Bella -- she/herI'm getting back in the saddle and excited to learn more, and to meet other horse people
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Michael Malm, Green Pastures, 2011, oil on canvas, 30 x 40 inches [high res]
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Here’s that horse again
*in the tone of a estranged grandmother*
You love horse
Horse was always your favourite what happened?
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John Frederick Herring Sr. (British, 1795 - 1865), The Noonday Rest, 1859, oil on canvas, 42.25 x 72.125 in. (107.3 x 183.2 cm.), via Sotheby’s.
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A little experiment with blue and black calligraphy ink, this one is a bit looser than the ones I posted earlier and I didn't use any gouache. Still inspired by Lena Furberg though.
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A horse trotting
My attempt at animating trot using pencil, black calligraphy ink, and a bit of white gouache. The horse is moving away from the viewer at a bit of an angle so it was more difficult than my other attempts. I'm still very new to this so please don't judge it too harshly.
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horses have been my ASD special interest since i was a little kid. i've mostly been harassed and bullied out of not talking about it in public, but this is a fun tool you guys might like.
show me the cute horses you make?
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Mustang, Wild Spirit of the West by Marguerite Henry (1966) illustrated by Robert Lougheed [part 2]
@antiqueanimals
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A rough around the edges piece I did a while ago
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Blue Stallion, Danny Pierce, 1950, Brooklyn Museum: Contemporary Art
Size: Plate: 14 ¾ x 6 15/16 in. (37.5 x 17.7 cm) Sheet: 17 ¼ x 10 in. (43.8 x 25.4 cm) Medium: Engraving on cream-colored wove
https://www.brooklynmuseum.org/opencollection/objects/64833
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i need to stop picking at my face but the problem is theres Textures On There and i would prefer if there Werent
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Louis Anquetin (French,1861–1932)
Horses and clouds study, ca. 1891
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Foals in art




1. Et stående føl (1843) by Johan Thomas Lundbye (1818-1848).
2. Two Studies: a Foal, and a Mare and Foal by Robert Hills (1769–1844). Watercolour and graphite on moderately thick, moderately textured, beige, laid paper.
3. Mare and Foal by Arthur James Stark (1831–1902). Graphite on medium, slightly textured, cream, wove paper, mounted on moderately thick, slightly textured, cream, wove paper.
4. Study for Mare and Foal, Lytchetts, Clayhidon (1917) by Robert Bevan (1865–1925). Charcoal with rubbing on moderately thick, slightly textured, cream, laid paper.
(Picture source for Et stående føl, Two Studies: a Foal, and a Mare and Foal, Mare and Foal and Study for Mare and Foal, Lytchetts, Clayhidon)
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