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TRON Lightcycle Run from GMUNK on Vimeo.

There’s a power, an elegance, and an electric intensity to the  TRON Legacy franchise. The narrative of the TRON world itself integrates the tactile human experience with another realm where data, design, stunning architecture, and mood combine for a thrilling ride through a digital plane.   There’s a personal connection Munky has to the franchise. He spent a year designing the holographic world of the film, contributed to high-level concepts for the video game, and now the key visual and live-action campaign for the Lightcycle Run attraction at Magic Kingdom.

What was exciting for him is to be there along the whole collaborative and evolutionary arc of the TRON world. A new favorite agency Disney Yellow Shoes wrote a very cool script focused on typography and pacing, and brought Munkowitz into the fold to apply his aesthetic to the entire package. This point in the journey, particularly, really got him excited because it was truly the most cathartic and fully fleshed out manifestation of the story at immense scale and physicality; the characters, the environment, and the concept in an immersive experience that culminated in a total thrill ride.

To see the ride at scale and to strategize how to capture it was a fresh challenge. Combining that with the primary focus of telling the human story behind the experience, achieved through the same lens and focus on the stylistic flair of the existing franchise was an absolute treat to work on.

Credit List

Yellow Shoes Creative Group

Creative Director: Monse Valera Art Directors: Connor King, Jesus Diaz Writer: Frankie Ainsworth Producer: Wes Lagattolla Production Editor: Dan Avola Account Managers: Bridget Fitzgibbons, Ashley Lollar Project Managers: Meghan Brown, Megan Reilly Brand Planning: Jessica Rudis, Emily Zimmer Yellow Shoes Leadership: Helen Pak, Sally Conner, Amy Foster, Jim Real, Toby Myers, Brian Mountain, Cory Stone

Production

Director: GMUNK Production Company: JOJX Director Of Photography: Karina Silva Line Producer: Jason Haymond 1st AD: Bernie Casser Second Unit Camera: Scott Jones

Lifestyle Photography: Ben Christensen Additional Photography: Kent Phillips, Steven Diaz, Abigail Nielson

Park Production Support: Wup Fleming, Boxhouse Productions Park Operations: Gus Castellanos, Taylor Langlas

Post Production

Editorial: Union Lead Editor: Jim Haygood Assistant Editors: Brian Leong, Daniel Luna Producer: Joe Ross

Post-Production: JAMM Visual Executive Producer: Asher Edwards Senior Producer: Ashley Greyson Motion Designers: Toros Kose, Peter Hergert Flame Lead: Alex Snookes Flame Artist: Patrick Munoz CG Artist: Patrick Manning Colorist: Adam Scott Color Assist: Carver Moore Production Coordinator: Jon Lazar

Music: Da House Composer: Lucas Mayer

Sound Design & Mix: Skywalker Sound Lead Sound Design & Mixer: Tim Nielson Sound Editor: Andre Zweers Mix Technician: Kristina Morss

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TRON GFX Opening Titles from GMUNK on Vimeo.

For Disney’s “TRON: Legacy,” Bradley Munkowitz, better known as GMUNK, was the lead animated graphics artist. He assembled and led a team of GFX all-stars who conceived, designed and animated approximately 10 minutes of UI sequences and holograms at Digital Domain for director Joseph Kosinski and visual effects supervisor Eric Barba.

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Ukraine on Fire from Global 3 Pictures Inc. on Vimeo.

Official copy from Director and Producer Igor Lopatonok

It the modern world of blurred borders, anything that happens in one place inevitably affects the whole global village. And, of course, the war, taking place in the very heart of Europe, should be of great concern for everybody. How could yesterday’s friends and neighbors get dragged into a raging fraternal war? What forces are behind it? And, finally, what really happened in Ukraine?

“Ukraine on Fire” by Igor Lopatonok reveals the historical premises of the ongoing Ukrainian crisis, it’s current political backstage and it’s dangerous potential for the world.

The speakers of the highest rank - president of Russia Vladimir Putin, ex-president of Ukraine Victor Yanukovych - interviewed by the filmmaker Oliver Stone share their thoughts about the reasons of the conflict and ways to solve it.

The movie delivers its message on a subconscious level, intervening the narrative with symbolic perception of fire in the nation’s history.

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Pantalla CCCB, un mes, un artista. Elisa Martínez & Co from CCCB on Vimeo.

Elisa Martínez&Co. (Palma de Mallorca, 1981), va cursar estudis de direcció cinematogràfica en el CECC (Barcelona) i s’ha graduat a la Facultat de Belles Arts de la UB, en la seva trajectòria professional s’ha especialitzat en tasques de disseny, construcció escenogràfica i atrezzo teatral, feina que desenvolupa en paral·lel als seus projectes artístics personals en suport videogràfic, instal·lacions audiovisuals i escultura.

Amb un llenguatge personal i sincer ens transmet les seves reflexions mes intimes sobre la seva pròpia vida, qüestiona conceptes preestablerts sobre l’art i la cultura i s’interroga sobre l’espai personal a la societat actual. La major part de les seves obres son en primera persona, utilitza el seu cos com una eina expressiva mes i captura el moment sense cap filtre, de forma espontània.

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Asier ETA biok (Asier Y yo) from Doxa Producciones on Vimeo.

93’ | Color | V.O. Castellano, Euskera | HD | DOLBY 5.1 | Subtítulos: ES, EN, EUS, FR, IT

Productora: Doxa Producciones Coproductora financiera: Cineática Films Guión y Dirección: Amaia Merino, Aitor Merino Producción España: Ainhoa Andraka Producción Ecuador: Amaia Merino Edición: Amaia Merino, Ainhoa Andraka Música: Alex Alvear, Alicia Alemán Distribución: Agencia Freak, Doxa Producciones

Asier y yo crecimos juntos en las conflictivas calles del País Vasco. Después, tomamos caminos distintos. Un día, Asier desapareció; se había integrado en ETA. ¿Cómo hacer entender qué pudo llevarle a tomar una decisión que a mí mismo me costaba asimilar?

Premio Irizar en el Festival Internacional de Cine de San Sebastián, estrenada en salas en Ecuador, Francia, Italia y España, donde superó los 30.000 espectadores. Programada en festivales como BAFICI, DocsDF, o DOK.fest München, ha sido traducida a ocho idiomas y vista en más de 20 países. Su estreno en televisión (ETB1) tuvo más de 150.000 espectadores.

Asier and I grew up in the Basque Country. One day he disappeared and I found out he had joined ETA. How could I explain the reasons that led Asier to make a decision, which even I had trouble grasping?

Irizar Award winner at the San Sebastian International Film Festival and screened in Ecuadorian, French and Spanish cinemas, exceeding 30.000 spectators only in Spain. It has also been programmed in festivals such as BAFICI, DocsDF, o DOK.fest München and has been translated into eight languages and seen in more than 20 countries. In addition, its television release on the Basque Public Television (ETB1) had more than 150.000 spectators.

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Battle of Grunwald in 3D Trailer from Platige Image on Vimeo.

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PATHS OF HATE Long Trailer from Platige Image on Vimeo.

Short animation directed by Damian Nenow, produced by Platige Image.

DIRECTOR Damian Nenow SCRIPT Damian Nenow EXECUTIVE PRODUCERS Piotr Sikora, Jarosław Sawko, Tomek Bagiński PRODUCER Marcin Kobylecki PRODUCTION MANAGER Marta Staniszewska 3D GRAPHICS Jarosław Handrysik, Jakub Jabłoński, Rafał Kidziński, Bartłomiej Kik, Bartosz Opatowiecki, Kamil Pohl, Krzysztof Rusinek, Łukasz Skurczyńśki, Marcin Stępień, Piotr Suchodolski, Dominik Wawrzyniak EDITOR Damian Nenow IT Tomasz Kruszona, Piotr Getka, Łukasz Olewniczak MUSIC Jarosław Wójcik SOUND Genetix Studio, Maciej Tęgi SOUND PRODUCER Jarosław Wójcik MUSIC PERFORMED BY Jarosław Wójcik, Paweł Piechura, Ramez Nayyar VOCAL Radosław Zander MUSIC MIX Rafał Smoleń SOUND RECORDING IN DOLBY DIGITAL EX Tomasz Dukszta, C.A.S., Maciej Tęgi, Jarosław Wójcik MASTERING DOLBY Tomasz Dukszta, C.A.S. HEAD OF STUDIO 1 WFDiF Wojciech Hamer TECHNICAL SERVICE STUDIO 1 WFDiF Mieczysław Karwicki, Jan Kozłowski, Leszek Micewski HEAD OF FILM LABORATORY WFDiF Małgorzata Rogulska PRINT LABORATORY WFDiF Jarosław Migała, Jacek Cieśliński

CO-FINANCED BY Polski Instytut Sztuki Filmowej

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In Frame (Official Video) 2019 from Kristina Russu on Vimeo.

Directed by Kristina Russu Starring: Kristina Russu Cinematographer / Editor: Octavian Visterniceanu Music: Michael Jackson - Beat It Country: Moldova

Copyright © 2019

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The Sound of Drowning from Renee Mao on Vimeo.

THE SOUND OF DROWNING Poem Written and Performed by Amyra León Featuring Amyra León and Queen G.C.M.H. Directed by Renee Mao Cinematography by Alex Levin

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Untitled from haritz aldekoa on Vimeo.

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BackTrack Reborn - Kali Linux Teaser from Offensive Security on Vimeo.

BackTrack reborn - Kali Linux Promo movie by Offensive Security. offensive-security.com

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Transient from Dustin Farrell (www.dfvc.com) on Vimeo.

"Transient" [tran-shuh nt, -zhuh nt, -zee-uh nt] Adjective. not lasting, enduring, or permanent; lasting only a short time; existing briefly. Philosophy. person or thing that is transient, especially a temporary guest, boarder, laborer, or the like. Electricity. a sudden pulse of voltage or current.

All footage available to license at 4K resolution. Contact: dustin@dfvc.com

"Transient" is a compilation of the best shots from my storm chasing adventures of summer 2017. Most of the lightning footage was captured in uncompressed raw at 1000 frames per second with our Phantom Flex4K. This summer I chased for over 30 days and traveled 20K miles. My respect and admiration for storm chasers became even stronger this year. This is one of the most difficult projects I have ever attempted in my career. On several occasions I found myself uncomfortable either mentally or physically. Chasing storms with a Phantom Flex4K is stressful even when things are going well. There were at least 10 days where I returned home with my tail between my legs and nothing to show after a ten hour chase and 500 miles. There were also a couple of days that I drove home with an ear to ear smile that lasted for hours. Most of the lightning was captured in my home state of Arizona. I also spent a week in the Great Plains chasing with Chad Cowan. It was during this time that I captured a time-lapse of the massive super-cell shown twice in Transient. For some reason that damn super-cell refused to spit out a proper bolt.

Lightning is like a snowflake. Every bolt is different. I learned that lightning varies greatly in speed. There are some incredible looking bolts that I captured that didn't make the cut because even at 1000fps they only lasted for one frame during playback. I also captured some lightning that appear computer generated it lasted so long on the screen.

Technical info: The Phantom Flex4K is a camera that must be post triggered while shooting high speed. This works out well for capturing lightning because the camera is always recording and rewriting to internal ram. As soon as a bolt appears in my view finder I trigger the camera to save what has been stored in the ram. Shooting at high frame rates requires a lot of light. Therefore, I mostly used my Zeiss Otus 28, 55, and 85mm lenses wide open at f1.4. In all, I captured 10TB of data during this production.

Special thanks to Chad Cowan for many of the time-lapse shots in the video and to Mike Olbinski for the storm chasing advice and guidance.

Music licensed from Audiomachine

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52Hz Breakdown from Cornelius Dämmrich on Vimeo.

A brief breakdown of the 52Hz series.

you can find it here: zomax.net/gallery/52hz/

Thanks to Christian Behrendt (christian-behrendt.com/ vimeo.com/user2697391) for helping me render a few frames on his machine. Also thanks to Raphael Rau ( vimeo.com/silverwing ) for general support.

Technical Background: The 52hz series was rendered on two Nvidia GTX TITAN X, the 3D segment of the breakdown was rendered on two Nvidia GTX TITAN X and one GTX 980TI.

Music: Nine Inch Nails - Another Version of the Truth

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Portfolio: zomax.net/ Facebook: facebook.com/theartofcorneliusdaemmrich/

Other Networks: behance.net/eimer artstation.com/artist/zomtech

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52Hz Breakdown from Cornelius Dämmrich on Vimeo.

A brief breakdown of the 52Hz series.

you can find it here: zomax.net/gallery/52hz/

Thanks to Christian Behrendt (christian-behrendt.com/ vimeo.com/user2697391) for helping me render a few frames on his machine. Also thanks to Raphael Rau ( vimeo.com/silverwing ) for general support.

Technical Background: The 52hz series was rendered on two Nvidia GTX TITAN X, the 3D segment of the breakdown was rendered on two Nvidia GTX TITAN X and one GTX 980TI.

Music: Nine Inch Nails - Another Version of the Truth

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Portfolio: zomax.net/ Facebook: facebook.com/theartofcorneliusdaemmrich/

Other Networks: behance.net/eimer artstation.com/artist/zomtech

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GOOD BUSINESS (Sci-Fi Short) 2017 from Ray Sullivan on Vimeo.

Humanity makes a deal with a new client.

-

A RAY SULLIVAN FILM

BASED ON THE COMIC "GOOD BUSINESS" BY SIMON ROY

A MONOLITH PICTURES PRODUCTION

Copyright © 2017 Simon Roy. All rights reserved.

GOOD BUSINESS, its logo and all character likenesses are trademarks of Simon Roy.

Any public exhibition, transmission and/or distribution of this film online or through physical media is forbidden without the expressed written permission of MONOLITH PICTURES [IE]

monolith.ie

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G Active by Gatorade from UNIT9 on Vimeo.

Director: Cole Paviour The first-ever human figure made from 100% liquid. Animated in mid air, without CGI.

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Giorgio from Nicolo Bianchino on Vimeo.

An homage to the great Giorgio Moroder. The film samples a piece of audio from Daft Punk’s Random Access Memories where Giorgio recounts the discovery of his now infamous synthesizer sound.

Direction/Design/Animation: Nicolo Bianchino Music: Daft Punk - Giorgio by Moroder Additional Sound Design: Ambrose Yu