you start to feel comfortable with him. He doesn’t seem to scary or powerful as he did at first. (Although every once in a while he might say something that reminds you he is the Jumin Han).

It doesn’t take very long for Jumin to grow a sort of attachment to you. You always seem to know what to say to him. Which is something the RFA notices very quickly about the two of you.

So when things in Jumin’s life get complicated Having you be the one to go see him almost feel obvious.

That feeling of being intimidated definitely returns when you go to the Penthouse. It’s so large and fancy, and extremely overwhelming the first time.

Once you see him though, and start talking with him it becomes easier. It gets more natural, like it is in the chatroom.

When Elizabeth runs away he becomes incredibly protective over you. You’re a child after all, and what if you get hurt? What if someone tries and hurts you? He couldn't bear the thought of something bad happening to you.

Similarly to how his route goes normally. You have to convince him that you can take care of yourself, and keeping the things he loves all locked up isn’t going to help anything.

You have to encourage him to not view you just as a child. But someone who is capable and can take care of them self. It might take a while, but eventually Jumin will come to understand.

Obviously he’s not going to propose to you at the party. But he makes it clear that he considers you apart of his family, and if you would let him. He wants to be part of yours too, and having any bond with Jumin Han means that he’ll always be there for you, looking out for you always.

Seven/Saeyoung

He’s aware of your age right from the very start. Once he does his background check he knows EXACTLY how old you are.

To him this is just another reason you shouldn’t get to involved with him. You’re a kid and he’s a messy with a lot of messy stuff in his life. And the last thing he wants is you getting caught up in his messy life.

Still he likes joking around with you. He doesn’t prank you the way he does Yoosung but he loves cracking jokes with you. It’s the kind of humor and validation that he adores.

During his route, it’s complicated trying to get through to him.

Seven is dealing with many of the same worries that he does normally. But now there’s this added layer that you’re a kid. You’re a kid trying to make friends with someone very dangerous. While also living in an apartment with a bomb.

It’s... a lot for him to say the least. And as a result it weighs on him heavily. He can’t help but care about you, you’re just a kid who’s been forced into this whole mess.

While he’d never say it out loud to himself he thinks a lot about his brother.

This of course increases tenfold when Seven sees his brother at the apartment. Seeing his brother just proves in his mind that he failed him somehow. That something is very very wrong, and that you shouldn’t be near him.

Like in his route, you have to be patient with him. Empathize with him while also being firm. While I do think he’s less likely to last out as aggressively towards you because of your age. He’s still closed off from you and keeps pushing you away from him.

However, with time his head will start to clear a bit. He’ll realize that pushing you away isn’t going to do any good, you’ve already proved that you aren’t going to just leave him alone.

But also, when he sees you he thinks so much about his brother. The young bright eyes he had when looking up at the sky. He couldn’t protect Saeran, but in his mind he thinks maybe he can protect you.

After his route the two of you obviously stay close. Even past the secret ends. Saeyoung’s life was mostly defined by the family he chose to have. His brother, the RFA, you. And after he has his brother back and you in his life. He feels like his family is complete.

V/Jihyun

V feels so guilty.

You’re a kid. A child. And you’ve been forced into this horrible situation.

He’s so determined to get you out. To get you as far away from Mint Eye, from Rika as possible.

If you thought V was self sacrificing in his normal route it’s even worse here. He’s so scared of you getting hurt, of Rika hurting you or even getting near you.

He does what he can to protect you from Rika and Saeran. Trying to keep you as safe and innocent as he can. He worries about Rika corrupting you, forcing you to believe in her twisted philosophy and methods. Just like what happened with Saeran.

After you manage to escape Mint Eye with Seven’s help you’re helping V in every way you can.

He feels even more guilty, he hates that you need to help him. That you need to be the one protecting him right now.

Getting over the elixir is difficult for him. It’s physically painful and emotionally torturous. However, he’s so very very grateful that you’re there for him through it all. Somehow managing to care for him through it all.

He deeply values your perspective. You see the world so differently than he does. Maybe because of your age or your experiences. You have this resilience that he admires so much. So when you tell him that he could start over his life. Become a new person. It’s somehow easier for him to believe.

Despite his rough condition, V truly grows a sort of connection with you during this time. You’re genuinely kind to him. Even though he knows that he doesn’t deserve the kindness you’re showing him.

At the end of his route he still leaves for two years. He cares about you, he wants to hold onto the bond that you’ve grown together. But he’s also far from the man he wants to be. He wants to be able to protect you, and have a bond with you that is healthy. Balanced.

You keep in contact with him through letters. He loves sending you photos or little souvenirs from where he’s been. It’s a reminder that he’s still thinking of you, And you’re someone still precious to him.

When he returns two yeas later. It’s the happiest you think you’ve ever been. You’re two years older now, more grown up but your bond with V hasn’t gone away.

You’re his friend. Someone who he cares about. To you, he’s a role model, and he’s a good friend. Someone you are very grateful to have in your life.

Saeran

Oh boy. Okay

Like his brother, Ray knew your age, and unfortunately. It’s one of the reasons he chooses you.

You’re young, naive. He doesn’t think you’re going to be able to see through what Mint Eye is really doing. And he’s older than you, so you’ll definitely listen to him then.

He knows he likes being around you right after he meets you in person.

You’re so nice. You treat him with such kindness all the time. Even when he knows he’s lying to you about the nature of what you’re doing.

Even after you discover the truth about the “game” you still seem to trust him. Something he’s grateful for, even if he doesn’t quite understand it.

This is also when the doubts start to set in for him. He’s been told that people will want to hurt and manipulate him. But you don’t seem to want to do that at all? And even without the Elixir you’re a good person.A happy person.

He also thinks about the physical effects of the elixir. The body pains, the headaches. He doesn’t want you to go through that. You’re so young, and even if you maybe stronger than he is who knows what it would do to you.

So, he can’t let that happen.

Now, let’s talk about Suit Saeran for a minute because he’s.... complicated.

He’s scary. He wants to scare you. He wants to prove to you and to himself that you’re weak that he’s stronger than you are.

On the other hand, he won’t be too violent. Deep down he knows that you’re a kid. And no matter how angry he is he’s refuses to hurt you the same way he had been hurt as a child and as an adult.

It’s your kindness that helps bring him back to himself again. Helping to reunite the fragmented parts of his mind. These pieces all with the same goal. To leave Mint Eye and to take you with him.

Saeran has never been able to have a happy family. And while things are complicated. You’re his family now, and he’s going to be the best big brother he can be for you.

After his route, Saeran has a lot of healing to do. He has so many years of hurt to process and to learn to cope with. You yourself have to deal with everything that happened over the course of your time at Mint Eye.

No matter what though. the one thing that the two of you are certain of, is that you’ll always be there for each other. You’re in this together.

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extorchic · 4 years ago

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Sk8 the Infinity is my obsession but it ends up next week

Sk8 is special, it became kind of like an obsession in just about a month. I got invested in the story and 've grown to really care about the characters, specially Reki and Langa. I want to write a bit (well not really “a bit” because there’s a lot in my head) about Renga, I haven’t been as passionate for a ship in a while, it’s taken over my blog, for example. So by clicking “Read more” there’s some sort of a timeline of their interactions, some personal thoughts and its impact on me, as a gay man and rep and so on.

Now, some may argue that since it's a sports anime, it's supposed to focus on skateboarding BUT, the relationship between the characters takes the spotlight more often than in other shows of the genre. This may be a staple on Hiroko Utsumi's works, which has been previously portrayed in Free!, but I've seen that Sk8 has taken this to an eleven.

The relationship between Reki and Langa is one that grows progressively throughout the series, and skateboarding seems to be a sort of vehicle for that to happen:

They start as strangers that have found a common interest in skating, Reki had previously lost a friend and was desperately looking for someone to share his passion with and Langa had lost his father and his passion for snowboarding, which had sunk him in a state of disinterest for everything. This changes when they meet.

In episode 2 we see their bond expanding as Reki teaches Langa the basics and in episode 3 their friendship is solidly cemented.

Episodes 4 and 5 shows how this friendship grows into outright concern for each other safety, episode 6 once again show how protective they can be to each other but also introduces Reki's self-esteem issues which lead to...

Episode 7, the rift. Reki feels that he's getting left behind, maybe some bits of jealousy, and Langa's just too focused on feeling the thrill that is skateboarding that he just doesn't notice Reki's issue, that's why he thinks he wouldn't mind him breaking their promise. Episode 8 shows how heart-wrenching is for Langa to have this distance between him and Reki.

It is at this point that the relationship loses all the chances it had to be platonic, at least for me. Aside from the scene between Langa and his mom which seems to confirm that he indeed feels more that friendship, it also shows Reki longing for him but fearful of a reunion. That's why he goes undercover to see his race (after Joe's suggestion), and in episode 9, he not only defends Langa from people talking on his back, but also it's him calling Langa's name that gives the latter the boost to defeat Joe. Of course I can't avoid mentioning how Langa feels absolutely no thrill skateboarding unless Reki's there with him (as in "it's meaningless without you") and the beat of his heart returns only after he hears Reki calling for him.

Episode 10 has Langa continuing looking for Reki, as he's finally realized how much he cherish him and their relationship, but Reki still had to go through his own conflicting thoughts and emotions, which similar to what happened last episode, only surface when confronted to someone (Tadashi in this case) talking against something he loves, which makes him realize he loves skateboarding and doing it with Langa more than having any negative emotion.

Their reunion is probably the most emotional moment in the series: They skate together and enjoy it to the max, and not only that, Langa also tells Reki how much he means to him, not because Reki needed a compliment, but because Langa was overflowing with admiration for him. Then they share their mutual desire to skate with each other for eternity. Finally episode 11 shows them behaving like they used to, but Langa's more conscious on how he must appreciate what's dear to him and Reki finally going forward without fear. The renewed bond also boosts Reki during his race with Adam.

So, after all of this, it's safe to say that the show's plot relies HEAVILY on this relationship, more so than on skating itself despite also being centric to the story. Despite this, there are still some people, yes, "dude-bros" that argue on how they're "just friends" or "bros being bros". I'd disagree by saying that in even very close platonic friendships or even sibling relationships, there's a sense of separation, a division of some sort. It is also true that it's important to represent male platonic bonding, but Reki and Langa's relationship and how it’s been built goes a lot deeper than that just being platonic.

Is this LGBTQ+ representative? I've listed only some narrative points that very strongly suggest a romantic subtext, besides them there are plenty of visual features that support this approach (the eyes reflection thing, color-coding, symbolism, two freaking men in a love hotel, even if it was played for laughs) as well as the merchandise (specially the CindeReki CD drama). However, without a very explicit reveal or a confirmation, it'd be all left as subtextual speculation. And it'd be a bummer because we need this kind of rep, we need to see stories where two people meet after having left some traumatic experience, grow to care for each other and help each other to overcome those traumas, through laughing and sharing activities that they can both enjoy and be passionate about, even if there's obstacles on the way, so much so that when they're apart the pain is unbearable. I mean, of that isn't love, what is it?

As a gay man myself I've felt related to these two characters, in a way they already represent me, personally. But if that happened to end up as just fan interpretation, I’d feel something is missing somehow, dissatisified dissappointed to an extent, but I wouldn’t resent the series, nor the creators. The series relies heavily on the relationship for its narrative but it also offers other things: Amazing animation and music, lovable characters, an enticing story, I can tell it’s done with passion and most importantly it’s a lot of fun! Emotional, but fun! As I mentioned, it’s made me feel so many things in a single month and has inspired me as well. Besides, it’s quite apparent that they do love each other, they mean the world to each other. If I speak completely honestly, I just want the two of them to skate together in Okinawa infinitely forever, and that’s what they want to do. Maybe if we focus too much and judge on whether it is or not rep, maybe we can’t enjoy the series at its maximum, Yes, it is annoying to see some fans dismissing the romantic potential, but the normalizaton of sexual orientation diversity is, to this day, a work in process. I guess the best thing we can do is show our best side to the world, as queer people in general and as allies.

Now don’t get me wrong, I still freaking want this ship to be indisputably romantic in the canon, maybe more than I’ve wanted any of my ships ever before, and there’s still an episode left, I hadn’t lost hope, and hoping is the main thing you can do at the shipping game. What else can be done? To ship with honor, respecting everyone (fellow fans, creators, staff on the internet) and not getting into needless arguments or just creating a bad atomosphere in the fandom. It is a community after all, we need to get along, live and let live.

#sk8 #sk_8 #sk8 the infinty #sk8 renga #sk8 reki #sk8 langa #personal thoughts #This comes from a shipper who is very passionate for the pairing but also wants to be respectful

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sugarandspace · 5 years ago

Text

Quick Reflexes

Summary: Five times Magnus surprises Alec and Alec's Shadowhunter instincts take over and one time the familiar touch doesn't even make him stir.

A/N: Inspired by this tweet by the wonderful @skylar102! I also got help from the lovely @whatanexcitingfewdaysithasbeen, who helped me come up with scenarios where Magnus could surprise Alec! AO3 Magnus looks at the man sleeping next to him and he can barely believe what he’s seeing.

Not that he has Alexander in his bed, although that was no easy feat either, Magnus thinks as he thinks back to the first night they slept in the same room, when even sleeping on the different couches had made Alec look like a spooked animal. They’ve come a long way since then, and Magnus would go through it a thousand times again to get to this moment.

What leaves him truly amazed is the fact that Alec has stayed, that he still wanted Magnus after he’d seen his mark last night. Magnus remembers countless lovers who’d fled at the sight of his demonic eyes and remembers even more of those who’d left his bed before sunrise, only interested in what happened in the dark.

But Alec is still here, sleeping peacefully. They are both laying on their sides, and Magnus reaches forward to gently brush away one errant curl that’s fallen over Alec’s forehead.

He doesn’t have time to realise what’s happening before he finds himself on his back, pinned to the bed by the Shadowhunter. Magnus looks up with wide eyes, his chest rising and falling rapidly from surprise. It’s not a fully unwelcome surprise but it’s one he didn’t know to expect.

Alec looks embarrassed as he lets go of Magnus' forearms and moves back to his side of the bed.

“I’m sorry,” he says, grimacing a little.

“It’s okay,” Magnus says, still trying to catch up with the situation. He turns on his side to face Alec again.

“I wasn’t expecting that,” Alec says. Magnus looks at him with a puzzled expression and he continues. “Your touch. I didn’t remember where I was and my mind interpreted that as a possible threat. I’m sorry.”

“There’s no need to apologise,” Magnus says. “I understand. You’re a soldier and you’ve been raised to stay vigilant. I get it. I won’t sneak up on you like that again.”

“Please do,” Alec says quickly, and when Magnus raises his eyebrows he continues. “I want to get used to your touch.”

Magnus smiles, “Okay.”

-.-.-

It’s difficult, at first.

They both have dangerous lives where your reaction time can determine if you live or die. It’s not necessarily a needed instinct in the presence of your boyfriend, but sometimes it takes a mind a bit longer to realise that the surprising touch might be wanted, rather than threatening.

In hindsight sneaking up to a Shadowhunter who’s training is not the smartest thing to do, but on the other hand, Magnus didn’t really think he was sneaking up.

He had arrived at the Institute with a single goal in mind, and that was to whisk his overworker of a boyfriend on a lunch date. Isabelle had informed him that Alec was currently training, and had pointed Magnus to the right training room.

Magnus walks into the room to find Alec in front of a punching bag, and by the look of it he’s been going at it for a while now since Magnus can see the way the sweat is making his hair curl and his shirt cling to his body.

Magnus walks further into the room, and he’s only a couple feet away from Alec when he opens his mouth to ask his boyfriend if he could take a break, when apparently Alec had already heard him approaching.

Only Alec doesn’t stop to see who’s walking up behind him before he reacts.

Magnus feels hands on his upper arms and before he realises, he’s being pushed towards the nearby wall. Reacting on instinct, he pushes Alec away with his magic and in a heartbeat, the Shadowhunter is laying on the floor, pinned there by a glow of magic.

They are both breathing heavily, and once Magnus’ brain catches up with the situation he releases his magic’s hold on Alec.

“I’m sorry,” he says and rushes to help Alec up from the floor. Healing blue magic seeps into Alec from where their hands touch, soothing away any pain the impact might have caused.

“No, I deserved that,” Alec says as he steps closer to kiss Magnus briefly. “I’m sorry too.”

“At least no one saw that,” Magnus laughs, able to see the humor in the situation now that the surprise has faded.

Alec laughs as well, “Yeah, I have a feeling my siblings would never let us forget that if they had seen it.”

“Let’s pretend that never happened,” Magnus says as he begins to lead Alec away from the training room. “What would you like to have for lunch?”

-.-.-

Magnus waits patiently on the roof of the building he had chosen as the location of their date. It’s near central park and from up there he can see the lamps illuminate the park as the evening gets darker. There’s a candlelit dinner on the table in front of him, and he’s dressed to an outfit that he hopes will make Alec stare the way he sometimes does, where he catches himself abruptly and blushes afterward.

It’s a surprise date and he’s waiting for Alec to arrive. He takes a look at his phone to see that it has run out of battery, but he estimates the clock should be around the time Alec was supposed to come to the loft for their date night. Instead of dinner and Magnus, what he’s going to find from the loft is a note with an address, a simple message written after it;

Meet me at the roof at sunset

Magnus sits down on the chair and continues to look at the view, wondering if any of the ant-sized people he can see on the ground are his Alexander.

He jumps when suddenly the door to the roof gets loudly kicked open, and Magnus turns quickly to see Alec at the door, bow in his hands with an arrow ready to fly. He looks around his surroundings before running at Magnus, still keeping an eye on the roof, like he’s waiting for someone to jump at him.

“Are you okay?” Alec asks him, sparing a glance at Magnus before he’s focused on the roof again.

“I’m perfectly fine,” Magnus replies, trying to catch up with the situation. “Are you?”

Alec lowers his bow and looks at Magnus with furrowed eyebrows.

“You’re not in trouble?”

“No?” Magnus says but it comes out as a question.

“I found the note from your loft and I assumed someone had taken you,” Alec says. He’s still holding onto the bow but his focus is now fully on Magnus.

Magnus smiles lightly as he realised that Alec had come here ready to rescue him. He takes the bow from Alec’s hands and puts it down so it’s leaning against the table.

“I’m okay,” he says and brings his arms around Alec’s waist. “The only danger is that my heart won’t be able to take how adorable you are.”

Alec rolls his eyes, obviously disagreeing with being called adorable.

“So everything is alright?” He asks once more as he brings his arms around Magnus.

“Yes. I was just trying to surprise you,” Magnus says. He tries to lean up to kiss his ridiculously protective boyfriend, but Alec doesn’t give him a chance before he’s pulling away and taking his phone away from his jacket pocket.

“Just one thing,” he says and Magnus watches as he presses a few things on the screen and puts the phone to his ear. Magnus watches on, confused about what’s happening now.

“Yeah, Jace?” Alec starts the phone call. “I don’t need that backup after all.”

Magnus leans his forehead against Alec’s chest and tries to keep his laugh silent, even though he’s fairly sure Alec can feel it since he’s still holding one of his arms around Magnus’ ribs.

-.-.-

It feels like a good idea at the start.

Having moved past their first night together, the two of them had slowly but surely found new ways to enjoy this new physical aspect of their relationship.

So when Magnus portals home one evening to hear the shower in the bathroom running, an idea pops into his mind. It’s an idea they haven’t tried before but one that he’s sure they will both enjoy immensely.

So Magnus heads into his bedroom and strips off of his clothes as fast as he can, before turning the bathroom doorknob and carefully pushing the door open.

He sneaks into the bathroom, enjoying the warmth of the steam in the room that’s fogging the mirror and the glass panel next to the shower. Things are about to get a lot more steamy, he thinks as he steps into the shower behind Alec who’s facing the shower as he seems to be rinsing shampoo off of his hair. Magnus brushes his hand across Alec’s lower back, eager to see Alec’s reaction to his surprise.

Until he gets a good reminder of why his boyfriend is the worst person to surprise. Ever.

Instead of the smile and the kiss he was expecting, Magnus gets a face full of water as Alec grabs the showerhead and aims it straight to Magnus’ face. Magnus makes the mistake of breathing in in his surprise and ends up with water up his nose.

He coughs and turns to the side to avoid more water hitting him.

“Shit!” Alec exclaims and Magnus can hear him putting the showerhead away. “I’m so sorry!”

Magnus straightens back up and wiggles his nose to get rid of the uncomfortable feeling. His eyes are watering a bit and he can’t even begin to imagine what his hair and makeup must look like.

“That’s quite alright,” he says as he brushes his flat hair out of his face. “I’m sorry for surprising you.”

Alec looks him up and down, finally probably realizing what Magnus is trying to do.

“I’m not,” he blurts out before continuing with wide eyes. “I mean of course I’m sorry for how I reacted. But I don’t mind the surprise.”

“You don’t mind?” Magnus says flirtily, stepping closer so they’re both under the spray of water, bringing his arms around Alec’s waist.

“I know worse things,” Alec replies before he leans down to kiss Magnus.

-.-.-

Magnus went through a phase in the seventies where he was very interested in cooking. Phases like that have come and gone, but he has to admit that lately he’s indulged in the vast options of take-away food and summoned meals from his favorite restaurants.

He could get used to spending more time in the kitchen again, he thinks as he looks at Alec standing in front of the stove, focused on their dinner. He looks at home in the loft’s kitchen, even humming a tune Magnus recognizes as one of the songs they listened to earlier that day when they were relaxing on the couch.

After the mishap with the stew, Magnus had been positively surprised to find out that the issue had been with the old family recipe, rather than Alexander’s cooking skills. His boyfriend was still hesitant to try the more complicated meals, but Magnus had full faith that the bolognese he was currently cooking would taste heavenly.

Unable to resist the person in front of him, Magnus starts walking towards him. His steps are quiet, his socks sliding on the floor as he approaches Alec. By now he knows that surprising Alec doesn’t always end well, so he braces himself for whatever might come.

He is surprised, however, when he slides his arms around Alec’s waist and pushes himself close to Alec’s back, and the only reaction he gets is the way Alec tenses minutely, before relaxing and melting back on Magnus’ body.

“I’m almost done,” Alec says, continuing to stir the sauce.

“I’m in no rush,” Magnus replies and rests his head on Alec’s shoulder, turning a little to leave a kiss to his cheek.

-.-.-

Magnus doesn’t expect to be awake so early.

He’s had a rough couple of days, a rough couple of weeks really, and he wasn’t able to get rest while he was in Edom. They’d come back late last night, and when they had portalled back to the loft they had both been too exhausted to properly celebrate, instead immediately heading to bed where they had fallen asleep with their bodies curled together.

They have drifted apart during the night, now both with their heads on their own pillows, but they are still facing each other. Magnus yearns to curl up against Alexander but he resists that urge because he could see the dark bags under his boyfriend’s - his fiance's - eyes when he’d run up to him in Edom the previous day. He doesn’t want to risk waking him up, knowing how light sleeper Alec is.

Magnus himself has only been awake for a few minutes, having woken up by the sun streaming into their bedroom because they had forgotten to close the curtains. He had planned to just turn his back to the window and try to get more rest that his body desperately needed, but then his eyes had fallen on Alec and he had been brought back to reality. He had remembered everything, being in Edom and being rescued from there, and he had not been able to tear his eyes away from Alec.

After everything that had happened, they were both really there, safe in bed at the loft, and Magnus feels like his heart could burst. He’s glad Alec isn’t awake yet, because he needs a moment to process all of this.

After a while, he finds himself unable to resist the temptation and he reaches forward to touch Alec, to make sure he’s real. He brushes some hair away from Alec’s face with his fingertips, careful not to wake up his vigilant boyfriend who needs the rest just as much as Magnus does.

Magnus feels a strong emotion choke him and makes his eyes well up as he remembers the first time he tried to do this. Back when everything was still so new between them and they were still learning to trust each other.

Back then this hadn’t been possible. Back then he had ended up pushed into the bed by a full-body tackle from Alec. This time Alec continues to sleep, unafraid of the familiar touch.

Magnus bites his lips together and breathes in deeply, trying to calm down.

The last thing Alec needs is to wake up to Magnus crying.

Magnus continues to watch him, his soft touches moving from Alec’s face to his collarbone, before moving down to his arm to trace the runes there.

He can’t wait to marry the man.

With that thought Magnus pulls himself out of bed, deciding that if he’s not going to be able to sleep, he’s going to use the time well. He can’t stay here, because he knows that no matter how soft he tries to keep his touches, eventually he will wake Alec up.

He doesn’t want that, so carefully, as if not to jostle the bed too much, he slips out of bed and puts on one of his favorite robes. With a final look and a smile towards the bed, he leaves the room and heads into his apothecary, a place he’s missed incredibly, in search of paper and a pen.

He has a wedding to plan.

#malec #shadowhunters #alec lightwood #magnus bane #malec fic #my writing #i had so much fun while writing this #i hope it makes someone smile

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skyblue-ringpops · 4 years ago

Note

Hello -are you new here? Welcome if you are!

So your Deep Dive into Blaine Anderson is quite a lot to think about. It’s really mostly your head canon and not actually what happens in the show? Not canon?

When first introduced he becomes Kurt’s friend, who he has a crush on. He was subsequently called a mentor to him, but that’s not how we first see him. He’s just another teenager at this point, who Kurt falls in love with.

Most people don’t actually call Blaine whiny and clingy - only a small proportion of the fandom for a variety of reasons. Just like every character had their flaws and their critics. Most people like Blaine.

Blaine was a confident happy pupil at Dalton, and I don’t think he was putting on an act. But of course, there are other sides to him that we don’t see initially.

Yes, Blaine was assaulted at a Sadie Hawkins dance. Yes, he suggests on at least one occasion that he doesn’t have a good relationship with his dad. We don’t know for certain anything about Blaine’s relationship with his parents. But he does still mention them throughout the five seasons, indicating he lives with them, and that they were upset after Shooting Star.

Blaine attended prom with Kurt in season 2: it was hard for both of them, but they stood up to the bullies together. He also attended prom in season 3. So by Sadie Hawkins in 4, he rejects Tina’s proposal because he has a crush on Sam, not because of any apparent continued fear of school dances. Likewise, in Tina in the Sky with Diamonds, he’s happy to be there - he seems to have fact moved on from the assault trauma.

Do you think he had a close relationship with the Warblers? They were friends in 2, in fact they all looked up to him as charismatic lead singer who made the song choices. But they betrayed him in 3; in 4 Hunter and Sebastian tried to get him back to Dalton to secure a win at nationals, and then there was the drug issue. I’m inclined to think they were using him, and not genuine friends or family. He made his genuine friends, apart from Kurt, in season 4 at Mck.

Yes he was happy at Dalton, or so it seems. He wasn’t present when it burned down - he came back from his honeymoon to discover it had been burnt down. Yes he was upset, but bounced back quickly as the Warblers became part of the ND. A plot line really to insureBlaine had nothing to stay in Lima for, and could return to NY with Kurt. I don’t feel he was traumatised by it.

The wedding of course was Britannia’s wedding, and they had managed to get Blaine’s mum there, which was a nice touch. So the absence of dad and Cooper is not particularly shocking. And yes, there is part of deleted plot that the parents had divorced but a lot of plots were changed over the course of the show, so nothing can be gained from this.

I don’t agree Blaine raised himself. He dresses beautifully, he is beautifully mannered and follows etiquette. There must have been someone around to teach him these things. He never says his parents are not there, yes we don’t see them, and we can head canon a distant relationship, but it’s not certain. He calls his mum after SS, he is obviously close to her. He mentions them in Feud, and in Loser like Me. He has a sibling rivalry with Cooper - we don’t know how badly that affected Blaine: but Cooper does seem to care for him and be proud of him.

There’s no indication mum had a drink problem - yes she’s drunk at the wedding. Mmmm a lot of people get drunk at weddings. Santana and Quinn got drunk in I do - does that mean they have a drink problem? Blaine certainly doesn’t have a drink problem. In fact, he doesn’t drink a lot - we see him drunk on two occasions. We see several of the ND also drunk on occasions, but they don’t have a drink problem. In the scene with Dave, he appears to have a coke in front of him, and likely he drove. He said himself he went to the bar because he was lonely, and that’s probably the only place in Lima he would actually meet other gay people . By this stage, he was in therapy, had a job and was moving on: no suggestion he’s hanging round a bar because he’s depressed.

His relationship with Karofsky. Yes many in fandom hate it. I don’t love it. But let’s remember: they do seem to have a warm relationship, Blaine speaks fondly of him, there’s the gentle cheek kiss and eye contact when they split, which speaks volumes. Blaine looks happy to be with him. He tells him he admires him. Blaine is getting on with his life - as far as he’s concerned Kurt is in NY, they may not see each other again for a very long time. Blaine didn’t date Dave out of spite - Dave was there when he needed company, Dave had suffered himself - he was a good support to Blaine when he needed it. Why would he date him for pain and abuse, or punishment. He was in therapy, he was getting better and he was genuinely happy. Why would he feel guilty about the split - it was Kurt who called it off.

Blaine is one if the happiest, most likeable characters . He is loved by his friends and teachers - he is talented, high achieving, ambitious and kind. He’s generous, he cares for his friends, he will do anything to help his friends. He is great fun to be with. Yes, he’s insecure and suffers from loneliness which means he makes rash decisions. He’s not extremely depressed, he has periods when he is down - don’t we all?? He’s not suffering , depressed, sad individual but the opposite most of the time - fondly regarded as a ray of sunshine. If I was having a bad day, I’d want Blaine as my friend to cheer me up.

He’s not suicidal - I can’t see what you are saying re On my way - he isn’t in camera shot most of the time . He’s not rubbing his wrists or looking sad, he confidently states he wants marriage equality in 50 states - another thing that’s very important to him. Because he wants to marry. And he wants to marry Kurt. Cough Syrup is an excellent solo - at the time he sings it , no one is aware about Dave. Blaine had his own stresses that day - mostly to do with Sebastian. Kurt is the one who has been lonely, depressed and suicidal. Not Blaine.

He doesn’t have an eating disorder - we see one episode where he overeats because he is a new city. Then he feels bad because he’s put on the weight, and pulls away physically from Kurt. He’s not got an eating disorder. He enjoys sport - we see him at gym, boxing, aerobics and he dances a lot with friends.

Also, you make a big jump to assume he’s been sexually abused or assaulted. In fact, there is no indication of this at all. If that’s your head canon, that’s fine, but there’s nothing in canon that says this. Or nothing in his behaviour that says this. Plus I think you’ve got the wrong end of the stick regarding Tina, and his reaction to the vapo rape and Sam teasing Tina. Watch it again, Blaine isn’t upset.

There’s a lot I could go into about his relationship with Kurt but it’s already a long ask. Please feel free to chat to me about any of these!!! I note you think Blaine and Puck would be a good friendship, but that’s a chat for another day!!!

Look forward to a pleasant discussion with you!!

I'm fairly new to the Glee fandom, it'll be one year in the summer (I think August?)

It's a mix of canon and headcanons that are heavily supported by canon, I tried to specify what is what.

Most of the people I've seen that don't like Blaine or only like him in season 2 say he's whiny and clingy, and I'm happy to see that not a lot of people on Tumblr say that. More people do on Instagram, which is where I see most of the hate directed at him (he's still very popular there though!)

I've seen a lot of people say that he's mostly himself in the later seasons, it may not have been a mask at Dalton and could have been a personality change maybe impacted by the environment/who he surrounded himself with. In a deleted scene it says that his mom (maybe both parents? I just remember his mom specifically) isn't home much because of work - but I usually think that she's home late at night and on most weekends (nothing to support it, just what I think)

For the school dances, that is pretty likely, but the Sadie Hawkins specifically could have also brought certain memories back. I won't go into detail but I also have a bad experience related with a certain type of event, similar events don't bring back memories but that one specifically does, it does depend on the person though.

I think it depends on the person if he had a close relationship with them. Trent, for example, yes, but this is supported the most by canon. I also believe he was close with Nick and Jeff, but that's not as supported, and looked up to David, Wes, and Thad. But I don't really see them spending much time with him.

I don't think Blaine did have a drinking problem, I tried to specify that in the analysis but I think I wasn't clear because you're the second person to ask about that, just that he may have picked up the coping mechanism when he was in a bad place but to a lesser extent. The reason I think his mom may be is because (again, deleted shot) there was a shot in which Puck was holding her up and nobody seemed to be in a similar state, Quinn and Santana in I Do weren't as drunk as Pam appeared to be in that shot. But again, since it was deleted, I'm not entirely sure if it counts (I literally forgot it was a deleted shot until I rewatched the episode which is why I didn't point that out.) I do think Blaine and Dave got closer throughout their relationship because it did seem healthy, I don't think Dave was ever abusive because he changed a lot from the beginning of the series. It could have been something Blaine expected knowing his past. During the breakup, Blaine asks if it was something he did, which would be a reason why he'd blame himself. And I also don't think Blaine dated him out of spite, that's very out of character for him. But I've seen a lot of people say they think he might have it that don't like him because he dated Dave. Since writing the analysis (it's been a few months) I actually changed my opinion on Blainofsky, I still don't love it but I don't really hate it either.

In On My Way, he does rub his wrists, but it is kind of hard to see. You have to be watching him closely, and I don't think I would have noticed had it not been pointed out to me. I really think he needed more backstory and more of a look at his mental health - while he does seem happy most of the time, he does have signs of mental illness in his darker times, so it could just be how he feels in that moment, or he could be covering up feelings of depression or anxiety when he seems happier. And Kurt was definitely depressed and suicidal - I meant to write something on him as well but never got to it...

The eating disorder thing has been pointed out by a few other people as well, and a lot of people say it could be just stress eating, or it could be disordered eating which could potentially become an eating disorder had Kurt not intervened. There are warning signs that he could have potentially developed one - most notably a desire for control, which is a very common cause.

I wasn't even going to discuss sexual assault at first, I never considered it. The only reason it was brought up was because of the article I linked in the analysis and every point I made was from there.

And the mention of Tina and the vapo-rape thing, again, you're not the first to mention it so I'm probably wrong about it and I'll admit that. I had it pointed out that he was upset by one person and I haven't seen the episode in a while.

I'll probably look more into the character and update the analysis because lately a lot of people have been asking about it (honestly idk why it's suddenly popular since I did it a while ago but- I'm not complaining!)

Thank you for the ask, I hope I kinda cleared things up... And I appreciate the criticisms and your input!! If you wanna keep talking about this or anything else, feel free to send another ask or DM me :)

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crazyclownthanos · 5 years ago

Text

Mirage Adlai

“You’re the right one here?! Please stop trying to make me snoop to your level”

“Carrying on the will of Yuno? Well don’t you know”

Character information

Mirage is one of the leading protagonists in White Clover. He is a nobleman of the Adlai family current leaded by his older brother Droite Adlai, having their headquarters located in Maratopia Mirage resides in Nean Village with his siblings and parents Grey and Gauche Adlai.

Mirage comes from the French origin meaning “Illusion & Fantasy”

Alias:

Mirror Mirage

Licorice (Drioite)

Mini Gauche (Asta)

Ba ba-tan (Eleanor & Lawé)

Bakarage (Noelle) ———-> Baka + Mirage

Smart Shrimp (Zora)

Title(s):

Hugo eyes

Will carrier of Yuno

Member of the fearsome three

Member of the new light triad

General information

Status: Alive

Species: Human

Gender: Male

Affinity: Forcefield magic

Age: 11 (At the start of White Clover)

Birthday: December 4th

Constellation: Sagittarius

Height: 151cm

Weight: 38kg (83.7p)

Blood type: A

Hair: Black (dyed)

Relatives: Grey Aldai (Mother), Gauche Adlai (Father), Marie Adlai (Aunt), Droite Adlai (older brother), Lawé Adlai (second older brother), Eleanor Adlai (Younger sister), Unmaed step aunts, Unamed Grandfather, Undernamed step Grandmother.

Apperance

Mirage’s original hair color was blue though the color never suited him and with the magic touch of hair dye his hair turned from blue to black after using multiple packets of hair dye. Mirage sports black ruffled up hair as well as bangs that cover his left eye

Mirage is the tallest of the fearsome three standing at 151cm taller than the average 11 year old. He isn’t too interesting to look at it but he’s sure a sly character to look at.

Mirage hates formal clothing and isn’t ashamed to walk around in any form of clothing out in public. His usual wear consists of a loose baby blue long sleeve with an untied string at the front, Navy blue pants to add and brown lace knee boots.

Personality

Mirage is a confident person who isn’t afraid to speak his mind often communicating smart strategies or useful advice that would help advance the party, he has a favor of being right in every conversation though whenever he’s proven to be wrong he gets angry fast this is one of the results of him being short tempered. All of the Adlai children have anxiety triggers and Mirages anxiety trigger is being complicated so openly giving the mode of “Grey mode” this causes Mirage to turn red, cover his face, wobble his names, etc. Aside from his anxiety trigger Mirage inherits Gauche’s traits of quick thinker and affective strategies thankfully no sibling complex’s. Summoning up his personality Mirage will not be afraid of calling seomone out and is a chilled person to be around for sure somebody everyone can rely on.

Traits

Intelligent

Confident

Keen thinker

Tactician

Reliable

Opinionated

Short tempered

Sad

Relationships

Family

Grey Adlai

For the longest of years Grey had prioritized raising her 4 children and Mirage had acknowledge this knowing what she went through of her own childhood trauma Mirage feels special to call Grey his mummy often helping her out around the house.

Gauche Adlai

Sometimes Mirage can find his father a little strange with his complex worrying that someone would mistake him a predator, his foolish actions can be a little embarrassing among all of the weird stuff Gauche does Mirage likes Gaiche and thinks of him as a cool dad.

Droite Adlai

Droite would always tease Mirage often playing around with him if he were a cat. He thought of his brother as a man of care but yet a man of danger he. These two had a 6 year age difference and with Droites duties of a magic knight and running an undercover agency they never had room to talk a lot but nonetheless they like each other.

Lawé Adlai

Same with Lawé, Lawé would always ruffle up Mirage though these two have a 4 year age gap, Mirage carries memories of them painting and taking morning strolls in the fields warm memories he remembers. This soon changed after feeling a ghastly disturbance in his aura causing Miragw to be suspicious of him. Mainly Mirage tries his best to be supporting and kind to his brother.

Eleanor Adlai

Out of all his siblings Mirage feels the closest to Eleanor having a 2 year age gap and Mirage consentenly helps with Eleanor doing daily activities. With Eleanor being blind and the youngest child all of her brothers can be overprotective off her welbeing.

Marie Adlai

Mirage easily get along with Marie the two of them have a close relationship you can always spot the two organizing dinner, buying groceries or chasing down a criminal.

Fearsome three/light triad

Karra Marron

Karra and Mirage are bestfriends. Always backing up each other in the craziest situations, Mirage isn’t stupid enough to let Karra to give her money and ask her to buy food that would be stupid. To describe their dynamic they have strict mother-daughter dynamic always laughing about some joke or Mirage lecturing Karra. Mirage sees Karra as a reckless, idiotic, brave, vibrant person, someone he would trade anyone in the world for.

Ace Silva

Mirage makes sure to look out for Ace. Seeing Ace break down infront of him and Korra was the most disappointing feeling ever becuase he wasn’t there to protect him, since that day Mirage has been protective of Ace like a mother duck always checking up on him seeing if he’s 100%. Hearing about him being the vessel tot he white devil his opnion of Ace never changed devil or not Ace was still Ace to him.

Others

Yuno Ginberryall

Mirage dosen’t know too much on Yuno but he does know he is the will carrier of him. Only speaking on occasion his read of aura was bright and grew to like him pretty fast connecting to him with every word on the ideals of this world. He views Yuno as a capable person who he believes that he can do better than him.

Genji

Mirage thinks of Genji as the first person he can count on. His high skills and excessive knowledge impressed him on their first encounter though he does find the fox transformation a little bit odd but overall from his point of view Mirage thinks of him as a hopeful boy with unlimitless poitential.

Battle powers

Magic

Forcefield Magic: Forcefield magic allows Mirage to create a purple time of space where he has the ability to levitate, stop time, store and shield

Left eye?

Abilities

Creative mana: Mirage use this creative to use his forcefield magic in ways a normal mage couldn’t

Keen Intellect: Mirage is told to be known for his quick adaption to any situation

Aura reader: Lawé talks on chakras had an impact on Mirage and using the knowledge he gained he use them in a new light, a light to read people’s auras

Tacticin: Being only 11 year olds Mirage comes up with a smart strategies ensuring everyone’s safety and acknowledging the circumstances

High mana detection: Mirage possess high level of mana detection

Physical Strength 2/5

Magic amount 4/5

Magic control 5/5

Magic sensing 5/5

Cleverness 5/5

Always wanting to be right 5/5

Trivia

Mirage is heavily ispired by Ray from the the promised neverland

His left eye socket is a tool that will be useful in the future saga

He was originally going to have blonde hair

Mirage was named after one of Gauche’s spells out of his grimoire

Favorite food are pastries (all types)

Likes are being the right one in the conversation and ducks

Has a strange fear to owls

#White clover #Mirage Aldai #Character information

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eldritch-elrics · 5 years ago

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this summer, me and my brother watched four whole shows. at long last, here is my comprehensive review of all of them!

in the order we watched them, these shows were:

avatar the last airbender (ATLA)

mob psycho 100 (MP100)

demon slayer / kimetsu no yaiba (KNY)

fullmetal alchemist: brotherhood (FMAB)

they were all very very good!

i’m not going to try to rank them, but, as is probably obvious by the state of my blog, my favorite was FMAB :) if i had to pick a least favorite, then, it would probably be KNY—not by any fault of its own, but just because it didn’t appeal to me quite as much as the others. still a very good show!

i will review each show by:

giving a quick plot-based pitch discussing the show’s hook or appeal

discussing one element that i believe it does better than any other show on this list—in other words, a quality that i think it stands out for

discussing one element that didn’t appeal to me or that i had issues with—a criticism

putting forth my favorite character and favorite episode or arc, just for funsies

including various other commentary. mostly positive, as, again, i did really like all of these!

(i’ve tried to make this whole thing free of specific spoilers, but if you’re planning on watching any of these shows and want to go in more-or-less blind, it might be best not to read this.)

first of all, i’d just like to discuss all four of these shows as a whole! it was definitely interesting watching one after another and noting similarities between them.

all of them have siblings in them! which is, perhaps, fitting, as i watched them with my brother

two include a pair of siblings in which one has powers and one doesn’t (at least at first), and part of the narrative involves getting better at using those powers (ATLA, MP100)

two include a narrative centered around a pair of siblings and something tragic that happens to them, resulting in the older one being traumatized and forced to train to become a soldier, and the younger one turning into something (arguably) inhuman. the protagonist’s major goal is to return his younger sibling to the way they were before (KNY, FMAB)

ATLA and FMAB are both fantasy political dramas, which is rapidly becoming a favorite genre of mine

most of these are historical, or historically inspired in some way, which is interesting!

all of these shows are really really good at character building. all the main characters are interesting and complex, and the relationships between those characters are similarly nuanced and very well written. they make you really care about both the protagonists and the side characters!

avatar: the last airbender

pitch: as the ever-growing imperial force of the fire nation threatens the earth and water nations, a kid from the long-lost air nation turns up and it turns out he can control all four elements and he has to save the world and all that. sorry i tried to write this pitch like five times and realized that well at this point i think everyone reading this will know the plot of avatar

stands out for: avatar has possibly the best worldbuilding i have ever seen in a show—it takes the time to introduce us to so many places and aspects of its world, both explicitly and subtly. the main highlight of this is the magic system. by creating a magic system based in body movement, the process of using magic and learning to use/control it better becomes immediately obvious to the viewer. combine that with the philosophy behind each type of bending and the way that characters take bending inspiration from types different than their own, and you’ve got a system that is complex, flexible, believable, internally consistent, and just plain fun! it makes action sequences a blast. i especially liked the moments when bending was stretched to its limits in totally logical ways (metalbending, bloodbending). not to mention the way that bending is seamlessly integrated into the world of avatar! the example that comes to mind is the earthbending-powered transport system of omashu. a whole essay could be written on that topic alone!

criticism: i know this is a sentiment shared by many people, but the first season was kind of boring to me. some of the humor and the plots felt hit-or-miss. of course, it needed to take that time to establish the world, and it does a great job of doing that. it just didn’t hook me until the second season.

favorite character: i love toph she’s so much fun :) iroh is a close second! and zuko is great, too, of course

favorite arc: i loved ba sing se a ton, especially the episode when they get there and everything feels off. it felt so resonant with real life, in a very fun way. there’s a reason “there is no war in ba sing se” is a meme…

other commentary: what can i say? it’s a classic for a damn good reason. the plot is tight, and it does a great job raising tension and introducing new elements and twists. i also love the care put into the antagonists, especially azula, who has a fascinating arc.

mob psycho 100

pitch: a middle schooler and a charismatic con artist team up to smite ghosts using extrasensory powers. thing is, only the middle schooler actually has ESP, and it happens to be really, really powerful. can he navigate the difficult world of middle school while also getting a better grip on his powers—and his bottled-up emotions?

stands out for: the way that MP100 uses animation is excellent. it takes a little getting used to but it’s just so fun, combining all sorts of different techniques to create an experience rich with drama and emotion. it’s playfully exaggerated and self-parodying, adding to the show’s fantastic sense of humor as well as its truly emotional moments.

criticism: the way that ESP works makes suspension of disbelief tricky. it’s a great feat to introduce a character who is essentially all-powerful and still make them interesting (even in fight scenes), but at times (especially the second season finale) it felt like a magic system with too much breadth and too few limitations. this might just be my bias for hard magic systems talking, though.

favorite character: other than mob and reigen? probably teru. he’s loads of fun AND all the season 1 episodes he’s in slap hard

favorite episode: the one where the girl asks mob out on a date as a dare.. it’s super cute

other commentary: thank you mp100 for being the leftist propaganda we all deserve <3

in all seriousness though, this show is a blast!! it does a great job switching between silly and serious in the blink of an eye. i also really appreciate the way that it balances comically huge stakes with much smaller, more personal stories. for example, the conflict between mob and reigen in season 2 is especially well-done. in general the emotions just feel so real? characters whose emotions tie into their powers are an excellent trope, and mob is a wonderful protagonist who exemplifies this really well.

finally, on a more critical note—there are so many characters in this show! and it feels like only a handful are fleshed out? however, this may be due to the fact that it’s not an adaptation of the entire manga (which i haven’t read). there’s a lot more to go! more characters to dive into! so i probably shouldn’t try to critique it in the same way as a finished work.

demon slayer / kimetsu no yaiba

pitch: demons kill a boy’s family and turn his sister into a demon, so he decides to try and figure out a way to turn his sister back into a human. what follows is a demon-killing adventure that’s in equal parts harrowing, poignant, and hilarious.

stands out for: there’s not much i can say about this other than “please just take a look” but the art and design is phenomenal. it does a much better job of integrating 2D and 3D than a lot of other animated series, and overall it is just so so pretty! all the character designs are complex, memorable, and fit the characters perfectly. the color choices are interesting and satisfying. i also really like the sound design? not often that i notice that in a show. i’ve watched so many KNY amvs by now lol it’s just amazing animation

criticism: the narration style leans too heavily towards tell instead of show. this is mostly an issue with the first few episodes, but i got super annoyed by how much the show would narrate every single one of tanjirou’s thoughts instead of letting us infer those thoughts through his actions and reactions—the latter, i think, would have been more emotionally impactful. sometimes silence speaks louder than words! tanjirou was also not the world’s most compelling protagonist in my opinion, though i think that mostly has to do with my own tastes.

favorite character: *holds up zenitsu* I Just Think He’s Neat. i actually kind of lost it when he first used his powers, like… damn i love characters with weird relationships with their magic like that. i also think the narrative about how having a solid foundation is sometimes more important than knowing a ton of different moves was really powerful. and he’s just funny! pathetic boy i love him

favorite arc: really just the whole spider arc. fucked up man… i love it. they pulled off that last twist so well, and all the family stuff was so weird and complex and emotional…

other commentary: it’s just a really solid and very well-written show! the team of tanjirou, zenitsu, and inosuke is so much fun… bro bonding :) i also quite like the horror elements; it’s fucked up but in a good way. finally, this is very specific, but the demon that can alter buildings/rooms through drumbeats? appealed to me very much. it’s a cool and unique power!

fullmetal alchemist: brotherhood

pitch: two kids do some fucked up alchemy and end up getting parts of their body stolen by god. now they’re on a quest to get their bodies back, but find themselves wrapped up in crazy government conspiracies and alchemy more powerful than they ever could’ve imagined…

stands out for: plot. by this i mean less overall concept (though the overall concept is pretty great too), and more that the pacing and progression of the story is extraordinarily tight. for the most part (the first few episodes are a little weak but i’ll let it slide), it does an excellent job establishing its premise and building on it logically, adding layers and layers that extend naturally from what we already know. everything has a reason for happening; everything is revealed in good time and all the twists are super satisfying. there’s great balance between exciting moments and quiet moments. it’s just very good at being a story!

(fun fact: i’m reading the manga right now and so far it’s even better paced than the show, which is super interesting! it’s especially good at how it lays out pieces of the backstory and then fills everything in later in a really satisfying way.)

criticism: this is incredibly specific but it’s what comes to mind as something that bothered me: winry’s character arc was really disappointing. for most of the series she’s a pretty strong character, but in the end it feels like she gets pushed aside, defined only by her relationship with ed. what happened to her wanting to take action more? that was a specific desire she expressed—wanting to be less passive! since she’s such an important character, i wish she could have had more presence in the last season other than as a sounding board for the elric bros’ emotions. (even though her one scene in the last episode was really good and emotional…)

favorite character: other than the elric bros, absolutely ling. he fits into multiple of my favorite character archetypes (fun, silly, bastard, gets possessed…) and he’s just overall a delight. plus his relationship with greed is really really good. bro bonding at its peak!! (my other favorite is pride. i will not say why because spoilers. but if you know me.. you know)

favorite episode: this is really really hard to choose but i’m gonna go with envy’s death because. holy shit.

other commentary: i’m a really big fan of the complex and nuanced way in which FMAB breaks down militaristic, imperial regimes from the inside. many of the characters have done awful things, and the story forces them to grapple with that and accept that all they can do now is be better in the future. the moral complexity is just really good! characters with flaws—we love to see it!

finally, parts of this story seem so so catered to Me Specifically that it’s no wonder i got so into it. like just the entire premise? the way that so much of the conflict is built out of identity crisis and exploring the nature of consciousness and human vs inhuman? beautiful. i love ed and al so much

if you made it all the way to the end, thank you so much for reading!! glad to have finally gotten this done (3 months late…) and put all my thoughts down. i hope this inspires someone to try watching one of the shows i discussed!

#avatar the last airbender #mob psycho 100 #kimetsu no yaiba #fullmetal alchemist #my post #long post #then for my own tagging purposes..#atla #mp100 #kny #fmab #i really hope some people read this! i put a lot of thought into it

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somegirlsnerdywords2 · 5 years ago

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Anime i’ve Watched

That begin with a A (Part 2)!

Yep this is how i’m going to bring over all the anime and manga i’ve watched and posted about on the old blog. It’s not so detailed but it will have to do. Anything new I watch or read from this point on will have their own posts.

Angel Beats!:

Genres: action, comedy, drama, school, supernatural

Synopsis: Otonashi awakens only to learn he is dead. A rifle-toting girl named Yuri explains that they are in the afterlife, and Otonashi realizes the only thing he can remember about himself is his name. Yuri tells him that she leads the Shinda Sekai Sensen (Afterlife Battlefront) and wages war against a girl named Tenshi. Unable to believe Yuri's claims that Tenshi is evil, Otonashi attempts to speak with her, but the encounter doesn't go as he intended. Otonashi decides to join the SSS and battle Tenshi, but he finds himself oddly drawn to her. While trying to regain his memories and understand Tenshi, he gradually unravels the mysteries of the afterlife. [Written by MAL Rewrite]

My Rating: 10/10

Finished airing in 2010 with a total of 13 episodes.

My Thoughts: A masterpiece and a classic. Now that I think about this one probably deserves a rewatch! Tragic and beautiful with one hell of an opening theme. This one really takes you for journey in 13 short episodes and it’s not one that you’ll soon forget.

Ani ni Tsukeru Kusuri wa Nai! (Please Take my Brother Away):

Genres: comedy, school, slice of life

Synopsis: Shi Miao simply cannot stand her lazy, stupid, and unreliable elder brother Shi Fen, who is one year above her at the same high school. Though the two siblings can only depend on each other, Shi Miao's violent tendencies combined with Shi Fen's knack for causing trouble cause them to fight constantly. And so, Shi Miao can only hope that someone might take her brother away—even though, when push comes to shove, Shi Fen always tries to do what he believes is best for his cute younger sister. [Written by MAL Rewrite]

My Rating: 9/10

Finished airing in 2017 with a total of 12, 3 minute episodes.

My Thoughts: Three minute episodes of pure comedic bliss. A short and light anime that’s perfect if you’re looking for a bit of a pick me up series but don’t have a ton of time. Highly recommend.

Ani ni Tsukeru Kusuri wa Nai! 2 (Please Take My Brother Away 2):

Genres: comedy, school, slice of life

Synopsis: As always, Shi Miao is tired of her brother's ridiculous antics, and Shi Fen can only hope to escape the clutches of his violent sister. With their friends and classmates in tow, the two continue their dysfunctional relationship as reluctant but devoted siblings. [Written by MAL Rewrite]

My Rating: 9/10

Finished airing in 2018 with a total of 24, 3 minute episodes.

My Thoughts: The hilarity continues, this time with a 24 episode run! A must watch for fans of the first season.

Ao no Exorcist (Blue Exorcist):

Genres: action, demons, fantasy, shounen, supernatural

Synopsis: Humans and demons are two sides of the same coin, as are Assiah and Gehenna, their respective worlds. The only way to travel between the realms is by the means of possession, like in ghost stories. However, Satan, the ruler of Gehenna, cannot find a suitable host to possess and therefore, remains imprisoned in his world. In a desperate attempt to conquer Assiah, he sends his son instead, intending for him to eventually grow into a vessel capable of possession by the demon king. Ao no Exorcist follows Rin Okumura who appears to be an ordinary, somewhat troublesome teenager—that is until one day he is ambushed by demons. His world turns upside down when he discovers that he is in fact the very son of Satan and that his demon father wishes for him to return so they can conquer Assiah together. Not wanting to join the king of Gehenna, Rin decides to begin training to become an exorcist so that he can fight to defend Assiah alongside his brother Yukio. [Written by MAL Rewrite]

My Rating: 7/10

Finished airing in 2011 with a total of 25 episodes.

My Thoughts: Great look in terms of art/ animation/ character design. Great setting and premise but overall the series fell a bit short, in large part (my opinion only) because of the anime original ending. An ending that WAS ignored when they released a second season years later. I’d recommend this series for the simple fact that watching it would enable you to watch the second season which was much, much better! Pretty good opening theme though.

Ao no Exorcist: Kyoto Fujouou-hen (Blue Exorcist: Kyoto Saga):

Genres: action, demons, supernatural, fantasy, shounen

Synopsis: The ExWire of True Cross Academy are beset with shock and fear in the aftermath of discovering that one of their own classmates, Rin Okumura, is the son of Satan. But for the moment, they have more pressing concerns than that of Rin's parentage: the left eye of the Impure King, a powerful demon, has been stolen from the academy's Deep Keep. After an attempt is made to steal the right eye in Kyoto as well, Rin and the other ExWires are sent to investigate the mystery behind the Impure King and the ultimate goal of the thief. While this mission has them cooperating for the time being, Rin has never felt more distant from his fellow exorcists. In his attempt to reconcile with them, he undergoes specialized training to control his dark power. However, when the right eye is stolen not long after their arrival, the unthinkable threat of a traitor amongst them leaves them in need of all the power they can get. [Written by MAL Rewrite]

My Rating: 9/10

Finished airing in 2017 with a total of 12 episodes.

My Thoughts: Took years and a less than stellar anime original ending in the first season to get here but finally a second season came! Great art, music and story. An odd case where the second season is far better than the first and truly makes up for its predecessors missteps. If you decide to give this series a try be aware that what you’re really coming for is this gem of a second season and not the first!

Aoharu x Kikanjuu:

Genres: action, comedy, sports, shounen

Synopsis: Hotaru Tachibana has a strong sense of justice and just cannot help confronting those who choose to perform malicious acts. Furthermore, Hotaru is actually a girl who likes to disguise herself as a boy. After hearing rumors that her best friend was tricked by the popular host of a local club, Hotaru seeks to punish the evildoer. Upon arriving at the club, however, she is challenged to a so-called "survival game" by the host Masamune Matsuoka, where the first person hit by the bullet of a toy gun will lose. After a destructive fight which results in Hotaru's loss, Masamune forces the young "boy" to join his survival game team named Toy Gun Gun, in order to repay the cost of the damages that "he" has caused inside the club. Although she is initially unhappy with this turn of events, Hotaru quickly begins to enjoy what survival games have to offer and is determined to pay off her debt, much to the dismay of Tooru Yukimura, the other member of Toy Gun Gun. As time goes on, Hotaru begins to develop a close friendship with the rest of the team and hopes to take part in realizing their dream of winning the Top Combat Game (TCG), a tournament to decide the best survival game team in Japan. Although Hotaru tries her best, there are just two little problems: she is absolutely terrible at the game, and Toy Gun Gun doesn't allow female members on their team! [Written by MAL Rewrite]

My Rating: 9/10

Finished airing in 2015 with a total of 12 episodes.

My Thoughts: I freaking loved this anime when it came out... though I doubt i’d be quite as generous with the score now. Good chance I was distracted by the cute glasses wearing male character which would have heavily impacted my score. A strong female lead masquerading as a male, attractive male leads (both with glasses and not) and some killer theme music. Even if I wouldn’t rate it quite as highly now i’d still argue that it was a pretty decent anime. No where near perfect but a bit of fun.

#anime #angel beats!#ani ni tsukeru kusuri wa nai!#please take my brother away #ao no exorcist #blue exorcist #aoharu x kikanjuu

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