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"I would die for you."
"I don't want you to die."
"I would kill for you."
"I don't want you to kill."
"Then I have nothing to offer you."
"If I ever find the person who made you think you're worth nothing more than that, they'll pay dearly."
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enemies to lovers where they really hate eachother but somehow their words have a tint of flirt in it and I'm struggling to find them🙏🙏
Flirty Threats
-> feel free to edit and adjust pronouns as you see fit.
"Are you laughing at me?" "Yeah, I am. What are you going to do about it?"
"Wipe that smile off your face before I do it for you."
"And you think you can get away with threatening me?"
"What made you think you can talk to me like that?"
"Are you still thinking about me? Is that why you're so unfocused?" "You wish."
"You really think you have that much of an impact in my life?"
"Do as I say."
"Oh, you think you're hot stuff?"
"Take a shower, [last name], I can smell you from here." "Care to join me?" "In your dreams."
"I don't think you realize how angry you make me." "Aw, I have that much of an effect on you?"
"Wow, Love. You've really outdone yourself this time."
"Trying out a new nickname, are we?"
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List of “angry confession” prompts
“Since when did you ever care about me?!” “Since fucking forever, you idiotic dunce!”
“I can’t leave you alone for one second without you hurting yourself, can I?” “I mean, I’m fine so it’s okay—” “No, it’s not okay. Not when I feel like I’m going to go batshit fucking crazy, thinking you’ve hurt yourself.“
“Well, I’m sorry I fell in love with you, okay? But it happened and I can’t do shit about it.” “You… What?”
“You think I wanted this to happen? You think I, of all people, wanted to fall in love with you?”
“Trust me, I’m also trying to understand how in the shit this happened.”
“…This is why I knew I shouldn’t have gotten close to you.”
“I’m going to need you to stop for one second because I just find it so incredibly rude that you think I’m not head over heels in love with your stupid, oblivious ass. Are you a brick? Because you’re dense as fuck.”
“Tell me how I’m supposed to un-love you, then. Tell me. Spare me.”
“Yeah, well, if I could, I’d lose feelings for you. But it’s not that easy. It’s not that easy to just let go of someone you’ve held onto for so fucking long.”
“What part of ‘I want you, and only you’ do you not understand?”
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When the big evil scary monster pauses and starts to observe you out of curiosity, gently grabbing your chin and turning it side to side to look at you. Soon moving down to your hands to observe how small they are against its own.
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one of the best fics i've ever read, one that had me addicted to my phone and crying, wasn't even prose. it was a huge, casual, bullet-pointed outline with every detail of an au that the author never got around to writing in full. and it was amazing.
let this be a message to all you who want to write but can't do it "normally": write it! someone out there will eat it up. whether that be poetry, tiny drabbles, or bullet pointed list: your work is always worth it. your art (yes, art!) will alway deserve to have its moment in the spotlight. why? because you made it. even if it wasn't done in a traditional matter, it came from your brain and your creativity and that is amazing.
♡
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⋆˚࿔ outfit combination prompts 𝜗𝜚˚⋆
➴ pick from as many or as few of the below categories as you like, and let the story lead you where it wants.
choose 5 and 23 for a frantic, bloodied chase through the woods that end in a tumble after a clunky boot catches on a tree root.
1, 15 and 33 could see a gruff white-collar type dragged from their comfortable solitude at a bar by a passing bachelorette party to join the fun.
or maybe 4 and 16 sees your mc throwing open the doors to a&e, not having even wasted time in changing out of their pjs, arriving just in time to see their loved one wheeled out of sight in a hospital gown as ashen as their bloodless face.
༊*👕🧥👚·˚ a top
¹⁾ a crisp white button-up
²⁾ an old, faded band shirt
³⁾ a patterned bikini top
⁴⁾ a paper hospital gown
⁵⁾ a blood-splattered undershirt
⁶⁾ a beaten leather jacket
⁷⁾ a warm, loosely-buttoned flannel
⁸⁾ a delicate, embroidered lace bralette
⁹⁾ a plush, expensive hotel bathrobe
¹⁰⁾ a stolen hoodie
༊*👖🩲🩳·˚ a pair of pants
¹¹⁾ blue swim shorts
¹²⁾ ripped jeans
¹³⁾ baggy sweatpants
¹⁴⁾ a glittery miniskirt
¹⁵⁾ pressed suit pants
¹⁶⁾ cartoon-patterned pyjama pants
¹⁷⁾ basketball shorts in bright team colours
¹⁸⁾ faded cargo pants
¹⁹⁾ loose boxer shorts
²⁰⁾ a draped sarong
༊*🥾👟👠·˚ some shoes
²¹⁾ bare feet
²²⁾ soft, plush slippers
²³⁾ dust-caked hiking boots
²⁴⁾ weathered sneakers
²⁵⁾ tall high heels
²⁶⁾ cheap plastic flip flops
²⁷⁾ combat boots with one missing lace
²⁸⁾ soft house slippers
²⁹⁾ tough steel-toe safety shoes
³⁰⁾ new running shoes
༊*·💍👜🌂˚ an accessory
³¹⁾ a pair of sunglasses with one cracked lens
³²⁾ a lacquered string of rosary beads
³³⁾ a costume-shop feather boa
³⁴⁾ a straining tote bag
³⁶⁾ a motorcycle helmet
³⁷⁾ an oddly heavy duffel bag
³⁸⁾ a souvenir baseball cap
³⁹⁾ an overflowing plastic grocery bag
⁴⁰⁾ a wedding ring (or, the absence of one)
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“Such a fragile thing to hold so much power…” the antagonist raked their nail across the protagonist’s throat, watching in delight as a small scarlet slash of blood beaded up on the skin. So easily broken and torn a container.“And you thought you could keep it hidden?” They smiled as the protagonist’s breath caught. “It’s practically spilling out of you.”
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Random mansion generator


The Procgen Mansion Generator produces large three-dee dwellings to toy with your imagination, offering various architectural styles and other options. Each mansion even comes with floorplans:
https://boingboing.net/2019/07/12/random-mansion-generator.html
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I don't know why I don't know how but I'm having fun with writing. I'm writing something I genuinely enjoy and would read if someone else wrote it, but the thing is, would anyone else want to read it?
If I post it on ao3, tumblr, hell even wattpad, would anyone give it a kudos? a like? an upvote?
What if I want someone else to edit it? But even then I'm terrified, because what if they think it's cringy? what if they think it's bad? it's so bad I'd have to rewrite it and come back later?
writing is fun. I enjoy it and I want to share what I create with others. But I'm so nervous. And I'm probably making a bigger deal out of it than I should.
I'm getting worked up over fucking fan fiction. Jesus. What am I. It's not even original content.
It's a story I made with existing characters that pertains to an entire community and im nervous that that community will hate it
I'm 2 1/2 chapters in to writing it. I can restart but I don't want to. I don't even know what this post is anymore. fuck. I just want people to like what I write.
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Unpublished writers are valid. Struggling writers are valid. Hobbyist writers are valid. Fanfiction writers? Valid.
All writers are deserving of love and support.
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so remember that worldbuilding website, notebook.ai, that was goin around and everyone was so excited, but it turned out you had to pay a (frankly outrageous) subscription to access any of the best tools?
well i have exciting news: World Anvil.
here’s what you get for free:
yeah. all of them. double what notebook.ai offers for pay. yeah baby.
i’ve only been using this site for like half an hour, but i am in LOVE. please check it out and consider supporting the creators if you can!
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y'all ever listen to really intense rap songs while trying to write a very emotional scene because I am
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“I have all these OCs! But no story…”
bruh
make a fighting game
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WHY DID NO ONE TELL ME ABOUT PRO WRITING AID BEFORE?! THIS THING IS FUCKING GLORIOUS. HOLY SHIT. LOOK AT THIS.
IT GIVES YOU A WHOLE DAMN REPORT ON YOUR WRITING AND WALKS YOU THROUGH HOW TO MAKE IT BETTER AND WHY IT IS SUGGESTING CHANGES. THIS IS JUST A TINY CHUNK OF THE HUGE REPORT IT GAVE ME ON THE FIRST CHAPTER OF ONE OF MY PROJECTS. I AM IN LOVE.
AND IT WORKS WITH SCRIVENER. AND IT IS AFFORDABLE.
WHY DID NO ONE TELL ME?!
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not sure what should happen next in your story?
Embarrass your protagonist. Make them seem weak and vulnerable in some way.
Shoot someone. That always takes the reader by surprise.
In relation, kidnap someone. Or, rather, make it seem to your protagonist like someone has been kidnapped.
Have one of your side characters disappear or become unavailable for some reason. This will frustrate your protagonist.
Have someone kiss the wrong girl, boy, or person, especially if you’ve been setting up a romance angle. It’s annoying.
If this story involves parents, have them argue. Push the threat of divorce, even if you know it won’t ever happen. It’ll make your readers nervous.
Have someone frame your protagonist for a crime they didn’t commit. This could range from a dispute to a minor crime to a full-blown felony.
If this is a fantasy story involving magic or witchcraft, create a terrible accident that’s a direct result of their spell-casting.
Injure your protagonist in some way, or push them into a treacherous scenario where they might not make it out alive.��
Have two side characters who are both close to the protagonist get into a literal fist-fight. This creates tension for the reader, especially if these characters are well-developed, because they won’t know who to root for.
Make your protagonist get lost somewhere (at night in the middle of town, in the woods, in someone else’s house, etc.)
Involve a murder. It can be as in-depth and as important as you want it to be.
Introduce a new character that seems to prey on your protagonist’s flaws and bring them out to light.
If it’s in-character, have one of your characters get drunk or take drugs. Show the fallout of that decision through your protagonist.
Spread a rumor about your protagonist.
If your protagonist is in high-school, create drama in the school atmosphere. A death of a student, even if your protagonist didn’t know them personally, changes the vibe.
If your story involves children, have one of them do something dangerous (touch a hot stove, run out into the road, etc.) and show how the protagonist responds to this, even if the child isn’t related to them.
In a fantasy story, toss out the idea of a rebellion or war between clans or villages (or whatever units you are working with).
Add a scenario where your protagonist has to make a choice. We all have watched movies where we have screamed don’t go in there! at the top of our lungs at the main character. Make them go in there.
Have your protagonist find something, even if they don’t understand the importance of it yet. A key, a document, an old stuffed animal, etc.
Foreshadow later events in some way. (Need help? Ask me!)
Have your protagonist get involved in some sort of verbal altercation with someone else, even if they weren’t the one who started it.
Let your protagonist get sick. No, but really, this happens in real life all the time and it’s rarely ever talked about in literature, unless it’s at its extremes. It could range from a common cold to pneumonia. Maybe they end up in the hospital because of it. Maybe they are unable to do that one thing (whatever that may be) because of it.
Have someone unexpected knock on your protagonist’s door.
Introduce a character that takes immediate interest in your protagonist’s past, which might trigger a flashback.
Have your protagonist try to hide something from someone else and fail.
Formulate some sort of argument or dispute between your protagonist and their love interest to push them apart.
Have your protagonist lose something of great value in their house and show their struggle to find it. This will frustrate the reader just as much as the protagonist.
Create a situation where your protagonist needs to sneak out in the middle of the night for some reason.
Prevent your character from getting home or to an important destination in some way (a car accident, a bad storm, flat tire, running out of gas, etc.)
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imo the best way to interpret those “real people don’t do x” writing advice posts is “most people don’t do x, so if a character does x, it should be a distinguishing trait.” human behavior is infinitely varied; for any x, there are real people who do x. we can’t make absolute statements. we can, however, make probabilistic ones.
for example, most people don’t address each other by name in the middle of a casual conversation. if all your characters do that, your dialogue will sound stilted and unnatural. but if just one character does that, then it tells us something about that character.
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