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To Wong Foo Thanks for Everything, Julie Newmar (1995)

Dir. Beeban Kidron

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wow rogue one is really a love letter to the unnamed fighter. no act of help is too small, every deed causes a ripple. luke showed up to blow the death star, and there was the plan to do it–countless of people died to get him that, and luke knows none of them. how many rebel planes get shot down every battle? how many civilians die in explosions? how many died to get the plans to luke? rogue one says you. and you and you and you. every one of you. what will come of it? who knows. something.

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Settings > Dashboard preferences > Show timestamps on posts, reblog, and notes.

Highly recommend you all turn on dates on Tumblr. You can do so in settings. You should not get your breaking news here anyway, but posts from a month ago are getting circulated as current news.

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The dragon approach to self doubt.

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Mr Gaiman, do you have any tips on how to get better at writing?

Write more. Read everything.

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In honor of Luca returning to theaters:

New Luca Art dropped from Kenna Jean Harris (story lead on Luca and director of Ciao Alberto):

“i had a whole sequence in mind of Luca and Alberto reuniting for four summers in a row, culminating in a kiss.”

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where are those startups that are disrupting the glasses industry

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Redditors crashed the website with donations over $25k and 0 wishes left. via /r/MadeMeSmile

Click here and follow to get more daily positivity on your dash!

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everybody’s always on writing prompts like “what if there was a world where everyone had a timer ticking down to their death… but you met someone whose timer said infinity!” or “what if everyone had their cause of death tattooed across their forehead… but you met someone whose forehead said THE CREATURE!” Enough -

enough. stop with the shock value. there is no need to insert THE CREATURE; the benign concept of such a world is horrifying enough. not even in urgency, but just in banal, everyday interaction. imagine you meet someone and their timer says two years. not tomorrow, not urgently soon, but two years. enough to do quite a lot. they could fall in love in that time - could they get engaged? have a baby? you might otherwise get to know them, befriend them, but perhaps you opt not to, make a conscious choice not to invest in your own grief. what balancing act would every individual person have to participate in - I have ten years, is that long enough to be a good mother to children? is that long enough to secure a caretaker for my own mother? my wife will die a few months before me. my newborn’s timer reads nineteen years.

and cause of death. you interview for a job and emblazoned across the healthy, smiling face of the HR lady is MALNUTRITION. your country is prospering, safe, but every person you meet on the street from the babies to the old women read BOMB. BOMB. what kind of havoc would fate wreak on the world? what about the loss of privacy? how would that shape our notions of hope? idk man I think a lot of those ancient poems were right, and the fates are monsters. I’m interested by the framing of these ideas as trite horror tales when the premises themselves are so much more disturbing if simply taken to their logical ends

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“When I first asked my grandma if I could write and publish about her, she gave me an instruction that has stuck with me over the years and I try to always keep it in mind when I write about family. She said, roughly translated from Korean: “you can write what you want, but let us live a little more beautifully the second time.” I took this as permission with a condition that I would fictionalize where necessary, to protect them and myself. The women I write about are both us and not us. Maintaining that fictionalized barrier is important to me.”

— Jihyun Yun, from “you can write what you want, but let us live a little more beautifully the second time": Jihyun Yun in conversation with Nicole Lachat, published Prairie Schooner, March 9, 2023

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look, I know I've talked about this essay (?) before but like,

If you ever needed a good demonstration of the quote "Any sufficiently advanced technology is indistinguishable from magic", have I got an exercise for you.

Somebody made a small article explaining the basics of atomic theory but it's written in Anglish. Anglish is basically a made-up version of English where they remove any elements (words, prefixes, etc) that were originally borrowed from romance languages like french and latin, as well as greek and other foreign loanwords, keeping only those of germanic origin.

What happens is an english which is for the most part intelligible, but since a lot everyday english, and especially the scientific vocabulary, has has heavy latin and greek influence, they have to make up new words from the existing germanic-english vocabulary. For me it kind of reads super viking-ey.

Anyway when you read this article on atomic theory, in Anglish called Uncleftish Beholding, you get this text which kind of reads like a fantasy novel. Like in my mind it feels like it recontextualizes advanced scientific concepts to explain it to a viking audience from ancient times.

Even though you're familiar with the scientific ideas, because it bypasses the normal language we use for these concepts, you get a chance to examine these ideas as if you were a visitor from another civilization - and guess what, it does feel like it's about magic. It has a mythical quality to it, like it feels like a book about magic written during viking times. For me this has the same vibe as reading deep magic lore from a Robert Jordan book.

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wapo really channeling the mcsweenys today

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English added by me :)

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just learned that magnolias are so old that they’re pollinated by beetles because they existed before bees

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tbh shoutout to the over 40s on tumblr, sorry the internet acts like yall belong in the retirement home when ur literally just regular adults with hobbies

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