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[alice-in-neverlands-world]

Emma To Bruce

Hey Bruce. Kind of a bizarre night. Sorry if I seem a little shaken up.

So we found—or I guess Ty’s Sensor found—this dagger in the weapons cache at Southwark Cathedral. Which is pretty random since we were just in the area because of the Shadow Market. (I guess whoever put the dagger there was probably also in the area for the Shadow Market, come to think of it.)

I write to you tonight by witchlight, sitting in the hallway outside our bedroom. Which is very creepy in itself, because basically everywhere in this house is creepy except our bedroom, at this point. (Well, some of it is not creepy because it looks like a construction site, but whatever.) I couldn’t sleep at all, and I didn’t want to keep Julian awake.

First the good news: Ty was awake, and we weren’t even home (to be fair, it takes a solid hour to go between Chiswick and Southwark) before he had texted Julian a translation of the text on the dagger. Turns out it’s Farsi. Julian read it out loud:

I wanted so much to have a gleaming dagger, that each of my ribs became a dagger.

He grinned at me. “Hot,” he said. “Reminds me of you.”

“You mean, when I was exclusively driven by thoughts of revenge?” I said.

He looked hurt. “No,” he said. “You just like a good dagger.”

“Not sure I would turn all my ribs into daggers, though,” I said. “Ribs seem important to keep inside your body.”

“One rib?” suggested Julian.

Well, maybe one rib.

We didn’t get home until after midnight, but there was no way we were going to bed without showing the dagger to the ghost. We didn’t even have to discuss it, we just immediately went to the dining room.

We’ve been wrestling with how to address our ghost. He’s often quite moody so it’s hard to know what name he prefers. Julian’s been going with “Spirit,” like Ebenezer Scrooge. You know, “Spirit, show me no more!”

Anyway, Julian said something like, “Spirit, we wish your attention. We have something to show you.” The candles all flared up in response, which was a neat trick, though it did not make things less creepy.

We put the dagger on the table and asked the ghost if it was the owner of the dagger, or at least recognized it. Which was a long shot, given that it responded so negatively to the flask. But it seemed like the place to start.

Suddenly the wind picked up and all the candle flames went sideways. Which was a surprise, because this is one of the few rooms in the house with intact windows, and it wasn’t windy outside. And the wind didn’t just gust, it continued, getting louder and softer, higher and lower in pitch. Julian and I just looked at each other. We had no idea what was happening.

After maybe a minute, the wind began to break into little bursts, and then —

Hang on, just had to take a moment. I shivered again, remembering it.

Then a voice spoke through the wind.

It was faint, and at a whisper, and it barely sounded like a human voice at all. But the wind spoke. The ghost spoke.

And it said:

“NOT”

“MINE

“YOURS”

We almost bolted. If Julian hadn’t been there I definitely would have bolted. And I think he would have, if I hadn’t been there. It wasn’t even the words. It was that there were words at all. The ghost was getting stronger.

I mean, remember, it just started with random poltergeist stuff, knocking things over, and then it could write in the dust. And now it could speak. Why was it getting stronger? Was our presence doing it? Was it the repairs, somehow? Did the dagger make it stronger?

And how strong would it get?

Julian got his voice back first. “Mine?” he said. “You’re saying the dagger is mine?”

And then—by the Angel, Bruce, the hair on my arms is sticking up just to write this—the wind spoke again, and it said, “CARSTAIRS.”

I couldn’t speak. Julian said, “Emma? The dagger is hers?”

The wind shifted direction. All the candle flames tilted the other way.

It spoke again.

“TAKE”

“HOME”

“CARSTAIRS”

“Home?” I said. “Home, like, our home? Los Angeles?”

“Or this home?” Julian suggested. “Maybe it needs to be taken to someplace in the house—”

The wind kicked up loudly and said, in the strongest voice it had managed so far:

“HOME”

“CARSTAIRS”

“CIRENWORTH”

The wind dropped, the candles went out, the room was bathed in darkness. The ghost had gone. I could feel its absence. The silence hurt my ears.

I have the dagger with me now. I took it to bed with me and I don’t want to let it out of my sight, for some reason. I keep turning it over and over in my hands. “Cirenworth” meant Jem, of course, so maybe it was his dagger, once upon a time. Or maybe it belonged to someone who lived there when the ghost was alive. The image of Carstairs ancestors of the past keep going through my mind. When I close my eyes, I feel like I can see whoever owned this dagger once, standing over me — protectively, even, as if they know we’re related and want to stand by me, even through the centuries.

I think Magnus is right that the ghost means well. I don’t think a malevolent ghost would be as helpful as this one is clearly trying to be. And the faeries working on the house seem totally unbothered by it, which they wouldn’t if they thought it had evil intent. Which makes me think the ghost isn’t part of the curse, but instead, maybe the ghost is trapped here by the curse.

Okay, I feel a little better after writing all that down. I think I’m going to go put the dagger someplace safe and try to get some sleep. Thanks for listening as always, Bruce. You’re a pal.

And tomorrow – we get to see Jem and Tessa and Kit and Mina, because we’re going to Cirenworth!

[alice-in-neverlands-world]

Julian To Magnus

Hi Magnus, it’s Julian Blackthorn. (I know, you told me just “Julian” is fine, but habits are hard to break.) You had said you wanted updates on what was happening with Blackthorn Manor, so here are some of those. More than you probably expected, actually.

First off, Hypatia Vex says hello. So that probably tells you from the start how things are going. She also says that you should contact her regarding some kind of money you owe her, but I said I didn’t want to be in the middle of any of that and only said I would mention it. (I believe she said you “welshed on a bet,” which I had to look up. (a) It doesn’t sound like something you would do, and (b) it seems offensive to the Welsh?)

We saw Hypatia because we went to the London Shadow Market, and we went to the Shadow Market because, in addition to all the other mysterious business at the house—a ghost, a curse, a lot of bad vibes overall—it turns out we also have an enchanted diary. It belonged to a Tatiana Blackthorn, née Lightwood, back in the 1870s. Emma has been reading it since we got here, but it has some kind of spell on it that prevented her from telling anyone about it. Even before we got to the Shadow Market, Emma and I both forgot about the diary a couple times each. Luckily the other one still remembered. Eventually I wrote “REMEMBER THE DIARY” in huge colorful letters on some posterboard and hung it up so we see it when we first wake up.

But that’s not a long-term solution, so we took it to the Shadow Market to find someone to disenchant the thing. Hypatia has a kind of outpost of her magic shop that she sets up in the Market, and we were relieved to find someone we knew—I wasn’t eager to hand over an ensorcelled Shadowhunter item to just anyone. As you’d probably guess, she did not seem happy to see us, but that’s kind of Hypatia’s thing. And no one is ever happy to see Shadowhunters at a Shadow Market, of course. We tried to look as casual as possible but it’s not like we can tell everyone, “Don’t worry! We’re not here to raid the place!” We did see a few stands suddenly close for the day as we approached, including one that sold a potion that was guaranteed to “put werewolf hair on your chest.” I have to wonder, is that actual werewolf hair shaved off an actual werewolf, or is it supposed to just make you look hairy like a werewolf?) I couldn’t ask because the stall was closed. You know how it is.

Anyway, for all her grousing about Shadowhunters only turning up when they needed something and so on, Hypatia was helpful enough once we explained what was going on. I think she couldn’t resist the puzzle of it. She took the diary in the back and, I guess, did some disenchanting. When she came back, she had good news and bad news. Good news: the diary was no longer enchanted. Bad news: being disenchanted triggered a failsafe spell which caused all the text to degenerate into Purgatic script. Someone really didn’t want that diary read.

Hypatia agreed to translate the diary, albeit for a significant fee (though it is a drop in the bucket compared to all the other costs of fixing the house). One thing: she said it would be kind of slow to do. Apparently the act of translating from demon scripts saps the translator’s energy and they can only do so much before they have to rest. I did not know that! (And if it turns out it’s not true, and Hypatia is only messing with us, please let me know.)

So provided Hypatia keeps her end of the deal, we should know more about the diary soon. It feels like we have all these puzzle pieces but we have no idea how to fit them together, or if we’re missing pieces, or if they’re even from the same puzzle. Is Tatiana’s diary related to the ghost? Are either of them related to the curse? Or is this house just totally piled up with bad magic?

Then on our way out of the Shadow Market there was another surprise: Ty’s ghost-modified Sensor started going crazy as soon as we left. We thought it must be something in the Market and went back in, but no, the signal stopped. We followed it out and it took us to Southwark Cathedral, which is just down the road from the Market. It still had a whole bunch of tourists visiting, so we got to do the classic Shadowhunter thing, glamour up and sneak in. The Sensor took us to the Nephilim weapons cache (in a niche under an alabaster statue of somebody-or-other) where we found…a weapon. I know, amazing, right? But this was obviously not just some generic weapon that had been left in the cache; it was beautiful and elaborate and looked like it could be worn ceremonially. It’s a curved dagger, Middle Eastern in origin (I am no expert on weapons from the region, unfortunately, and will have to check some references to get the specific kind), and there’s beautiful calligraphy all along the blade in Arabic script. (Of course, there are probably twenty common languages that use Arabic script; I don’t know which one this is.)

I’ve got some pictures and am going to write to Ty to see what he can find out about the dagger. It doesn’t seem like it goes with the flask at all, and I have no idea why it would have been left in the cathedral. The mysteries continue. This house is, uh, more of a fixer-upper than we originally thought.

Emma sends her love, and please give our love to Alec and the kiddos. Let me know if you have any thoughts and hope you’re finally getting a chance to relax a bit.

Julian

[alice-in-neverlands-world]

Emma to Bruce

Dear Bruce,

It’s been a quiet couple of days, and I’ve hated every single second. After I gave Jules the diary, he retreated to the half-painted ballroom to read it. When he’d come out, he’d look thoughtful, sometimes serious, but he didn’t want to talk about what he’d read. And Bruce — neither did I. Even though I knew Jules was upset with me for not telling him about the diary, I couldn’t explain why I hadn’t. And when I tried to think about why I hadn’t, my mind just skipped over the question, like a needle over a broken groove in a record.

We talked about other things. Round Tom, the curse on the house, a letter from Ty, a letter from Luke at the Academy about some trouble Dru got into with her roommate. (I feel like this is a good sign that she likes her roommate. It’s always good to have someone to be bad with.) But there was something faraway in Julian’s eyes, something distant and unapproachable.

I missed him.

It made me think of the bad times, when Julian and I couldn’t really talk, and every time I wanted to talk to him I couldn’t say what I felt, that I loved him, that I always would love him, because it was illegal and impossible. I had to fold the real meaning of what I wanted to say into ordinary conversation, so when I’d say How are you, or Are you using the car today, I’d really mean, I love you, I love you.

I was sitting on a stool in the kitchen this afternoon, marking boxes. Some of the old stuff in the manor we’re keeping to make a permanent part of the house. Some of it is getting packed up for the kids to go through, see if there’s anything they want to keep. There’s an old clock I think Ty will like, and some tin toy soldiers for Tavvy, and lots of creepy old lace for Dru to examine. I was kind of listlessly marking the contents of each box with a pen when Julian came into the kitchen, an odd expression on his face.

“Ask me about the diary, Emma,” he said.

I started a little. He looked so strange, and a little pale (maybe that’s just lack of sun . . . sorry, England!) So I put my pen down and asked him how reading the diary was going.

“I don’t remember,” he said, and then closed his eyes. When he opened them again they were blazing, like someone lit a fire behind that gorgeous blue-green color I love so much. “Except I do. I remember. But my mind doesn’t want me to say so. Mark texted me,” he added, and I nodded along, like I knew what this had to do with anything. “He said the diary was probably enchanted. And of course it is. Don’t you see? There’s a slippery sort of enchantment on it, one that makes you not want to talk about it after you’ve read it, or even think about it that much.”

Of course. It made so much sense — why I never seemed to remember to tell Jules about the diary, or anyone else; why I kept it hidden under the bed instead of in plain sight on the nightstand. I exhaled a shuddery breath. “I feel so stupid —“

“No.” Jules was across the room to me in a flash. He took my face between his hands, and a shiver went up my spine. He looked so serious, so intense. Jules had to grow up so fast, and in moments like this he almost scares me with how adult he seems — not that either of us are children, and we’ve been through a lot more than most people our age, but there’s something about his presence that he can summon up sometimes, something commanding.

It’s pretty hot, actually.

“No,” he said again. He gently stroked my cheekbone with his thumb. “Emma. It was a spell. It made you not think about the diary, it literally pulled the thoughts out of your mind — I know because it’s been happening to me, too. You can’t blame yourself. You can blame me — I should have guessed what was going on. I was too busy worrying that you were keeping something from me, when I should have known better.” His voice dropped, low and raspy. “Be angry at me,” he said. “I deserve it.”

I turned my head, kissed the palm of his hand. Felt the shiver that went through him. “There’s nothing to be angry about,” I whispered. “Just . . . “

“Take me to bed,” I said. I blushed, too. I don’t usually say that kind of thing but I didn’t care at the moment. His eyes widened and he pulled me right off the stool, lifted me up in his arms. I wrapped my legs around his waist, grabbed the lapels of his shirt, and kissed him. He groaned and kissed me back and then he was carrying me through the house, and we were kissing like we couldn’t breathe otherwise. He kicked open the door of the bedroom and we fell on the bed together . . .

And that’s it, Bruce. No more details for you. Suffice it to say that it was a while later and the sun had almost set when we started talking again, at least in words of more than one syllable. We were tangled up in the paisley sheets, and Jules was leaning over me, propped on one elbow. I was dancing my fingers up and down his arm, which was hard with muscle (thank you, Shadowhunter training.)

“Well,” I said. “That was nice, but I’m not sure it totally solved our problem.”

“Nice?” Julian looked outraged. “Puppies are nice. Fuzzy pajamas are nice. Kraig’s retirement party was nice. That was . . .”

“Spectacular,” I said. “There, are you happy?”

“Spectacular is a start.”

“Julian . . .”

He grinned. “No. It doesn’t solve the problem. The diary has a spell on it, and we shouldn’t mess with it until the spell is off. I think we should go to the Shadow Market. See if we can find someone willing to remove the enchantment.”

“You don’t want to ask Magnus?”

“We can’t keep bothering Magnus.” He sat up, which provided me with a nice view. I enjoyed it for a while while he rummaged in the drawer of his nightstand. He turned back to me, holding a gift-wrapped package. He was wearing a serious expression. “I meant to give you this for Valentine’s Day,” he said. “But I don’t want to wait. I know you said there’s nothing to be angry about, but I’m still so sorry, Emma. I trust you, entirely. There’s never been anyone I trusted more.”

He gave me the package, which was good because I thought otherwise I might cry. It had been an emotional day. The present turned out to be a gorgeously framed picture of the two of us on the London Eye; I couldn’t even figure out how he’d gotten it framed, or when.

“We look so happy,” I said, delighted.

“I always want you to be that happy,” Julian said. “I want to make you that happy. And I’ll spend my life doing it.”

Then I did cry, and he kissed me, and well, that’s all you need to know, Bruce. Maybe I’ll tell you about the Shadow Market when we go. Until then . . .

Emma

[alice-in-neverlands-world]

Julian to Kieran

To: Julian Blackthorn, Master of Blackthorn Hall

From: The Court of Unseelie

My dear Brother,

Mark has shared with me, with your permission I gather, the contents of your last letter to him as they regard Round Tom and the manor house. I have investigated what you ask, and it unfortunately falls to me to agree with yon Thomas: Blackthorn Hall is suffering under a curse.

I am sure that from your perspective, the bad news is less the fact of the house’s curse, and more the additional charges that Round Tom has added for the repairs and updates that his team is performing. It must especially vex you that these new prices do not include the breaking of the curse, but are only meant to cover the increased risks for the workers and the extra protections they will need to take.

I have already taken steps to seek a solution, but pray let me explain the situation, perhaps somewhat more cogently than R. Tom was able.

First, please know that Tom’s unwillingness to break the curse in fact is a prime example of his virtue (or, Mark has suggested, his fear of the office I hold; I choose to think it the former). The company working on Blackthorn Hall is not at all qualified to address such a complex thing as a curse. In this situation, many of the fey (though I am loath to admit it) would claim they could solve the problem, and would charge you enormously for a task they could not, in truth, accomplish. That Tom has not done so is a credit to him.

I appreciated your suggestion that the curse and the specter haunting the house could be one and the same. Unfortunately, when I communicated with Round Tom through my sources—

(Mark has interfered to admonish me for not simply saying General Winter; my apologies. Speaking plainly in written correspondence can be remarkably difficult for one used to the politics of Faerie.)

Unfortunately, after communicating with Round Tom via General Winter, I have been assured beyond a doubt that the ghost and the curse are different articles. Round Tom’s words, I believe, were to the effect that,

“Old houses always have ghosts. We don’t mind ghosts, and they do not interfere with our work. A curse, however, does, and Blackthorn Hall is cursed.”

He also made clear that it had been his impression that you already knew—that when the house’s owner shares the same name as the house, they likely already know enough of the history to be aware of a curse. Of course, he doesn’t know anything about the history of the Blackthorn family, and he should not have made such an assumption.

I pressed him to lower the price anyway, as a personal favor, and explained that the circumstances of your taking ownership were quite unexpected. I am sorry to say that he could not be moved. He produced a veritable library’s worth of treaties, bylaws, and charters to support his contention that these protections for his men were guaranteed by the Courts of Faerie, and in fact, he is correct.

I am therefore in the regretful position of suggesting that you focus your efforts on discovering and lifting the curse. While it is true that Round Tom and his crew will be unable to assist you, I know you to be a well-connected member of the Nephilim, and among your friends and companions many warlocks, Silent Brothers, and so on are to be found. I have every confidence in you and Emma; surely no curse can go long unlifted once the two of you have committed yourselves to its end. I have enclosed a brochure that might be helpful, as it is intended for those who have just discovered their dwelling-place is cursed. (Mark tells me one should never utter the words “I have enclosed a brochure” in personal correspondence, but I am not sure how else to word what I am doing. Perhaps “Lo, a pamphlet” would have been more appropriate.)

Thank you also for the delicious cake that you sent. While it does not stir the wild blood of my heart as faerie food does, it was a delicious accompaniment to a pot of strong tea, and we enjoyed it here muchly. Mark has informed me that this cake was created by a mundane, Victoria Sponge. All credit to Lady Sponge, and to you for sharing her artistry with us!

Mark and Cristina send their love. To that I attach my own, and remain etc. etc. Hail Kraig.

Kieran

[alice-in-neverlands-world]

Mark to Julian

[alice-in-neverlands-world]

Julian to Mark

[alice-in-neverlands-world]

Emma to Bruce

Dear Bruce,

It’s tea time. Now that Jules and I are living in England we are trying to embrace the concept of tea time, though as you already know I prefer to take my caffeine in the form of chocolate. (Unlike Cristina, who is literally addicted to coffee.) Chocolate chip cookies, brownie bars, ice cream—any form of chocolate is welcome and acceptable, and there is excellent chocolate in England. I have become addicted to Galaxy bars.

Julian is outside talking to the contractors — I can see Round Tom waving his arms around about something — so I thought I’d take a moment to fill you in on what happened since my last entry.

If you recall, we found a silver flask at the Devil Tavern that seemed to set off all Ty’s Ghost Detector alarms. It was a beautiful flask . . . etched with flowers and butterfly wings, and the initials MF. We brought it back to Blackthorn Hall and had a look at it in the bright light of day, where I immediately remembered where I’d seen that butterfly design before.

On the Fairchild family ring.

I know this because of Clary. (I don’t spend a lot of time staring at her jewelry, Bruce, but Shadowhunters are pretty into family symbols, generally speaking. And there was that time I borrowed her jacket in Faerie and then went to Thule and everyone thought she was dead because her ring was in the pocket…but that’s a story for another time. I’ve got enough to document in the present.) So Jules and I agreed that whoever owned this flask was likely a Fairchild whose first name began with M. Genius-level Sherlock detecting, I know.

Over a lunch of toasted cheese sandwiches we decided it would be better to do a little more diligent research rather than diving right in and asking the ghost ARE YOU A FAIRCHILD, Y/N. So we sent a fire message to Helen and Aline. There are several old Shadowhunter family histories in the LA Institute library, and we asked them to have a look for Fairchilds who had first names beginning with the letter M. I guess Helen was up early, because she got back to us pretty quickly with a short list of candidates. Medea Fairchild, Myles Fairchild, and Matthew Fairchild. It wasn’t clear from the records whether any of them are ancestors of Clary, but I am curious! (I personally hope Medea is, because that is a badass mythological name.) Anyway it didn’t take us long to nominate a candidate for Owner of the Silver Flask. (Drumroll, please, Bruce.) The candidate is….Matthew Fairchild!

We deduced this because Medea died in 1802 at the age of seventy-eight, and Myles died in 1857 at fifty-nine. So, given the timeframe we’re looking at—Jem said his friends were hanging out at the Devil Tavern during the early part of the last century—Matthew, born in 1886, was the only one who fit the bill. (There wasn’t a death date for him, apparently, which doesn’t mean he lived forever or died at birth, records from around that time tend to be spotty.)

Without further ado, we returned to the dining room to contact our mystery ghost. I swear, even though we’ve swept it multiple times, that room just seems to get dustier and dustier. I’d left some papers from the Blackthorn archives (which is a kind way of saying “from the pile of junk with occasional interesting stuff in it”) stacked on the dining table, and they were all in disarray. It made me wonder if the ghost was trying to read them in our absence.

Julian cleared his throat. “Attention, ghost,” he began.

“Maybe they don’t like being called ‘ghost’,” I hissed under my breath. “Maybe we should refer to them as ‘Deceased Person.’”

“That sounds medical,” said Julian. “Like we’re in a morgue.”

We both became dispirited about the idea of being in a morgue. After a moment’s thought, Julian said, “How about wraith or phantom?”

The curtains stirred even though the windows weren’t open. Apparently phantom was the popular choice.

“Matthew?” I said, slowly. “Matthew Fairchild?”

It’s a nice name, Matthew. I thought about Matthew Fairchild, born in 1886, and wondered what he’d been like. Wondered if all that was left of him was a breath of air stirring the curtains in our dining room.

Though the curtains weren’t stirring right now. They were utterly still.

“Are you Matthew Fairchild?” Jules asked, clearly deciding we needed to be more specific.

The curtains gave what I can only describe as an annoyed little shake. This stirred up some more dust, which made the air hazy. I heard a noise behind me and whirled around. The stack of papers on the table tipped over. Papers were being flung in all directions, by an unseen, angry hand.

“So — you’re not Matthew Fairchild?” I said, fighting the urge to sneeze. “Look, it’s fine if you aren’t — we just want to help — we’ll keep looking —”

The papers stopped flying. The room was quiet again. Hushed, even, like the inside of an Institute. I guessed our phantom friend had departed and I realized I was disappointed. I’d really been hoping we’d find an answer . . .

Then Julian laid his hand on my arm. And pointed. Goosebumps exploded across my skin. In the dust on the floor, an invisible finger was writing words — writing in the old-fashioned cursive that had become familiar since our arrival at Blackthorn Hall.

One by the one, the words appeared, the letters shaky and spiky, as if the ghost were agitated.

Read the diary

The imagine of Tatiana’s diary sprang into my mind. I knew, somehow, that was the diary the ghost was referring to. More words appeared:

READ THE DIARY

READ THE DIARY

READ THE DIARY

“But I have,” I said, without thinking. “I have read the diary.”

Julian turned to look at me, a blank expression of surprise spreading across his face. “Emma,” he said. “What diary?”

[alice-in-neverlands-world]

[alice-in-neverlands-world]

Emma To Bruce

Dear Bruce,

We went back to Devil Tavern today with Jem’s advice (bring family rings, show to bartender, gain access to secret room). I don’t know, the Devil Tavern seems to really like elaborate ways of getting in places? So we went in and there was some confusion because when we were there before I heard one of the customers call the bartender “Ernie,” so we asked one of the waitresses for Ernie, and she said there was no Ernie. But then, because we were Shadowhunters she thought we were there to question Ernie about something, so I figured she was just covering up for Ernie and I said, “No, it’s okay, you can tell Ernie he’s not in any trouble,” and the waitress looked even more baffled and said there was no Ernie…we went around like that a few times.

Anyway eventually the bartender comes back up from the basement or wherever he was, and he explains that he is Fred, not Ernie, but that for many many years the bartender was named Ernie, his grandfather and his great-grandfather at least were both named Ernie. So most of the vampires and faeries who have been coming since the Time of Ernies have just stubbornly refused to learn any of the newer bartenders’ names. He tried, when he was a younger man, but they just laughed and said, “That’s a good one, Ernie.” He sounded kind of sad when he said it. I guess everyone has their weird stuff they have to deal with.

We explained to Not Ernie about what Jem had told us, and we showed him our rings. He said yeah, there’s an old room that used to be used by Shadowhunters for clandestine meetings, upstairs. There are instructions left that go back a hundred years that say the room has to be maintained for the use of Shadowhunters, even though none have come around for a long time. They take it really seriously though.

He brought us the key from somewhere—one of those old skeleton key type keys you never see anymore—and we went upstairs and let ourselves in. Let me tell you, Bruce, they do not think being obligated to “maintain” the room means they are obligated to “dust” the room. Absolute nightmare for an asthmatic.

The room is still intact, though—actually, it’s more like a tiny apartment (a “bedsit,” Julian adorably called it), with a tiny bedroom off of a sitting area with a table in the middle and a rather shabby couch. It’s not like the rest of the tavern at all, it feels like you’d imagine a study room in the oldest library at the oldest college in Oxford would feel. Books everywhere, lots of big chunky carved wood, people’s initials carved into the table (note for people scratching their initials into tables: include your last initials! It makes it much easier for your descendants to figure out who you were! There could be a million people named “J!”).

There was nothing obviously ghostly, so Julian used the Sensor we got from Ty. It didn’t find much, but eventually it reacted near a particular book on one of the shelves built into the wall. We pulled it out and it seems to be a handwritten book, with a really elaborate stitched cover. It was called The Beautiful Cordelia and it’s by “L.H.” I would bet any amount of money “H” stands for Herondale. But there was nothing magical about the book. I mean, I didn’t read it yet; maybe it weaves a truly magical tale. But the Sensor didn’t react much to the book itself, there was nothing in between any of the pages, the ink wasn’t sparkly, etc.

Eventually we thought to kneel down and look into the space on the shelf where the book had come from, and sure enough, there was a little nook carved deeper into the wall. Julian and I agreed that in that nook was definitely…a ton of spiders. So we rock-paper-scissorsed for it, I lost, and stuck my hand back there. Luckily, no spiders. Instead, a surprise: an antique metal flask! Like the kind a gentleman would keep in his coat pocket. It is silver—well, at least the color is silver. It might be pewter. It is also definitely not a “band.”

BUT. The Sensor went bananas. We put the flask on the table and the Sensor next to it and it wailed like crazy. It looks like a normal flask to me, kind of blackened with time, and it’s not like when we opened it, a ghost slithered out. I don’t know. It was empty, and the Sensor didn’t react to anything else in the room. We hung out there for about half an hour even after we were done, though. The place did feel comfortable, it must have been really great in its day. I thought I might go back sometime and offer to pay Fred if he would have it dusted and cleaned. There’s probably stuff in there the London Institute would want, too. But that’s for when we’re done with Blackthorn House (and its ghost).

We couldn’t think of anything to do with the flask there at the Tavern, so we left and locked it up and returned the key. We brought the flask into the house, and Julian went to get the silver polish. When we cleaned the flask up, we saw that it had a pretty, elaborate tracery pattern of leaves and flowers on it, and was monogrammed. Not a Herondale this time. Not a Blackthorn, either. The initials were M.F.

Julian is squinting angrily at the witchlight I’m holding to write this. I guess it is pretty late. Good night, Bruce. Good night, groovy bedroom. Good night, ghost. Good night, mysterious flask.

Good night, Julian my love.

— Emma

[alice-in-neverlands-world]

Jem to Emma

Dearest Emma,

Thank you for writing to keep me apprised of the situation at Blackthorn Hall, and this haunting in particular. It means a great deal to me that you’re willing to share what’s going on. I’m glad we’ve moved beyond the days when you felt you had to conceal your more wild schemes from the older generation, myself included. I hope you know that you need keep no secrets from me, no matter how outlandish those schemes are. Secrets have caused you and Julian so much heartbreak in the past, I want you to know that you can tell me anything and I will not judge you.

So you say you are helping a ghost? That could be a noble pursuit, and a compassionate one, but I must urge you to be careful. Blackthorn Hall has a history that at times involved unsavory characters and sinister magic, and if a spirit truly is haunting the manor, it may not be benevolent. The fact that Magnus sensed no ill will eases my mind a great deal, but I would still urge you to think carefully about what this ghost asks of you in seeking its freedom. It may not mean you any overt harm, but that does not mean that no harm will come to you.

As for the Devil Tavern—I do indeed know it. It has been a Downworlder haunt for many centuries, and for some time, at the early part of the last century, it was something of a refuge for people Tessa and I cared about very much. I do not want to tell you too much about them — it is painful to cast our thoughts back to that time, for it is a reminder of so much that has been lost, and of those we could not save. But I also think it may not help you — it seems to me best that you go into this search without preconceptions or expectations of what you may find.

Why do I feel this? I can only say that during my many years of being a Silent Brother, I felt a great kinship for shades: for the dead and those who haunted, and for the memories that tethered them to earth. I too was tethered by memories in those times. They were what kept me human and able to return to this life I have now, that I love so much.

So I will not tell you of names, or personalities — they may not be relevant to your search at all, but you must go forward, to find that out. And that is why I will tell you this: you saw only a little of the Devil Tavern. There are a set of rather blackened stairs behind the bar, and up those stairs there is a secret room, one that was closed off decades ago. It is possible that whatever your ghost is looking for may be in there. If you wish to gain entry to the hidden room — and a warmer reception at the Devil in general — show the bartender your family rings. Say the names: Blackthorn. Carstairs. They will matter.

I hope you will keep me apprised of what you discover, and the next steps in your adventure. I wish to know, though there is some part of me that fears what you might find in that room, and what it may say about the fates of those I loved in the past. I hope that I am wrong. I hope that this tale will have a happy ending. I know this much—this ghost is lucky to have determined souls such as yourself and Julian helping it to find rest.

Church has informed me that it is, in fact, time for dinner, and naturally I must attend to his every whim. I hope that you and Julian are having a good time settling in at Blackthorn Hall, in spite of the restive ghost and the many years of neglect the place has suffered. You are correct that it does not surprise me that a ghost is there. The past haunts that place, a story of things done and things left undone. It is possible that by bringing love and warmth into that place, you will close that chapter of neglect, and open a new one, of infinite possibility.

I believe in you, Emma. When I see you, I see Carstairs past; I see bravery, and the flame of Cortana. Remember that you are of the steel and temper of those who have gone before you. I hope that I will see you again soon, and that when I do I will have the strength to tell you of some of them, of a girl with fire-bright hair, and her brother, and those who came before and after them.

Love,

Jem

[alice-in-neverlands-world]

Tessa to Maryse

Dear Maryse,

As one mother to another, I’m writing to you for advice. It’s been many many years since I was raising children, and when I say many years, I mean more than a century. And now I find myself in that position again. Although we have not talked frequently, I have often thought what a wonderful mother you must have been and continue to be. After all, your children have turned out so wonderfully. Isabelle is so brave, Alec such a leader, and Jace, well, I can only tell you that I know what an excellent example of a Herondale is, and he is one.

I also know that you have experienced profound loss and grief, and that you understand it.

I am writing to you about Kit. He too is a Herondale, and I believe that he will be an excellent example of one as well. But like all Herondale men (and the girls, too, believe me I know!) he is very private and secretive. On the whole Jem and I wish nothing but to respect his privacy. But when comes the time when worry requires one, as a parent, to intervene?

A few nights ago after dinner I stopped by Kit’s room to give him his phone (he is forever losing it and leaving it somewhere!), and I found that he was not there. Glancing out the window, I could see him outside, standing in our front garden. He had his back to me and appeared to be staring off into the distance, but I could tell by the way he was standing and the movements of his shoulders that he was agitated. Concerned, I followed him outside. I came up behind him quietly, not wanting to startle him. Perhaps I came too quietly. I realized immediately that he was talking to a ghost—I’ve had experiences of such things before. As is always the case in this kind of situation, I could hear only his side of the conversation.

Kit said, “If you keep trying to talk to me about this, I’m not going to be able to see you anymore.” Then he said, “Of course I believe in forgiveness. But some things are so terrible that you never want to revisit them.” There was a long pause. I thought maybe it was over. And then he said, “Don’t you understand? Everytime you bring him up, it tears another piece out of my heart.” Then he turned around, and of course saw me, standing on the path outside the house. He didn’t say anything, just gave me a sort of betrayed look and ran inside.

The next day of course he just pretended that nothing had happened. I just don’t know what to do. Should I leave him alone to work through this on his own? I always figured there must be ghosts at Cirenworth—Kit has informed me that there is a ghost dog that he plays with sometimes, a retriever I think —but I can’t imagine any of them as malicious or hurtful. And indeed it didn't sound as though he were afraid of the ghost, but as though the ghost brought back dark memories of his past. Perhaps of his father? I just don’t know what to do. Jem thinks we should let him work it out on his own, as he is a teenager, but then I remember my first two children, when they were teenagers, how there were times when they did need my help. (I am very much hoping that Kit is not having a tempestuous affair with a ghost, as I’m not sure I could go through that again.)

It’s keeping me up nights worrying. If there’s any advice that you have, I’d love to hear it.

I’m enclosing a picture of Jace and Clary with Kit and Mina, last time they visited. They look so happy!

All best,

Tessa

[alice-in-neverlands-world]

Emma To Jem

Dear Jem,

I feel bad writing to you about this out of the blue, but you said it was okay to get in touch with you anytime for advice. And you always give good advice, but I can’t help feeling like beyond that, maybe you might have some familiarity here that could be helpful?

So, as you know, Julian and I have taken on the gigantic task of renovating Blackthorn Hall. AND, you probably are totally unsurprised to hear, we found a ghost. (I say this because everyone else who was around back when this house was being taken care of, are also not surprised there’s a ghost.)

Good news: ghost is not unfriendly (or at least not violent). He’s just looking for the “silver band” that binds him. Not unusual, lots of ghosts are bound to an earthly object.

Bad news: ghost can’t be identified as a specific person, so could be pretending to not be violent. Also, “silver band” could be any of a thousand things.

I suppose we can just put aside anything we find that might be what he’s looking for, but that seems pretty unlikely to work. (After all, he hasn’t found the “silver band” in the house and he’s been haunting it for however long.)

We did get one direct clue from the ghost. He likes to communicate by scrawling in dust on the floor, and his last message told us to Find the Devil Tavern. Ok. A little research turns up that it’s a Downworlder speakeasy, heavily glamoured, that’s been around for hundreds of years, in London’s Old City. (It was apparently a real tavern once, and Samuel Johnson had a drinking club there. Wild times, I gather.) Jules looked it up and apparently it’s still in operation. It’s not far from the Institute, actually, though whether that has to do with the ghost or is just a coincidence we don’t know.

Anyway, Julian and I went to check out the place. It’s a glamoured pub, of course. From the outside you pretty much just see a bank and one of those blue plaques they put on historical sites.

It was clear the mundanes walking by couldn’t see the entrance. But we could, of course. So we went in.

Inside, it’s a pretty normal pub, it turns out, though they make you go through a whole rigamarole to get in, they’re really leaning into the speakeasy thing. You actually now have to go into the mundane bank, which must think it has the weirdest clientele of any bank branch in England. You have to mention “the Devil” to the teller, who then gives you a key made of salt that opens a panel in the lift that reveals a button with little devil horns on it. Which takes you down to the pub. (The key disintegrates when you use it, obviously.) I have no idea what happens when some random mundane says, “what the devil happened to my money,” or something.

Anyway, that all sounds very complicated but in practice it was easy enough; rather than trying for some complicated password Julian only said casually, “I’m here for the Devil,” and the teller handed him the key. She barely even looked interested, she was doing a sudoku on her phone or something and just kind of handed the key over from a tray of them. Maybe Londoners just don’t blink at bizarre very old London stuff.

We came in and looked around and then eventually the barman asked if we wanted anything and we left. They obviously recognized us as Shadowhunters and were not super-pleased to see us. But in that short visit we didn’t see anything in plain view that had anything to do with a silver band, or the house in Chiswick, or the Blackthorns and Lightwoods who lived there. The place could be any ancient London pub, very old, dark wood, stained glass, and just an overwhelming crowd of drunk Downworlders. We had, it seems, interrupted a retirement party for one of their regulars, a kelpie. I know what you’re going to ask, and yes, the kelpie was in a big tub of water. His name was Pickles—I know!—and he kept yelling about how he was “starting a new life under the sea.” So of course they thought we were basically the cops come to bust up their party, and didn’t want us there. But I don’t know what we could have done even if we stayed. We’d been hoping we’d see the place and it would just spark some kind of ideas about silver bands and the like, but — no dice.

So I thought, since you and Tessa were both around in the earlier better days of Blackthorn Hall, once Lightwood House—does the Devil Tavern ring any bells for you? Can you think of any connection between this random Downworlder pub and the people who lived in the house in Chiswick? If not, no worries, but I thought I would at least ask. If you have any thoughts about the identity of our ghost, based on the Devil Tavern thing or anything else I’ve said, please get in touch and let us know! Cleaning out the house definitely includes cleaning out the ghosts, but also, you know, it feels like the right thing to do to help him out if we can.

My love to Tessa and Kit and Mina, and love from us here!

Emma

[alice-in-neverlands-world]

Emma To Bruce

Dear Bruce,

I woke up this morning to find it was an improbably beautiful day with bright blue skies and those cute little white scudding clouds. “All right,” I thought. “There is no way I am spending this gorgeous day in wonderful London inside this falling-down house, scrubbing the floors and brooding about ghosts. The question: how to convince Julian that we should go out and have fun?”

I marched upstairs and found Julian drinking coffee in the kitchen. I said, “Jules. You know that thing you want me to do, that I’ve been refusing to do? If you come out and have a good time with me today in London, I’ll do it.”

A big grin spread over his face. He said, “OKAY!” In fact, he said it as he was already running out the door. I had to get him to come back for a jacket.

Bruce, we had an absolutely great time in London. We took a boat ride down the Thames. We went to a costume shop. We saw the Tower and went to Fortnum and Mason’s and had tea. Julian ate all my cucumber sandwiches because I hate them. We went on the London Eye, which is like a more spectacular version of the Ferris wheel on the Santa Monica Pier. Demons did not attack this time, and Julian booked a whole pod so that we could snuggle and cuddle.

In the middle of the snuggling and cuddling, Julian stopped and stared into my eyes with an intense look. I could tell he had something to ask me, and for a moment I thought—well, it doesn’t matter what I thought.

“Emma,” he said, “what would you think about moving to London with me?”

I said, “What do you mean? We’re already here.”

He explained that he was thinking, if we got Blackthorn Hall all fixed up, we could live in it until Dru or Ty or Tavvy (or all three of them) grow up and want to move there. He explained that Helen and Aline were doing a great job running the LA Institute and that they don’t really need us. Besides, they’re thinking of starting a family soon so maybe they don’t want so many people running around the Institute. I said, “But I thought you liked Los Angeles, and practically everyone we know is there.” He pointed out that that wasn’t totally true. In London, we’d be closer to Ty, and pretty much the same distance from the east coast, where Dru is, and of course Mark and Cristina are in New York half the time, too. I think he could tell that I wasn’t sure what to say, because he added, “It’s really about us having a home, one that we make together. Being grown up, and having a grown up kind of life.”

I joked around, saying we were still pretty young, and he said, “I know that most people who get together when they’re teenagers break up. They get older and they change. I just want us to go through the important things together, so we change together. Does that make sense?”

I told him it did though I was pretty freaked out he even mentioned BREAKING UP as a concept. So I kissed him, which distracted us both, and when our pod came to a stop on the ground everyone cheered and whistled. The English are more lustful than I had previously suspected.

I was exhausted by the time we got home and discovered that our ghost friend had been active in our absence. In the dust on the dining room floor were written the words

FIND THE DEVIL TAVERN

Now what on earth does that mean? Though honestly, we were both kind of pleased to see the message. At least it’s a clue so that we can begin to unravel the mystery of our ghost and his silver band.

PS Bruce, I know you’re dying to find out what it was that Julian wanted me to let him do that I have been refusing to do. Remember when I said we went to a costume shop? Well, apparently Dru made Julian watch The Hunger Games with her the last time we were home, and he really really wanted to paint me like this.

The things we do for love.

—Emma

[alice-in-neverlands-world]

Magnus to Alec

Dear Alec,

Before anything else, I just want to mention once again that you are by far the handsomest man I have ever met, with the most beautiful blue eyes, and what I love most about you, among so, so many other features, is that you are a man of incalculable understanding, patience, and forgiveness.

Yes, this is our vacation. Yes, you and the kids are lounging on the soft white sands of St Barths, as is good and right. Yes, I have had to dash to London on urgent business involving Blackthorns. Yes, I have been receiving your many supportive texts, accompanied by your many photos in which you look angry while holding umbrella drinks.

No, I will not be back today. You must imagine me saying this with the heaviest of sighs and the most forlorn look. I need one more day. Blackthorn Hall is haunted—which I could have told anyone who had bothered to ask, I’ve never known a more obviously haunted place in my life—and none of the little Blackthorns (who I suppose are no longer quite as little as all that) have had to deal with this kind of ghostiness before.

So again, let me commend you for your forbearance in this time of trial. That is not sarcasm, just formal! I really mean it!

Love you, Alec. See you tomorrow night. The next morning at the absolute latest -

To the Greatest Man Who Has Ever Or Will Ever Live,

It will be tomorrow morning. I was meaning to depart tonight, but it is now very, very late, and I have had no small amount of wine, and these are not the conditions by which I would feel quite safe opening a Portal. It will not do me any good to return to St Barth if I show up on top of the Gustavia Lighthouse.

So since I cannot yet sleep, but must, let me quickly fill you in.

The Blackthorns are fixing up Blackthorn Hall—fancy that—and while I understand they are now properly adults, they are still young enough to use a hundred year old Ouija board they found hidden in the walls. Didn’t have a planchette? Not a problem, we will just make one out of scrap without reference to the wood or the ley-lines or any of the— Sorry. I couldn’t help it, it’s such the Shadowhunter stereotype. Leap before you look. In fact, just leap. Leap whenever and wherever.

As it turns out (spoiler alert!) the spirit of the house—at least the restless one—means no apparent harm and is just your standard everyday “ghost looking for its missing bauble to move on” situation, as you’ll see. But I was more alarmed for it being the house in Chiswick. Many generations of Lightwoods lived in it over many years, and there always seemed a dark shadow over the place. In the mid-19th it was the home of, I’m sorry to say, a very bad Lightwood, definitely one of the worst Lightwoods, and after that, well, its fall from grace was precipitous. I cannot say from what time period this ghost might date, but given its reaction to the name “Blackthorn”, I had my worries.

Anyway, by the time I got to the house, Julian and Emma had managed to cause the Ouija board to, you know, magically shatter into a dozen pieces. I magicked it back—note for future reference, easier to magically repair something that was magically broken in the first place rather than with, say, a hammer—and produced a makeshift but actually calibrated and warded planchette. And burned their planchette in a fire. Outside.

It was quick enough at that point to contact the presence in the house, who was indistinct, probably from being alone for the past hundred-odd years. Let me tell you, Alec love, I was worried then. I was worried that this ghost was someone I knew. Someone I cared about, once. It probably isn’t—most of them would have no reason to be ghosts at all, much less ghosts stuck here—but once the thought occurred to me, I couldn’t put it aside. I tried to ask but you know how ghosts are. “I do not now know you,” it said. Great. But did you know me when you were alive? Just “I do not now know you.”

Anyway the thing was peaceful enough. We finally got around to the topic of why he is a ghost—we got enough of a spoken voice to know the voice is male, at least. He spoke aloud, and firmly. I am bound here by a silver band, he said.

Whether this silver band is a ring, a bracelet, a handcuff, the concept of “the ties that bind,” or a group of robot musicians, I have no idea. But it’s normal enough for a ghost to be bound by an object and to be looking for the thing that binds them. I honestly didn’t get a negative vibe from the guy. I’m… let’s say ninety percent sure that it’s not the aforementioned Bad Lightwood, at least. I told Julian and Emma there was no harm in their keeping an eye out for a silver band during their cleanup of the house, but not to worry themselves sick over it. This felt like wise advice at the time, although we had all had quite a bit of wine at that point.

The wine was in fact drunk continually throughout the evening, as there are some salvageable bottles from the cellar—rather amazingly, although I don’t know, maybe Shadowhunters have wine preservation runes somewhere near the back of the Gray Book. And drinking red wine while talking to a ghost just seemed, I don’t know, the right pairing? But of course now I have a splitting headache from a combination of sulfites and light necromancy. I am going to put myself to long-overdue sleep, and then tomorrow at six in the morning your time please tell le garçon I would like waiting for me a café allongé, very hot and a sidecar, very cold. I will then entertain the children for the rest of the day while you, my love, my all, take a nap and join us whenever you please.

With all my love, all my kissin’, you don’t know what you been missin’,

M.

[alice-in-neverlands-world]

Julian to Magnus

Hi Magnus,

So I know you told me only to get in touch for a “real emergency,” and I think you might have already left for vacation. But we’ve got some ghost trouble here at Chiswick House and we could use a little advice. Just in writing! No need to interrupt your time away! Unless, um, you think it really is an emergency.

Chiswick House is in awful shape in general, so it’s hard to know what’s a real problem and what’s just a hundred years of neglect. Other than one small area nobody’s touched the place since, it seems, the time of Tatiana Blackthorn.

We have some garden gnomes here doing the structural repairs and the big stuff, masonry and framing and so on. I mean, they’re not actually garden gnomes, I think they’re brownies, but they have the big pointy hats and the beards and everything. They’ve been moving pretty slowly, but recently Kieran was here and he had a talk with the foreman (this guy named Round Tom who is not even all that round) and since then things have sped up a lot. And there is a lot less complaining about the work conditions, and a lot less disappearing for the day if the tea runs out for more than five minutes. On the other hand, they’ve started leaving little offerings around intended for “the Un-Seel Laird,” which I gather is Kieran. Not anything Kieran would want, I don’t think. A lot of acorns and pretty rocks, mostly? And the occasional portrait of Kieran in chalk, which let me tell you, it’s a good thing they’re competent at construction because their portraiture could use some work. We’ve been keeping all the stuff in a box for him just in case.

I’m rambling, sorry. It’s just us rattling around in this giant ruin and all we want is for someone to listen to our dull stories about home renovation. But what I actually want to tell you about is the ghost.

I’m sure there are dozens of random spirits going back centuries that have some kind of faint presence in the house—Round Tom hinted as much to me—but there’s definitely some specific one that is actively haunting the place. We’ve had some poltergeist-y stuff. Mostly harmless pranks: vases overturned, drinks spilled, music faintly playing in the distance but originating from nowhere, weird hot spots, weird cold spots, doors slamming, doors closing very slowly on their own. To clarify, I do NOT mean poltergeist as in the movie Dru made me watch. No one has been sucked into evil dimensions or levitated (yet!). Still, it seems like we ought to try to get out ahead of this, so Emma and I have been trying to communicate with the presence directly. Whoever it is, they haven’t responded to us speaking to them, and it’s starting to feel silly to constantly talk in a friendly voice to nobody, like we have an imaginary friend. All that happens is the next morning someone has stacked all the gnomes’ hats into a hat tower and we have to convince the gnomes it wasn’t us.

Lest you think we haven’t tried smarter things than just yelling “Here ghostie ghostie ghostie,” Tiberius sent us a device he’s been working on, like a Sensor for ghosts. I spent some time walking the halls and eventually found a spot along some random corridor where the Sensor went crazy. I busted the wall open with a sledgehammer—somehow I feel like you would approve, although the gnomes did not—and behind the plaster, wedged between two of the beams, was a Ouija board that must go back to at least Tatiana’s time, if not before. There was no planchette, so we made our own out of scrap wood and furniture tacks. Maybe there was something bad about using that instead of something that went with the Ouija board, I don’t know how it works, but in any event, we tried the board and it went really badly.

We tried to do things officially—Emma and I waited until midnight, we got dressed up nicely, and we went down into the cellar. (There are a bunch of rooms down there that are highly spooky and look like they’ve been used for ghost-ish business in the past.) We extinguished witchlights (no electricity down there any more than it’s anywhere else), lit lots of candles. Ghosts love candles, right? We had a bolt of black silk to sit on that Emma found in a trunk somewhere, and we sat on either side of the board and both put our hands on the planchette.

Us: HELLO

Nothing.

Us: WEMEANNOHARM

The candles guttered, but most of the windows in the room are smashed, so with the usual draft from outside I’m not sure we can count that as a response.

Us: WHATISYOURNAME

We heard a scratching sound coming from one of the walls, and we opened up that wall in great excitement, but it turned out to be a badger. Actually, it was a mother badgers and some badger cubs, which was very cute until the mother starting trying to kill us. So we had to interrupt and go get the gnomes to help us and they relocated the badger family to a glade of some kind. (They also issued us a bill for “badger decampment.”)

This was all very disappointing. Emma said that maybe it was rude to ask for the ghost’s name before introducing ourselves.

Emma: MYNAMEISEMMACARSTAIRS

Me: ANDMYNAMEISJULIANBLACKTHORN

Well, that got a reaction. As soon as I finished the last “N” the board leapt off the ground and twisted violently around. The planchette went flying and Emma went to go retrieve it from the other end of the room, but then when she came back the board went flying around in the air and, I am sorry to say, we chased it around for probably two full minutes without catching it. Eventually the ghost got bored, I guess, and the Ouija board stopped in midair and shattered into pieces, which fell to the ground. And all the candles went out. (There were sixteen pieces, if that means anything. Emma says no, I said we should mention it anyway just in case.)

So…any advice? Too much ghostly energy for an old Ouija board? Defective board in the first place? Does the ghost want to be left alone? (If so, why does it keep knocking things over?) Did we offend it? There hasn’t been anything like that since, but exploding Ouija board seemed sufficiently threatening that I wanted to get in touch. What do you think is our next step?

Again, I’m really sorry to bother you, but your help would mean a lot to me. I really want to make Blackthorn Hall a place that the Blackthorns can use again, a place that will feel like a second home for all of us. And it would be nice if people in London associated the Blackthorns with a grand manor house rather than an infamous wreck. Which is not going to happen if visitors wake up with their hair tied to the bedposts, or have their suitcases upended on the staircase. In payment, we promise you as much babysitting as you like, whenever you need. Although maybe once we’re no longer living in a collapsing death-trap.

Much obliged—

Julian

[alice-in-neverlands-world]

🤍💭

[alice-in-neverlands-world]

EMMA TO DIARY

Dear Bruce,

Sorry it’s been a long time since I’ve written in you. Everything’s been kind of crazy since Ty sent the Ghost Sensor. Which was incredibly helpful and nice of him, and we decided that even if it didn’t work we’d still tell him it did, but that didn’t turn out to matter. It definitely works. The minute we unpacked it, it started to make weird little crackles and beeps. It didn’t seem to be reacting to anything specific, it was more like it was reacting to the environment of the house, fussing about it like a grumpy baby.

Julian decided to use it kind of like a divining rod, following where the strongest crackles and beeps seemed to be. We spent probably an hour traipsing through the house while the sensor made whistling sounds like an angry teakettle.

Eventually the sensor led us to one of the upstairs hallways. There’s no furniture in it now, and it looks a bit forlorn, with bits of tattered curtains hanging from the windows and an empty frame on the wall. It was also pretty eerie, standing in that room with the sensor going crazy but not being able to see anything. We both looked at each other, thinking,

Is there a ghost in here with us right now?

At that moment, I remembered what I’d read in Tatiana Lightwood’s diary, how she’d hidden the pages of her old diary in the wall. I went over to the wall and tapped on it. Jules picked up on what I was doing right away and started tapping on the wall as well, and we found a spot that echoed hollowly. We both stared at it for a minute, before Julian said, “Hang on.” He went downstairs and returned with a sledgehammer. He started to swing at the wall but I stopped him. “I really think you should take your jacket off while you do this. And maybe your shirt, too.”

Obligingly, he stripped down to his undershirt. That’s my guy. I may have taken a picture.

Plaster started flying everywhere. Pretty soon Julian had smashed through the wall, revealing a dark hollow space behind it.

Julian backed off while I reached inside. I cannot tell you how many spiderwebs I touched, Bruce. It was disgusting. Finally I pulled out a bunch of old clumped together pages. I can’t help but think they are Tatiana’s old diary pages, the ones she talked about destroying, but they were so water damaged that I couldn’t be sure. I was just wondering if I should tell Julian about the diary—for some reason I haven’t mentioned it to him yet—when he reached into the hole and pulled out a hard wooden board that had been engraved with letters and numbers.

“It’s a Ouija board,” he said. “Dru wanted one for Christmas last year.”

I’ve always thought of Ouija boards as being part of human superstition. Like palmistry, not something that Shadowhunters needed to take seriously. But the sensor was going crazy, beeping these dark red pulses that reminded me of Isabelle’s necklace.

“Should we try to use it?” I asked. Julian frowned. “I don’t know. When I was looking into getting one for Dru, I found out that these things can be kind of...dangerous.”

So I’m writing this right now while I’m lying in bed. Julian is already asleep, with plaster in his hair. He looks so cute. Anyway, we decided that we’d try using the ouija board tomorrow. We’re Shadowhunters, we can deal with ghosts, right?

Goodnight, Bruce. I think I’ll read a little of Tatiana’s diary to put me to sleep. Meanwhile, enjoy the eye candy.