• Day Dress.
Date: 1910-1912
Medium: Blue silk velvet, purple silk taffeta, embroidered blue silk tulle.
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Day Dress
c.1855
England
This type of widely protruding skirt that appeared around the middle of the 19th century came to be known later under the name of the "crinoline style." As can be seen with this dress, large design motifs proved immensely effective on these voluminous skirts. The border pattern here is wood-block printed and repeats every 20.6 cm. Compared to small-scale designs, large patterns require a solid technique to avoid misalignment of the print colors. Considering that this mixed fabric of silk and wool is a material hard to print on, this dress with its bright and cheerful colors is a particularly fine example on how much cloth printing techniques had evolved.
The Kyoto Costume Institute
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1894-1896 Day ensemble by unknown maker
silk, silk netting, silk velvet
(FIDM Museum & Galleries)
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Day dress, 1857, Scotland.
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Blue and red day dress, ca. 1895, French.
By Jean-Philippe Worth.
National Gallery of Victoria.
https://www.ngv.vic.gov.au/explore/collection/work/117074/#
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Walking dress by Madame Laferrière ca. 1893
From the Metropolitan Museum of Art
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1850s
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Promenade du Matin, by Paul Gavarni c. 1830s.
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Mme Chamas, 66 Rue des Petits Champs, Paris
day dress
France, 1890-1892
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US Vogue September 15, 1956
Melissa Weston standing on her Vespa scooter in a gray pleated day dress in Thalspun jersey from Alamac (Orlon and wool). By Nantucket Naturals. Frost Bros. Pumps by Andrew Geller.
Melissa Weston debout sur son scooter Vespa dans une robe de jour à petits plis gris en jersey Thalspun d'Alamac (Orlon et laine). Par Nantucket Naturals. Escarpins Frost Bros. d'Andrew Geller.
Photo Horst P. Horst
vogue archive
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Ensemble
c.1855
American or European
The MET (Accession Number: 1992.31.2a–c)
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ab. 1823-1825 Cotton day dress
(National Museums Liverpool)
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Day and dinner dress, 1930s.
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White Cotton Day Dress, 1904-1908, French.
Victoria and Albert Museum.
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