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anatebgigallery · 9 years
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Jen DeNike, Jori <3 Transcends Olympia, 2015
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anatebgigallery · 9 years
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Jen DeNike, ‘Mothers,’ 2015, Anat Ebgi
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anatebgigallery · 9 years
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Chris Coy (American, b. 1980), Deformer (1983-12), 2015. Rosco DigiComp Blue 5705 on canvas, 36 × 36 in.
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anatebgigallery · 9 years
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Margo Wolowiec, ‘Warning Signs’ (2015). Anat Ebgi, Los Angeles.
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anatebgigallery · 9 years
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"Catfish” at Anat Ebgi Gallery
Group show with work by Petra Cortright, Kate Steciw, Letha Wilson and Margo Wolowiec
September 11 – October 24, 2015
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anatebgigallery · 9 years
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Martin Basher Untitled, 2015 Oil on canvas 40 x 30 inches Martin Basher’s solo exhibition, “A Guide to Benefits” is now open at the gallery!
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anatebgigallery · 9 years
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Happy Painting, new work by Neil Raitt at Anat Ebgi, LA. Check it out if you are in town.
I’ll always have a soft spot for Bob Ross. My first memories of painting and first oil paintings were done side by side with my Grandmother in her living room painting along with the afro-ed one. Despite the kitsch, Ross took the everyman’s stance of everyone could paint. Maybe this is the PBS version of Bueys’ “Everyone is an Artist”. I don’t know. The paintings usually generated weren’t great and they sure looked a lot like what was sold in parking lot sales broadcast nearly every weekend on the radio, but there was something magical about Ross and his talk of happy trees, imaginings of the squirrels who live there and the freedom of making something. I’ve loved a palette knife since then and the buttery feel of paint as it rolls off the blade, squeezing off the sides with the slightest pressure. It made me love paint. 
So! Aside from the cult influence of Bob Ross, Neil Raitt’s paintings take that mechanical, highly reproducible, kitsch aesthetic and married it with field painting, modernist reduction and wallpaper to create this beguiling body of work. Using repetition, systems and hinting at the paradox of the mechanical/route vs the unique, his paintings are smart, inviting and do feel like happy painting, in the best possible sense. I think Bob would be proud. 
http://anatebgi.com/cpt_exhibitions/happy-painting/
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anatebgigallery · 9 years
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Chris Coy
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anatebgigallery · 9 years
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Neil Raitt Kaleidoscope Cabin, 2015 Oil on canvas 240 x 180 cm
Neil Raitt’s first solo exhibition “Happy Painting” now open!
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anatebgigallery · 9 years
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Neil Raitt’s first solo exhibition “Happy Painting” now open!
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anatebgigallery · 9 years
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Jason Bailer Losh
"Plow Louise," Jason Bailer Losh's solo exhibition is on view now at Anat Ebgi.
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anatebgigallery · 9 years
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Jason Bailer Losh Incognito, 2015 Maple, brass, birch plywood 80 x 10 x 10 inches "Plow Louise," Jason Bailer Losh's solo exhibition opens tonight at Anat Ebgi.
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anatebgigallery · 9 years
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Nicholas Pilato's solo exhibition closes this weekend at Anat Ebgi, Los Angeles. 
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anatebgigallery · 9 years
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Happy Valentine's Day! Image: installation view of Lucie Fontaine at Anat Ebgi in 2013 (at Anat Ebgi Gallery)
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anatebgigallery · 9 years
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Anat Ebgi at ALAC 2015
With: Martin Basher, Nick Hornby, Jason Bailer Losh, Neil Raitt, Joe Reihsen
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anatebgigallery · 9 years
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Neil Raitt is participating in Mountains Collection,  at Untitled Gallery
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Tonight @ Untitled Gallery in NYC! Brendan Lynch Mountains Collection (Part 2)  January 16th - February 22nd, 2015  Opening Reception: Friday, January 16th, 6-8 pm 30 Orchard Street New York, NY
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anatebgigallery · 9 years
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Nicholas Pilato, A map over Mali, 2014, Hand glazed ceramic tiles, 85.5” x 61”
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