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Little Fucks

i drew the lords in black (and ted) as that little uwu fuck and the server went crazy over them so I decided to share them here too LMAO

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Sfth characters I like \o/

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This was originally meant to be a drawing for the longform „She came from beyond“ but I‘ll leave it at that because I found the expression so funny-

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Sorry About My Nan !

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‎ㅤㅤDid it hurt when you fell from Heaven?

Felt like sketching Angel digitally in between work ^^; No reference for this one, but I've been desperately trying to learn how to draw her in a satisfying way ever since the longform came out. This one's pretty nice so I'm posting it!! ANGELLLLLLLL I'm so normal about her!!!! More yapping below

Yeah uh, proper drawing another time. I wanna join in on the picnic redraws but drawing this woman feels like wrestling God sometimes, so who knows when that's gonna happen? But I know I wanna draw sth between them and use a quote from a CERTAIN song in the description, so it definitely has to happen.

Oh yeah, this outfit is NOT final. It's cute and simple to draw (I also usually add a boater hat) but I think Angel would honestly go for something a bit more masculine. She herself is pretty feminine, but I imagine her wearing a suit when she's um misgendered, because otherwise that would make way less sense... So I think her fashion sense is at least more mixed. Plus maybe she'd feel taken more seriously in masc suits in a business setting? I'm gonna stop talking. Might just be my simple genderfucky heart.

also this post will look 10 times less cool to everyone else cuz I'm using the Vampire tumblr theme and it's really aesthetically pleasing here...

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The audience awwing at everything Tom does here makes me so happy

Look at him <3 my boy Jeffery

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at the stag do. straight up “losing it”. and by “it”, haha, well. let’s justr say. My friendship

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Totally didn’t just steal the background of my last drawing of those two, not at ALL.

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Frankie and Donnie

They are both alive and nothing bad ever happens to them :)

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I made a helpful visual

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This is how I plan character designs btw

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This became a very very very long post because I have apparently subconsciously analyzed Jim's behavior and the moment I started writing everything just came out, so - enjoy, I guess.

I kinda love the fact that they never actually say "sorry about my nan" in sorry about my nan. It's not the sentence that starts the longform like in omgitaj. Instead of being said, it hovers above the events, it exists only in the general vibes.

Because Jim should have apologized. He should have said "sorry about my nan". But he didn't. And I think part of the reason is the fact that he very clearly, throughout the whole longform, trusts Ethel and obeys her. He's the one who made Jamie go through all of this, he's the one who made him stay at the stag and go through the tests. Every time something weird and disturbing happened he said that it's probably part of the plan, that this is probably how it's supposed to go, that the farmhand seemed so happy so they should just continue and trust the process.

Jim trusted the process. He was willing to kill his friend with a sword for "the process", without even being instructed to do so. And poor Jamie just wanted to be there for his best friend, he wanted to show him that he cares, he wanted to stay with Jim when everyone else is leaving him. He tried to warn Jim, so many times, that whatever's happening here is wrong. He tried to convince Jim to send Ethel to an eldery home or to prison.

But Jim didn't listen. Maybe Ethel was controlling him. Or maybe he was in denial, maybe he was trying to convince himself that Ethel is completely fine and normal. Personally my headcanon is that Jim has lost all or some of his other family members, quite recently before canon, which is why he says he and Ethel got very close "recently" and why he is so determined to trust her and tend to her. That would also explain why he needs the constant confirmation that Jamie is still his best friend - he needs to know that there are still people who love him. So especially after whatever horrible thing happened at the stag (that canonically made a lot of people "cross" with Jim), he couldn't allow himself to accept the fact that something is deeply wrong with Ethel.

The only people who care about Jim in the world are Jamie, Ethel and Julie/Lucy. He is in denial about Ethel being insane and about Lucy not being for him, because he desperately needs to know that he deserves love. But both his denial about Lucy and his denial about Ethel distance him from Jamie - who is loyal and follows him and helps him even though he barely gets any recognition for being such a supportive best friend.

TLDR - Jamie is a wonderful human being who does everything to help his best friend, but that only throws him into horrible situations such as the tests in that weird alternate universe, all because Jim is desperately in need of therapy.

Thank you for reading all the way to the end because this post is literally just my unedited flow of thought lmao

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I actually love Tom’s cabaret emcee so much like I don’t know I’ve just been thinking about his guy ever since i finshed watching it, he’s just such a classic Tom horror character (*cough* locomotion)

And also I’ve been struck with inspiration, y’know how the lights are pretty much off the entire time except for when the spotlights focus on a guest? What if he only moved when they’re off? (yes kinda like the weeping angels shhhh)

imagine somehow, against your will, you become a guest on this show and the only source of light in building is the spotlight being shone on you, the lights blink and suddenly this strange emcee fucker is in your face inhumanly fast

anywayssss im so looking forward to bingeing a bunch of fanfic’s who wants to discuss more weird concepts for this guy in the comments with me lol?

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in your post about sorry about my nan you mentioned a theory about how all the shows link together

my friend and i have been amateurly finding silly links between shows so i’d love to hear your theory ❤️❤️❤️

(feel free to ramble)

Ohmygoshhhh, okayokayokay, this will be a very ramble-y post so RAGH

This is my theory/headcanon about how the Astral Plane could be the thing that links [at least some of the] longforms together, especially the supernatural themed ones.

But first, I want to point out that magic has always existed in the SFTH-verse. This is seen in the existence of witches; Old Lady Margaery, the witches in Moist & Magical, The Dark Moons of Slough and for the sake of this theory I'm going to say that Miss Twiliger (Green Leaves on a Summer's Day) is also a witch.

There are also two types of witch;

"immortal" witches - however they can be killed (OLM)

What I call "generational" witches - witches whose powers get passed down from generation to generation (Moist & Magical)

Miss Twiliger is both. She's lived a very long time (but this is mostly because of her feeding on youth), and some of her abilities passed down to her son.

Flaschem Naschem is also an example of magic that has existed for a long time - Marigolds, Bluebells and Hugh is set in the 1870s. Maybe Margaery, or another witch, created the Bluebell King?

So, yes, magic has always existed in the SFTH-verse, but I don't believe that magic can just be created, it needs to come from somewhere;

The Astral Plane - the place where spirits rest. Where the supernatural is the natural.

The witches have some sort of connection to the Astral Plane, giving them their powers. And for the longest time, only biologically human females could access the Plane. That is, until Jasper was given his grandmother's abilities.

For the longest time, the supernatural was kept within the confines of the Astral Plane, only the witches being able to access the smallest fraction of the Plane. Only beings made of magic are able to see into it, but even then, they can only do so through death (The Grape Depression).

That is until the wall that separated the Astral Plane and the Human Plane was broken.

The Xavier family (The Leftenmost Window), following my definition, are technically witches, and generational ones at that. They, out of everyone I've mentioned so far, have the strongest connection to the Astral Plane so far. It was their story where the Astral Plane was introduced. The Xaviers physically went into it, we saw it happen once, but we know that the mother had gone into the Astral Plane at least once before - at the end of the Boer War.

This caused the wall between Planes to begin to fracture, and for it to further break when both Samantha and her mother went into the Astral Plane. This therefore caused holes in reality to form, allowing the supernatural to creep into the Human Plane, and the non-connected to see (and sometimes enter) the Astral Plane.

Holes can be torn when a pilot goes too fast, and causes him to be stuck in the Astral Plane (The Pilot's Final Flight). Maybe a haberdasher sees the ghost of his old bosses daughter (The Meringue Haberdashery). Maybe a young boy discovers a hole in his wall leading to one of the Astral Plane's most sinister inhabitants (Strange Noises From The Hole In The Wall). Maybe the Astral Plane also serves as a prison for the most devious of phantoms (The Phantom of Hornchurch). Maybe the Astral Plane was the home of a little girl of extraordinary powers (She Came From Beyond). Two friends forced to trial their friendship in some sort of twisted performance on a stage where death isn't permanent (Sorry About My Nan).

The Astral Plane could also have different names; The Beyond, Hell, maybe even The Vault.

Overtime, the inhabitants of the Human Realm learn to control the Astral Plane, even without being connected to it. Mary invented time [astral] penetration (Murders in Space). An aspiring TV presenter could have gotten his hands on this technology - going back in time to a time where television was first taking off, making it easier to become a host (Beetroots & Murder), maybe experimenting with it more and going forward in time a little, and continuing to be a competition host (Burglary & Bobsledding), maybe he accidentally travelled to a different timeline, where the Xaviers never intervened with the first world war, and found himself in Germany, 1916 (Ballet on the Battlefield). Maybe André Beetroot is connected to the Astral Plane more than we know.

Okay, I want to go back to the witches now, I couldn't find a suitable place to out this bit so I'm putting it here. A lot of people headcanon that the football family in The Neighbour's Under The Bed are related to the Xaviers. But I raise you this, what if they are related to Jasper (And Mr. Rumple (Priscilla's Final Petal))? I already said that Jasper was the one to break the mould and allow biologically male humans to also be connected to the Astral Plane. And, as I said, Jasper is a generational witch, his powers gets passed down to his ancestors - but what if it weakens as generations pass? What if Rumple caused their bloodlines connection to dim when he banished Annabelle?

Anyway, TLDR; everything is connected through the Astral Plane, the Xaviers are witches and accidentally caused all the horrors™, all of SFTH's horrors™ are originally from the Astral Plane and André Beetroot is our favourite camp time traveller.

Thank you for reading if you did and let me know if you have any questions :)

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I love the rich gays

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post it note doodles from the most recent longform cause it's honestly one of my all time favourites I think

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OH MACNACROSS NATION WE ARE FED