#zero jonah magnus content
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remembered the existence of the massive fic that is just me formatting and lightly proofing hal and i's tma rp (on ao3 because i wanted to be able to save it as an ebook and it's too big for gdocs). reread and realized there was still a lot i hadn't moved to ao3.
am now jumpscaring the forty people who are subscribed to a seven year old dead wip. wordcount was 200k and i think it's gonna be over 400k when i'm done adding the new stuff.
#it's such a funny reread too#written almost entirely before season 4#we still call corruption âthe hiveâ#zero jonah magnus content#i make a hamilton the musical reference at one point#i like it a lot even if it has some serious weaknesses beyond even the pov switching rp format#you can very easily see the inspiration for a lot of hal and i's solo stuff#prox.txt
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F/O Masterlist
Okay, I'm at the point where I'm going to have to make The Big List. So this is just a list of everyone that I conceivably might post selfship content about, so if people need to block tags or ask me in advance to tag things, you're aware of the possibility! I'll do my best to update this and let folks know when it's been updated.
This is specifically a list of my romantic or semi-romantic f/os, since those are the ones people usually care about blocking. Maybe I will make a separate list for platonic/familial selfships!
Organized alphabetically by source: let's go!
Primaries
(I Have Posted About Them Before And I Will Likely Post Again)
Tate Langdon (American Horror Story - #my ghost boy), miscellaneous sideships with other Season 1 ghosts
Grell Sutcliffe (Black Butler - #don't fear the reaper)
Toshinori Yagi (BNHA- #sunflower time)
Shigaraki Tomura (BNHA- #my gamer boy)
Himiko Toga (BNHA - #bestie hours), includes a LoV polycule with Shigaraki, Spinner, Magne, Mr. Compress, Dabi, and maybe Kurogiri
Alex (Clockwork Orange - #clockwork siblings)
Penelope Garcia (Criminal Minds - #simpatico in quantico)
Jester Lavorre (Critical Role- #my sweetling)
Hoid (Cosmere- #like attracts like)
The Joker (DC/TDK - #the lover who laughs)
13th Doctor (Doctor Who- #my doctor)
Sun/Moon (FNAF:SB- #daycare squad)
Dirk Strider (Homestuck - #heart of hearts)
Vox and Valentino (Hazbin Hotel - #digital poison), includes sex work with most of the main cast
Stolas (Helluva Boss - #secrets of the stars)
Armand, Gabrielle, Lestat, Louis, Daniel (Interview With The Vampire - #messy vampire polycule)
Val Frizzle (Magic School Bus - #val <3)
Jonah Magnus (The Magnus Archives - #eyes on you)
Zero Rick Sanchez (Pocket Mortys - #waiting in the stars), may include other Ricks as the mood takes me
Death (Sandman - #death becomes them)
Delirium (Sandman - #eyestrain pals)
Cecil and Kevin (WTNV - #listener and watcher)
Tumblr (Miscellanious Sources - #beloved hellsite)
Non-Primaries
(content about these is rare or hasn't happened yet, but it might! Only some have tags, but you can ask me to tag any.)
Garfield the Deals Warlock (The Adventure Zone)
Iroh (ATLA)
Tsuyu Asui (BNHA)
Nezu (BNHA)
Aizawa Shota (BNHA) only in a hook-up sense but still worth mentioning
Laudna and Imogen (Critical Role), currently on hold because I only got 10 episodes into C3
Monokuma (Danganronpa- #my evil lil bear)
Celeste, Junko, Toko (Danganronpa 1)
Eventually I'll get through the other Danganronpa games and add f/os from those as well
L (Death Note)
Queen (Deltarune)
Judge Frollo (Disney's Notre Dame)
Captain Hook (Live Action Peter Pan)
Yuri (Doki Doki Literature Club)
Oswalda Cobblepots (DC)
TARDIS (Doctor Who: my partner ships with her, not me, but I might post content for them)
Fandomstuck f/os are still to be determined
Glamrock Chica (FNAF:SB)
The Creation (Frankenstein)
Garfield (Garfield)
Miku Binder Thomas Jefferson (Hamilton fandom - #insufferable pokelovers)
Minerva McGonagall (Harry Potter)
Severus Snape (Harry Potter)
Emberlynn (Helluva Boss)
Honestly the entire Homestuck cast is a possibility for me
The Devil (The Imaginarium of Dr. Parnassus)
Persephone (Lore Olympus)
Jonathan Sims (The Magnus Archives)
Michael (The Magnus Archives)
Gertrude Robinson (The Magnus Archives - #archivist my archivist)
Mary Poppins (Mary Poppins - #mary and me)
Minecraft Villager OC
Bert, Ernie, Gonzo (The Muppets)
Mae Borowski (Night In The Woods)
Jack Skellington (Nightmare Before Christmas - #my skeleman)
Haruhi Fujioka (OHSHC)
Calypso (Pirates of the Caribbean)
Erik (POTO)
Christine Daae(POTO)
Desire (Sandman)
Trencil (Smile For Me)
Rose Quartz (Steven Universe)
Charlie Bradbury (Supernatural)
Rorschach (Watchmen)
#masterlist#my secondaries list really starts and ends with some terrible choices i've made#the alphabetical order really did me dirty on that#my selfships
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Fic summary: Jon goes back to before the world ended and tries to forge a different path.
Previous chapter: AO3 // tumblr
Full chapter text & content warnings below the cut.
Content warnings for Chapter 29: discussion of Jonâs & Daisyâs restrictive diets & associated physical/mental deterioration (and potential parallels with disordered eating etc.); arguing & relationship disputes (that are not immediately resolved in-chapter); self-harm (burning oneself with a lit cigarette); cigarette smoking; discussion of suicidal ideation; panic & anxiety symptoms; discussions of grief & loss; cyclical mental health issues (post-traumatic anniversary reactions; related self-loathing, internalized victim blaming, & survivorâs guilt; generally speaking, Jonâs relapsing into self-isolating, worse-than-usual headspace, esp towards the end of the chapter); depiction of parental neglect/rejection (Martin's mother). SPOILERS through S5.
Thereâs also a Hunt-themed statement that contains descriptions of indiscriminate violence & unprovoked warfare against a civilian population. Oh, and a cliffhanger.
Let me know if I missed anything!
_________________
âStatements ends,â Jon says, somewhat breathless as he fumbles to stop the recording.
âYou alright?â Daisy asks.
âFine.â The word is punctuated by a click and a whirr as the recorder resumes spooling.
âAre you, though?â
âYes.â Scowling, Jon jabs his finger at the stop button â only for it to keep recording.
âItâs the Hunt, isnât it.â Daisy sighs, rubbing the back of her neck. âSorry itâs been so prominent for the last few. Iâm⊠not quite scraping the bottom of the barrel yet, butââ
âItâs fine, Daisy.â
âStill, Iââ
âI said itâs fineâ!â Jon winces at his sharp tone. âIâm sorry, that was⊠Iâm just â on edge, I suppose.â
Which is an understatement, really.
Because itâs September. Itâs September, and after September is October, and October isâ
Well. These days, he canât even look at a calendar â canât even look at the time and date on his phone â without icy dread coursing through his veins.
Sporadic flashbacks have become an everyday occurrence, set off by the smallest of stimuli: a dropped glass shattering on the breakroom floor becomes a window bursting inward into shards; a thunderstorm heralds a fissuring sky, marred by hundreds upon thousands of greedy, unblinking voyeurs; his own voice is a doomsday harbinger, a key crammed into a lock he canât keep from unbolting. The memories are too immediate, too vivid to feel past-tense.
Itâs to be expected. Studies, common knowledge, and anecdotal evidence all point to the impact of anniversaries on mental health. He knows what a textbook post-traumatic stress response looks like. Monster or not, in this particular sense he remains overwhelmingly human. No matter how much he rationalizes it, though, intellectually understanding a psychological phenomenon does little to soften the lived experience of it.
And it does nothing to temper the chilling knowledge â bordering on conviction â that it may happen again.
âWould be worrisome if you werenât stressed out, considering⊠you know. Everything.â Daisy leans back in her chair, stretches her legs out in front of her, and rolls her shoulders. âSpeaking of the Hunt. Any new developments?â
âI mean⊠nothing since yesterday? Everything I know, Basira knows.â
âBasira⊠isnât keeping me updated,â Daisy says, shifting uncomfortably in her seat.
âAh,â Jon says, with tact to spare. âIâm sorry, I didnât realize.â
âItâs fine.â
âIs it?â
Daisy sighs. âShe thinks that I think sheâs wasting her time.â
âAnd do you?â
Daisy gives a jerky shrug. âDonât you?â
âNot⊠necessarily,â Jon hedges. Truthfully, his answer to that question is as mercurial as his moods these days, shifting from hour to hour, sometimes minute to minute. Daisy gives him an unimpressed look. âI wonât lie and say Iâm optimistic, but that doesnât mean itâs not worth trying.â
âYou sound like Martin.â
âWell, he spent ample time drilling it into me,â Jon says with a wry smile. âI donât have the same capacity for hope as he does, but improbable doesnât mean impossible. If Iâd had it my way, Iâd have lain down and died ages ago. Iâm only here now because of him.â
âMental health check,â Daisy says automatically.
âNot thinking of hurting myself,â Jon replies, just as rote. âYou donât have to do that, you know. Iâve told you, Iâm physically incapable of killing myself even if I wanted to.â
âThat doesnât stop you brooding.â
âAnyway, I wasnât referring to anything recent.â
âWerenât you, though?â At his blank look, Daisy gives an impatient sigh. âIt hasnât even been a year since you woke up, Sims. Up until six months ago, you were wandering an apocalyptic wastelandââ
ââŠI found myself utterly alone. Facing down a room full of nothing eyes, willing myself to take action. I never did, thoughââ
ââI wanted to act, to help, to do something, but â my mind had all but seized up, and I felt helpless to do anything but watch as events progressedââ
ââthere was nothing I could do to save him â he died â so did any hope I had of â doing good in the worldââ
ââthereâs a sort of numbness that you adopt after months or years of bombingââ
ââI did spend a lot of time just⊠slumped in despair â had no reason to think it would help, but I could see no choice but waiting for deathââ
ââhoping against hope that â it wouldnât be foreverââ
âHey!â Daisyâs voice finally breaks through the rush of static. Or perhaps it was the pressure: Jon looks down to see her bony fingers caging his own in a bruising grip.
âSorry,â he says, catching himself as he starts to list woozily.
âNot to say âI told you so,â butâŠâ Daisy gives his hands another light squeeze. âYou sort of just proved my point there.â
âIâm well aware that Iâm â traumatized, or whateverââ
âNot âor whateverâââ
ââbut Iâm not a danger to myself, so could we please just move on?â Jon mumbles, averting his eyes. âYou wanted a Hunt update.â
Daisy scrutinizes him for a long moment before she allows the conversational pivot to stand.
âBasira said youâve heard back from that Head Librarian,â she says, âbut she blew me off when I started prying.â
âZhang Xiaoling,â Jon says, his shoulders relaxing. âShe was able to confirm some of Jonahâs intel. They do have a statement about a book matching that description in their records, and she agreed to forward a copy once itâs been digitized. Theyâre further along in their digitization process than we areââ
Daisy snorts. âProbably because theyâre actually working on it.â
âThat, and they have the benefit of a Head Librarian who actually has a background in archival studies,â Jon says drily. âIn any case, they have a large archive, so itâs a work in progress. Sheâs processed our inquiry, though, and she says she has someone on it. We should hear back by tomorrow at the latest.â
âHuh,â Daisy says. âSoundsâŠâ
âLike a functioning archive?â
âI was going to say âstreamlined,â but sure.â
âThe wonders of a hiring process that prioritizes job qualifications as opposed to a candidateâs apocalyptic potential.â
âWhat are the chances their institution is also led by a centuries-old corpse with a god complex?â
âNon-zero, I imagine.â
Daisy wrinkles her nose. âUgh, donât say that.â
âIf it makes you feel any better, I donât have evidence one way or the other.â
âIt doesnât. Does she know aboutâŠâ Daisy waves her hand vaguely. âAll of this? The Fears, Rituals⊠Jonah?â
The question gives Jon pause. He thinks back to his meeting with Xiaoling all those years ago â well, last June, from her perspective.
âSome of it, I think,â he says slowly. âShe seemed familiar with some of the Archivistâs abilities. There were parts of my visit that struck me as odd at the time. I didnât realize until later that she had been speaking both Chinese and English at different points in our conversation.â
Daisy frowns. âShe didnât clue you in?â
âShe didnât, no. ButâŠâ
Elias made a good choice, the Librarianâs voice echoes in Jonâs mind. I did offer him someone, but he thought the language might be too much for him.
It does tickle me, Jonahâs voice chimes in, that in this world of would-be occult dynasties and ageless monsters, the Chosen One is simply that â someone I chose.
âI donât know if sheâs aware of Eliasâ true identity.â Jon swallows with some difficulty, his mouth suddenly dry. âOr his intentions.â
âSo is it really smart to trust her?â
âIf sheâs in communication with him, thereâs nothing she can tell him that he doesnât already know. Weâre just following up on information he gave us. And heâs likely spying on our correspondence whether sheâs in contact with him or not. Not much we can do about that.â
âShe could have her own ulterior motives,â Daisy says.
âTrue enough, but⊠I got the sense that her primary interest is curation. Studying phenomena, building a knowledge baseââ
âIn service to cosmic evil,â Daisy says pointedly.
âW-well, yes, but â I donât think she has delusions of godhood herself, and I donât think Jonah has tempted her with the idea.â Jon huffs to himself. âHe wouldnât want to share his throne.â
âHm.â
âIâm not saying we trust her or the Research Centre as a whole. I had reservations about their motives then and I still do. Itâs not unthinkable that theyâre a front for something more sinister in the same way that the Institute is. But⊠I donât think thereâs any especial danger in utilizing their library.â
âSims,â Daisy sighs, âyour danger meter is broken beyond repair.â
âIn my defense,â Jon says, bracing one arm on the desk to leverage himself to his feet, âat this point, everything is just differing degrees of dangerous.â
As the two of them leave the tunnels, Jonâs phone buzzes in his pocket. When he glances at the screen, he sees a text notification from Naomi â in addition to two missed calls. He frowns to himself. The two of them text regularly, but she rarely calls.
âWhatâs up?â Daisy asks, her brow furrowing in concern.
âNaomi,â Jon says distractedly, already returning the call. Naomi picks up on the first ring.
âJon?â Naomiâs voice sounds thick and tear-clogged.
A cold weight settles in Jonâs stomach. âWhatâs wrong?â
âI j-justâ â Naomi pauses to clear her throat â âjust needed to hear a familiar voice.â
âWhat happened?â Jon asks â and realizes too late that in his urgency to discover the source of her distress, heâs poured too much of himself into the question.
âNothing.â What starts out as a self-deprecating little laugh quickly deteriorates into a half-sob. âNothing new, anyway. Itâs always like this, this time of year. Evan and I didnât have an exact date planned, but weâd talked about an autumn wedding. Thought it would be fitting, since we met in September, you know? Tomorrow is our anniversary, actually. Or â or it wouldâve been. A-and then by the time Iâve picked myself back up, the holidays will have crept up on me, and thatâs always hard, and â and then before I know it, itâs March, a-and thatâs its own kind of anniversary, and itâs just⊠itâs a lot.â
âOh, I â Naomi, Iâm sorry, I didnât mean toââ
âItâs fine,â she says with a sniff. âDonât think I wouldâve been able to get it all out, otherwise.â
âS-still, Iââ
âItâll be three years this March. And it still feels like it was yesterday. I spend six months out of the year feeling like Iâm still stumbling through that cemetery, and I justâŠâ
This time last year, Jon thinks with a lurch, I was still the monster in her nightmares.
And even now, he still pulls her there whenever theyâre both asleep.
âWhen does that stop?â Naomi laughs again, a desperate, pleading thing. âWhen does the healing come in?â
âI⊠I donât know,â Jon says truthfully. âAnniversaries are⊠theyâre hard enough on their own. It doesnât help that⊠well, itâs difficult to heal from something when youâre still living it.â
âWhat do you mean? Evanâs dead,â Naomi says, her voice breaking on the word. âHeâs not coming back. Itâs⊠itâs over.â
âThere are still the dreams. The narrative might have changed, but the stage dressing is still the same.â Jon draws his shoulders in, one arm pressed tight to his stomach. âKeeping the memory fresh.â
âItâs not so bad.â Naomi sniffles again. âBetter than being alone.â
ââAloneâ or ânightmaresâ shouldnât be your only options.â
âI have my own nightmares, you know,â Naomi counters, sounding slightly annoyed. âWhen Iâm asleep and youâre not. And theyâre worse, because in them, I actually am alone. Nothing supernatural about it. Itâs just⊠me.â She sighs. âThis time last year â and the year before â I didnât have anyone. And I just⊠I didnât â I donât want to be alone.â
âYouâre not,â Jon says. âNot anymore.â
âI â I know, but IâŠâ Naomi takes a breath. âI was⊠I was thinking â maybe tomorrow I could come by.â
âIâm sorry,â Jon says gently, âtruly I am â but itâs not safe. Especially for you, especially right now. Not with Peter here.â
Naomi is already the equivalent of an unfinished meal to the Lonely. That, together with her association with Jon, is more than enough to mark her as a potential target should Peter take notice of her.
âFeels safer than being alone,â Naomi says. âThe Duchess helps â a lot â but IâŠâ She lets out a fond but tearful chuckle. âI canât expect her to grasp the nuances of⊠grief, or loneliness, or what have you.â
âHow about this,â Jon says. âWe tell Georgie whatâs going on â as much or as little as youâd like, even if itâs as simple as âI donât want to be alone right now.â I doubt sheâd be opposed to having you over.â
âI wouldnât want to impose. I mean, I â Iâve not spent much time with her outside of just⊠spamming the group chat with cat photos. I like her, but sheâs your friend. Iâm just⊠a friend of a friend.â
Nestled between the words is a familiar sentiment, unarticulated and nonetheless resounding, echoing all of the earnest conviction it had when first she made such a confession: All my friends had been his friends, and once he was gone it didnât feel right to see them. I know, Iâm sure they wouldnât have minded, they would have said they were my friends too, but I could never bring myself to try. It felt more comfortable, more familiar, to be aloneâŠ
âPeople can have more than one friend,â Jon says. âI canât speak for Georgie, but she wouldnât go out of her way to talk to you if she didnât like you.â
Indeed, that might be the reason Jon was able to open up to Georgie in the first place. He observed early on that she had no qualms disengaging from people whom she had no interest in getting to know. Whatever Jon might have felt about himself on any given day, the simple fact of the matter was that Georgie would never have let him get so close if she hadnât seen something redeeming in him.
And she likely wouldnât be letting him stay close now if she didnât still see something worth salvaging.
âItâs up to you, of course,â he says. âI wonât pressure you. But I think Georgie would be more receptive to friendship than you expect. And I think â I think youâd get along with Melanie, too.â Naomi is silent on the other end of the line. âAt the risk of overstepping, I⊠I know being alone feels like the natural state of things, but it doesnât have to be. If you want, I can talk to Georgie. Lay the groundwork. I wonât give her any of the details â itâs not my story to tell â Iâll just let her know that youâre feeling alone and could use some companionship.â
âOkay,â Naomi whispers. âJust⊠let her know sheâs not obligated.â
âI will. On the extremely off chance she says no, or if sheâs busy tomorrow, I can keep you company remotely. We can spend the whole day holding up the office landline if you want.â
âItâs a Friday.â
âAnd?â
âItâs a work day?â
âNaomi, my job is wholly comprised of monologuing to any tape recorder that manifests within a six-foot radius and doing my utmost to render my department as counterproductive to both the Instituteâs professed and clandestine organizational objectives as humanly or inhumanly possible.â Naomi barks out a startled laugh. âI wonât be fired no matter what I do â which is a shame, seeing as it became my foremost professional development goal somewhere between finding out my boss murdered my predecessor and virtually dying in an explosion at a haunted wax museum. Barring a sudden and unexpected apocalyptic threat â which, admittedly, is unlikely but not unthinkableâ Iâve already cleared my non-existent schedule for you.â
âOkay.â Naomi makes a sound somewhere between a sniffle and a chuckle. âThanks. Really.â
âAny time.â
_________________
The statement is an unnerving, circuitous thing: a firsthand account from an unnamed member of the Drake-Norris expedition in 1589. In many ways, itâs eerily similar to the last statement Jon accessed from Pu Songlingâs archives: Second Lieutenant Charles Flemingâs shellshocked, guilt-fueled confession of atrocities committed under orders.
The historical record is rife with accounts of Francis Drakeâs cruelty, Jon knows: his role in the transatlantic slave trade, the unprovoked massacres committed in his name, the preemptive strikes that incited further bloodshed. The statement giver speaks in awestruck horror of the bloodlust lurking in the manâs eyes, the vitriolic fervor with which he undertook his campaign to seek out and destroy the remnants of the Spanish fleet â and the depths of his rage when his efforts ended in defeat. Humiliated, he turned his vengeful eye to the Galician estuaries.
The writer tells plainly of his own complicity in the sacking of Vigo, razing the town to the ground and slaughtering its inhabitants with indiscriminate zeal. For four days Drakeâs men carried out their rampage, retreating only when reinforcements arrived to stem the tide.
âYou may ask yourself,â the Archivist reads on, âhow it is that a man born into the reign of Good Queen Bess sits before you today, some four centuries past his due?
âYou see, as we left the shores of Galicia that day, I heard from behind us a vicious braying, as if someone had set loose a great host of hounds. They were close â close enough for me to sense their stinking breath hot on the back of my neck. Such a thing was impossible, for we were by that time far from shore, having already rowed half the distance between the beach and the waiting armada. That did not stop me dreading the dogs lunging and tearing into me at any moment.
âI am not ashamed to admit that I let out a whimper.
âAs the seconds ticked by and the pack failed to descend upon us, my curiosity grew to outweigh my terror. I turned to look â and was thus ensnared. It was, I realize now, the instant at which I became beholden to the blood. My greatest folly.
âPerhaps I oughtnât have been so surprised to see no hounds surging toward us atop the waves, but you must understand that the proximity of their snarling was far more convincing than their visual absence. In looking behind us, though, I was able to appreciate the havoc we left in our wake: the great plumes of ash rising from the smoldering rubble, backlit by a flickering orange glow, and wails of despair so profound as to combat the noise of the wind, the waves â even the discordant shrieking of the hounds.
âIt was a scene of such devastation as I had never seen before or since. Looking back, I think upon the acrid stench of charred flesh on the breeze with horror and⊠indescribable remorse. It shames me now to admit that at that time, I had never felt such⊠rapture.
âThat was when a motion caught my eye. Between the distance and the billowing smoke, it should have been impossible to discern such detail, yet there he was: quarry I had left for dead, emerging from the debris and staggering away from the ruins of his⊠wretched life. As he looked out to behold our retreat, I could see the grief playing on his face, the fury, the fear â but what most set my blood to boiling was the spark of relief I saw in his eyes.
âIt awakened something in me â a famished and merciless thing, composed of tooth and claw and a mind beginning and ending and utterly encompassed by the call of the pack. With a roaring in my ears and a single-minded violence supplanting my sensibilities, I deserted the rowboat and swam to shore. A chorus of howls carried me forward, and I let them be my wings, steering me down the swiftest, straightest path to my target.
âI slowed for nothing, and I made certain my prey did not live through the night.
âAs you can likely guess, the chase did not end there. Those baying devils who had so called me forth continued to hound my steps, nipping at my heels, spurring me ever onward to the next quarry. Those who once knew me would scarcely have recognized what I became. Whenever I dared look into a mirror, I would see in myself a dogged, seething violence so akin to that which had lived in the eyes of my former commander. A cruelty that once had frightened and repulsed me had become the blood and breath of me.
âFor a time I sought to refrain from the chase. The longer I refused the call, the weaker I became. The houndsâ breath on my neck grew hotter; their braying swelled louder. I found myself wasting away: always hungry, never sated. Eventually my faculties began to slip. I would lose myself to such⊠bestialimpulses, and only the stain of blood on my teeth would return to me my reason. It pains me to confess to you now that it did not take long before I ceased my resistance entirely.
âIt was at the turn of the sixteenth century that I happened upon the artefacts now in your possession. Their previous owner was a formidable adversary. I spent nearly a fortnight tracking him before I managed to run him down, and he fought like a tempest before he fell.
âOrdinarily I did not linger after a kill, instinct hastening me ever onward to the next great game. As I turned to leave, though, I was overcome by the sense that the hunt was⊠unfinished. Troubled, I reached down to check the manâs pulse. I was reassured to find him quite dead, but as I drew back, I noticed the brooch.
âIt was a simple thing made of tarnished copper, fashioned into an incomplete ring, the ends of which resembled the heads of dogs. The moment my fingers brushed that ornament, I knew it was meant for me. It went into my pocket with nary a conscious thought.
âThe itch of the hunt was still crawling down my spine, though; the frantic snuffling of phantom hounds yet filling the air all around me. I continued to search his person until I found what was calling out to me: a thin volume bound in leather. Curiosity ever my folly, I opened it.
âUp until that point, I had never learned to read nor write Latin with any degree of mastery. Yet I could understand the text within with perfect clarity. The script did not transform to English before my eyes, nor did the book render me proficient in the language. No, I simply⊠beheld the pages, and the meaning flowed into me.
âThe story tells of Herla, legendary king of the Britons, who visits the dwarf kingâs realm. Upon leaving, he is gifted a hound and warned not to dismount his horse until the dog leaps down. When Herla and his men return to the human world, they discover that not days but centuries have passed: all those they had known have long since perished, and the Saxons have taken possession of the land. In their distress, some of the men dismount, whereupon they turn to dust. Herla warns the survivors to stay in their saddles, to wait until the dog leaps down.
ââThe dog has not yet alighted,â the author tells us, âand the story says that this King Herla still holds on his mad course with his band in eternal wanderings, without stop or stay.â
âThe next several pages are unreadable. The language resembles none I have ever encountered, and I have yet to find a soul who can decipher it. I can however attest its hypnotic qualities. I have spent many hours mired in those words, but I could not for the life of me tell you what I saw there. Others to whom I presented the text found themselves either enthralled or agitated, though none could recall such episodes once lucidity returned to them. I expect you mean to unravel its secrets, but you may do well to let its mystery stand.
âThe final passage â a single page, this written in English â tells of Herlaâs escape: how, weary and driven to despair, he casts the dog from the saddle and into the River Wye. The instant the hound hits the water, Herla and his band crumble into dust, at last meeting the same fate they spent so many hundreds of years trying to outpace.
âI have had hundreds of years of my own since first reading the tale to digest its message, and that is why I come to you today. Although I have killed several times since these items came into my possession â it should come as no surprise that there are those who covet them â I have not sought out a single hunt since I vanquished the man who yielded me these trinkets. The hounds at my heel have not ceased their clamoring, but so long as the brooch is on my person, they cannot sink their teeth in me. I am always hungry, yes â but I am no longer starving.
âBut I am also weary. I have come to understand that even as the hounds can never catch me, they will never leave me. In my four hundred years, I have played the role of both the hunter and the hunted, and have learned that they share the same ultimate plight. Whether I be predator or prey, I am trapped in the throes of an endless pursuit. So long as I should live, my blood shall never quiet.
âAnd that is the key: so long as I should live. Even now, the fervor in my blood insists that the hunt is eternal, but I know now that one cannot outrun oneâs end forever. Much like my constant, howling companions, Death will always be nipping at my heels. In that sense, he is perhaps the ultimate hunter. Just as I have delivered to him so many souls, neither can I escape his judgment. If ever I am to rest, I must bow to his supremacy.
âAnd so, like Herla, I shall cast the dog away from the saddle. I leave it in your care now, and the book. I should be so lucky to exit this life with the dignity I denied so many others, though I fear I shall be found undeserving of such a swift end. I can only hope that, whatever my comeuppance should be, I shall have the grace to accept it without complaint.â
With a heavy exhale, Jon depresses the stop button on the recorder, then puts his head in his hands, putting pressure on his closed eyes.
âYou alright?â Basira asks.
âMore than Iâd like,â Jon mutters.
âIf I thought there was any chance this guy was still alive, I wouldnât have given you the statement to read.â
âI know. JustâŠâ Jon waves his hand vaguely.
âUnpleasant, yeah.â
And rejuvenating, Jon thinks bitterly. Itâs only been a few days since his last statement from Daisy, and already he had begun to feel famished.
âThey sent along some supplemental records,â Basira says, rifling through printouts. âThe statement is cross-referenced with two objects in their Collections Storage â here.â
The document she slides across the desk contains two catalog listings:
Item No. 9820702-1
Description: Pennanular brooch, copper alloy. Geometric and interlace motifs. Confronted zoomorphic terminals (canine profile). Moderate surface oxidization and patination. Dimensions: 5.5cm x 4.5cm body; 12.5cm pin. Artefact dated ca. 500â700 CE.
Properties: Primary subject (Case No. 9820702) reports mediating effect on the Hunterâs affliction (unverified). Item implicated in subjectâs alleged abnormal longevity (unverified). Further study suggests dormancy and/or lack of reactivity to unafflicted subjects (see associated Investigation Log).
Storage: Special Collections â Inorganic Storage, Container Unit No. 982-05. Acid-free board housing, etherfoam packing. Environmental parameters in brief: maintain stable temperature (16-20°C); relative humidity, 32-35%; light levels, <300 lux. Handling protocols as per Acquisitions & Collections Policies and Procedures §3.5.3: Artefact Preservation â Metals â Copper and Copper Alloys.
Access: Upon request. Curator approval required prior to initial visit. Applicants may submit statement of intent to Acquisitions & Collections Department Head Curator for clearance. Terms, procedures, and degree of supervision subject to Curatorâs discretion.
Provenance: Surrendered 2nd July, 1982 upon receipt of accompanying statement (Case No. 9820702), subject name unknown. See also Item No. 9820702-2.
Appendices:
· Investigation Log No. 9820702-1;
· Supplemental Documents Nos. 9820702-1.01 through -1.03.
Cross-reference:
· Case No. 9820702;
· Item No. 9820702-2;
· Acquisitions & Collections Catalog §3.6.4: Antiquities â Adornments and Jewelry (Inert).
Item No. 9820702-2
Description: Bound manuscript. Front and back covers unembellished leather (source undetermined) stretched over wood board (source undetermined). Leather cord binding (calf, bovine). Paper and parchment leaves. Ink corrosion and paper degradation present but minimal (fair condition inconsistent with age and media). Dimensions: 8.8cm x 14.0cm x 2.5cm. Artefact dated ca. 1190â1450 CE.
Contents: Eighteen (18) pages total, one-sided.
· Title page (1) iron gall ink on parchment (sheepskin): Gualterius Mappus â De nugis curialium â xi. De Herla rege
· Pages two (2) through four (4) iron gall ink on paper (hemp pulp, linen fiber): Medieval Latin (ca. 12th century) script.
· Pages five (5) through sixteen (16) ink (chemical composition undetermined) on paper (cotton fiber): alphabetic script (unknown roots); refer to Supplemental Document No. 9820702-2.03 for comparative linguistic analysis (inconclusive).
· Page seventeen (17) ink (chemical composition undetermined) on paper (cotton fiber): Middle English (ca. 15th century) script.
· Page eighteen (18) parchment (sheepskin): blank.
Transcripts and translations (where possible) provided in Supplemental Document No. 9820702-2.01*.
Properties: Primary subject (Case No. 9820702) reports total comprehension of Latin portions of the text despite lack of proficiency. Text alleged to diverge from source material (De nugis curialium â Map, Walter, fl. 1200). Both claims verified upon further examination (see associated Investigation Log). Probable association with the Hunterâs affliction.
Storage: Special Collections â Secure Storage. Environmental parameters in brief: maintain temperature at 20-22°C; relative humidity, 32-36%; light levels, â€50 lux. Housing and handling protocols as per Acquisitions & Collections Policies and Procedures §2.5.5: Document Preservation â Premodern Inks â Iron Gall and §9.2: Special Precautions â Occult and Esoteric Texts.
Access: Restricted.
Provenance: Surrendered 2nd July, 1982 upon receipt of accompanying statement (Case No. 9820702), subject name unknown. See also Item No. 9820702-1.
Appendices:
· Investigation Log No. 9820702-2;
· Supplemental Documents Nos. 9820702-2.01* through -2.07;
· Incident Report No. 9930214.
Cross-reference:
· Case No. 9820702;
· Item No. 9820702-1;
· Acquisitions & Collections Catalog §2.1.1: Archival Media â Occult Books (Active);
· Interdepartmental Bulletin No. 9941002, âThe Library of Jurgen Leitner: Lessons Learned.â
*Addendum, 16th February, 1993:Supplemental Document No. 9820702-2.01 reclassified as Restricted Access. Direct all inquiries to Pu Songling Research Library Head Librarian or Acquisitions & Collections Department Head Curator.
âSo?â Basira prods. âWhat do you make of it?â
âWell, assuming the statement is a reliable account, it seemsâŠâ
âPromising, right?â Basira says, her eagerness tinted with relief. âIf we canââ
She stops abruptly as the tape recorder on the table clicks back on.
âI think thatâs our cue to move this conversation elsewhere,â Jon says.
Not that it will stop the tape recorders from listening in, but he has no desire to make Jonahâs surveillance any easier for him.
_________________
It takes some hemming and hawing, but Jon manages to convince Basira that this really ought to be a group discussion. As she recaps the statement and shares her own remarks, Jon keeps a close eye on the other two people in the room. Martin is listening attentively, leaning forward slightly but otherwise at ease. Daisy, though⊠sheâs all corded muscles and jittery legs, taut and precarious on the edge of her seat.
All the while, Basira appears impervious to the storm brewing in Daisyâs eyes, even as Martin catches on and begins chewing on the inside of his cheek, darting nervous glances between the two of them. By the time Basira finishes her overview, the tension in the air is palpable, nearly electric.
For several seconds, no one speaks.
âSo,â Martin says, his voice a bit pitchy. He clears his throat before continuing. âMagical, Fear-resistant brooch, huh?â
âIt wouldnât be unheard of,â Jon says. âRemember what I told you about Mikaele Salesa?â
âThe apocalypse-proof bubble? Yeah.â
âThat camera of his didnât just protect him from the Eye, it hid him from the Powers in general.â
âWhat was the catch?â Daisy asks pointedly. âGot to be a catch.â
âDoes there?â Martin asks. His hesitant smile falls at Daisyâs blank stare, and he tilts his head back with a sigh. âYeah, alright.â
âItâs⊠not entirely benign, no,â Jon says. âIn Salesaâs statement, he called it a âbatteryâââ
ââcharging itself on all the quiet worries that come from living in hiding, and then when the sanctuary collapses, all that fear flows out at once. No doubt, if my oasis breaks before I die, the Eye will get quite the feast from me, but in this new worldââ
âThatâs enough of that, I think,â Martin says, resting a hand on Jonâs arm.
Jon bites his tongue, shuts his eyes, and takes a deep breath in, only daring to speak once the tingling on his lips subsides. âSorry.â
âNothing to apologize for.â Martin offers him a reassuring smile. âJust didnât want you getting bogged down.â
âThatâs one term for it,â Jon says, not quite under his breath. Itâs true enough, though. Sometimes it feels like the Archive is pressed up against the door, watching for the tiniest crack, waiting for any opportunity to surge through and drag him under. Lately, Martin has grown uncannily adept at sensing when to interrupt these lapses before they spiral out of control â likely because theyâve been growing more frequent.
âThatâs what I thought,â Daisy says. Puzzled at the apparent non-sequitur, Jon glances at her, but she isnât looking at him. All of her attention is focused on Basira. âThis thing is probably the same. Itâs not some⊠some harmless miracle solution. If we mess around with it, itâs bound to blow up in our faces sooner or later.â
âIâm⊠not sure about that, actually,â Jon says. âThe brooch didnât free the Hunter, it just made it so he couldnât be caught. I think thatâs what it was feeding on â the Hunterâs gradual awareness that he was no different from the hunted, that sensation of being perpetually stalked from the shadows by a greater predator. It spent centuries charging itself on that fear, and it culminated in the realization that he would never escape it. He would always be waiting for the axe to fall, and Hunt was happy to keep him as perpetual prey. If he wanted the chase to end, he had to give up the artefact â and once it was no longer keeping him in stasis, he had a choice to make.â
âGo back to hunting, or let it catch him.â Daisy breathes a humorless laugh. âThe Hunt, or the End.â
âBut it would keep you alive,â Basira says. âIt would buy us time to find a way to free you for real.â
âWhat about the Leitner?â Martin asks. âThatâs what Jonah sent us after in the first place.â
âTurns out itâs not actually from Leitnerâs library,â Jon says. âNo bookplate, and it seems the statement giver had it in his possession since the 1500s. Itâs⊠difficult to tell from the statement whether it had any significant effect on him. He called it âhypnotic,â but he was already a Hunter by the time he found it. I imagine it might have different effects on someone not already under the Huntâs influence.â
âHe sort of alluded to that.â Basira takes a moment to peruse the statement, running her finger along the page until she finds the relevant line. âHere â they âfound themselves either enthralled or agitated.â A bit obscure, but⊠he says it like itâs an afterthought. If it outright turned anyone into a Hunter, he probably wouldâve said so.â
âThat doesnât mean it isnât dangerous,â Daisy says.
âI never said it wasnât,â Basira replies coolly. âThe record references a transcript, so I assume they had someone read it at some point. And it also mentions an incident report.â
âWhat was the incident?â Martin asks.
âDonât know,â Basira says. âThey didnât provide any of the supplemental documentation, just the catalogue listing and the statement itself. But they acquired the book in â82 and didnât make the transcript restricted until â93, so⊠either it was dormant when they first studied it and became active later, or they didnât study it closely enough to activate its effects, or it doesnât affect everyone the same way, or â or maybe their workplace safety guidelines just changed and they decided not to risk studying it anymore.â
âJonah did say something about its effects varying depending on how much of it a person reads, right?â Martin asks. âThough who knows where he got that from.â
âThere might be some truth to that,â Basira says. âThe catalogue entry does describe whatâs on the title page, so Iâm assuming that part at least is safe. Iâm most curious about the untranslated chunk in the middle.â
And Iâm a universal translator, Jon thinks, fidgeting with the drawstring of his hoodie. Basiraâs eyes flick to him, as if reading his mind.
âI⊠suppose I couldââ
âNo,â Martin and Daisy say simultaneously.
Jon scowls. âYou didnât even let me finish theââ
âYou threw yourself into the Buried â twice â to save me,â Daisy says severely. âYou canât keep sacrificing yourself at every opportunity.â
âI wouldnât beââ
âWhat, re-traumatizing yourself by reading a Leitner?â Jon shuts his mouth, pressing his lips tightly together. âItâs not worth it, Sims.â
âDaisy,â Basira begins, but Daisy cuts her off.
âNo. Iâm not having him throw himself to the wolves just because youâre curious.â
Basira flinches, hurt momentarily crossing her face before her expression goes stony.
âYou really think thatâs what this is about?â she says, her voice shaking. âKnowledge for knowledgeâs sake? Me being curious?â
âYou canât tell me youâre not,â Daisy says, and then her expression softens. âAnd I love that about you, I do â youâre brilliant, Basira â and driven, and passionate, andâŠâ She sighs. âBut sometimes⊠sometimes you need to let things go.â
Out of the corner of his eye, Jon notices Martin cross and uncross his legs, his lower lip captured between his teeth. When Jon catches his eye, Martin jerks his chin minutely at Basira and Daisy, a grimace on his face. All Jon can offer is a helpless, equally awkward shrug. Near as he can tell, Basira and Daisy seem to have momentarily forgotten that they have an audience, and judging from their locked eyes and thunderous expressions, he doubts either of them would appreciate a reminder right this second.
âLet you go, you mean,â Basira says tersely. âWhen you say âitâs not worth it,â what you really mean is that youâre not worth it.â
âWell, Iâm not.â
The cavalier tone is the last straw, it seems.
âWhy wonât you just let me help you?â Basira slams her hand down on the rickety table, straining its wobbly legs. âYouâre just so ready toââ She lets out a frustrated groan. âYou never used to give up this easily.â
âMaybe shouldâve done,â Daisy says flatly. âMightâve lowered my body count.â
âGiving up Hunting doesnât have to mean giving up on living,â Basira says. âI might have finally found an alternative, and you wonât even considerââ
âIâm not doing anything thatâs going to hurt someone, and that includes exposing Jon to a fucking Leitner.â
âIâm right here, you know,â Jon mutters testily, the friction finally getting the better of his nerves. âDonât I get a say?â
âNo, you donât,â Daisy says, rounding on him. Now that all of her brimming agitation is funneled in his direction, he regrets saying anything at all. âBecause lately, whenever I ask you if you want to hurt yourself, the best you can give me is âit doesnât matter because I canât die anyway.ââ
âJon?â Martin says urgently, his eyebrows drawing together.
âTh-thatâs not what Iââ
âYouâre not thinking rationally,â Daisy speaks over Jonâs stammering. âYouâre thinking like a condemned man with a rope around his neck and something to prove, and Iâm not going to be the noose you use to hang yourself with.â
âWill you listen to yourself?â Basira says heatedly. âYou get on my case about double standardsââ
âThatâs enough!â Martin bursts out. âThis isnât helping. Daisyâs right, Jon. Youâre not going anywhere near that book â I donât want to hear it,â he adds before Jon can retort. âNot now, anyway. Weâll talk later. But Basiraâs right, too,â Martin says, turning his attention to Daisy. âYou canât make amends by dying, and you canât do better going forward if youâre not alive to try.â
âWho says I deserve a chance?â Daisy says.
âWhatever you think you âdeserveââ â Martin gives Jon a meaningful glance as he says it â âyouâve got a chance, and people who want to help you through it, and you ought to consider that before you assume youâd do more good dead than alive.â He exhales a sharp breath. âAnyway, forget the Leitner, and forget what Jonah said about it. The brooch seems like the more promising option here.â
âI agree,â Jon says, cowed. âBetween the book and the brooch, the statement giver credited the latter with keeping the Hunt at bay. And perhaps my bias is showing, but truthfully I â Iâm not inclined to see those books as anything but tragedies waiting to happen.â
âWhatâs the difference?â Daisy says flatly. âIt took a decade for something bad enough to happen for them to make the Leitnerâs transcript restricted. The brooch could be just as much of a time bomb. Just because it doesnât have any âincidentsâ connected with it now doesnât mean it never will.â
She isnât wrong. Looking back, Jon had found it infuriating that Leitner would continue meddling with the books even after he witnessed the horror they wrought, all while claiming to have learned from his hubris. Just because this particular artefact isnât a book doesnât make it any less ominous.
And yetâŠ
âI think itâs already shown its more sinister side,â Jon says slowly.
âYou think,â Daisy scoffs.
âIt doesnât give a Hunter strength, it makes them perpetual prey. It⊠wonât be pleasant for you, Iâm sure,â Jon admits, âbut Basiraâs right â it could keep you alive while we search for a better solution.â
âThere might not be a better solution,â Daisy says stubbornly.
âWhich is what I said before you browbeat me into taking statements from you,â Jon counters.
âI didnât browbeatââ Jon raises his eyebrows. Daisy gives a flustered groan. âItâs just â itâs different, okay?â
Much as Jon wants to disagree, he knows better than to argue. Theyâd only end up talking in circles.
âI think itâs an avenue worth pursuing,â he says. âGiven the alternatives.â
âPlease, Daisy,â Basira says. âJust⊠consider it, at least.â
The for me remains unspoken, but Jon can hear it loud and clear. As can Daisy, it seems â the defiant set to her jaw falters for a moment before she tenses again.
âFine,â she says grudgingly. âBut if it starts to go southââ
âIf it manifests any new properties, weâll prioritize containing it over interacting with it,â Jon says.
âYou promise?â Daisy asks, but she looks at Basira when she says it. It takes a moment, but Basira does nod.
âDo you think Pu Songling will let us have it?â Martin asks. âSeems like their protocols areâŠâ
âRigorous?â Jon supplies.
âYouâd almost think they were running an academic institution or something,â Basira says drily.
âYeah, but treating the artefacts like museum pieces, itâs⊠itâs weird, isnât it?â Martin says. âItâs not as if theyâre fragile, right? Theyâre held together by⊠nightmare alchemy, or whatever.â
âI suppose itâs to be expected,â Jon says. âI know the Librarian has a degree in information science. And I recall her telling me that the Curator is an historian with a background in museology. But youâre right â it would be nice if Leitners were as delicate as the average old manuscript.â
âAt least theyâre flammable,â Daisy mutters.
âWe spoke with the Head Curator,â Basira says. âSheâs willing to work out a trade.â
âA trade?â Martin asks.
âKnowledge for knowledge,â Jon says. âAn artefact for an artefact. I get the impression that the Librarian and the Curator are both very⊠collections-oriented. True to their titles, I suppose.â
âHold up,â Daisy says. ââThe Librarian,â âthe Curatorâ â are those just job titles, or are they, like⊠Beholding Avatar titles?â Jon blinks at her, perplexed. âI mean â the way you keep saying them, itâs sort of likeâŠâ
âWhat, âArchivistâ?â Jon gnaws on his thumbnail as he pauses to consider. âI⊠donât know, actually. I wasnât really doing it consciously? It justâŠâ He shrugs helplessly. âIt felt right.â
âIs it coming from the Eye, then?â
âI have no idea, Basira.â Jon leans forward, props his elbows on his knees, and digs the heels of his palms into his eyes. âI wouldnât be surprised.â
âHm.â
âIn any caseâŠâ Jon exhales slowly, forcing himself to sit up straight again. âThey seem to take the research and curation aspects of their roles to heart. They arenât reckless with their pursuits, they take ample precautions, but the scholars at Pu Songling do study the items that come into their possession. And from what I understand, the Curator takes avid interest in adding to their collection. Same as the Archivistâs role is to record stories. To what extent her efforts are driven by her connection to the Eye versus her own innate curiosity, I couldnât tell you, no more than I can make that distinction in myself.â
âSort of a chicken-or-egg situation, then,â Daisy says.
âFrom an evolutionary perspective, the egg came first,â Jon says automatically. âAmniotic eggs have been around for over three hundred million years. Birds originated in the Jurassic, true galliforms didnât evolve until at least the Late Cretaceous, phasianids donât appear in the fossil record until about thirty million years ago, and chickens as we know them were only domesticated about eight thousand years agoââ
âOh my god,â Daisy groans, putting her head in her hands.
âWhat?â Jon says, heat rising in his cheeks as Martin muffles a snicker beneath his hand. âIâm not wrong.â
âPu Songlingâs Collections Department is larger than our Artefact Storage,â Basira interjects, âbut the, uh⊠Curator has a shortlist of artefacts sheâs been on the lookout for. I checked our records and found a match. A ring â probably belongs to the Vast, based on the reports surrounding it. Looks like the Institute purchased it from Salesa in 2014, shortly before his disappearance. The Curator considers it an âequitable exchange,â but she still wants to assess the ring in person before making the trade.â
âAnd we still have to talk to Sonja,â Jon adds. âOn the one hand, she likely wouldnât object to being rid of an artefact, but on the other hand⊠I imagine she wonât be keen on letting it out into the world.â
âI think it would be a harder sell if you were just going to swap it out for another artefact â something unfamiliar that theyâd have to develop all new protocols for,â Martin says. âBut yeah, even if you wonât be making the brooch her problem, sheâll probably still want to know what we want with it. And I can see her pressing the Curator on why she wants the ring when she gets here.â
âThe Curator wonât be coming here,â Basira says evenly, casting a surreptitious glance at Daisy to gauge her reaction. âSays sheâs too busy to travel.â
âSo you have to haul the ring up to her,â Daisy says.
âI meanâ â Basira breathes an uneasy laugh â âitâs a ring. Not much hauling involvedââ
âOh, donât startââ
ââand there are precautions I can take. Looks like Artefact Storage has relatively thorough documentation for this one.â
ââRelativelyâ?â Daisy repeats, unimpressed. âYou were just complaining about how sparse their records are. âRelativelyâ isnât saying much.â
âWell, itâs better than nothing.â Basira rubs at her face. âI have to do this. Just⊠trust me.â
âYou know I doââ
âThen let me have your back,â Basira says, practically pleading. âLet me help you.â
âFine,â Daisy mutters, her posture going slack. âDo what you want.â
Itâs not exactly a resounding endorsement, but itâs as good as theyâre likely to get.
_________________
Despite Daisyâs lack of enthusiasm, Basira immediately throws herself into making arrangements. The Curator at Pu Songling is more than accommodating, seemingly as eager as Basira to make the trade. The real challenge is the Head of Artefact Storage.
It takes over a week of cajoling, lengthy justifications, and a concerted, collaborative effort from Basira, Jon, and Martin before Sonja finally, albeit reluctantly, agrees to discuss the matter with the Curator. Over the following days, Basira and Jon facilitate negotiations between the two: mediating a fair amount of (professional, but nevertheless pointed) verbal sparring early on, and later arbitrating the terms and conditions of the trade.
âYouâd think that in the course of dealing with literal supernatural evil on a daily basis,â Basira gripes at one point, âbureaucracy wouldnât be the biggest priority.â
âIâve found that the bureaucratic process gives me ample time to make assessments,â Sonja says, unruffled. âRed tape has a way of bringing out the worst in people. Sometimes thatâs a procrastinating student who woke up this morning, realized their deadline is next week, and âneeds access to our materials, like, yesterday,ââ she says, complete with finger quotes and a mocking tone. âAnd sometimes itâs some shady rich snob whoâs been consistently cagey about his motives, and eventually he starts to go from impatient and entitled to desperate and frustrated, and thatâs when the red flags start popping up crimson. After a while, you learn to distinguish the mundane sort of desperation from the more sinister sort.â
âHuh,â Jon says, smiling to himself. He knew Sonja was clever, but he never knew she was so calculating. It seems Jonah made the same mistake with Sonja as he did with Gertrude â overestimating a personâs curiosity and malleability, underestimating their prudence and pragmatism, and then promoting them to a position where they were free to act in a decidedly un-Beholding-like manner.
Once Sonja is sufficiently assured that the Curator has no intentions of utilizing the artefact or allowing it to venture beyond the secure confines of Pu Songlingâs Collections Storage, the process starts to go a bit more smoothly. As expected, Sonja is amenable to the prospect of having one less piece of malignant costume jewelry, as she puts it, provided the Archival staff take full responsibility â both for the ring once Basira signs it out and for the artefact they receive in exchange.
âThe ring has a compulsion effect,â Sonja tells them. âMakes people want to put it on â and once itâs on your finger, itâs not coming off until you hit the ground. Luckily itâs not a particularly active artefact, at least not compared to some of the other things we have here. I wouldnât call it safe, obviously, butâ â she raps her knuckles on the wooden beads of the bracelet on her opposite wrist â âitâs never breached containment.â
The how and why become abundantly clear upon seeing the closed ring box, so caked in earth and grime that itâs impossible to make out the color or material underneath.
âBuried, I take it,â Basira murmurs, giving Jon a sidelong glance.
âYeah.â Jon grimaces at the phantom taste of soil on his tongue. âAn artefact to contain an artefact.â
âLooks like the Curator is getting a twofer,â Basira says.
âFine by me,â Sonja says with a nonchalant shrug. âThatâs the box it came in, actually. Donât know why it works, but it does, and thatâs all I care about. So long as you keep it closed, the worst youâll get is vertigo. As far as weâve observed, anyway. Thereâs always a chance that an artefact has more secrets than it lets on at first glance. Assuming you know everything there is to know is a good way to end up in a casket.â
âWeâre well aware,â Jon says. âBelieve me.â
âSeriously, though â if this goes tits up, I donât want to hear it,â Sonja says sternly, all but wagging a finger. âAnd if you call up here a few months from now to tell me that youâve got a rogue artefact wreaking havoc in the Archives, and Iâve got to put my people at risk to contain it, I will unleash unholy hell.â
The funny thing is, Jon believes her.
_________________
Despite the progress theyâre making on obtaining the Hunterâs brooch, dissent continues to simmer within the group â particularly where Daisy is concerned. As the escalating tension in the Archives becomes ever more tangible, Martin begins to feel claustrophobic under the weight of all the things left unspoken.
Daisy is consistently ill-tempered: bellicose in one moment and taciturn in the next, frequently seeking out solitude whenever her agitation gets the best of her. Martin suspects that her volatile mood has as much to do with her deteriorating condition as it does to do with her lingering aversion to the rest of the groupâs efforts. Although she and Basira havenât had another row â so far as Martin is aware, anyway â thereâs been an undeniable friction between them. On the worst days, Basira keeps to herself, burying her head in her research while Daisy slinks off to some dark corner of the Archives to brood until Jon comes to drag her away from her thoughts.
Not that Jon is much better. Heâs been sullen lately, growing more withdrawn, sleeping less and jumping at shadows even more than usual. Martin often catches him in a trance, staring vacantly into space and droning horrors under his breath. More and more he lapses into statement clips mid-sentence, regardless of how recently heâs had a statement. Sometimes, all it takes is a momentary slip for Jon to lose his footing and devolve into a frenzied litany of back-to-back, fragmentary horror stories. On a few recent occasions heâs lost his voice entirely, though luckily itâs only been for an hour or two at a time.
(So far, Jon says morosely after each episode.)
Most unsettling, though, is the chronic faraway look in his eye, like heâs seeing something else. Like heâs somewhere else, lost across an unbridgeable divide.
Martin is well-acquainted with the sensation of feeling alone in the presence of others. That doesnât make it any less distressing. Itâs not that Jon intends to be distant. He might not even be aware of it; would likely be mortified if he knew just how much that detachment stirred Martinâs longstanding fears of isolation and abandonment. Jonâs still affectionate, after all. Although he seems reluctant to actively seek out comfort these days, heâs still prompt to take an outstretched hand, to lean into a kind touch, to accept a proffered embrace. Still makes a concerted effort to muster, however feebly, a soft smile whenever Martin enters a room. Still attempts to be present and attentive and open.
But sometimes it feels like Jon is out of reach, separated from the rest of the world, watching it pass him by through layers of frosted glass. Martin knows the feeling. What he doesnât know is how to fix it.
Before long, Basira is set to leave for Beijing, an artefact of the Vast nestled away in her luggage amidst assurances to Sonja that, yes, under no circumstances will Basira attempt to take it on a plane or into the open ocean because, no, Basira does not have a death wish, thank you very much.
Martin half-expects another quarrel to break out on the eve of Basiraâs departure, but Daisy is oddly subdued. Perhaps she just doesnât want to part ways with angry words and unresolved arguments, or perhaps sheâs simply come to accept the rest of the groupâs decision to move forward with the plan. Considering the dark circles under her eyes, though, itâs just as likely that sheâs simply too fatigued to start a fight.
A few days later, Martin descends the ladder into the tunnels to find Jon standing at his makeshift desk, staring down at the map unfurled across its surface â the product of the groupâs ongoing efforts to survey the sprawling tunnel system of the former Millbank Prison. The blueprint-in-progress is an equally sprawling thing: sheets of mismatched paper layered one atop the next and taped together, its irregular borders comprised of haphazard angles and dog-eared edges.
The hand-drawn map on its surface is chaotic, reflecting the penmanship of four different authors. Jonâs contributions might be the messiest â the burn scar contracture on his dominant hand renders his lines shaky at best, and his handwriting has always been a tad chickenscratch. Daisyâs isnât much better. Conversely, Basiraâs additions are the neatest, her strokes as steady as the persona she tries to project to the world. Martinâs are passable, if only because, unlike Jon or Daisy, he actually has the patience to use rulers and book edges to trace straight paths.
To be fair, it would probably look a mess no matter how painstaking they were in constructing it. The tunnels are as labyrinthine as expected: a vast network of arterial corridors with offshoots along their lengths, branching into three- or four-way forks, most of which lead to dead ends. Occasionally, they find a path that loops back around and connects other parts of the maze, creating a series of meandering, convoluted closed circuits. Itâs difficult to tell just by looking, but they are (Martin hopes) making progress. At the rate theyâre going, they have to be on track to find the Panopticon before the winter solstice.
In any case, as Martin approaches the desk, he sees that familiar vacant look on Jonâs face, as if he isnât actually seeing whatâs in front of him. The effect is underscored by the cigarette burning away in his hand, hanging limp and forgotten at his side. Martin clears his throat lightly, in deference to Jonâs hair-trigger startle reflex. He doesnât count the fact that Jon doesnât jump at all as a success. If anything, itâs cause for concern.
âJon?â Martin tries. Thereâs a slight delay before Jon glances over, giving Martin no acknowledgment aside from a sluggish blink before lowering his head again.
âI, uhâŠâ Martin offers a weak smile, attempting to keep his tone light. He gestures at the cigarette. âI thought you quit?â
Jon shrugs, refusing to meet Martinâs eyes. âNot like itâll kill me.â
âMight catch up with you later, though,â Martin says, scratching at his neck. âYou know, once we find a way out of here.â
âThere is no âoutâ for me,â Jon says mulishly.
âYou donât know that. Or Know it.â Jonâs only reaction is to press his lips tightly together, like heâs biting back a retort. âLook, Iâm not trying to nag you, I just worâ Jon!â Martin yelps as he watches Jon put his cigarette out on the back of his hand.
Martin lunges forward, grabbing Jonâs hand and yanking it close to inspect the damage. Itâs the same hand that Jude shook, already textured and pitted with webs of hypertrophic scarring. Somehow, Jon managed to plant this newest burn on a patch of previously-undamaged skin, sandwiched between two bands of knotted tissue.
The contours of her fingers, Martin recognizes with a queasy lurch â followed by another when he thinks to wonder whether Jon sought out that scrap of healthy skin on purpose just now.
Jon barely reacts, staring into space with wide eyes and dilated pupils. Martin looks down again to see the circular singe mark already knitting itself back together, leaving only a small, shiny patch of discoloration ringed with a dusting of ash. In all likelihood, even that will be gone by morning.
If only all wounds would heal so easily.
âWhat the hell were you thinking?â Martin hisses, fighting to keep his voice even. He brushes a soothing thumb over the spot, as if to apologize to the abused skin on Jonâs behalf.
Jogged out of his reverie by Martinâs sharp tone, Jon stares daggers at him, his mouth open as if to unleash a scathing reprimand, the set of his jaw so reminiscent of those early days in the Archives. An instant later, though, he withers, cringing away and fixing his eyes on the floor.
âI wasnât,â he mumbles, at least having the decency to sound contrite. âWasnât really paying attention.â
Itâs not the first time Martinâs witnessed a self-inflicted injury. When pressed, Jon always claims that itâs not a deliberate, planned form of self-punishment, but rather a reflex reaction that kicks in when he starts feeling adrift in time. Somewhere along the line, it seems, he convinced himself that physical pain is as good a shortcut as any â a sort of panic button to bring him back to the present when he needs grounding.
Whatever his intentions, though, and no matter what rationalizations Jon wants to dole out, itâs not a healthy coping mechanism. And itâs difficult for Martin to believe that self-punishment doesnât factor at all, considering Jonâs obsessive guilt spirals and his blasĂ© attitude towards being hurt.
ââS already healed,â Jon says with a spiritless shrug. He drops the snuffed-out remainder of his cigarette on the floor and unnecessarily grinds it under his heel.
âThatâs not the point.â Martin doesnât realize how tightly heâs grasping Jonâs hand until Jon winces. Although Martin relaxes his grip somewhat, he doesnât let go. âIt doesnât matter how quickly your body heals, or that youâve had worse, or whatever other justifications you want to make. Youâre still getting hurt. Thatâs not okay, and â and if it were me in your shoes, youâd be telling me the same thing.â
âIâm sorry.â Jonâs hair falls to cover his face as he ducks his head.
Itâs fine, Martin almost says â except itâs not, is it?
âCome on,â he says instead, guiding Jon to sit in the nearest chair before taking a seat next to him. Where before Jon was all stiff limbs and rigid spine, now he looks like heâs given up the ghost, drooping like a wilting flower.
Though he allows Martin to keep hold of his hand, Jon doesnât return the pressure. And Jonâs skin is freezing â no doubt partly due to the damp chill of the tunnels, and partly because he has, by his own admission, always had shit circulation. Combined with his limp fingers and loose grip, though, the overall effect is far too reminiscent of those months spent keeping vigil over Jonâs hospital bed, his hand nothing but cold, dead weight in Martinâs.
It took too long for Martin to admit that he had been foolish to hope that Jon was still in there somewhere, aware of Martinâs presence, fighting to regain consciousness. The whole time, Martin was just keeping his own company. Jon wasnât just unreachable â he wasnât there at all.
(Martin had been wrong about that in the end. He doesnât know that heâll ever forgive himself for not being there when Jon woke up.)
Martin bites his lip as he formulates a response. Heâs learned over the years that when Jon is like this, itâs best to strike a careful balance between docility and defiance. Push too hard too fast, and Jon will dig his heels in; approach him too tentatively, and heâs liable to interpret concern as pity; force him to talk about his feelings, and heâll bolt; smother him with tenderness, and heâll balk.
Granted, Jon has become much more receptive to tenderness over the years. Most of the time, anyway. When his skewed self-worth and convictions about what he does and doesnât deserve donât get in the way.
âAt the risk of being a nagââ
âYouâre not a nag,â Jon says softly.
âWhenâs the last time you had a statement?â
âA few days ago.â The response is too quick, too automatic.
âA few days ago,â Martin repeats, allowing a bit of disbelief to seep into his voice.
Jon nods stiffly. âMonday, I think.â
âToday is Tuesday.â
âIââ Jon cuts off his own retort, turning to blink owlishly at Martin. âIs it?â
âYeah,â Martin says, his heart sinking. Jon must be losing time again. âSo you had a statement yesterday?â
âNo, I â I donâtâŠâ Jon squints up at the ceiling, wracking his brain. âI donât think so? Itâs â I think I would recall if it had been shorter than one day.â
âSo, last Monday?â
âI donât â I donât know,â Jon says, growing testy. âI suppose. Mustâve been.â
âAre you hungry?â
âIâm always hungry.â The admission is devoid of all the simmering agitation that had been there only moments before. Now, he just sounds tired.
âWell⊠I think you might be due for one.â Although Martin had been striving for gentle suggestion, thereâs a harsh edge to the words. Rather than get Jonâs hackles up again, though, he seems to crumple under what he doubtless reads as an accusation.
âYouâre right,â he says hoarsely. âAnd Iâm sorry. I know lately Iâve beenâŠâ
âTetchy,â Martin offers, just as Jon says, âa bit of a prick.â
âYour words, not mine,â Martin says with a tentative grin. Jon returns his own feeble half-smile, but it quickly falters.
âIâve almost exhausted Daisyâs catalogue,â he confesses. âOnly a handful left now. Iâve got to make them last until the solstice.â
An apprehensive chill runs down Martinâs spine at that. âAnd then what?â
âI havenât thought that far ahead.â
Thereâs virtually no chance that Jon, prone to rumination as he is, hasnât been dwelling on it.
âBasira said she has a few statements, right?â Martin asks. âWhich⊠if you already have a statement about an encounter, can you still get nourishment from other statements about it, so long as itâs coming from someone elseâs point of view?â
âProbably.â Jon shrugs one shoulder. âThe factual details of the encounter are less important than the subjectâs emotional response. Different perspective, different story, different lived experience of fear.â
âThen⊠you have my statement about the Flesh attack, but thereâs still Basiraâs. And â and maybe Melanieââ
âIâm not taking another statement from Melanie,â Jon says tersely. âSheâs been tethered to me for too long without say, and Iâm not dragging her back in.â
âBut if itâs consensualââ
âIt wonât be, because I donât consent.â
âIf the alternative is literally starvingââ
âIâll find another alternative. Or I wonât. But Iâm not asking Melanie for a statement.â Jon keeps his head bowed, but he looks up at Martin through his lashes. âThe first time she quit, I was worried that she might show up in my nightmares again, but she didnât. I donât know if her severance from the Eye will keepher out of my nightmares if she gives me a new statement, and⊠I canât risk it. I canât do that to her. Even if the nightmares werenât an issue⊠Iâm not going to ask her to relive yet another traumatic experience for my benefitââ
ââI shall choose to die rather than take part in such an unholy mealââ
Jon claps a hand over his mouth, a panicked look in his eye.
ââŠnor shall I take my own life, whatever extremity my suffering may reach,â he tacks on, too much of an afterthought for comfort.
âWhich means we need to plan for the future,â Martin says, forcing calm into his voice despite the way his heart picks up its pace.
âBut it canât involve Melanie,â Jon says â gentler than before, but still firm.
âNo, youâre â youâre right,â Martin relents. âIt wouldnât be fair to her. But we could still ask Basira.â
Jon makes a noncommittal noise, his expression rapidly going pinched and closed off again.
âLately,â Martin says, licking his lips nervously, âlately it feels like youâve been shutting everyone out again. It isnât healthyââ
âHealthy?â Jonâs glare could burn a hole in the floor. âI donât need to be healthy, I just need to be whatever it wants.â
Once, Martin might have been daunted by Jonâs scathing tone. By now, he knows that Jon is all bluster â and that the brunt of it is turned inward, against his own self.
âPlease, Jon. Tell me whatâs going on. Youâre worrying me.â
Those, apparently, are the magic words, because Jon finally capitulates.
âItâs October,â he tells the floor.
âIt⊠is October, yeah.â Bewildered, Martin waits for elaboration. When a minute passes with no response forthcoming, he prompts, âIs that⊠badâŠ?â
âHistorically, yes, it has been,â Jon says with a tired, frayed-sounding chuckle.
âI⊠Jon, I need you to help me out here,â Martin says helplessly. âI canât read your mind.â
âOctober is when it happens, Martin.â Jon glances at Martin once, quickly, before returning his gaze to the ground. Heâs twisting one hand around the opposite wrist now, fingers curled tightly enough to blanch his knuckles. âThe eighteenth. When everything goes wrong.â
âYou meanâŠâ
Jonâs sharp inhale becomes a choked exhale, which in turn abruptly cuts off as the Archive takes its cue.
ââŠwhat settled over me wasnât dread; there wasnât enough uncertainty for that. It was doom. I was certain that some sort of disaster was on the horizonââ
ââsomething bad. Something unspeakable. And I would have helped make it happenââ
ââthe fear never really went away. Iâve heard that being exposed to the source of your terror over and over again can help break its power over you, numb you to it, but in my experience it just teaches you to hide from it. Sometimes that might mean hiding in a quiet corner of your mind, butââ
ââsoon enough, I could no longer fool myselfââ
ââthe calm I had been getting accustomed to had been torn away completely, and where it had been was just this horrible, ice-cold terrorââ
ââthat â we canât escape the ruins of our own futureââ
ââa future where â humanity was violently and utterly supplanted, and wiped out by a new category of beingââ
ââthere are terrible things coming â things that, if we knew them, would leave us weak and trembling, with shuddering terror at the knowledge that they are coming for all of usââ
ââI think in my heart, I have been waiting for this moment. For the final axe to fallââ
ââwe create the world in a lot of ways. I suppose it shouldnât be surprising that, when weâre not being careful, we can change itââ
Thereâs a breathless pause before Jon continues, in a nearly inaudible whisper: âWhat could I have chosen to change? Would a different path have been possible?â
âIt is,â Martin says firmly, âand weâre on it. What happened last time wonât happen again. We wonât let it.â
Jon doesnât acknowledge the reassurance.
âI shouldâve known,â he says with a quiet ferocity, in his own voice this time. âIt was too peaceful. I shouldâve known it wasnât going to last. And â and on some level I did know â I knew it wasnât over â but I just⊠I didnât want to be the one to shatter the illusion, I suppose.â His expression goes taut. âDidnât much matter what I wanted, in the end. But I still shouldâve seen it coming. Canât let my guard down again.â
âHow could you have known?â Martin doesnât intend for it to come out as exasperated. He tries to reel it back, to gentle his tone. âYouâve said yourself that you canât predict the futureââ
âNo, but I knew Jonah had plans for me. And I knew nothing good could come of feeding the Eye, but I kept on anyway.â
âItâs not like you were doing it for fun, Jon! You needed it to survive, and Jonah took advantage of that. OrâŠâ No â that makes it sound purely opportunistic, doesnât it? In reality, it was all part of Jonahâs long game from the start. âHe made you dependent on statements specifically becausehe wanted to take advantage of that.â
âI made choices,â Jon says tonelessly. âI canât absolve myself of responsibility just because Jonah was nudging me in a particular direction.â
âYou were manipulated,â Martin insists, âand Iâm not having you apologize for surviving it. For not starving to death.â
âYou donât understand,â Jon says, growing more distressed, reaching up with both hands and tangling his fingers in his hair. âWhen that box of statements finally arrived, I⊠I couldnât shoo you away fast enough. I was hungry, yes, but I wasnât starving yet. I couldâve waited longer, but I just⊠I wanted oneââ
ââshould have fought harder against the temptation â but my curiosity was too strongââ
âYou shouldnât have to wait until youâre literally on deathâs doorstep before you fulfill a basic need,â Martin interrupts.
âI should when that âbasic needâ entails serving the Beholding,â Jon says heatedly. âAnd I â I shouldâve known better â shouldâve known not to jump headlong into the first statement that caught my eye. Iâd known for a while that the Beholding leads me away from statements it doesnât want me to know. It logically follows that it would lead me towards statements that would strengthen it. If Iâd had any sense, I wouldâve been suspicious of anything in that box that called out to me. It didnât⊠it didnât feel any different, but I â I suppose that somewhere along the line I just got used to⊠to wandering down whatever path I was led. I didnât think, I never stop to thinkââ
âIf anything, Jon, you overthink. Youâre overthinking right now.â
Martin has known for a long time now that Jon will latch onto the smallest details, allow his thoughts to branch into an impossible number of routes and tangents, tie together loose threads in countless permutations in the interest of considering all possible conclusions, no matter how outlandish. He will apply Occam's razor in one moment before tossing it into the bin, only to fish it out again: lather, rinse, repeat. His mind is a noisy, cluttered conspiracy corkboard, and heâll hang himself with red string if given half a chance, just to feel like heâs in control of something.
âItâs easy to look back and criticize your past self,â Martin says, âbut he didnât know what you do. If we knew the outcome to every action, maybe we wouldnât make mistakes, but weâre only humanââ
âNot all of us.â
ââso we just have to do the best with what we have in the moment,â Martin continues, paying no heed to Jonâs grumbled comment. No good will come of guiding him down that rabbit trail right now. Anyway, Martin has a more pressing concernâ
âWhy didnât you tell me about any of this sooner?â he blurts out, immediately wincing at his lack of tact. âThat came out wrongââ
âWhy didnât I tell you how quick I was to chase you out of the house and sink my teeth into a statement the moment temptation presented itself?â Jon scoffs. âBecause Iâm ashamed. Why else?â
âNo, notââ Martin scrubs a hand over his face. Itâs a struggle, sometimes, not to grab Jon by the shoulders and shake him until all of that stubborn self-loathing falls away. âAbout the fact that youâve got a â a post-traumatic anniversary event coming up, I mean. You havenât been well, and I thought I understood why â thought it was just⊠all of it, in general. But here I come to find youâve been agonizing over the upcoming date of the single worse day of your lifeââ
âOne of the worst,â Jon says quietly.
âWhat?â
âI didnât lose you until much later.â
Martinâs breath catches in his throat at that, a sharp pang shooting through his chest.
âWell⊠youâve got me now,â he says meekly. âSo â so you donât have to suffer in silence, is what Iâm saying. What happened to you â no, what was done to you â it was horrible, and it wasnât your fault. I know you donât believe that, but itâs the truth.â
âEither Iâve always been caught up in someone elseâs web, passively having things happen to me with no control over my lifeââ
ââthe Mother got exactly the result she no doubt wanted, one that would lead to a fear â so acute that I could later have that horror focused and refined into a silk-spun apotheosisââ
Jon bites down on one knuckle, eyes shut tight as he waits for the compulsion to subside.
âOr,â he says after a minute, âor I do have control, and I can change the outcome, which makes me culpable. I donât know which prospect I hate more. Which probably says some unflattering things about me.â
âItâs not that simpleââ
âIt is,â Jon says viciously. âIf there is another path, then I shouldâve found it last time!â He closes his eyes, pinches the bridge of his nose, and takes a steadying breath. When he speaks again, heâs no longer bordering on shouting, but thereâs a quaver in his voice, a fragility that Martin finds more disconcerting than any flash of anger. âThe way I see it, there are two options. One, what happened in my future was inevitable and nothing I couldâve done wouldâve changed it â which certainly doesnât bode well for this timeline. Or, the outcome can be changed, in which case my choices matter, and had I just made better choices, maybe I could have prevented all of this from ever happening in the first place.â
âYouâre not being fair,â Martin says, his hands clenching into fists â but Jon isnât listening.
âDoesnât make much difference, I suppose. The consequences are the same either wayââ
ââbillions of â people making their way through life who had no idea what was right above their headsââ
ââwould-be occult dynasties and ageless monstersââ
ââminds so strange and colossal that we would never know they were minds at allââ
ââidiots who destroyed themselves chasing a secret that wasnât worth knowingââ
ââthere, caught up in a series of events that I didnât understand but that terrified me â I did the stupidest thing Iâve ever doneââ
âârunning was pointless. To try to escape from my task would only serve to fulfill another. I finally understood what I needed to doââ
ââI donât know if you have ever drowned, but itâs the most painful thing I have ever experiencedââ
ââI do not suppose I need to dwell on the pain, but please know that I would sooner die than endure it againââ
âWould you?â Martin says abruptly. Jon wonât look at him. âJon, I need to know if youâre feeling like hurting yourself.â
âWhat would it matter if I was?â Jon still wonât look at him. âIâm categorically incapable of hurting myself in any way that matters.â
Martin blinks in disbelief. âOkay, thatâs blatantly untrue.â
Jon has been a glaring portrait of self-neglect for as long as Martin has known him. That simple lack of consideration for himself, together with compounding survivorâs guilt, was the perfect stepping stone to active self-endangerment. Now that Jonâs convinced himself heâs invulnerable to a normal human death, heâs all the more careless with himself.
âI donât want to die,â Jon whispers. âThatâs the problem.â
âWhatâ?â
âBefore, I was unknowingly putting the entire world at risk by â by waking up after the Unknowing, by crawling out of the Buried, by escaping the Hunters, by continuing to read statements like it was â like it was something routine, as unremarkable as â as taking tea. Now, though â now I know better. I know what Jonah is planning, I saw what Iâm capable of, and still I⊠I donât want to die.â
âWell⊠good,â Martin says. âYou should want to liveââ
âIt doesnât much matter what I wantââ
ââI never wanted to weigh up the value of a life, to set it on the scales against my own, but thatâs a choice that I am forced intoââ
ââdoesnât get to die for that â gets to live, trapped and helpless, and entombed forever â powerlessââ
ââa lynchpin for this new ritual â a record of fearââ
Shit, Martin thinks the instant he recognizes the statement. Itâs the worst of them all, virtually guaranteed to send Jon spiraling.
ââboth in mind as you walk the shuddering record of each statement, and in body as the Powers each leave their mark upon you â a living chronicle of terror â a conduit for the coming of this â nightmare kingdomââ
âOkay, okay, stay with meââ
ââthe Chosen one is simply that: someone I chose. Itâs not in your blood, or your soul, or your destiny. Itâs just in your own, rotten luckââ
âJon, can you hear me? Jonââ
ââIâll admit, my options were somewhat limited, but my god, when you came to me already marked by the Web, I knew it had to be you. I even held out some small hope you had been sent by the Spider as some sort of implicit blessing on the whole project, and, do you know what, I think it wasââ
Martin reaches over, taking both of Jonâs hands in his own and squeezing tightly. The pressure seems to do the trick: lucidity sparks in Jonâs eyes and he takes a deep, ragged breath, as if coming up for air.
âThere you are. Are you okay?â Martin rubs both thumbs over the backs of Jonâs hands in rhythmic, soothing motions. âHey, itâsââ
âI donât want your kindness!â Jon snaps, jerking backwards and snatching his hands out from Martinâs grip.
Both of them lapse into a stunned silence. As mortification dawns on Jonâs face, Martin can feel the color rising in his cheeks. It only takes a few seconds for the blood rushing in his ears to be drowned out by another voice.
Martin can remember with cutting clarity the days prior to his motherâs departure to the nursing home. She had been in (somewhat) rare form, her already-short fuse dwindled down to nothing, sniping at him around the clock, full of caustic observations and spiteful accusations.
I donât want your help, she had sneered as she entered the cab, swatting his hand away.
It was one of the last things she ever said to him.
âWell, tough,â Martin bites out, âbecause you deserve it, and you never shouldâve had to go without it, and youâre not going to change my mind about that, so you may as well stop trying!â
âMartin, I â I â Iâm sorry, I didnât meanââ
He saw, Martin realizes all at once, his skin crawling with humiliation.
âIâm going to go make some tea,â Martin says, rising to his feet.
Jon reaches out a hand. âMartinââ
âI just need a breather, okay?â Martin says, a pleading note to his voice. His lungs are constricting, his chest is tightening, thereâs a lump in his throat, and he really doesnât want to have a panic attack in the tunnels â or in front of Jon. âIâm not â Iâm not angry, okay, I just need some air.â
Jon opens his mouth, then immediately closes it, clutches his hands to his chest, and gives a tiny nod that Martin just barely glimpses before turning to flee.
_________________
âStop crying,â Jon hisses at himself, furiously scrubbing at his face as the tears slide down his cheeks. âStop it.â
He plasters the heels of his hands over his closed eyelids. It does nothing to stem the flow, only brings to mind images of pressing himself bodily against a door to hold it closed, only for the crack to continue widening, millimeter after millimeter, the flood on the other side trickling through the gap, rivulets swelling into rivers, frigid eddies biting at his ankles, a whitewater undertow threatening to drag him below the wavesâ
âEnjoying our own company, are we?â
Once, Jon might have been humiliated to be caught mid-breakdown, raw-voiced and puffy-eyed, especially by Peter Lukas of all people. Several lifetimes spent in thrall to cosmic horrors have a way of putting things in perspective.
âWhat do you want?â Jon says with as much ire as he can muster.
Peter hums to himself, starting a slow, back-and-forth pace in front of Jon. âIt occurred to me that Iâve been derelict in my duties as far as the Archives are concernedââ
âThatâs just now occurring to you?â
ââand, as such, I thought it was high time that I met the infamous Head Archivist of the Magnus Institute.â
âWell,â Jon scoffs, gesturing at himself, âyouâve met him.â
âI must admit, I was expecting something a bit more⊠hm.â Peter taps a finger against his lips. âFormidable.â
âSorry to disappoint.â The scathing sarcasm is rendered pitiful by an ill-timed, involuntary sniffle. Jon canât bring himself to care.
âThe state youâre in, you hardly seem fit to work.â A pause. âHave you ever considered taking some time off?â
âA six-months hospital stay has a way of eating up your PTO, oddly enough. Iâm told that payroll already has already had to make special exceptions for my âunprecedentedâ circumstances.â Jon chuckles to himself. âOn multiple occasions. Did you know the Institute considers a kidnapping in the line of duty to be an âunexcused absence?ââ
âI think youâll find that Elias and I have different management styles,â Peter says mildly. âIâm open to making allowances â particularly since your department can function so smoothly in your absence. Your assistants have proven themselves to be quite capable of working independently â and seeing as your approach to supervision borders on fraternization, I imagine they would be more productive without excess drama to distract them.â
âIâll take that into consideration,â Jon says acerbically.
âNo need.â Jon squints at him, and Peter stare him down. âItâs not a request, Archivist. Itâs an order.â
There was a time, not long ago, that sneaking up on the Archivist would have been difficult. Only Helen had consistently managed to ambush him, and that was because she didnât waste time sneaking â she manifested and launched the jump scare in the same instant, giving him no chance to See her approach. Readjusting to a binocular point of view had been a process, but rarely does he find himself yearning for the panoramic field of vision that had been foisted upon him during the apocalypse.
Occasionally, though, there are moments when 360° sight would come in handy. Too late, Jon realizes this is one of those moments.
By the time he notices the tendrils of encroaching fog, theyâre already curling around from behind him, pooling at his feet, ghosting across the back of his neck, affixing themselves around his wrists.
âItâs alright,â Peter says placidly, almost soothingly. âYou can let go now.â
Jon shivers as his heart pumps ice through his veins, fingers and toes going numb as he struggles for breath.
No. No, no, no, no, noâ
âI am not Lonely anymore,â Jon gasps out through chattering teeth.
âNo,â Peter says with an air of nonchalance. Then he smiles, sharp and cold and cruel and the only detail Jon can still discern through the fog. âBut you will be.â
___
End Notes:
Daisy: hey siri, google what to do if i suspect my bff has been possessed by the ghost of a fussy paleornithologist Jon: why are you booing me????? iâm right
Pretty sure this is the longest chapter yet? Probably bc of the statement. I couldâve split it into two, but, uh. I like that cliffhanger where it is. >:3c (Sorry for that, btw.)
Quite a bit of Archive-speak this chapter. Citations as follows: Section 1: 122/124/011/007/047/155. The Xiaoling quote is from MAG 105; the Jonah quote is ofc from 160; the Naomi quote is from 013. Section 3: 181. Section 5: 058 x2; 144/130/086/143/121/149/134/144/143/069; 147; 017; 147; 057/160/106/111/067/121/129/098; 155/128/160; 160 x3. Section 6: 170, of course.
Iâm taking wild liberties with Pu Songling Research Centreâs whole deal. Iâm conceptualizing their spookier departments as being like⊠actually academia-oriented, instead of âlocal Victorian corpse with illusions of godhood throws a bunch of traumatized nerds with no relevant archival experience into a basement, what happens next will shock youâ. Xiaoling is out here like âour digitization is still a work in progress, Iâm sure you know how it isâ and Jon Sims is like âdigitization who? i donât know herâ. (Listen, he tried once. Tape recorder was haunted, he got kidnapped a bunch, there were worms and things, he died (he got better), his boss used him as a battering ram to open a door to Fearpocalypse Hell â it was a lot.)
Likewise, we didnât get much info about Sonja in canon, so Iâm having fun envisioning her as a certified Force To Be Reckoned With (and a bit of a Mama Bear wrt her assistants). Most of the Institute is leery of the Archives (& especially Jon) but Sonjaâs seen a lot of shit and Jon Sims doesnât even rank on her list of Top Spooky Scary Things.
re: the statement â itâs not clear in-text, but I want to clarify that Iâm not conceptualizing Francis Drake as being influenced by the Hunt. Fictionalizing aspects of history is tricky, and Iâd feel personally uncomfortable chalking up Drakeâs real life atrocities to supernatural influence, even in fiction. In the case of this particular fictional member of his crew, he was (like Drakeâs real-life crew) complicit in following Drakeâs orders for entirely mundane reasons and was only marked by the Hunt at the point in his statement where he first recounts hearing the Hunt chasing after him.
At some point in writing this chapter, I had 137 tabs open in my browser for Research Purposes and like 20 of those were bc my dumb ass seriously considered writing that statement in Elizabethan English before going âwhat are you DOING, actually.â If Iâd tried, it would have come off as inauthentic at best, if not ridiculous, bc Iâm unfamiliar with English linguistic trends of the 1500s, and Iâd basically be badly mimicking Shakespearean English, which isnât necessarily indicative of how everyone spoke at the time, and I donât know what colloquial speech would look like for this particular unnamed character I trotted out as exposition fodder, and it was probably unnecessary to formulate a whole-ass personal history for him for the sake of Historical Realism for a single section of a single chapter of a fanfic, and⊠In the end, I decided that this pseudo-immortal rando can tell his life story in modernized English, as a treat (to me) (and also to those of you who donât think of slogging through bastardized Elizabethan prose as a fun endeavor).
Speaking of research â shoutout to this dissertation that had an English translation of the Herla story in Walter Mapâs De nugis curialium, and if you want to read the whole story, you can find it on pages 16-18 of that paper. I feel itâs important for you all to know that IMMEDIATELY after Map dramatically proclaims, âthe dog has not yet alighted, and the story says that this King Herla still holds on his mad course with his band in eternal wanderings, without stop or stay,â he goes on to say in the next breath âbuuuut some people say they all jumped into the River Wye and died, so ymmv. ÂŻ\_ (ă)_/ÂŻ anyways, can I interest you in more Fucked Up If True tales?â (Herla throwing the dog into the river wasnât in the original story though. I made that part up.)
Thank you so much for reading! <3
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