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Have we not suffered enough

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Safety inspection in the Mines of Moria.

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when i was little and i went to church people would talk about “fearing god.” they would use ‘’fear’ to describe like a way of respecting him while understanding his power and i never knew what that  meant until i met a fucking horse 

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In retrospect, one thing I kinda like in ATLA is how Zuko never tells the gaang how he got his scar.

It would have been cool to see their reactions to Zuko's story and see how their perspective on Zuko changed. And I have no doubt that he tells them about it at some point. But this way, it doesn't come off as emotional blackmail, with him trying to paint his actions as 'Yes, I hunted you across the world, but I actually had a really good reason."

If he did, he might have had a better chance of joining the Gaang, but he doesn't. In traditional Zuko fashion, he takes the most challenging route possible.

Zuko takes full accountability for his actions, even though they came from a place where he felt he had no choice. Because at the end of the day, he realized that even though his father put him on his avatar's path, he was the one who zealously attacked them at every opportunity. He isn't letting himself off the hook for anything.

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im not involved in the poll dramas but can i just say. three years ago dickroy was in the literal gutters and now look at us. pissing people off and winning polls that should’ve been impossible. what a time to be alive

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I feel like politicians' insults about each other have really gone down hill. These days it's all "moron" and "loser", so childish. Think what you will of Paul Keating, but he gave us such gems as "he's a shiver waiting for a spine", "debating him is like being flogged with warm lettuce", "he's like a lizard on a rock: alive but looking dead", "he's all tip and no iceberg".

Where's the creativity these days?!

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another sidnate love fest on SC ("he could be 50 and i'd still slide over" - said by man who fucked that old man) (plus he loves mitchy SO MUCH and wants to do a timmies commercial with him, sid and marchy causing Trouble)

Q: I was actually gonna ask you, now that you’re the reigning MVP, you used to have to go over to Sid’s gym all summer long. It was the older one, you spent all this money for the new upgraded one. Now that you’re the MVP does he have to come train with you? How does that work?

A: No, no, it doesn’t work like that *laughs* (You’re still getting bullied?) Oh yeah. Still going to his gym. All good. He’s 20 years in the league, so… Yeah. I train with Batheson so I make him come to my gym. He makes me feel better about myself, so… that’s what I do.

Q: What did you say to Sid when he took 8.7, did you know that was coming?

A: Yeah, I mean *laughs* I remember, like, in July I was like, man, you’re not gonna sing for 8.7. Like c’mon. He’s like, ah, I don’t know, we’ll see. It’s so cool though, the legacy he’s leaving. How much money is left on the table and his desire to still win. He’s still taking less to try and get somebody else this year and next year.

Q: As somebody who’s always looked up to him, he’s 37 now, he’s still doing it. That’s gotta not only amaze you but also kinda inspire you a little bit. Does that surprise you that he’s still doing it or not at all, knowing him?

A: Man, you should see this guy in the summer. My workouts are like a joke. The recovery summers I do, and he is just grinding. He just grinds. He loves it, I think. I think it’s also awesome, not that he wouldn’t be motivated having this Four Nations thing, and then the Olympics. So no matter what happens, he’s got two things to look forward to and be dialled in for and I think being the captain of Canada, I can’t imagine the pressure to be at your best. He’s ready. He looks amazing, All the guys on the ice, it’s amazing he’s 37. He doesn’t look 37.  (Because he doesn’t have kids!) *laughs* Must be the key.

Q: Did you actually have a cereal released in 2021 called MacKinnon Crunch?

A: I did. Frosted flakes. I picked the flavour though, I liked that. (Was that right before you got your deal with Tim Hortons, became a server at their restaurant?) That was 2015. (Do they have you do that same thing every summer?) We haven’t done that since then. We’ve always wanted to do one where we get Marchy in there just because we’re Nova Scotians, and he’s being a rat and messing up people’s orders, and we gotta like sit him down and tell him what to do. They haven’t done that yet. Marchy needs to be nicer on the ice to be more marketable.

Q: Would that be your dream line for the Four Nations? Yourself, Sid and Marchand?

A: That would be cool. (You’d play the wing?) Oh yeah. Yeah, I’m ready for the wing. Definitely. McDavid, Sid, one-two punch. And then everyone kinda figures it out. (In a room like that you’d essentially delegate to McDavid?) You’re not putting McDavid on the wing, that’s crazy! I don’t mind right wing, I’ve played wing, I’m comfortable there and I don’t know if those two have ever played wing. I’m sure they could easily figure it out. They’re two of the smartest players ever. But I think to have those two guys a one-two punch and then if I’m third line centre that’s cool, if I’m playing on McDavid’s right.

Should I tell Sid to go to the wing, do you think? (“I’ve been working at your gym all these years. I’m the Ted Lindsay winner and the MVP. I gotta get something out of this relationship.”) Yeah, I think he could be 50 and I’d still slide over. No problem. Being on a Nova Scotia line it would be really cool. I think we’d work well together too. The way Marchy plays he’s just gonna muck, forecheck, and then Sid’s Sid, and I can try to push the pace.

Q: You said you went to Europe this summer…

A: It’s just relaxing. Just get off the grid. I was definitely tempted to go to Worlds last year. Sid was bugging me and Schenner bout it. (Saying what, if you go, I’ll go?) Yeah. So we were all gonna go, but then I was just like man, I just played 105 games, just lost to Dallas. At this point I feel like I’m all in or it’s hard to go over there and like (Skate around and giggle.) It’s just tough.

Q: You skated in the summer with Marner, how’s he looking?

A: He looks awesome. You hear stuff that’s always negative, a lot of the time it’s negative and then you get on the ice with him and you’re like, how can anyone ever be negative about this? That’s why I think for me, I just admire how good he is because people chirp him a lot. Up in Vail he was sick. Him and McDavid were flying around together. It was so fun to watch.

Also, beloved health freak <3

I used to like going to Popeye’s Supplements as a kid with my dad and looking at protein powder and stuff. I don’t know. I’m just into it.

Q: We heard so much about you policing the food in the locker room. Are you still doing that? Are you still going on there, like no sugars, no sweets. Whit said you strangled Lehkonen because he ate a Snickers bar or something. Is that true?

A: Nawww, stop it. That’s not true *laughs* I’m trying to mellow a little bit for sure. I definitely see some shit and I get mad but I try to keep it to myself. I don’t know, you eat what you want but I just think when you’re at the rink, we’re the NHL, you’re a pro athlete, I think it should be healthy and good food. I just think the least you can do as a pro athlete is be in good shape.

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so many things try to emulate the Beatrice/Benedick relationship and so few of them get it right bc they’re like ‘oh it’s about the banter’ and YES, obviously, but if you make it JUST about the banter you’re going to fail! it’s about the RESPECT!!! it’s about the scene after Hero’s shaming where Benedick drops the banter entirely and sits there with Beatrice as she rages and weeps and then chooses to side with HER instead of the boy’s club that he’s been hanging out with for the entire play, both because he loves her and because she’s RIGHT!

like, it’s not some impulsive thing to make her like him, and it’s not just talk; he asks her if she’s sure and then he agrees and then he remains cold and determined when he meets Claudio and Don Pedro and they try to get him to joke around with them like old times.  i think that’s one of the things that gets me the most; that there’s a scene that you half-expect to fall into that same sort of joking, where Claudio and Don Pedro are specifically like, “Huh, we inexplicably feel kind of sad after ruining this woman’s life and reputation, I bet Benedick will cheer us up!” and he just. utterly refuses to engage. and it’s so powerful and it’s such a tonal shift and such a strong indication of just how much he loves and values Beatrice and!! anything that gets the banter but doesn’t get that completely fails to understand their relationship! THB!!

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By using antibodies from a human donor with a self-induced hyper-immunity to snake venom, scientists have developed the most broadly effective antivenom to date, which is protective against the likes of the black mamba, king cobra, and tiger snakes in mouse trials. Described in the journal Cell, the antivenom combines protective antibodies and a small molecule inhibitor and opens a path toward a universal antiserum.

Continue Reading.

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The Anne Shirley Opening dropped and Naoko Yamada has delivered yet another masterpiece.

Love everything about it, be it the song or the animation itself. It captures her personality so well, as well as the nature of the show. Just the way they captured her body language is perfect.

Some really strong openings this anime spring season, but this is a top contender.

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Rewatching Treasure Planet (great movie, watch it) made realize something about the way that stories convey information to their audiences. There's been a lot of discussion on the overuse of plot twists and how many stories prioritise surprising their audience over telling decent stories. However, if you instead reveal the "twist" to the audience before it becomes known to the characters, you can build tension and stakes. Treasure Planet comes right out and tells you that Long John Silver is the main villain almost immediately after his introduction (And even before he's introduced we're warned about a cyborg, so you'd have to be pretty dense to not put 2 and 2 together and realize he's a bad guy). So when the audience watches him and Jim bond and grow closer, it builds tension for when Jim finds out and it highlights the tragedy of their friendship, because we all know it's not going to end well. Then, after the truth is revealed, stakes are created because we want the friendship between Jim and Silver to be repaired, because we know it was real, but we don't know if can be after what Silver's done. And all of this would have been lost if Silver's true nature had been a cheap plot twist. The tragedy would be completely overshadowed by the surprise and betrayal, and any investment in their relationship would have been built on the false impression that Silver was a good guy.

Another good example of this is Titanic. Even if you were somehow ignorant of the ship's sinking, the film makes sure you know that it sank with its framing device of Old Rose telling her story to people salvaging the Titanic's wreak. And Titanic's plot structure could only possibly work if you know the ship is going to sink. I'm not just talking about building tension, tragedy, and stakes for the characters like with the above example, I mean that if you didn't know that the Titanic was going down walking into the film, the abrupt shift from romance to suspense-disaster would be an increadibly tough pill to swallow. But it works because we expect it. You don't walk into a film called Titanic without expecting the damn boat to sink.

However, the sad thing about both of these examples, is that despite all the benefits that came from telling the audience these things ahead of time, I think the main reason the creators didn't make them plot twists was because they couldn't have. Treasure Island is the single most influential piece of pirate media out there, and you'd have to have been living under a rock for over a century to not know the Titanic sank. So, the writers had to work around the fact that these important turning points in the narratives were common knowledge, and they wound creating incredible stories as a consequence.

I want to see more of this style of writing in stories where the writers aren't forced to do it. We've clearly seen that you can tell some really damn good stories by giving information to the audience before the characters learn it, and I just wish more works would do that instead of trying to surprise people with shocking twists.

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I can’t get into it without outing myself and my job, but damn I wish people could figure out how to break the rules on their own. If you involve me, if you tell me you’re going to violate a contract, I am required to do something. I’m not a cop! I’m not a narc! You could simply not tell me this shit! I am begging you to not tell me! Don’t send me an email to my work address that says “I’m going to violate our contract, how would you suggest I do it?” Well first things first don’t fucking tell me

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Another complaint we get is that when we plant trees, we only plant small trees which isn't equivalent to the ones we chop down. And it's like... the trees are small because they're younger. I promise if you go to the older parts of town you'll see that they do not stay small.

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There's nothing wrong with Hooters per se, but only a deeply sexually repressed society would be capable of producing Hooters. It's wild that it existed alongside Applebee's and Chilli's. Yeah man let's go to the psychosexual chicken wing place.

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My faves - DND edition?

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DUNGEONS & DRAGONS: HONOR AMONG THIEVES 2023, dir. Jonathan Goldstein & John Francis Dale