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higher than a motherfucker dreaming of you as my lover

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Look at these pathetic and very pink lobsters covered in barnacles from the Schmidt Ocean Institute ROV dive off Uruguay: (SOI dive 831 August 27 2025)
aheem heem 🥺 i got covered in barncles 🥺
(link for the livestream)
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Little blue heron By: Theodore Cross From: Natural History Magazine 1989
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pavement for the american library association’s celebrity “read” campaign
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Anubis & Horus spotted having tea in Cairo, Egypt (2006)
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David Lynch's "Angriest Dog in the World".
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The proposal to name an Anthropocene epoch originates in the awareness that human beings, acting in ways that are out of sync with the pace of geological time, are the chief cause of most contemporary global change. Nonetheless, one can argue that the choice of that particular name does not do justice to the true causes of the epochal change. The Anthropocene does not acknowledge that some groups of human beings have had greater effects on the planet than others. As Londa Schiebinger points out in her study of the use of the peacock flower as an abortifacient by West Indian women under colonialism, narratives mask or expose histories that depend on the perspective of the teller.
Scholars in the humanities and social sciences declare that the Anthropocene narrative represents humanity as an undifferentiated species assuming power over the rest of the earth system. But in the crucial field of climate change, for example, a large segment of humanity has not participated in the fossil fuel economy that has led to global warming. So the choice of a name for the new epoch has the potential to obscure or reveal the agents of such change. That name will affect stories people compose about the continuing development of human societies. Given the centrality of the concept of geologic time in the science of geology, as well as the implications beyond the natural sciences of a proposed new epoch, it behooves us to examine any proposals for a new division of time and the name selected to describe it.
'The Anthropocene Controversy' by Jill S. Schneiderman in Anthropocene Feminism
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Tamara de Lempicka devant le tableau Suzanne au bain avec son modèle Miss Cecelia Meyers photographiées par Otto Bettmann à Beverly Hills en Californie le 14 mai 1940
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Bro I love living in 2025 its like Ohh man why did I spend 200 dollars more than usual last month then you check the news and its like Trump Set To Ban Cookies & Milk
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