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I actually did grow up on a Christmas tree farm. In a gingerbread house, deep within the yummy gummy gumdrop forest. Where, funnily enough, this song is their national anthem. #ChristmasTreeFarm song and video out now 🎄
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Dasher
Dancer
Prancer
Vixen
Magic
Madness
Heaven
Sin
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and there’s a dazzling haze, a mysterious way about you, deer

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i am the number one fan of taylor’s hoop earrings... i am so grateful for her new phase
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Checks it once and then she checks it twice, OH..
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I call this one:
“Husband Who Adamantly Protests When I Turn On Christmas Music But Says ‘That’s Better,’ When I Change It To The Lover Album (A Grinch But A Keeper)” 🌲
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HEY British Vogue!! It’s always a dreamscape of creativity and hilarity working with Edward - but putting him together with Pat = the funniest wildest shoot I’ve ever been on 😹 Love this team, so grateful for everyone involved - Edward Enninful, Craig McDean, Guido Palau, Pat McGrath and Jill Demling
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I embroidered the name of your favorite songs on Lover

All 18 of them.
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Since we loving and appreciating INTHAF today, here are some things I’ve noticed:
The lyrics don’t talk about one linear story but moments when those feelings are evoked
The first part introduces those feelings (sharing gloves, playing video games, passing notes)
The second part finds them again much later in the beginnings of love (the nerve to touch my hand which ties back to the gloves, twenty questions which ties back to video games, conversation which ties back to notes), this person stirs feelings just as pure and true as the ones found in the innocent discoveries of childhood
The change from snow to a clear light pink sky shows the change in time and both literal and metaphorical season
The third part realizes these feelings in true love (sidewalk chalk covered in snow and rice on the ground looks like snow)
True love brings back the whimsy and sweetness we thought could only be found in childhood :’)
The simplicity of the writing and music are genius bc they reiterate those points as well as emphasize how simple true love is at its core (a theme found throughout Lover in general)
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our relationship with taylor is basically us saying we love her and her saying she loves us more and us saying we love her even more and her saying she loves us even more and us saying we lov-
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💔
Don’t know what else to do
Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know what’s been going on.
Taylor
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“Beautiful Ghosts” out tomorrow at 12:01 a.m. EST 😺
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