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Hotel Tourist (Karabakh). Baku, Azerbaijan, 1979

Architects: Shulgin, E. Melkhisedekov

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Joan Baez at Newport Folk Festival, 1963. Photos by David Gahr.

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Faye Marsay as Steph Chambers in Pride (2014)

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Arches National Park, Utah photo: Elliot McGucken

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Audra McDonald, Anne Hathaway, and Raúl Esparza in Shakespeare in the Park’s 2009 play “Twelfth Night” photographed by Brigitte Lacombe

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“my battery is low and it’s getting dark” is so hauntingly human, so crushingly lonely. I can’t articulate the deep, profound ache that sentence evokes. It’s acceptance and defeat and terror and sadness all at once, all from one tiny machine we asked to explore the stars for us.

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BILLIE PIPER 📸 Instagram

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color study: lavender blue by Ezra Leary

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Ala Ebtekar, Thirty-Six Views of the Moon (from the San Jose Museum of Art)

Cyanotype prints on found book pages exposed to moonlight.

Thirty-six Views of the Moon is a collection of night exposures, left from dusk till dawn and exposed by moonlight on book pages from texts referencing the moon and night sky spanning the last ten centuries. Working with photographic negatives of the Moon from the Lick Observatory archives in Northern California and treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive, the pages are then exposed overnight by the UV-light emitted by the moon. The work takes its cue from a poem by Omar Khayyam that imagines us as the objects of the Moon’s omnipresent gaze and, in response, produces a vignette of windows on the Moon that abstract the typical celestial gaze, merging galaxy with ground to collapse space and time. (McEvoy Foundation for the Arts)

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猫の恩返し / The Cat Returns 2002, dir. Hiroyuki Morita

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Dichen Lachman | DAMAN Magazine

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Lunar eclipse/ PERSPOLIS/ Fārs/ Iran Photographer: amir sadeghian

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'The List' || 3.05

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oh she’s fucking taking it

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Cate Blanchett photographed by Firooz Zahedi, 1999.

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Jenny Packham | Pre-Fall 2025