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FUCK A GRAMMY
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I want you to stay even though you don’t want me.
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With After Hours I got to actually sit back and listen to what I was making. Starboy was an extension of Beauty Behind The Madness and I jumped in right away and it was more about individual songs and in the midst of that I didn’t really care about making an actual body of work. But what I do best are albums. I’m thankful for the success of Starboy, but I needed to get back to my roots of story telling with After Hours. — THE WEEKND for KING KONG GARÇON
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My collaborators on the album are the usual suspects. Started writing the sonic concept with Daheala then I brought Illangelo on board and he took it to another level. He’s a magician. I got to collaborate with Max Martin who I’ve become very close with and he understands that I want to continuously shift pop music. Metro Boomin plays a large role on the entire album as well. Oneohtrix Point Never is sprinkled throughout along with some Kevin Parker vibes. — THE WEEKND for KING KONG GARÇON
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ZAINA MIUCCIA
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heartless
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UNTIL I BLEED OUT MUSIC VIDEO OUT NOW || credit: kinxokane
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THE WEEKND for VARIETY
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On the surface it would seem my songs are about love, drugs and sex but I always tell a story in my albums and I am telling a very specific story in After Hours. — THE WEEKND for KING KONG GARÇON
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But I wanted to go to Vegas and be this guy again, the “Heartless” guy, the drug monster, the person who hates God and is losing his f—ing religion and hating what he looks like when he looks in the mirror so he keeps getting high, and hating to be sober because “I feel the most lonely when I’m coming down” — that’s who this song is. — THE WEEKND for VARIETY
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in your eyes
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