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Standing there still, at the turn in the path — your blurry eyes, always looking back.

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girls night out pt 2. 💖💄🌙 #SailorMoon 

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Some spot illustrations for Dólitá (a magazine for kids ages 3-6), Issue #5, ‘Cores’. Available to preorder.

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Los Angeles Times Magazine, 1968

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My collaborative book The Archway with @jonmichaelfrank is now available. Copies are also available @thebeguiling and @toutoune.gallery later today for Toronto heads. You can snag a copy from my online store at motherbooks.storenvy.com. 

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Art by @fisheaddd #plansponsor “Plan Sponsors Have Myriad Responsibilities to Protect Against Cyberthreats” #editorialillustration #illustration #JamDong #artdirection #soojinbuzelli *** Image: most important asset https://www.instagram.com/p/CmfF0kqO8Le/?igshid=NGJjMDIxMWI=

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GRASITA SANTA

No. 10

#scary #ghoul #monster #ink #drawing #horror #sketchbook #bodyhorror #creature #brushandink #penandink #blackandwhite #art #sharpie #beautiful #sharpieart #support #sharpiegelpen #comics #comicstrip https://www.instagram.com/p/CmfpMjtr2Oj/?igshid=NGJjMDIxMWI=

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THE CALLISTO PROTOCOL • dev. Striking Distance Studios

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Elden Ring ⥛ Scenery [25/?]

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Glairfingailt Demon

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Claus Bremer, immer schön in der reihe, bleiben, [in Visuelle Poesie. Der Weg vom Gedicht, zur Aktion], 1968 [ZKM | Center for Art and Media, Karlsruhe. © Claus Bremer]

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Claus Bremer, keinem ergebnis gegenüberstellen, [in Visuelle Poesie. Der Weg vom Gedicht, zur Aktion], 1968 [ZKM | Center for Art and Media, Karlsruhe. © Claus Bremer]

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Linocut from 2021.