advancedfilmanalysis3
Advanced Film Analysis: Film Form, Story, Style
This blog belongs to the students of ARH 464/564 Advanced Analysis of Film in the Dept. of Art and Art History at the University at Albany (Fall 2019). Contact: ssegal (at) albany (dot) edu
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The Neon Demon (Nicolas Winding Refn, 2016)
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Refn Reflections (Jacob T. Swinney, 2016)
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Berger, John. Ways of Seeing. London and New York: Penguin Books, 1988 (1972).
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Blade Runner 2049 (Dennis Velleneuve, 2017)
Ex Machina (Alex Garland, 2015)
Her (Spike Jonze, 2013)
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Wees, William C. “‘The Untutored Eye.’” Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film. Berkeley: University of California Press, 1992. 55-76. Images: Dog Star Man (Stan Brakhage, 1961-64).
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Dulac, Germaine. “The Avant-Garde Cinema.” The Avant-Garde Film: A Reader of Theory and Criticism, Anthology Film Archives Series: 3. Ed. P. Adams Sitney. New York: New York University Press, 1978. 43-48. Images: Dog Star Man (Stan Brakhage, 1961-1964), Jonas Mekas.
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Doane, Mary Ann. “The Voice in Cinema: The Articulation of Body and Space.” Yale French Studies No. 60, Cinema/Sound (1980) 33-50. Images: Lemonade (Beyoncé, Khalil Joseph, 2016), Moonlight (Barry Jenkins, 2016), Persona (Ingmar Bergman, 1966).
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Chronic (Jennifer Reeves, 1996)
Edge of Alchemy (Stacey Steers, 2016)
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Bazin, André. “The Ontology of the Photographic Image.” Trans. Hugh Gray. Film Quarterly 13.4 (Summer 1960), 409. Image: Jonas Mekas, Andy Warhol; Under the Skin (Jonathan Glazer, 2013)
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Allen, Michael. “The Impact of Digital Technologies on Film Aesthetics” (2002). Film Theory and Criticism, 7th Edition. Ed. Leo Braudy, Marshall Cohen. New York and Oxford: Oxford University Press, 2009. 824-833. Image: Lemonade (Beyoncé Knowles, Kahlil Joseph, 2016).
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