Katie | she/her | it took me 3 tries to find a user name about wanting Andrew Rannells to have a Tony that wasn't already taken
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the vibe i bring to the function
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u guys seem to like these and i like making them so part 2!!










(here’s part 1)
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falsettos text posts 3 while i rewatch glee










part 2 ^
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“I’m straight!!” “I’m gay!!” okay well I’m neurotic, he’s neurotic, we’re neurotic they’re neurotic bitch bitch bitch bitch funny funny funny funny
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Another Trina. Can you tell I love this brush
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a production of falsettos ended with whizzer’s name on the aids memorial quilt EXCUSE ME

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My mom totally called Andrew ripping his pants
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andrew & tuc at gutenberg's opening [via tuc's instagram]
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If there was ever an example of "God is in the details," it's the line that opens this show: "Attend the tale of Sweeney Todd." Detail 1: the use of "attend" to mean "listen to" is just archaic enough to tell the audience that this will be a period piece. Detail 2: the idea of a "tale" suggests that the audience not take the story realistically but as a fable, and opens them up to accept the bizarrerie of the events which follows; it also promises a story that will unfold like a folk ballad, foreshadowing the numerous choruses of the song that will pop up during the course of the evening. Detail 3: the alliteration on the first, second and fourth accented beats of "Attend the tale of Sweeney Todd" is not only a microcosm of the AABA form of the song itself, but in its very formality give the line a sinister feeling, especially with the sepulchral accompaniment that rumbles underneath it. If all of that seems like the kind of academic hyperanalysis which regularly shows up in studies of literary forms, I can assure you that even if the audience is not consciously aware of such specific details, they are affected by them.
Stephen Sondheim, Finishing the Hat
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LOOK AT THIS <3
1992 Gay Pride Parade in New York. [x]
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why does he have to throw like that ……..
this took 9 hours pray for my hand
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