anaissenli
Anaïs Senli
Anaïs Senli (Barcelona, 1980) is an artist and an independent curator. She studied at the University of Fine Arts in Barcelona and graduated from the Universität der Künste in Berlin. In 2006 she received the Post-Graduate Diploma “Meisterschülerin” with Professor Bernd Koberling. Senli studied philosophy at the Universidad Nacional a Distancia Española UNED. In 2016 she received a Master’s degree in “Art in Context” at the UdK with professor Claudia Hummel. Senli has participated in numerous exhibitions in Spain and Germany, in spaces like Hangar (ES), Kunstraum Kreuzberg/Bethanien (DE), Kunsthaus Erfurt (DE), Haus am Lützowplatz/Studiogalerie (DE), Gallery Wedding (DE), GlogauAir (DE). In Barcelona, she is represented by Sala Parés since 2005. She was awarded the first prize at XLVI Premio a la pintura joven (young painters competition) at Galerie Sala Parés, Barcelona; the Dorothea Konwiartz Stiftung Grant, Berlin; the Funding for the Presentation of Contemporary Art by the Berlin Senate and the Research Grant by the Berlin Senate. She has also participated in Berlin´s Gallery Weekend (DE), the International Contemporary Art Fair SWAB (ES) and the Fair Arts Libris (ES). Senli’s work is in the Fundació Banc de Sabadell collection. With a background in painting, she has come to expand in recent years to video art and installation, while at the same time engaging in curatorial projects. The themes she explores throughout the various branches of her practice are rooted in feminist theory, ecological thought, and science philosophy. // [email protected]
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Hybrida 11, 2024
102x72 cm
Coloured pencil and pencil on paper
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Hybrida 10, 2024
42x56 cm
Coloured pencil and pencil on paper
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Hybrida 9, 2023
102x72 cm
Coloured pencil and pencil on paper
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Hybrida 8, 2022
120x80 cm
Ink, water colour, calligraphic pen, coloured pencil and pencil on paper
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Hybrida 7, 2022
120x80 cm
Calligraphic pen, coloured pencil and pencil on paper
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Hybrida 5, 2022
120x80 cm
Ink, water colour, calligraphic pen, coloured pencil and pencil on paper
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Hybrida 5, 2022
120x80 cm
Ink, water colour, calligraphic pen, coloured pencil and pencil on paper
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Untitled 2022
56x42 cm
Calligraphic pencil, coloured pencil and pencil on paper
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#plantthinking#hybrida#contemporarydrawing#berlinartlink anais senli climate change crude oil plankton non-anthopocentric thought non-human ecology feminism
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Untitled 2022
42x29,7 cm
Calligraphic pencil, coloured pencil and pencil on paper
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Untitled 2022
42x29,7 cm
Calligraphic pencil, coloured pencil and pencil on paper
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Untitled 2022
40x30 cm
Calligraphic pencil, coloured pencil and pencil on paper
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Untitled, 2022
40x30 cm
Calligraphic pen, pencil and coloured pencil on paper
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Excerpt from “Linea Fusca”
4K video loop, 20 min., 2020
Text: Eirik Sördal and Anaïs Senli
Sound: Stephen McEvoy Voice: Ania Nowak
Camera: Mireia Guzmán
Video editing: Anaïs Senli
Flesh: Pilar Fonseca, Ignacio Español, Emil Sær Senli Sördal, Eirik Sördal and Anaïs Senli
What kind of material agency does a pregnant body have? How do we distinguish ourselves from others? If an organism is defined by its capacity to exist in solation, how is the body of a pregnant woman classified? How does the maternal experience affect our subjectivity? Who embodies a mother? Linea video was produced by Anaïs Senli in collaboration with her partner Eirik Sördal, and the participation of various family members. The video explores their first months of motherhood during the pandemic, while entering into speculative terrain in order to go beyond personal experience. Linea Fusca proposes an aesthetic reflection on the political potential of an ethics based on human co-dependence and the value of care, understood as collective cooperation. The video also analyzes the experience of maternity from a phenomenological, posthumanist and hydrofeminist perspective in which the elements of flesh and water serve as a fluid connective tissue to generate speculative entanglements with human and more-than-human agents. Therefore, Linea Fusca reflects on the fluid interactions in our bodies of water and flesh to investigate reproduction as a process based on the experience of otherness, both during and after pregnancy.
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Hybrida 4, 2022
Oil, ink, watercolour, pencil, calligraphic pencil, and tempera on paper,
180 x 140 cm each
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Hybrida 3, 2022
Oil, ink, watercolour, pencil, calligraphic pencil, and tempera on paper,
180 x 140 cm
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