aesthetically-pleasing-trashcan
aesthetically-pleasing-trashcan
broadway?????
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musicals are pretty neat. Instagram: Floowerdad (art) branuranmoodboard (god I dont even know what that acc is)
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Cats of the Decade
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struggling to control a huge ass beetle i have on a leash
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last time i’ll post smth like this i swear but she’s baby
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Me: I love Pink Floyd because of their thought provoking lyrics!
Roger waters: *screaming for about a minute*
Also me:
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Someone who is about to spontaneously combust: Oh god oh fuck I am going to spontaneously combust *spontaneosly combusts*
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*adds a 😳 to the end of a slightly panicked sentence*
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Transparent knitting snufkin, for all ur needs
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2019 mood
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imagine miles’ dad is on his way home one night when he spots spiderman sitting by himself on the roof of a building
he looks small, and lonely, and fragile
and jefferson, who has a son around spiderman’s age, can’t ignore the impulse to make sure he’s okay
so he finds his way to spiderman’s perch and settles down next to him
they sit in silence for a long time, spiderman staring up at the moon in thoughtful silence
it’s almost five minutes before he finally speaks
“i was there, you know”
jefferson doesn’t understand
spiderman hugs his leg to his chest, resting his cheek on his knee as he turns his face to the officer sitting at his side
“when peter died,” he says by way of explanation, and his voice is wavering with the threat of tears. “i’d only had my powers for a day, and i was so scared. i had no idea what was happening to me. but then he showed up.”
jefferson is baffled, his whole world turned on its axis. somehow, he’d never thought about who spiderman had been before he was spiderman. there was a part of him that had just kind of assumed he’d been different from birth. a part of him had bought into the lie that spiderman was indestructible, that he had always known what he was doing and who he was.
“he said he’d teach me,” says spiderman, voice bitter with longing. “he promised he’d show me the ropes and be there for me when i needed him. and then he died.”
“i’m sorry you had to experience that,” says jefferson, because he doesn’t know what else to say. and it’s the most natural feeling in the world to reach out to the young hero and wrap him in a hug.
he fits in jefferson’s arms like he’s always belonged there, and in a moment of clarity, jefferson feels everything click into place
“i watched fisk kill him, and i didn’t do anything,” sobs the child in his arms, the child that jefferson would recognize anywhere, in any life. “it’s my fault he died. i killed spiderman”
“Oh miles,” he says, voice gentle as he reaches down to remove the mask from his son’s face so he can wipe his tears away with gentle fingers. “you didn’t kill spiderman. you brought him back to us.”
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imo the best way to interpret those “real people don’t do x” writing advice posts is “most people don’t do x, so if a character does x, it should be a distinguishing trait.” human behavior is infinitely varied; for any x, there are real people who do x. we can’t make absolute statements. we can, however, make probabilistic ones.
for example, most people don’t address each other by name in the middle of a casual conversation. if all your characters do that, your dialogue will sound stilted and unnatural. but if just one character does that, then it tells us something about that character.
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Timmy Turner voice: Oh no, I thought I could improve our lives by manipulating a small change in the workings of our reality, but said change has revealed itself to have an unexpected and unfortunate side effect. I now desire to return the world to its original state, but the alteration inconveniently prevents me from immediately doing so. I am upset by this.
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gays see ‘yearning’ or ‘tender’ in a post and they hit reblog
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reblog if ur bi, ur not biphobic, or ur best friend is a beautiful valid bisexual
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