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“Get a rat and put it in a cage and give it two water bottles. One is just water, and one is water laced with either heroin or cocaine. If you do that, the rat will almost always prefer the drugged water and almost always kill itself very quickly, right, within a couple of weeks. So there you go. It’s our theory of addiction. Bruce comes along in the ‘70s and said, “Well, hang on a minute. We’re putting the rat in an empty cage. It’s got nothing to do. Let’s try this a little bit differently.” So Bruce built Rat Park, and Rat Park is like heaven for rats. Everything your rat about town could want, it’s got in Rat Park. It’s got lovely food. It’s got sex. It’s got loads of other rats to be friends with. It’s got loads of colored balls. Everything your rat could want. And they’ve got both the water bottles. They’ve got the drugged water and the normal water. But here’s the fascinating thing. In Rat Park, they don’t like the drugged water. They hardly use any of it. None of them ever overdose. None of them ever use in a way that looks like compulsion or addiction. There’s a really interesting human example I’ll tell you about in a minute, but what Bruce says is that shows that both the right-wing and left-wing theories of addiction are wrong. So the right-wing theory is it’s a moral failing, you’re a hedonist, you party too hard. The left-wing theory is it takes you over, your brain is hijacked. Bruce says it’s not your morality, it’s not your brain; it’s your cage. Addiction is largely an adaptation to your environment. […] We’ve created a society where significant numbers of our fellow citizens cannot bear to be present in their lives without being drugged, right? We’ve created a hyperconsumerist, hyperindividualist, isolated world that is, for a lot of people, much more like that first cage than it is like the bonded, connected cages that we need. The opposite of addiction is not sobriety. The opposite of addiction is connection. And our whole society, the engine of our society, is geared towards making us connect with things. If you are not a good consumer capitalist citizen, if you’re spending your time bonding with the people around you and not buying stuff—in fact, we are trained from a very young age to focus our hopes and our dreams and our ambitions on things we can buy and consume. And drug addiction is really a subset of that.”

— Johann Hari, Does Capitalism Drive Drug Addiction?

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Watching white tumblr users interact with black things is funny because they will always misapprehend things and just generally be reductivist.

So I’m seeing a lot of people going “haha Kendrick got awards for being a hater,” “Drake lost so bad lol.”

And I’m just massaging my temples at the irony of nonblack people en masse misunderstanding a song called “They not like us.”

Kendrick has a whole verse in the song breaking down the commodification of blackness and the history of colonization apropos to Black Americans. That’s what the whole Drake beef was about btw. It was about Drake’s pattern of ripping off black culture just to peddle it to the uncaring masses and make millions off of it, while the smaller artists he steals from get no recognition (money). Drake was getting called the rap goat by nonblack people, he was getting looked at as the greatest in a tradition he has no roots in. Kendrick’s distaste for Drake was years in the making. FdSignifier has some great vids from like 2020 about Drake’s rise in the rap world. There’s also Pusha T’s diss from 2018 called “The story of Adidon.” My point is, Drake is a culture vulture and the Drake v. Kdot beef was about reclaiming what Drake (and other culture vultures) stole.

Drake is also problematic for other reasons, e.g. sexually exploiting women, allegedly participating in sex trafficking, and so on.

It does a disservice to Kdot’s message to reduce this beef to an apolitical 1v1. It was never a 1v1, it was always political, it was always about the broader culture, it was always a culture war, etc.

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Also. Kendrick opened with an unapologetically loud performance focused on Black America with a ton of political messaging. And the women sang “someone better squabble” in almost a mocking tone?? Because so many white Americans only know Kendrick from the Drake beef, and they’re there to see two black men fight, not a celebration of Black Culture.

The american flag literally dissolved into depictions of violence and shooting. And then, once the performers were united in sync again, the audience flashed “WARNING, WRONG WAY”

That has so many meanings, both in the context of the performance being about politics and the path America as a whole is going down—the wrong way.

But also in that specific moment, when black men were working together as a whole, America would rather see them fighting. After that section is over, Uncle Sam mocks Kendrick.

Once the performance turns into a pop song Uncle Sam says, “yeah, that’s what I’m talking about! That’s what America wants—nice and calm! You’re almost there. Don’t mess this-“ and he is cut off by Not Like Us starting. White America is content to watch Black artists as long as the art is palatable to them, but Kendrick disrupted that with the Drake beef, and white America watched because it glorifies violence between black men.

But Kendrick emphasizes that this is not what this performance is about. When asked if he’s really about to do this, he says “It’s a cultural divide, Imma get it on the floor.” And “40 acres and a mule, this is bigger than the music.” He is doing this for Black America. Not Like Us has brought folks together when America has tried its hardest to divide and conquer. Hell, Kendrick had Crips and Bloods dancing on stage together at a concert. He’s managed to work through centuries of oppression and trauma to bring Black America together in this moment. This is bigger than the music.

And he brings it back to politics with “yeah, they tried to rig the game, but you can’t fake influence.” There’s a reason he said that with the president in the audience. Kendrick had the biggest stage in the world and he used it to say “They Not Like Us” with the president, a known child predator, in the audience. And the rest of the crowd was screaming the lyrics along with Kendrick.

Kendrick Lamar the man you are

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this wasnt televised but it STILL happened. this person was tackled and detained after this for holding a flag in solidarity with people going through a genocide

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i mean fuck, i like pills, i like drugs, i like gettin money, i like strippers, i like to fuck, i like day-drinkin and day parties and hollywood, i like doing hollywood shit— snort it, probably would

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Salutations. This is your Uncle Sam. And this is the Great American Game.

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A Crash Course to Kendrick's Super Bowl Performance, from a Black Woman

Note: this does NOT go in depth into all of the song's lyrics. I don't have time to recount two decades of his discography. This is just a summary of the performance itself.

Let's start with the first visual we get:

UNCLE SAM - most notably recognized from WWII American wartime propaganda, Uncle Sam is the personification of American patriotism and freedom. The term "uncle" is also evocative of Uncle Tom from Uncle Tom's Cabin, an abolitionist book that aided in inciting the Civil War. Uncle is also a very common term (both endearment and derogatory) towards Black men (eg. "unc"). Samuel L Jackson was fantastic.

Uncle Sam also resembles a circus ringleader, notable for my next point:

THE GREAT AMERICAN GAME - no, not Super Bowl. The GAG is us the people being pitted against each other: through late-stage capitalism, through the culture war, through class warfare, through being built of the backs of slaves. We are all players in the GAG because none of us on this site were the oligarchs seated at the inauguration.

This is also seen as Kendrick's stage was a Play Station controller. Not only did it remind of circus rings visually, but it was a game battle stage. The Great American Game is a battle royale of the commoners for the amusement of the rich whites.

Remember the foods / Them color was tin and brown / But now they 100 and blue - For this I'll just say, look what the last election said about lowering the price of eggs... and look at the prices now.

The revolution about to be televised / You picked the right time / But the wrong guy - Election 2024 once more. *Edit to add, the first part of this lyric is in reference to the Black Liberation Song "The Revolution Will Not Be Televised" by Gil Scott-Heron. Thanks to everyone who mentioned that.

THE FLAG DANCERS - yes, the dancers formed the US flag... off of the backs of Black people. Not a single white person in sight, and that's true of the cotton pickers in the fields. Plantations are part of how the US came to economic prominence after being a "backwater" colony. Remember tobacco? Cotton? Our bloodlines do. *Edit to add: they also all piled out of a clown car. The US flag in a clown car? Brilliant.

The red and blue dancers are also notable for representing the Crips and Bloods, two infamous street gangs. The dance in Not Like Us is the Crip Walk. I recommend researching more on your own time about them, but just know they are a large part of the stereotype of Black people being "ghetto."

TOO LOUD, TOO RECKLESS, TOO GHETTO. Do you really know how to play the game? - This is exactly what Black people, especially Black men, get told all the time. It's why we change our names on resumes if they sound "too Black." It's why we codeswitch in non-Black company. This is especially rich considering how non-Black people love our culture and love to make money off of us, as the latter part of the quote points to. And it's even more profound during the Super Bowl-- the NFL is majority Black players.

STREET LIGHT A CAPELLA -- "thug" stereotype dancers to counteract the a capella connotations, with Uncle Sam then saying that Kendrick figured out "bringing other street guys around being a culture cheat code." Yes, this is a direct hit at Drake (listen to "Not Like Us") but also politically. Look up "model minority". Notably I would point to Candace Owens, or the Miami Venezuelan political group that's been in the news recently, especially as this directly led to Kendrick being surrounded by...

DANCERS IN WHITE -- it's white America. That's... that's the allegory.

NOT LIKE US TEASER -- Kendrick says "Not Like Us" is "their favorite song." -> he means white people specifically here. It comes after he's surrounded by all white dancers, the women around him who are his call and response are also in white (my opinion, they represent the industry). He's saying "Not Like Us" is the favorite of yts because it is about BLACK MEN FIGHTING. This again is reflected in the video game stage and ringleader Uncle Sam.

SZA -- instead of giving what they want, we see SZA. She's one of Drake's exes and Kendrick has always supported her.

ALL THE STARS -- This was in the first Black Panther movie, which I recommend you watch. Rest in Power Chadwick. Notably, this movie was incredibly mainstream as a major Marvel movie, and then we have Uncle Sam say...

"THAT'S WHAT AMERICA WANTS: NICE AND CALM. DON'T MESS THIS UP" -- translation: Marvel (the industry, America, etc.) wanted a safe, semi-pop song because white American likes safe pop songs, not Kendrick's usual heavy rap style about his life as a Black man! Don't mess up what you've got going mainstream for having this "Black rap feud" with Drake, who is an R&B model minority to white people because he's safe.

So what does Kendrick say?

IT'S A CULTURAL DIVIDE / IMMA GET IT ON THE FLOOR -- He was warned not to be political or apologetically Black for this Super Bowl performance, but he is using this big stage opportunity to speak out.

40 ACRES AND A MULE / THIS IS BIGGER THAN THE MUSIC -- 40 acres and a mule are what the freed slaves were promised. Instead, this land went to white sharecroppers. Research Jim Crow laws.

THEY TRIED TO RIG THE GAME / BUT YOU CAN'T FAKE INFLUENCE -- rig the election, rig the industry like with model minority Drake, rig the Great American Game with culture war to distract from active class warfare.

NOT LIKE US -- the only thing I'll mention because it made me holler is Serena Williams crip walking on Drake's metaphorical grave. She's another one of his exes.

TURN THE TV OFF -- exactly like he said! The TV is a distraction, the Super Bowl is a distraction, the mainstream news is often a distraction. Turn it off and get with your people!

GAME OVER — could not see this on my stream but at the end of the performance, the lights in the stadium spelled this out. The world is watching, America…

In conclusion, Kendrick Lamar is a visionary and thank you for coming to my TED Talk.

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this is the final Alt-Right Playbook. it's called The South Bank of the Rubicon.

thank you for watching this series the last eight years. I'm not going anywhere, but I'll be turning my attention to topics other than conservative rhetorical strategies; going forward, I don't see our battles being fought with rhetoric.

support my work on Patreon and/or subscribe to me on Nebula. transcript below the cut.

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The Rubicon is a river in Italy. The story goes that, at the end of the governorship of Julius Caesar, he was ordered to disband his army and stay north of the Rubicon. When, instead, Caesar marched his army across the river and towards Rome, it was considered an act of treason, and the beginning of the Roman Civil War, at the end of which Caesar would reign victorious. It is said, as he forded the Rubicon, Caesar declared, “The die is cast.”

In today’s vernacular, we refer to a metaphoric Rubicon as the point of no return. Children “cross the Rubicon” into adulthood, isolationist governments “cross the Rubicon” into international politics. Each of us will cast the die several times in our own lives. But we say also that movements, that people, cross the Rubicon when they become irredeemable.

When times are bad, we wonder anxiously how far from the Rubicon we are. When does an insurgency become a war, a demonstration a riot? When is the moment an economy in danger becomes one in collapse? We scan the horizon for the riverbank, hoping we didn’t cross it some ways back.

The thing about points of no return, the reason we worry over them so much, is it’s rare to know where they are until they are some ways behind you. The Rubicon is not the Mississippi; it is a muddy little creek history lost track of for centuries.

In the United States, we are increasingly comfortable saying that our democracy is “under threat.” That we are “at risk” of descending into authoritarianism. Few are ready to say that the threat has arrived. And I’m referring to myself as I say that: I’m not ready to say it’s arrived. No one wants to call it prematurely. The Right screams that “the Left” - Black Lives Matter or Antifa or some thinly-veiled caricature of The Jews - are ready to kick down your door and bash your teeth in. And I talk about why they say this, their need to exaggerate the threat from the Left, so that, when they aggress against us, it seems like self-defense. So that we are to blame for any violence we suffer. I talk about the danger of this thinking being accepted. I say the way mainstream conservative politicians and media legitimize these arguments is “worrying.” But I don’t say “they are saying this in preparation to kick down your door and bash in your teeth.” I want people to listen to me. I don’t want to sound irrational, and I don’t want to sound like them. And… I don’t want it to be true yet.

Say, for the sake of argument, you are, at this moment, ankle-deep in the water, desperately wondering how many paces you are from The South Bank of the Rubicon.

There was a time when any number of things would have been the moment. If you could go back to 2015 and ask, “Is a candidate promising to jail his political opponents, or a president building concentration camps at the border, or a lame duck provoking an insurrection to overturn a vote, the moment where you would unequivocally call him a fascist?” And we would have said, “No question.” But those moments came, and they went, and we called them troubling, we called them dangerous, but it still seemed alarmist to call them fascist. Journalists and policy wonks still reacted with surprise if you came anywhere near the word. You could still run a campaign on “reasoning with the Right.” Republicans have made great strides by being so blatantly horrible that accurately describing their behavior sounds like hyperbole.

It seems we are always approaching the other side of the Rubicon, never arriving. We can turn back. The north is still the nearer bank.

There is a knack to this. Everyone expects it to happen all at once. That one day we will wake up to swastikas and kids in cages and unmarked vans disappearing people off the street. But those all happened on different days. And the swastikas were a natural extension of the barely-coded language of the Administration’s supporters, the cages were the next step after their family separation policy, and the vans were not a surprise after years of police militarization. You don’t have to cross the river quickly, just steadily. So that every step makes the last one seem inevitable and the next one obvious. The people who say “this will never happen on our watch,” they will divert the river south to make it true.

It’s losing a little ground on a dozen fronts every day. It’s seeing so many lines crossed you can’t even remember where you used to draw them. It’s the readiness to give up on things being better and just wanting them to be quiet.

I can’t tell you if that moment has come. I don’t know how to call it any better than you. So, instead, I’m going to ask you to do something: I want you to decide, at this moment, what the Rubicon is for you. What is that undeniable instant where, if something drastic does not happen immediately, your rights and freedoms are forfeit. And don’t show up in my comments saying it happened years or centuries ago - you’re not wrong, but cynicism is acceptance. I’m asking when would be the time to act. Write it down. Put it on your phone or your dry erase board or a post-it on your bathroom mirror. So when that moment comes you will remember that this was your Rubicon, because it won’t feel like it anymore. It will feel like the next logical step.

And ask yourself, when that moment comes, what is the right thing to do? You don’t have to have an answer yet. But think on it. Cuz we haven’t been doing it.

As a leftist, the futures I envision are full of possibility. I am fond of saying “there are a hundred ways forward and only one way back.” So many things we could try if we allow ourselves to let go of white supremacy, of capitalism, of patriarchy. Imagining the future is a kind of world-building. To be on the Left, at least the way I try to do it, is to desire a spreading out, a pluralizing, an abandonment of hierarchy and a sharing of power between us all. I don’t know if that future is likely, but I know it’s possible.

That’s not how things look on the Right. For the Right, left to its own devices?

All roads lead to Rome.

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the problem with everyone becoming a reviewer and essayist now is that, plainly and gently, a lot of these people are not smart enough for the position

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most “protect the children” campaigns come with the implication that what’s best for children is 1950s white christian nuclear families and rigid adherence to the status quo, and having been a children I can definitively say that is very very incorrect

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they’re holding homemade pipe bombs behind their backs

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Ok so my kid had an ear infection, right? As kids often do.

The doctor scraped out a bit of earwax to have a better look inside.

I was sent a bill for $200 PER EAR for this 5 second procedure which I did not give permission for them to do.

That was key- they did not ASK me if they could do this "procedure". And, as I OWN a medical practice (it's me. The medical practice is me, sitting in my house on video calls) I knew to call them when this bill came in to be like "You did not obtain informed consent for this procedure, and it was not en emergency procedure. You had full ability to gain my consent and didn't. I'm not paying."

And the massive hospital who owned the bill said "yuh-huh you do have to pay."

And I said "I own a practice. I know these laws. I do not owe you money for this."

And they conducted an "internal review" and SURPRISE! Decided I totally owed them money and they had never done anything wrong ever.

And so I called my state's Attorney General office, and explained the situation because, as I mentioned, I know the law. The AG got in touch within a couple days to say they were taking the case and would send the massive hospital conglomerate a knock it off, guys letter.

Lo and Behold, today I have a letter where said hospital graciously has agreed to forfeit the payment.

"How not to get screwed over by companies" should be part of civics class.

Know your rights and know who to call when they're infringed on. This whole process cost me $0 and honestly less effort than I would have expected.

May this knowledge find its way to someone else who can use it.

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Brennan Lee "I went to three different yogurt stores and got samples to cover my caloric intake when I was broke" Mulligan

🤝

Evan "The ice cream cone is the best option for calories on the McDonalds dollar menu" Kelmp