#while exploring those themes
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ruindunburnit Ā· 1 year ago
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Has anyone written a Death Note fic but it's a Dune crossover, with Light believing himself to be the subject of a messiah prophecy as Kwisatz Haderach Lissan al Gaib Kira?
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apple-onigiri Ā· 2 months ago
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"because two sides of this - letting wounds heal through grief or return what has been unfairly taken - are always in flux within me; on one had pleeeeease let siffrin go back, please let them reclaim what he tragically lost but on the other, the whole game is about moving on, not lingering, not doing exactly what the king was doing and hanging on to the past"
There are two ideas I have that strike a sort of middle ground that still fit the "you can't cling to what you've lost" theme.
1: Siffrin can get their memories, they can get their culture, they can get their ability to read and write and speak their own language back and not have it hurt anyone- but they can't go back. They cannot go back to their home. This allows grief, this allows the understanding of what was lost and allows Siffrin to grieve fully and then move on, taking what he will with him and leaving the rest (people and places and such) behind, thus fitting the theme.
2: Siffrin can go back to the island, temporarily. The wish fails, for whatever reason, the island comes back, and Siffrin and co. go to the island. They interact with Siffrin's old family, see the culture, etc. But then comes a time where the Islanders intend to reinstate the wish, basically. Siffrin (and technically Siffrin's biological family as well) all have to choose between clinging to the Island or setting out for Vauguard/Ka Bue/ Wherever they planned to go next. This creates a new yet related theme: Clinging to your past can destroy your present. If Siffrin stays, the family would likely have to leave without him forever, forgetting him. If he leaves, his bio family may not be able to reach him. He must grieve and let go, one way or another. (I personally would make it he leaves because theme but also it kinda still works both ways, you have to let go of part of your past)
Anyway thank you for coming to my ted talk
nods nods nods
yeah it's fun to play with the themes of loss and grief over culture, and accepting them instead of clinging on post-canon. those are v interesting!! i really do like the first, with at least having memories that open the option for grief to begin with. thank you for sharing []~( ̄▽ ̄)~*
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tosahobi-if Ā· 1 year ago
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I don't think that your bdsm answer was a cop-out. I also agree that dom/sub doesn't always apply to kink and sex, and can actually exist in regular everday life.
thank you! i was recently talking over this with a friend who's in the scene and it's both interesting and a little disheartening to see how public perception usually views it as just sadomasochism and how it just applies within the bedroom jsfjsj it's a fascinating subculture. i just found it difficult to apply specifics to the ros HAHAHA
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bookshelf-in-progress Ā· 9 months ago
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So you have an interesting premise that doesn't immediately lend itself to a plot?
Looks like it's time for a road trip!
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sugaredparchment Ā· 4 months ago
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y'know I don't think I'm ever going to cook up on a poem again the same way I did in my freshman year English class for our final assignment relating to twelfth night like what was I on when I wrote "would the phantom of all that I miss care to join me in a waltz?" or "This house must run, but temptation bids me to let it fester the way a wound cannot" or even. even "I feel naught like seeking sunshine or fetching company, yet there is no solace in rotting away"
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yyoon5 Ā· 5 months ago
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느루
@ģš°ė¦¬ė˜ķ•œė™ė¬¼ģ“ė‹¤ via Postype.
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luna-the-bard Ā· 1 year ago
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Bugs…
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unproduciblesmackdown Ā· 6 months ago
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speaking of bsol through speaking of xmas xtrav that like i'm so augh god hand over heart falling over (just like the bloodsong b/c it's the like conclusion of being Overwhelmed By Artistic Effect that then in the ideal version you may as well die) at the thought of the finale where you have the main plot conclude as that Story w/those Themes like ah but even then, the influence, the other the musicians now, that this whole time like yeah you have to do it even if you just keep building or die or were thwarted even prior to that b/c you didn't know you wouldn't be....but that then just like in the opening song Outlaw or sort of distillation of the theme abt being someone making art Last On Land or that at other points other characters have emerged as not really their characters not really a greek chorus but elements of the story helping to Tell It, here's Everyone again for the friendship song altogether & each with an instrument & like not even able to see it but pics & imagining & the enthusiasm & the Thematic Resonance like this is when you are pursuing these pursuits together like _o__ (splayed out facedown emoji) aaauuughhh ;;mm;; bsol finale with everyone showing up playing & singing & dancing the song celebratory finale it's all the Theme when the full cast of Characters had only ever all been together for the one standoff scene at the end & yet obviously We've known them all & everyone is outlaws which is a song like i'm already going sicko mode & this is just the intro, so yknow, The Conclusion, good lord find an iconis musical finale without that place for the celebratory outpouring of enthusiasm right amidst other feelings & situations but Good Lord Here's This in a story that'll always have been all about people's depths & heights & widths & breadths & variations & tumult & all the dimensions, people will have Brought It all over the place & it's like yes leap around together playing & singing this song together which isn't The Story but is such an extension of it b/c bsol has its show within the show quality still infused all in it & if this flurry of Actors Celebrating Outpouring We Put On This Show but still within the show you are seeing as an audience in this venue wouldn't have been part of the original plan with a whole [outside the show within the show] plotline like. embraces bsol holding it so hard my becherished
#bsol#& in true xmas nature yknow like yeah i think of the whole show like wwaaughh think of the baby please come home like Aauuuughhh#think of specific moments within & none of those make me weep but they do make me go omg & woww yayy & clap & cheer & caper & gambol#but what everything has been: all about its central theme & bsol/xmas playing w/& sending up Genre Conventions we all know & thus can be#enough on the same page about so as to then be on the same page abt what's Unexpectedly done w/them but it's not just about#like oh we do this to be Above it b/c it's also done abt genre convention stuff that's enjoyed & interesting to its creator here so#that also as ever the Heart of w/e the genre stuff being messed with is Earnestly Kept & that's what all this is used to express things#with in addition to being able to have fun & explore things that plausibly a completely straightforward recreation type homage couldn't#or couldn't do as well without sacrificing one or the other vs if you're already doing an open like remix playing with exploration; then...#the conclusion of the xmas show isn't yeah i love xmas isn't that cringefail of me. yeah these xmas special media we're working off of#isn't that all so silly & no matter how much i love it it's important to end up Above It. like nobody's here to be above shit good god#soooo much more you can do if you don't have to prioritize That central theme. [you & me; We're superior] undermines Anything Else#while never holding yourself as Apart & Better lets anything else grow & flourish & have the Capacity & Flexibility to be & do whatever#the villain as an emotional reflection of part of the hero / representing a Possible Version of them; not Who They Could Never Be#as Only a force to be overcome with your greater force; though naturally yes the villain creates conflicts & stakes & obstacles#& in these so very genrey xmas bsol situations i'm clapping cheering go also very fun & funny little villain who kills you Gooo#100% this bitch Oh No Not Miserthorpe Krampington Thornwassail Cocodrilo that's right you fucks ahahahaaa >:) die btw#thinking about specific parts of bsol like oh wow oh yay oh this fun turn into this bit oh what a scene what a song wahooo#then overall like lying back reaching up Bloodsong....#thinking of the finale friendship song actors as actors ish characters ish ft. instruments 😭😭😭😭😭😭 (one each)#this mf (gesturing to myself who'll inevitably fire up Outlaw.mp3 at any moment & go Augh the harmonica the harmonies the chorus The This)#also that obviously i get to have a delightful time going well so of course lo cocodrilo is gay; perhaps & trans; &....
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suckishima Ā· 2 years ago
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all of my hq!! fic ideas essentially just various versions of the 'what if we kiss at the ____' meme arent they
what if we fell in love at nationals
what if we fell in love as first years
what if we fell in love on the bus
what if we fell in love as third years
what if we fell in love during serve practice
what if we fell in love slowly over the course of our whole lives
what if we fell in love at camp
what if we fell in love when you went to camp without me
and especially bc theyre all firmly rooted in canon and always specifically reference canon events, like i Know those all sound like theyd be the same,,, but to me they are different i swear
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casinoquartet Ā· 2 years ago
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i am SO TRIED of writing essays why can't they just let me write about block people
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malachitezmeyka Ā· 1 year ago
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Honestly I’d really like to make some kind of MLP AU or redesign/rewrite or whatever else of the sort because MLP was essentially my first fandom and it’s extremely nostalgic to me, but I’ve seen so many people do it already and have found myself physically incapable of producing something that isn’t blatantly copying what other people have done :/
#and yeah yeah I know that nothing in the world is truly original and everyone’s inspired by something#but I want to make smth that isn’t rehashing what I’ve already seen#and it’s hard bc redesigns and aus are kinda all the rage right now#and no I’m not talking about those infection aus bc while those are really cool and I’m not interested in making my own#I’m a really squeamish person. to the point I even avoid sick fics most of the time#so while I enjoy seeing a lot of those aus because I too had a creepypasta phase and it reminds me of cupcakes and rainbow factory vibe-wise#I’d probably throw up if I had to draw smth like that myself šŸ˜…#anyway. what I meant is some kind of rewrite where I’d get to explore themes that interest me more#maybe dig a little deeper than the earlier seasons of the show could afford in certain places#like coming up with a clearer reason for aj’s parents’ deaths. for instance#and also making next gens is basically my modus operandi at this point so while I’m not really interested in making kids for the mane 6#I’d like to redesign them + their families to get to play with genetics a little.#but again. I’ve seen a lot of redesigns over the years and I’m afraid they would influence me too much for my liking#only reason I’m so worried is because last year I did doodle some ideas a little. for the CMCs in particular#and suddenly realised they were basically the grand galloping 20s au designs poorly drawn from memory in my style#and any ideas re: redesigning the actual pony species are essentially ripped off from skyscraper gods#as are some concepts about becoming an alicorn/gaining immortality and all hat#so… yeah. no#idk. I’ll think about it some more and maybe I can come up with some cool ideas that I can string together in some way#it might be really fun and would also give me a chance to let my sotrl hyperfixation rest a little#don’t get me wrong. I love the universe Kat and I created and my OCs and everything. but I’ve been going at it non stop for almost 4 years#sooner or later it’ll burn me out and I won’t be able to come up with anything for it anymore#and I literally don’t draw anything BUT sotrl#so it’d be nice to branch out a little. maybe I’ll finally feel less like I’m screaming into the void with my incredibly niche OCs#again. I don’t know. we’ll see if I’m struck with inspiration or smth#also coming up with ideas is like half of the problem lmao. horses are really hard to draw#even cartoon ones 😭😭 I was hyperfixated on mlp for most of my childhood and still never mastered it#I can barely draw humans lower than shoulder level let alone horses. but I’ll figure it out if I get a concrete au idea#okay I’ve been rambling for like half an hour. rant over I’m done
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exuberantoctopus Ā· 2 years ago
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#alright might delete this later because I avoid discourse for the most part#so#while I feel a lot of things this season would have worked better with some more breathing room#I’m happy with all the story beats they chose to play this season#i saw a take that was basically ā€˜Izzy mirrored Ed’s relationship to the toxic masculinity of the pirating world’#’he was tormented by it in the first season and then in the second it softened and died’#and I think that works pretty well symbolically#a lot of people are trying to analyze the show as if these are real people being put through real things#when at they end of the day they are characters representing symbols and ideas and pieces of real people#basically I’ve seen a few people saying that Izzy’s death negates the theme of this show being queer love and joy#and that really annoyed me because I don’t think it’s true#and I think in a show with so many queer characters you can give them room to explore one dying#I feel like if we’d had more time it could have been more nuanced and we could have seen more of the characters reactions#but we had 4hrs total of television this season#and they had so much story they wanted to tell#and I feel like they also wanted to make sure things were resolved in case they didn’t get renewed#and that means they had to put in the beats they felt were most important#without a lot of room to breathe between those beats#so in conclusion i liked this season#i really wish we had more of it#but I appreciate what we have#and I hope we get a s3
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kpgimpactor Ā· 2 years ago
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Finally hit 60 hrs in Elden Ring and I think I’m….2/3 of the way through the main story? On average I’m guessing I’m like halfway through most NPC quest lines. There is still So Much to do.
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maemil Ā· 1 year ago
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God, I was getting annoyed with some choices the writers started making a bit after the halfway point of Batgirl (2000), only to be informed that this was pretty much exactly when Kelley Puckett stopped writing.
#i see what you guys meant when you said he did it best agsjdk#to be fair i really enjoyed testline. which was right after puckett left but that may also be my bad case of the stephs#i am still reading. its not like end of the world stuff. theyre just kinda making bruce worse & have been focusing *hard* on her & boys#like issues 39-45 have on some level themes regarding her relationship with either superboy or this one random villain or guys in general#she feels hella lesbian coded for a lot of it tbh like she does not seem comfortable with dudes checking her out ever shdkjdk#but thats just making it more annoying because im like 'free her or make this an actual exploration of comphet (never gonna happen)'#i have a feeling the problems with bruce are gonna be resolved with them kicking each others asses which normally im all for but not rn#i just feel hes being written worse than the writers think he is which just makes things frustrating#especially when his level of shittiness up to now felt pretty ideal. but theyre also making her dad worse. ig to make bruce look better :/#batgirl (2000)#mae reads comics#edit: it is looking like 48-50 will be bruce problems. 51-52 is horny. and then we hit robin!steph which will make me hate bruce more oh god#hopefully theres some interesting parts in the bruce problems section i genuinely dont hate them having conflict. but RIP#after that is like two events shdjdk i might need to take a break from batgirl for a min#its been my go to fun comic for a while but i do have to pace myself with those anyway#and ill ruin the good stuff im sure *will* show up later if i go into it grumpy because of change
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winterskorn Ā· 1 year ago
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we're a few months out so I can share my personal hottest BG3 takes
Orpheus shouldn't have turned into an illithid. If you didn't make a deal with the Emperor, then you should have had to sacrifice yourself or one of your companions to succumb to ceremorphosis instead of the NPC that we've known for about 5 seconds and who introduced himself by telling us we should've let ourselves die.
There shouldn't be an in-game Durgetash romance option / past Durgetash should never be made explicit canon (because so much of the fun of that relationship is just playing around in the empty spaces available to us. Also. Lesbian Durge rights.)
If there IS ever a Durgetash romance option put in game, it should immediately ruin your current romance and piss off everyone. Sleeping with Mizora but worse. No One Liked That.
Even if you romance him, the big dick oil baron still dies.
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bloomeng Ā· 10 months ago
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This is my official Batfam Magical Girl AU Masterpost (everyone clapped)
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(Updated 4/16/25)
I’m going to do a brief overview and then go into more details for those interested.
Bruce being from old money (and apparently being connected to Camelot) inherited a mysterious mineral with unknown properties. In its raw form it’s very unassuming, but when cut like gemstones and added to accessories it can be harnessed into a tool. By altering the mineral into a wearable item it allows the magic within to be channeled. The magic of the mineral connects with its wielder to create an outfit and (typically) a weapon. These outfits do not grant the wearer special abilities outside of the transformation and the weapon, but when worn the wearer is granted (what is basically) hammerspace and a nearly impenetrable outfit. The uniform granted is not something they can alter the appearance of but will change gradually overtime to reflect how the wielder has grown.
This mineral will henceforth be known as Arcanium. It operates on Kryptonite logic in that it’s— allegedly— super rare but also shows up whenever the plot needs it. (I’m aware it shares a name with a card game, but I wanted my Kryptonite spoof)
Martha Wayne unknowingly started the cycle by turning— what she thought was a rare gemstone— into a brooch. She died shortly after having it made and Alfred held onto it in her memory. Like canon Bruce goes on his journey of self-exploration to train. When he comes back he enacts his plan the way he does in Batman: Year One, where he goes out in basically just make-up, and it goes poorly. He wanders his manor trying to formulate a strategy and is drawn to his parent’s room and finds his mother’s brooch. Cue the first magical girl transformation. From there he alters the brooch to fit his bat aesthetic and the Batman Brooch is born.
Dick comes into his life the same way as canon. Bruce takes him in as a ward, Dick tries to track down Zucco on his own, etc. Bruce decides to use the other raw sample of Arcanium to turn into a second magical artifact. He lets Dick pick the theme, and thus the Robin Pendant is born. The rest is history.
(Before I continue I want to warn that I’m making shit up as I go, so some of this is subject to change as I move forward.)
The Robin Pendant is passed down from Robin to Robin. Each Robin got their own unique look while using it. Following canon, Dick and Bruce have their falling out and Dick gives up the Robin Pendant in a moment of anger. In this au I think Dick, not having the pendant to fall back on, tries to lead a vigilante-free life, but of course falls back into it. During a fight he somehow manages to stumble across Arcanium in its raw form. Recognizing it he takes it with him. Like Nightwing: Year One he has his conversation with Superman and decides to become his own hero. Using his knowledge of Arcanium from his years with Bruce he creates his own magical artifact and becomes Nightwing.
This is a good place to interject that I’m not changing any of their hero names. I was asked about it a couple times due to the caption, ā€œRed Bow & Sailor Nightwingā€ on my Dick and Jason designs. It was just a silly caption, because I didn’t want to simply state ā€œJason and Dick Magical Girl au.ā€ But being serious, I don’t really see a reason to change their names, with the exception of maybe Red Hood, seeing as I didn’t give him a red hood. My au operates on Sailor Moon logic where despite the lack of masks no one recognizes them, and it’s just vaguely explained by magic. I think it would be funny if Bruce chose to wear a mask anyway because he’s that paranoid, but we’ll see when I actually design him. Anyway point is Red Hood is lacking a red hood, maybe he secretly has a red hood on his jacket or maybe he really does go by Red Bow, I’ll leave that up to interpretation.
Arcanium does not just accidentally appear. At the end of the day it’s still a mineral and it’s not sentient, but the magic has an element of ā€œthe wand chooses the user.ā€ It’s not so much a ā€œchosen one thing,ā€ so much as the magic can sense intention. It doesn’t care about the morality of the user, the magic is more seeking a symbiotic connection. (Meaning yes rogues can in fact wield artifacts.) Simply put, it wants a host that will be able to wield it. In its raw form the magic is dormant but it seeks to be… not dormant, so when it finds those who actually have the potential to create an artifact and use it, it reveals itself. It was not a coincidence that Martha had the inclination to have the brooch made, it was not a coincidence that Bruce was drawn to his parent’s room, and it was not a coincidence that Dick found Arcanium in the alleyway.
Each of the Bats have their origin moments with their own magical artifacts. I don’t have the whole timeline down, but I will say there was a lot of drama between Tim and Damian, because Tim was forced to hand over the pendant. Even though he technically relinquished it, emotionally the connection wasn’t severed. No one was sure if the transition would work, but Arcanium responds to whoever needs it more and therefore who will use it more. Like canon, Tim is having an awful time during that era. On top of all of it he’s had his title stripped from him and he can’t even argue because if it wasn’t the right move the pendant wouldn’t have responded to Damian. Dick tries to comfort him by telling him that Arcanium will appear for him when he’s ready, but Tim is furious and impatient. So like a well-adjusted person he decides he’s going to engineer his own magical artifact artificially. It goes as well as his attempt to clone Kon does. It’s not until Tim starts to get back on his feet that Arcanium presents itself to him. My thinking is that while Arcanium finds its users when they need it most, Tim’s case is abnormal. His acquisition of the pendant was unconventional from the start since he showed up and demanded to take on the Robin role. Arcanium is drawn to individuals who will actually use its properties. Tim tends to rely more on his own detective work, which renders the pendant’s properties pretty moot. Especially when he’s going off the deep end, he becomes a hermit meaning a) he wouldn’t really need/use Arcanium’s properties and b) he inadvertently limited his own chances of stumbling across it ā€œin the wild.ā€
In a similar vein I believe Barbara’s journey is abnormal in that she forged her own Batgirl artifact that operates a little differently than the others, seeing as she made it without Bruce’s influence. After the accident she shelved it, maybe she passed it down to Cass, but eventually she gets it back. She created the Oracle identity without it, and for a long time the Batgirl artifact is something she avoids using, until she gets the idea to combine it with her computer to create a magic computer… sort of. She gets a uniform that is basically connected to the computer.
Going back to Damian needing the Robin Pendant more, its reaction to his acquisition was unique. As I mentioned previously the suits typically provide a weapon, well Damian is the exception. Unlike all the other Robin’s Damian didn’t need more weapons in his life, what he needed was guidance. For the first time the pendant granted Damian a magical animal guardian, which is how he gets Alfred the Cat in this au. Despite being an animal lover Damian is extremely pissed at this development. He wanted dual swords or a scarier animal at least. He can’t formally communicate with Alfred the Cat but he understands him intrinsically, though Alfred the Cat seems to be able to understand human speech somewhat. Only Damian seems to be able to truly understand Alfred the Cat. (Cue the antics of his siblings trying to figure out what the cat means or trying to control him in any capacity.) Besides being an animal, Alfred the Cat is also unique in that he doesn’t dissipate when Damian isn’t in uniform the way that the weapons do. Like the weapons he can be summoned by the pendant, but he seems to have existed prior to the pendant’s creation. (I’m toying with the idea that while in uniform, the cat would also get some sort of uniform.)
Before I get into Duke and his abnormalities, I want to address the Speedsters in this au. It’ll make sense after.
So the Flash. I want to say I don’t know if I will get around to creating full designs for them. I do have plans for Bart and maybe Wally, but I have determined how I want their mechanics to operate in the context of the au. Not all the heroes in this au are ā€œmagical girls,ā€ in fact I’ve made the executive decision that you have to be human to wield an artifact. Arcanium may have magic in it, but it doesn’t grant its user magical abilities beyond the uniform itself. The speedsters retain their canon origins, hit by lighting blah blah blah, only with one key difference: they had Arcanium on them when they were hit. Instead of engineering an artifact Arcanium fused with their bodies granting them powers. I want to keep the magic transformation aspect (because it’s not a magical girl au without it), so instead of using a physical artifact as a channel for their powers, it’s instead the act of transforming that serves as a gateway to their speed abilities.
To me it was always important to maintain Batman’s identity of not having super powers and having to rely on engineering, which is why the Batfam have to physically build their artifacts. In a similar way I wanted to retain the integrity of the Flash’s identity of being meta but also still human. Which brings me back to Duke. I know in canon that Duke inherited his abilities, but for the sake of the au I’ve decide that he either had an accident when he was young in which traces of Arcanium fused with him or his parents had it in them and he inherited it from them, but regardless it’s less potent, but operates similar to the Speedsters. For years he couldn’t fully transform or use his powers and it wasn’t until— with Bruce’s guidance— he was able to create an artifact that allowed him to channel his abilities and transform. Even though he is a meta I wanted him to still have some of those Batfam qualities in there.
But what about the Superfam? They’re not human so how do their transformations work? The answer is simple: They’re not ā€œmagical girls.ā€ At least not real ones, they’re faking. They’re not human (Kon and Jon are technically half human but they still get their abilities from their Kryptonian DNA), and thus cannot forge a connection with Arcanium. Truthfully I’m about to get silly— even sillier than this au already is— but I have decided that Clark is a fake artifact wielder. I like the idea that Batman has been operating longer than Superman has, so when Clark decided to become a hero in his own right his only example of how to style himself was from the bat themed vigilante, who might as well be a cryptid, operating out of Gotham. Only blurry pictures of him existed, so Clark designed his outfit based on his Kryptonian origins and Batman’s aesthetics. He had no idea about the existence of Arcanium or how it worked. This is also why Kon’s design looks so much like his canon outfit with a few magical girl elements (and definitely not because I think the lines in his canon suit already lend themselves well to a magical girl aesthetic and didn’t want to change much). Later when he gets to know Batman more he learns about the transformations, to which he panics and invents his own transformation using Kryptonian tech (ex: MAWS’s transformation). For years Bruce goes crazy trying to figure out Arcanium’s effects on aliens and if it grants them abilities on top of the ones they’re born with, and if Clark has plans to use it as a weapon, and how he managed to forge the connection in the first place— Clark comes clean as a fake once they reveal their identities to each other.
Side tangent but I find it hilarious that Green Lanterns are— by technicality— already ā€œmagical girls,ā€ considering they’re granted magical accessories that give them powers and transform their clothing. Hal is very clear with the JL that he is nothing like Batman and constantly feels the need to assert that he is not a magical artifact wielder. The non-human members of the team still lump them together anyway.
Things I haven’t figured out:
- what each of the batfam’s weapons are
- what each of the magical artifacts are
- what to refer to magical artifact wielders as
Stepping outside the canon(?) lore of the au for a minute, obviously I’m redesigning DC characters using inspiration from a genre, because that’s what ā€œmagical girlā€ is. It’s a genre. This is why I refer to it in quotes and don’t call them magical boys, because I am always referring to it as a genre, which isn’t a gendered thing. However, in universe they wouldn’t call themselves magical anything, the same way the characters of Sailor Moon don’t refer to themselves as magical girls, but rather Sailor Scouts. As of right now I’m sort of just referring to them as artifact wielders, but I feel like Bruce would come up with a better name. On a similar note, throughout this whole thing I’ve been referring to Arcanium in it’s wearable state as an artifact. I don’t know if that’s the best term, but I can’t think of anything better for the generalized form of Arcanium outside of it’s raw state. For now I guess it will be ā€œartifactsā€ and ā€œartifact wielders.ā€
- how the wonderfam fits into this
I really can’t think of a reason why Wonder Woman would be a ā€œmagical girlā€ in this au. She was born with abilities, she’s not human, and I can’t see her altering her uniform to match the aesthetic. A transformation would just be a waste of time for her. I could to see maybe Cassie or Donna wanting to match with their respective teams, and perhaps maybe that’s why they would alter their uniforms? All I know is I want see Tim, Kon, Bart and Cassie as a matching ā€œmagical girl set.ā€
Fin… for now.
[I’m just going to put this here preemptively, because I’ve gotten messages about turning my au into fics or tiktok skits. You’re free to use this lore HOWEVER you MUST credit me not just for the designs but for the creation of the lore. I’ve put a lot of time and thought into this and I love that people love it, so I just ask for recognition. If you want to make something that’s inspired by my designs or loosely based on my au, just a simple credit for the inspiration is fine. You’re free to change things this is just how my own au operates. Regardless I would prefer to be tagged so that people can find me but also because I’d love to see other’s work.]
Current designs:
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