yuyuyuann

[yuyuyuann]

Hey, random writing tip: Instead of having something be a ridiculously unlikely coincidence, you can make the thing happen due to who this particular character is as a person. Instead of getting stuck on "there's no logical reason to why that would happen", try to bend it into a case of "something like this would never happen to anybody but this specific fucker." Something that makes your reader chuckle and roll their eyes, going "well of course you would."

Why would the timid shy nerd be at a huge sketchy downtown black market bazaar? Well, she's got this beetle colony she's raising that needs a very specific kind of leaf for nest material, and there only place to get it is this one guy at the bazaar that sells that stuff. Why would the most femininely flamboyant guy ever known just happen to have downright encyclopedic knowledge about professional boxing? Well, there was this one time when he was down bad for this guy who was an aspiring professional boxer...

I know it sounds stupidly obvious when written out like this, but when you're up close to your writing, it's hard to see the forest for the trees. Some time ago I finished reading a book, where the whole plot hinges on character A, who is 100% certain that character B is dead, personally getting up and coming down from the top rooms of a castle, to the gates, at 3 am, to come look at some drunk who claims to be this guy who died 17 years ago. Why would A do that, if he's sure that B is dead?

Because he's a Warrior Guy from a culture of Loyalty And Honour, and hearing that someone's got the audacity to go about claiming to be his long-lost brother in battle, there is no other option than to immediately personally go down there to beat the ever-loving shit out of this guy. Who then turns out to actually be character B, after all.

[yuyuyuann]

The biggest secret I discovered about writing, and you can see the quality jump between early Curse Words and late Curse Words/TTOU based almost entirely on this, is that you can just go to the next thing. Very early on I used to be all "ok but we have to properly bridge and pace things, we can't jump from the important classroom scene to the important beach scene" yes you can. If nothing interesting or relevant is happening between those two things you can just say "ten minutes later, at the beach" and keep going. If the bridge between them is boring you, it's also gonna bore the audience, and you don't have to write it. You can jump straight to the next interesting or important part and so long as you don't actually jump over any important parts it's fine. The audience wants to get straight to the next thing too.

[yuyuyuann]

[yuyuyuann]

Pigeon attempts to court falcon

[yuyuyuann]

[yuyuyuann]

The Drowned Halls

[yuyuyuann]

Witcher Ciri

[yuyuyuann]

90% of writers stop "just gaming for a bit to give my brain a break" right before inspiration hits and the story magically writes itself

[yuyuyuann]

WAH!!

twitter/ insta/bluesky/ store

[yuyuyuann]

Hualian pride hanfu 🏳️‍🌈

[yuyuyuann]

Hey, ive been really interested in your book but ive heard a whole lot of chaos that comes from companies taking money from the authors and since I dont know anything for sure, do you have a place where I can buy your book and be sure you receive as much as possible?

The main place to get my book would be from Amazon at the moment. I will look more closely at other options, but as of right now, they're the only ones who will print on demand and take care of basically the whole process for me when someone orders. They aren't much more helpful with selling than traditional publishers, but the main thing they are is *accessible*

If someone finds me a service that's easy to use, easy to access, does all the work like Amazon does, and pays better, I desperately hope they'll let me know because there are eleventy billion publishers out there and they ALL SWEAR to be the best thing for authors on the planet.

Researching this type of thing is extremely time consuming and I don't know if I can trust aggregators to compare and contrast them in an honest way so that I can make the best decision

Because when I choose a new publisher, I would like them to be my publisher for life. I don't want to make this choice again. This has been years, and it's only getting harder and more companies are being scammy and stupid and predatory. At least with Amazon I know what I'm getting

Goodness, I kinda didn't mean to info dump like this, but I need to put this information out into the world because I actually need help with this. Everybody thinks *their* publishing company is the best, but then when I look into them, there are massive problems even getting the book into their system. Or it costs money. Or the quality sucks. Or the wait times suck for customers. Or the pay rate isn't any higher after all the fees

I'm not just writing. I have an entire life to take care of, and this would take many, many, MANY hours to research.

Please, if someone is willing to help????

[yuyuyuann]

Zoom In, Don’t Glaze Over: How to Describe Appearance Without Losing the Plot

You’ve met her before. The girl with “flowing ebony hair,” “emerald eyes,” and “lips like rose petals.” Or him, with “chiseled jawlines,” “stormy gray eyes,” and “shoulders like a Greek statue.”

We don’t know them.

We’ve just met their tropes.

Describing physical appearance is one of the trickiest — and most overdone — parts of character writing. It’s tempting to reach for shorthand: hair color, eye color, maybe a quick body scan. But if we want a reader to see someone — to feel the charge in the air when they enter a room — we need to stop writing mannequins and start writing people.

So let’s get granular. Here’s how to write physical appearance in a way that’s textured, meaningful, and deeply character-driven.

1. Hair: It’s About Story, Texture, and Care

Hair says a lot — not just about genetics, but about choices. Does your character tame it? Let it run wild? Is it dyed, greying, braided, buzzed, or piled on top of her head in a hurry?

Good hair description considers:

Texture (fine, coiled, wiry, limp, soft)

Context (windblown, sweat-damp, scorched by bleach)

Emotion (does she twist it when nervous? Is he ashamed of losing it?)

Flat: “Her long brown hair framed her face.”

Better: “Her ponytail was too tight, the kind that whispered of control issues and caffeine-fueled 4 a.m. library shifts.”

You don’t need to romanticise it. You need to make it feel real.

2. Eyes: Less Color, More Connection

We get it: her eyes are violet. Cool. But that doesn’t tell us much.

Instead of focusing solely on eye color, think about:

What the eyes do (do they dart, linger, harden?)

What others feel under them (seen, judged, safe?)

The surrounding features (dark circles, crow’s feet, smudged mascara)

Flat: “His piercing blue eyes locked on hers.”

Better: “His gaze was the kind that looked through you — like it had already weighed your worth and moved on.”

You’re not describing a passport photo. You’re describing what it feels like to be seen by them.

3. Facial Features: Use Contrast and Texture

Faces are not symmetrical ovals with random features. They’re full of tension, softness, age, emotion, and life.

Things to look for:

Asymmetry and character (a crooked nose, a scar)

Expression patterns (smiling without the eyes, habitual frowns)

Evidence of lifestyle (laugh lines, sun spots, stress acne)

Flat: “She had a delicate face.”

Better: “There was something unfinished about her face — as if her cheekbones hadn’t quite agreed on where to settle, and her mouth always seemed on the verge of disagreement.”

Let the face be a map of experience.

4. Bodies: Movement > Measurement

Forget dress sizes and six packs. Think about how bodies occupy space. How do they move? What are they hiding or showing? How do they wear their clothes — or how do the clothes wear them?

Ask:

What do others notice first? (a presence, a posture, a sound?)

How does their body express emotion? (do they go rigid, fold inwards, puff up?)

Flat: “He was tall and muscular.”

Better: “He had the kind of height that made ceilings nervous — but he moved like he was trying not to take up too much space.”

Describing someone’s body isn’t about cataloguing. It’s about showing how they exist in the world.

5. Let Emotion Tint the Lens

Who’s doing the describing? A lover? An enemy? A tired narrator? The emotional lens will shape what’s noticed and how it’s described.

In love: The chipped tooth becomes charming.

In rivalry: The smirk becomes smug.

In mourning: The face becomes blurred with memory.

Same person. Different lens. Different description.

6. Specificity is Your Superpower

Generic description = generic character. One well-chosen detail creates intimacy. Let us feel the scratch of their scarf, the clink of her earrings, the smudge of ink on their fingertips.

Examples:

“He had a habit of adjusting his collar when he lied — always clockwise, always twice.”

“Her nail polish was always chipped, but never accidentally.”

Make the reader feel like they’re the only one close enough to notice.

Describing appearance isn’t just about what your character looks like. It’s about what their appearance says — about how they move through the world, how others see them, and how they see themselves.

Zoom in on the details that matter. Skip the clichés. Let each description carry weight, story, and emotion. Because you’re not building paper dolls. You’re building people.

[yuyuyuann]

On conservation and survival

[yuyuyuann]

Crack in space by 普通的人

[yuyuyuann]

✎ㅤ. . .ㅤ𝑯𝑬𝑨𝑫𝑪𝑨𝑵𝑶𝑵 𝑸𝑼𝑬𝑺𝑻𝑰𝑶𝑵𝑺.

₊˚⊹ ㅤa collection of character analysis/headcanon questions to learn more about your character and your partners'! writing/headcanon prompts requested by anonymous. feel free to edit these as you see fit.

[ 🖐️ ]ㅤ.ㅤwhat do their hands feel like: soft, calloused, trembling ? [ ☂️ ]ㅤ.ㅤdo they crave touch or fear it ? [ 🎐 ]ㅤ.ㅤdo they have a sound, like a song or voice, that they associate with peace ? [ 🕊️ ]ㅤ.ㅤwhen did they feel the safest ? [ 💤 ]ㅤ.ㅤhow do they sleep ? curled up, sprawled, holding onto something ? [ 🦇 ]ㅤ.ㅤwhat is a fear they never talk about ? [ 🔒 ]ㅤ.ㅤwhat is a secret they’ve sworn never to tell ? [ 🪢 ]ㅤ.ㅤwhen was the last time they broke a promise ? [ 🫳 ]ㅤ.ㅤwho do they feel they owe, but never paid back ? [ 💼 ]ㅤ.ㅤwhat do they always carry with them ? [ 🧨 ]ㅤ.ㅤwhat’s the quickest way to set them off, even if they hide it well ? [ ⛓️ ]ㅤ.ㅤwhat does guilt feel like to them ? [ 💢 ]ㅤ.ㅤwho have they never forgiven and never will ? [ 🩸 ]ㅤ.ㅤis there something or someone that, if lost, would break them ? [ 🌧️ ]ㅤ.ㅤis there a pain they refuse to heal from ? [ 🪞 ]ㅤ.ㅤwhen have they looked at their reflection and hated what they saw ? [ 📿 ]ㅤ.ㅤwhat superstition or ritual do they cling to ? [ 🌊 ]ㅤ.ㅤwhen was the last time they cried ? [ 🐾 ]ㅤ.ㅤdo animals like them instinctively ? [ 🪶 ]ㅤ.ㅤhow do they laugh ? [ 🫀 ]ㅤ.ㅤwho taught them what love is ? did it hurt ? [ 💭 ]ㅤ.ㅤdo they believe they’re worthy of being loved ? [ 🎀 ]ㅤ.ㅤwhat is their main love language ? [ 🔦 ]ㅤ.ㅤwho do they search for ? [ 📜 ]ㅤ.ㅤis there a story they love sharing with others ? [ 🌒 ]ㅤ.ㅤdo they have a dream or goal they have given up on ? [ 🕯️ ]ㅤ.ㅤwhat memory do they replay when they’re alone ? [ 🌪️ ]ㅤ.ㅤwhat’s the one choice they regret (not) making ? [ 🧩 ]ㅤ.ㅤwhat’s a truth about themselves they refuse to admit ? [ 🍻 ]ㅤ.ㅤwhat kind of drunk are they ? [ ✉️ ]ㅤ.ㅤwhat kind of letter would they write but never send ? [ 🗡️ ]ㅤ.ㅤwhat is a scar that they have but never talk about ? [ ��️ ]ㅤ.ㅤdo they have a favourite lie they like to hear ? [ 🪦 ]ㅤ.ㅤwhat would they want on their gravestone but never admit aloud ? [ 🎱 ]ㅤ.ㅤwhat kind of future do they crave, and who’s in it ? [ 🌀 ]ㅤ.ㅤdo they have a recurring dream or nightmare ? [ 🍃 ]ㅤ.ㅤdo they feel like they belong ? [ ⚓ ]ㅤ.ㅤwhat does “home” mean to them ? [ 🧭 ]ㅤ.ㅤwhere would they go if they could disappear tomorrow ?

[yuyuyuann]

Kokabiel painting process

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