abdel-hamidd

[abdel-hamidd]

Chika Osaka (Japanese, 1984) - I Don't Want to See Anymore (2008)

[abdel-hamidd]

[abdel-hamidd]

Behind the scenes of Wong Kar Wai's In The Mood For Love (2000).

Taken in Angkor Wat, Cambodia, by by Man Lim Chung (文念中), the film's art director.

[abdel-hamidd]

source

Haverst on Instagram

[abdel-hamidd]

Anas’ last message to the world

[abdel-hamidd]

[abdel-hamidd]

Absolutely fucking maddening seeing reporters from Gaza share pictures of malnourished dying children and having to add "no prior medical complications" to the caption, in hopes that it won't be dismissed this time. Fuck this garbage world that dehumanised Palestinians so much to the point that they have to rationalise their literal genocide to the depraved onlookers.

[abdel-hamidd]

poem by gazan poet nadine murtaja—(nadine.with.dr on instagram) shared on ig by majazz project

[abdel-hamidd]

Fun fact: the word 'umbrella' in arabic is 'shamsia' which is derived from the word for sun 'shams'

[abdel-hamidd]

Natsume Tomomichi: Bar Nakagawa (2004) Location: Tokyo, Japan

[abdel-hamidd]

Le Maroc que j’aime, par Marcel Blistene ; photographie par Louis-Yves Loirat ; preface par Jean Orieux. Editions Sun, Paris, 1977.

[abdel-hamidd]

One of my favorite cross-cultural practices, women with facial tattooing/markings

Featured cultures from left to right: Saudi Arabia (Bedouin), Palestinian, Fulani (Wodaabe), Egypt (Sinai Bedouin), Imazighen (Kel Tamasheq), Kalash, Myanmar (Chin state tribes), Alaska (Iñupiat)

[abdel-hamidd]

"Two centuries ago, a former European colony decided to catch up with Europe. It succeeded so well that the United States of America became a monster, in which the taints, the sickness and the inhumanity of Europe have grown to appalling dimensions."

-Frantz Fanon

[abdel-hamidd]

Kent Andreasen

[abdel-hamidd]

/ Mila Kucher

“Mirror, mirror, here I stand. Who is the fairest in the land?”

Wilhelm Grimm, Grimm’s Fairy Tales, 1812

[abdel-hamidd]

views from my home

[abdel-hamidd]

Fairuz with Ziad Rahbani, early 1980s [«The Brooklyn Rail». Photo courtesy of WeWantSounds]