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she’s gonna pass her classes and she’s gonna graduate

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for the rest of my life, please remember me as: a stydia shipper for 6+ seasons of slow burn that never once doubted they would happen one day™

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2016 is like that bitch that finally leaves the party & everyone is like Thank God.

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a collection of notes about what i’d do if i made an aristotle and dante movie adaptation bc i want to make one so bad:

Basically all of the semblance of my cinematic inspiration comes from Wes Anderson and shit so bear with me lolI 

just, in my mind for the car crash 

I would love to film it in a series of short scenes and shots without clear view of the face

Most of the focus would be on the bird and the glare of light from the rain etc

And the scenes would be so fast the audience would almost have trouble processing what was happening 

After the hit, the soundtrack would go silent and it would cut immediately to a wide above view shot of ari in the hospital bed

When filming it, I would want to go for Ari’s feeling of seperation and isolation

So all the shots would be like normal busts but just TOO wide

Like there’s extra space separation him from everyone else

Especially dante

Since during that time they have the period of emotional and physical separation 

AND!!!It would be completely the opposite with dante

The shots of him in the hospital would feel crowded and intimate

Think the middle ground between a close-up and a bust shot 

So like part of the body is cut out bc its so close but not too close u can see the actor’s breath lmao

I think Dante would feel overwhelmed and broken after being beat up by those boys

So ari crowding over him in concern would be shown in the angles and closeness of the camera

And the final chapter

OH the final chapter

Man oh man

It would be quiet

really really quiet

Not so quiet that the audience wouldn’t be able the hear

But I would make sure the actor’s would be subtle in their acting and gestures so everything would be soft and meaningful

Especially when Dante finally gets upset

It would disturb the awkward silence and shake the scene

Propelling the narrative and music to a brighter strong tone

And the audio would get louder until ari says his confession, in which it’ll reach a crescendo of emotions, to quiet realization

in general: Outside shots would be unbearably wide to make ari feel small

And the themes of isolation and crowdedness would probs pop up a lot in the cinematography and the lights would be very washed and there would be minimal makeup to make the characters seem more real and  the music would be very soft, almost like the movie carol also lots of rock ballads and 80′s tunes

bonus: what little i wrote of a screenplay for the final chapter 

Keep reading

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horchata, vampire weekend // woman lying on her back, henri de toulouse lautrec, 1896

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sterzing vipiteno, sud tyrol, italy

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« And if you have a minute why don’t we go, talk about it somewhere only we know? This could be the end of everything, so why don’t we go somewhere only we know? »

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Stiles tells Lydia he loves her the same way he tells her she’s really smart.

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Remember…

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HE SAID I LOVE YOU STILES STILINSKI TOLD LYDIA MARTIN HE LOVES HER AFTER ALL THESE YEARS STILES STILINSKI TOLD LYDIA MARTIN THAT HE LOVES HER LET IT SINK IT

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STILES STILL LOVES LYDIA AND HE TOLD HER TO REMEMBER THAT AND SHE WILL BECAUSE SHE LOVES HIM TOO

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We didn’t get the 3x11 Stydia kiss in a “previously on” flashback

Oh no. 

Instead, we get it in a fucking trailer for the season. 

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“I came to school this morning, and I was sure I was supposed to meet someone” JUST A REMINDER THAT LYDIA COMES TO SCHOOL EVERYDAY AND MEETS STILES STILINSKI BEFORE CLASS AND THAT’S SUCH AN IMPORTANT EVENT TO HER DAY THAT SHE REMEMBERS TO DO IT EVEN THOUGH STILES HAS BEEN ERASED FROM HER MEMORY and such a contrast from the beginning of the show when she didn’t care about anyone and now he is the first person she wants to see in the morning hold me

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[x]

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remember i love you.

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He still likes her, doesn’t he?

Yeah, but it’s different now