valhethella-moved

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moving house -> valhethella

pls follow here

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Updated commission info!

Bring me your pets, your OCs, your favs - I treasure them all (〃ω〃)

Contact & Form || Queue || Patreon

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A commission for @_darkdragoon of their WoL, Estinien, and Ysayle in the style of That Twelfth Night™️ photo

patreon || ko-fi || store

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Edward Teach, Born on a Beach

patreon || ko-fi || store

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A measure of tenderness

[OCs, Chiaro (right) belongs to CassW)

Full piece available on pateetree oil

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Busts of Dastan [OC] with hair up and hair down

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The Horrors of Old Allag

full piece and variants on patroni

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I got quite a few DMs over the weekend on twitter asking about my brushes, and as with anything, your mileage may vary, and digital art isn’t made or broken by brushes, but having them never hurt! Talking about how you use your tools is just as important as talking about what tools you use, so consider this a small breakdown of my process for digital sketching.

First thing’s first, I avoid sketching on an untextured canvas. If you like to have a flat, solid canvas, I recommend working at 50% grey, or adjusting your canvas to be slightly off-white. The harshness of black on pure-white can be a hang-up for many people, including myself.

I sketch on paper textures sourced from my own old sketchbooks and papers. The one I use most frequently is available in my Sketchbook Paper Pack, and named Off White.

While a true-to-life pencil look is not what I’m actively going for with my sketches, these papers certainly help achieve it.

I do almost all of my work in Procreate, but learned digital art first in Photoshop. Anything I share here in regards to how I use brushes can be applied to any brush, I’m certain!

For my sketches, you’re seeing the work of one brush and one eraser.

For my brush, I use an altered version of Procreate’s native HB Pencil brush that I’ve named HB Pencil Beefy. It’s available in my 2021 Brush Pack.

For my eraser, I use Alexa Sharpe’s Soft Eraser. It’s available in their Eraser Brush Pack.

I use my brush at pretty consistently set sizes that are based on my standard canvas size, which is 6″ x 9″ 400 dpi or I use a double spread of 12″ x 9″ 400 dpi.

(If you work in pixels that’s 2400x3600 at 400 dpi and 4800x3600 at 400 dpi)

HB Pencil Beefy I use at 4%, 15%, and 50% size, with the brush’s opacity set to either 60% or 15%.

I set the brush to 15% opacity when I want to go in very softly with lots of that pencil texture. I use this when I need to scale back and really rough something out, or if I’m trying to get a sense of volume with some shadows or contours.

With Alexa Sharpe’s Soft Eraser, I use the eraser set at 2%, 10%, and 25% size. I only scale back the opacity on the eraser if I want to take something back to nearly gone, but still want those lines, faint, there as a guideline.

Jumping back to my file setup really quick, I like to work in a digital sketchbook! It’s just a procreate canvas with a paper texture that’s creased down its center, and all the added layers are my pages. This helps me feel less pressured to create something perfect or finished; It gives me the illusion of just noodling in any old sketchbook.

Okay. Back to the pencil. Below, I have a small idea of my process in sketching and drawing. This is not a how-to-draw demo, and it’s definitely not an anatomy demo – it’s just how I approach drawing using this brush. The page below, and the one above, were both done on a 9″x 6″ canvas at 400 dpi.

01.

Loose and light

using brush at 50% size

this brush does have a tilt dynamic, but I’ve never used it

02.

Nastiest phase

building up a little opacity

still only using brush at 50% size

use eraser at 25% size, if at all

03.

start refining

come in with 15% sized brush

at no point do I abandon larger brushwork, it just becomes about more careful and purposeful use

use eraser to hatch and cut back roughs

04.

hello 4% brush my beautiful little boy ♡

hatching in detail

build up opacity, using eraser to bring it back and to carve volume

jump back to larger sizes for larger forms and volumes

fiddle until “finished” 

P.S. the liquify tool is my best friend

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Tier paintings for Patre0n

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See the full piece and its variants over on my patootsie roll

To be taught softness

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Getting on the bus with an art portfolio is soooo humbling

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You can see the full version of this piece (+variants) over on my patrentootie

I like to draw things I don't even really ship. I'm here for the aesthetics. I'm here for the *tropes*. The hero worship? That first little meeting in ishgard? That's kindling.  And if I remember right, this came out of a joking conversation with a friend on how Estinien seems like the type to have a musk k*nk.

I've got nothing against a buff g'raha, but I also enjoy drawing him softer, cushioned by fat over the muscle. I'm still really proud of the squish to his cheek, the tilt of his head against his arm.

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gonna be queuing up a bunch of posts of old art over the next few days - i miss tumblr. hi. hello. hope you’re all safe and well.

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You can see the full version of this and over 20 variants of this piece on my Patrootie

I adore the idea of Nidhogg's aether physically changing Estinien, his anatomy and even biology. So hi, if you're not into monster bits in general, probably don't go peeping through these.

This piece is also the first time I've really figured out how I want to draw the scarring from the eyes of Nidhogg and found a comfortable way of communicating scales in this style.

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My friends and I all decided to draw pinups of our warriors of light.

I think my favorite part of drawing Kolya is remembering I get to keep him compact, that his limbs are short because he's short. Also I love his beefy thighs.