androgynealienfemme
androgynealienfemme
Infinite Diversity in Infinite Combinations
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Ezri. 27. They/Them. Androgyne Femme Dyke. Boricua. A collection of aesthetics and fandoms. Now with queer history/lit posts~
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androgynealienfemme · 19 minutes ago
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androgynealienfemme · 51 minutes ago
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Eddie Izzard, Force Majeure, 2013
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androgynealienfemme · 1 hour ago
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GAME OF THRONES S4E5 "First of His Name"
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androgynealienfemme · 2 hours ago
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AALIYAH   as   QUEEN   AKASHA Queen   of   the   Damned   (   2002   )
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androgynealienfemme · 2 hours ago
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androgynealienfemme · 3 hours ago
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androgynealienfemme · 4 hours ago
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all of my interview with the vampire stuff
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androgynealienfemme · 4 hours ago
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androgynealienfemme · 4 hours ago
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i just fucking yelled so loud my mom had to check if i was okay oh my god
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androgynealienfemme · 4 hours ago
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It's jarring to see how many people deeply believe that the progressive solution to the oppression minorities face in their countries is to distill each country into its constituents and give each group its own mini ethnostate.. do you, by any chance, know if the mossad is hiring? Should we send women to Venus and men to Mars?
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androgynealienfemme · 4 hours ago
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androgynealienfemme · 4 hours ago
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My zine I made to sell for family campaigns I love how it came out
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androgynealienfemme · 4 hours ago
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Interview with the Vampire -> Balconies
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androgynealienfemme · 4 hours ago
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you can go back to the past but nobody’s there
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androgynealienfemme · 4 hours ago
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Camille on her deathbed (detail) by Claude Monet, 1879 // Twin Peaks (1x01) by David Lynch, 1990
Monet was so fascinated by the face of dead Camilla, that he could not help but capture it. ‘I found myself staring at the tragic countenance,’ he wrote to his friend later, ‘automatically trying to identify the sequence, the proportions of light and shade in the colors that death had imposed on her immobile face. Shades of blue,yellow, gray, and I don’t know what. That’s what I had become… But even before the thought occurred to record the face that meant so much to me, my first involuntary reflex was so tremble at the shock of the colors. In spite of myself, my reflexes drew me into the unconscious operation that is but the daily order of my life.’
(…)
The posthumous image of Laura was most probably inspired by the painting of Monet. Reconstructed by Lynch in similar Impressionist tones, it produces the same magnetizing effect. It even appeared on the cover of one of the issues of the Esquire magazine: a photograph of a dead body wrapped in polyethylene was published with the signature ‘Woman of the Year’. (x)
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androgynealienfemme · 5 hours ago
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androgynealienfemme · 5 hours ago
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My finished piece for @billfordzine! Thank you so much for letting me apart of the project!!
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