Early Accident AU
So Danny becomes Phantom at like age 8 or something right. And everything goes just about similar to canon, including TUE. The only difference is that instead of the meeting being called because Danny cheated on a career aptitude test, it's now because his teacher is just worried about him and is staging a sorta intervention thing.
So anyway, Danny cannot stop the Nasty Burger explosion and ends up going to live with Vlad. Which isn't going well. He's constantly crying and feeling guilty for not stopping the incident. There's also the constant fear that he'll become Dan. Vlad is doing nothing to address any of this. Instead he's showing off his godson to anyone and everyone and bragging about how smart he is. In fact, that's exactly what he does when he gets invited to a Wayne Gala.
The bats take one look at this kid, who's eyes are still red from crying, being dragged around by his guardian and alarm bells immediately start ringing. Especially for Tim who experienced what it was like being dragged around to special events even when he was incredibly ill.
The bats get even more concerned when Vlad pulls his charge into a corner to scold him for looking miserable instead of comforting him. He's telling the kid stuff like only babies are allowed to get away with crying and that if he continues making the man look bad, he'll be punished when they get home.
Danny does his best to suck it up. He tries to push down all the swirling emotions surrounding his powers, the death of all his loved ones, and even the unprocessed trauma of his own death. He ends up going to the bathroom to try to splash some water in his face and calm down.
As he's making his way back to Vlad, he is intercepted by Tim. When this kind stranger sincerely asks him if he's ok, he breaks down. This is the first person to genuinely ask him how he's doing since he's family's death outside of people doing it for the sake of pleasantries.
Now the boy is absolutely ugly crying in front of this whole party of people and Vlad is not pleased to say the least. He tries to snatch Danny up and whisk him away but the bats intervene. Bruce says something about knowing how to console children as Dick ushers Danny into a separate room where Alfred is already waiting with some hot chocolate.
After a while Danny starts to calm down and he goes to wipe his eyes. As he's doing this, his sleeve slips down a little, revealing an arm covered in bandaids. To explain, it hasn't been that long since Danny came to live with Vlad. Couple that with his healing factor being slower due to his emotional state and he has a couple of small wounds still remaining from his fights that have yet to heal.
Of course the bats don't know where those wounds are from. All they know is that there's no way in hell Danny is leaving this manor with Vlad.
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I can't stop thinking about Colin on his travels. Colin, alone, on a journey to 17 different cities, across several countries. Colin on his own.
Colin who writes letter after letter, to his family, to his friends, and barely gets a response back. How long before he understands that they didn't get lost in the mail? How long until he realizes that, just like when he was a boy, no one has the time for him? The space for him? How many letters unanswered before he lets it finally take root and fester in his mind?
He could have died on that tour.
Would they even notice? Would they see when the letters slow until they cease? Would they wonder why? His mum, surely (maybe, possibly, but she has enough on her hands, besides, and he's never been a concern, in need of her assistance, before), but anyone else? Anthony on his honeymoon, Eloise a stormcloud personified, Benedict taking on the familial responsibilities, Fran preparing for the marriage mart and in Bath, regardless. Daphne, his closest sister, a mum running her own estate.
Greg and Hyacinth who enjoy his stories, but are children.
Pen who ignores him. No explanation, no goodbye.
Colin who has no one in his corner. Colin who travels city to city, putting on personas. Will they like me? What about now? Colin who has hardly anything to read from the people he loves. Who do not think of him.
And yet he thinks of them. Brings them back gifts, writes his recollections for them until it hits him that, oh, they don't care. They don't care what he's doing, how he's doing. They didn't want to hear it before, when he was there with them, and they do not want to hear it now, either. Did they even open those envelopes? Did they see them come through the post, just as proof he's alive, and shrug off the contents? Did they look? Once, Colin sends an empty page. No one notices. Easier, then, to send just the outsides. People only ever care about the outsides. Pretty and prim in neat packages, uncaring of what lies beneath. Sea sick on the rocking boats, staring up at stars on the continent, Colin grows aware, but not bitter. Sad, but resigned.
He loves his family, he loves Pen, loves them to grace, loves them to it's okay. It was him, he determines. Too chatty, his letters too long, uninteresting, his passions dull or droll, or else, worse, he's displeased them in some way. Colin who takes refuge in stranger's arms and homes, who dreams and tries to sate his curiosity. Colin who pretends, because anyone, anyone but him would be received better, he's sure of it. Colin who must talk too much, surely, and with no one to listen. Colin who learns to hush.
Yes. Remarkable- as in, I have many remarks about it.
How many times did he go to excitedly write of what he did that week, and stopped himself, knowing it was a waste? How many times did he write and throw into the fire a letter asking Why don't you see me? Why don't you care?
If he didn't make it, how long would it take for anyone to notice? A month? Two? A year? Would they wave it off as his frivolity, denounce him as a flake and fume about the funds? Would they wonder where it was he had lost himself off at?
He cannot fall into that, so, he writes in his journal, instead. Of the ache of it, of how he longs for connection, for understanding, for someone to take him seriously. He keeps it with him, this log of his discontent, of his folly and felicity, of his pitfalls and pains.
If he didn't make it, would they realize all that's left of him is what he sent them, not even a body to bury? Did he look over the side of a bow of a boat and look at the churn of the ocean and think of how many bones it held? Did he tip his face to the sun? How many new scars did he earn? Who did he befriend?
Who did he become?
Somewhere along the line, Colin learned. He learned the real him wasn't wanted.
Somewhere along the line, somewhere between Patmos and Paris, Colin left Colin behind.
And, somewhere along the line, Colin laid face to face with loneliness in his bed, and it wrapped its arms around him.
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Like no, it isn't problematic to like Magneto, and no, most writers actually don't write Magneto with intent of him being a Zionist or based on a Zionist, and no I don't think Magneto is a Zionist in the present day. But it's impossible to separate Claremont's intentions from that era of the character's history, when he EXPLICITLY STATED that he based his characterization of Magneto on Menachem Begin and was inspired to do so while he himself was living in Israel, especially when that particular era was what popularized Magneto as a character and is the most well-known version of the character. You can like a character and examine the problematic aspects of a character's history. And we all know Claremont has shitty politics that he incorporated into his writing all the time, I don't understand why it's beyond the realm of belief that this would also apply to his writing of Magneto...
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