an-architectural-statement

[an-architectural-statement]

Ernst Haas, Light of New York City, 1972

[an-architectural-statement]

Sylvia Plath, aged 17, journal entry #28, from "The Unabridged Journals of Sylvia Plath" (c. September 1950)

[an-architectural-statement]

Saiho-ji Temple Moss Garden

masayuki.nakamura__

[an-architectural-statement]

Ferrari F355 GTS

Image by Philippe Collinet 

[an-architectural-statement]

Changi Airport - Singapore (by Pang Yuhao)

[an-architectural-statement]

Prism, Shangahi, HCCH, 2021

[an-architectural-statement]

Stephen Tennant and Cecil Beaton in Wilsford Manor, 1930

[an-architectural-statement]

Central Park, New York City.

[an-architectural-statement]

Central Park

[an-architectural-statement]

Central Park, New York City

[an-architectural-statement]

A stylized illustration depicts two vintage race cars speeding down a track, the closest car a dark green with the number four, the other a red car ahead. The scene is rendered in bold colors and sharp lines against a bright blue sky. Find more inspiration at tenniswood.co.uk

[an-architectural-statement]

"FREEWAY INTERCHANGE" ANSEL ADAMS | LOS ANGELES, 1967 [gelatin silver print | 9 x 6"]

[an-architectural-statement]

Frederick Mackenzie, The Library of Stanmore Hall, the Seat of Robert Holland, Esq, watercolor.

[an-architectural-statement]

James Pattison Cockburn (1779-1847), Tapestry-hung Room in Gothic Mansion, undated, watercolor and white gouache.

[an-architectural-statement]

Thomas Worthington Whittredge, A Window, House on the River, 1863, oil on canvas.

[an-architectural-statement]

Nao Tamura | Established & Sons | Luminaire

[an-architectural-statement]