I can't get enough of swan queen or bellarke. she/her, 15, teen author
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If perfectionism is causing you to procrastinate writing, it’s not making your writing better. You know what does make your writing better?
Practice.
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anyone else think this gif of Daenerys looks like she’s saying “little bitch, you’re fucked”?
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THE 100 ⇢ 6x10
I’m sorry, but her brain can no longer support two minds. What are you talking about? Do something. They’re both still in there.
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Them: t.v shows are always better with a lesbian couple.
Me, an intellectual: you’re absolutely right.
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josephine!clarke: *takes a breath*
bellamy:

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A short list of things Lexa has actually invented:
candles
glitter
lesbians
stoicism
blade weapons
being unnecessarily dramatic
thicc smokey eye make-up
lesbians
being arguably even more iconic after death
the real purpose of balconies
killing someone with just a glare (sike medusa)
making panties drop at first sight
being very unimpressed by anything anyone who’s not your gf does
lesbians
marrying your gf without her knowing you’re married
calling your gf cute pet names like commander of death
a short list of things Lexa has yet to invent:
flirting
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What gets me the most is "I'm not letting you go". Because it's so openly personal. Because it's not just depesperate, and dramatic and passionate. It's the me and you bit that makes it so powerful.
Bellamy and Clarke have often said touching things to each other. Passionate things. But they rarely refer to themselves as a you and me. It's why the head and heart talk in praimfaya was so powerful. "We've been through a lot together you and I ." It's what makes Bellamy's "I left her behind" so strong.
And that's also what makes that I'm not letting you go so overwhelming. It's just Bellamy and Clarke. Not generalized. Not hidden. It's pronounced desperately, and genuinely.
It's something that used to be completely unspoken and that just keeps getting more and more spoken of.
And that's the path to an outspoken romance.
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Can we just take a moment and appreciate this website?
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Has this been done before?
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“bellamy. because of course it is”
i fucking LOVE josephine’s frustration with bell always saving clarke
it’s amazing
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THAT WAS THE MOST PURE, DESPERATE, BEAUTIFUL MOMENT BETWEEN TWO PEOPLE I’VE EVER SEEN IN FICTION
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HE SAID ‘I NEED YOU’
HOW LONG HAVE WE WANTED/NEEDED THAT
FUCK I’M SOBBING
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Do NOT Support ‘Adam’ When The Film Comes Out
I’ve talked about this before on this blog but this is the most disgustingly transphobic and lesbophobic narrative I’ve ever come across.
CWs: transphobia, homophobia, lesbophobia, corrective rape, voyeurism
The book Adam by Ariel Schrag is being turned into a movie which has been named as one of the most exciting LGBTQ films of the year. You should know before watching that the book is about a cis boy who pretends to be a trans man in order to persuade lesbians to sleep with him.
Yeah… you read that right.
Book plot summary:
boy spies on his lesbian sister having sex
boy decides to pretend to be a trans man (gross)
i.e. pretends to have a vagina because he thinks lesbians will want him then (he literally wants to fuck lesbians because he watched his lesbian sister have sex wtf)
he does get a lesbian to sleep with him, he straps his penis down using ace bandages and uses a strap on.
all the actual trans dudes we meet identify as lesbians this basically implies that trans men are not real men (lesbians i.e. women)
another time they have sex again only he uses his actual penis but tells her its a strap on. that’s literally rape, she didn’t consent to an actual penis.
he confesses that he’s been lying to her this whole time but she doesn’t break up with him. she even says its okay cause she fantasised about him being “a real boy"
that’s a direct quote. massive transphobia. huge. not to mention this is now the “lesbian is cured by dick trope” which is disgusting and that trope leads to real lesbians and bi women being raped to “fix” them.
he leaves new york, they’re long distance. they get in an argument and he calls her a slut and a whore among other things and then she dumps him
eventually they get back in touch and she has a new cis boyfriend so yep, she’s been “cured” woo she’s actually straight and he helped her realise that yay (massive sarcasm)
It is deeply deeply transphobic. To imply that our identities are just costumes for other people to put on erases who we are as people. More than that, to imply it is done to trick people into sex is a dangerous lie that literally gets us killed.
It is also deeply lesbophobic. To fuel this narrative that lesbians can be “fixed” by having sex with a man leads to real corrective rapes happening.
Here is a review of the book by a trans man. I have yet to find one by a lesbian but will edit this if I do.
This book gives out incredibly harmful notions about trans men and lesbians that are used to hurt them in real life. It’s so entrenched in the narrative that I don’t see how the film can possibly be any better.
I do not say any of this lightly. it’s very very rare for me to call out a piece of fiction or for me to decide that a story is unfixable. But this… there’s no excuse for the bigotry in this.
I’d like to tell people to boycott it but I can’t tell you what to do. So instead I’m going to ask that you share this because it being named as an exciting new LGBTQ film is going to make LGBTQ teens want to see it. And they should know beforehand how hurtful it could be. They should be able to arm themselves with that knowledge.
Don’t make queer kids see this film believing it will represent them only to be exposed to this hatred of their identities.
Please reblog.
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no other person on this planet was made for you, they were made for themselves. love is all about choices. no one is going to be perfect for you, and i think we need to stop raising everyone on the belief that someone out there, just one other person in the whole world, was “made for you” because it isn’t true. no one is made for you, besides you. other people belong to themselves. if you want to make it work with someone, it’s about hard work, understanding, compassion, communication, and choice
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