amandehiyori

[amandehiyori]

‘ This has been 𝗣𝗨𝗗𝗗𝗜𝗡𝗚., the mastermind, taking control. As I claimed this account as my territorial, please be aware of what would be spoken ahead;

i. Therefore, all the information within this account is purely fictional, written with a pinch of 𝗣𝗨𝗗𝗗𝗜𝗡𝗚. imagination and creativity.

ii. Language: Bilingual. Speaking both language, but mainly using Bahasa Indonesia and English (a little Japanese) in daily conversation. Forgive me if there’s any grammatical errors or misspelled words in conversations.

iv. Signposts:

“...” / ... : In character

🍮 … : Out of character

𝗣𝗨𝗗𝗗𝗜𝗡𝗚. … : Mun!talk

More about face-claim:

[amandehiyori]

[amandehiyori]

Origin Tale ;

Amande Hiyori Fleur, a name as diverse as her background, burst into the world in the vibrant city of Osaka on February 14, 1994. Born to a diplomatic duo, her father, a stern Frenchman, and her mother, a nurturing Japanese woman, Hiyori’s upbringing unfolded against a backdrop of cultural fusion.

At the tender age of 7, Hiyori’s life took a turn when her mother decided to resign from her diplomatic post, choosing instead to focus on raising and caring for her daughter. The bond between mother and daughter grew stronger, providing a foundation that would later serve as Hiyori’s anchor.

In 2004, the Fleur family’s narrative underwent another shift, this time propelled by her father’s professional responsibilities. Their journey led them to Jakarta, where new adventures awaited. However, amidst the exotic landscapes and diverse cultures, Hiyori found herself ensnared in the protective grip of her father’s strictness. His watchful eyes seemed to follow her every move, an overprotectiveness that became stifling over time.

Determined to carve her own path, Hiyori sought refuge in knowledge. She delved into the world of archaeology, finding solace and liberation in the exploration of ancient civilizations. As the layers of history unfolded beneath her fingertips, Hiyori discovered not only the relics of bygone eras but also a means of escape from the constraints of her home.

Her journey as an archaeologist became more than a profession; it became a declaration of independence. Through dusty artifacts and buried stories, Hiyori unearthed her own narrative, one that spoke of resilience, cultural fusion, and a relentless pursuit of personal freedom. The echoes of her past, rooted in Osaka, traveled with her across borders, shaping the woman she was destined to become.

[amandehiyori]

Overview ;

NAME Amande Hiyori Fleur

PDOB Osaka, February 14th 1994

OCCUPATION Archaeologist, Traveler

EDUCATION Archaeology—University of Indonesia

HOBBIES Playing instruments (guitar and piano), Painting, Traveling, Collecting history books and manga

RELIGION Catholic

Physical Appearance ; Hiyori is not very tall and has a slim build. She often wears casual clothes, and her long black hair is usually let down. Occasionally, Hiyori dyes her hair a shade resembling orange, much like a tangerine (as she has a great fondness for tangerines).

Personality ; Hiyori is generally quiet and doesn’t engage in much conversation with people she doesn’t know well. However, she becomes quite talkative in a comfortable environment. Hiyori laughs easily, even if the situation isn’t humorous, and she is prone to crying easily—earning her the label of a crybaby. Sometimes, her father dislikes her for frequently crying. She is happy to eat anything, as she loves all kinds of food, with a particular fondness for sweets. Despite being a bit grumpy, Hiyori is still a fun person.