75thchapel

[75thchapel]

“Perhaps the saddest thing of all, Is that I think of you all the time, I think about your face, and your smile, I think about how your hair has gotten longer now, and how it would feel to run my fingers through it, I think about how nice it would have been, to meet your friends, and see your room, and what it would have been like to see you when you just woke up. I think about the future we could have had, and the dreams that never came to be, But most of all, I think about how you don’t think about me at all, not even a little.”

—

But that’s okay, I’m learning to be okay with it

Excerpt from a book I’ll never write, Perhaps the Saddest Thing

[75thchapel]

RGB|CMYK Kinetic from ART+COM on Vimeo.

RGB|CMY Kinetic is a poetic experience of colour, movement and sound. Simultaneously a suspended sculpture and a choreography of light and music, it has roots in two twentieth-century avant-garde traditions: kinetic art and light art. The inspiration for the work stems from the nature of light, particularly from the duality of additive and subtractive colours.

Five flat, disc-shaped mirrors move through space, seemingly floating, illuminated by lights in the three primary colours, red, green and blue (RGB). The discs reflect the light and cast coloured shadows onto the screen on the floor. Where the RGB colours combine, a circle of white light is produced on the floor. This set-up provides the basis for a poetic choreography and the immersive, spatial experience of colourful, synchronised lights and shadows moving in unison with the computative and apparently weightless motion of the discs.

The coloured ellipses on the ground are generated by the three primary colours through addition and subtraction. The mirror discs cast shadows behind them on the ground, and in these shadows the primary-coloured light subtracts into cyan, magenta and yellow (CMY). In front, the discs reflect the RGB light as individual colours onto the ground.

This choreography is complemented by a musical score that unfolds in dialogue with the discs’ movements. The three-part sound composition for RGB|CMY Kinetic was made by Icelandic musician, Ólafur Arnalds. The first part of the composition is based on the movements of the mirror discs: the varying heights of the discs in space modulate the five digital instruments. The following two sections of the composition interpret the computatively designed choreography more freely.

The work draws on earlier kinetic sculptures and reflective kinematronics by ART+COM Studios, and, at the same time, explores the poetic potential of a minimal, yet large-scale, mechatronic installation.

The installation RGB|CMY Kinetic was commissioned by Sónar and the Sorigué Foundation and premiered at SónarPLANTA Barcelona in 2015. Expanded by the dimension of black (the ‘K’ in CMYK stands for key=mask=black), RGB|CMYK Kinetic is a new work produced for the opening exhibition at the Asian Art Center in Gwangju, South Korea. The installations were manufactured and installed by MKT.

[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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[75thchapel]

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